Award-winning modern horror on everyday evil
Although this might not seem like a Christmas book, I first bought it from the author when she was selling her books at the Beyond Q Christmas book sale that they held a couple of years ago when they were based in Curtin. I bought a copy of this book from the author, which came with a super cute little handmade Christmas cracker and a bookmark made out of stamps, and it sat on my shelf for far too long before I finally read it. Just this year though, I interviewed the author about writing horror for a Halloween special episode of my podcast, and so it was definitely time for me to give this book a read.
“The Grief Hole” by Kaaron Warren is a horror novel about a young woman called Theresa who works as a domestic violence social worker. Theresa has a special but macabre ability: she can tell how you will most likely die. Increasingly haunted by the spirits of future death that surround her clients, she decides to start taking fate into her own hands with disastrous consequences. Traumatised, she moves away and takes up a job offer from an estranged relative whose daughter recently committed suicide. When the talented young artist’s death begin to emerge, Theresa is determined to prevent history repeating itself. However, when she discovers who exactly she is up against, Theresa is forced to examine her own motives.
This is an eerie and disturbing story that uses a thin overlay of the supernatural to explore good and evil, selfishness and selflessness in an otherwise very realistic world. Warren turns the themes of power and control inside out to examine questions of how much we determine our own futures and how much we must passively accept. She also asks whether our intentions can ever truly be pure, and whether we can ever truly know what the impact of our actions will be. Warren has a real knack for dialogue and for taking the everyday and making it horrifying. She maintains a palpable sense of unease throughout the entire book.
However, this book won’t be for everyone. Although it’s not blood-spattered, stereotypical horror it is very disturbing in its own way. I found quite a few parts of the book confronting and uncomfortable, and this is a book that lingers after you have read it. It is intentionally ambiguous and the reader will often feel like they are walking through a heavily rainy landscape unable to clearly see where they have been or where they are going.
A unique and unsettling take on the horror genre by a local Canberra author, it is not surprising why this book won so many awards and if you’re looking for something a little darker than normal, this would be a great book to check out.
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