Non-fiction book about black women in fantasy
Content warning: racism
I received a copy of this book courtesy of the publisher.
“The Dark Fantastic” by Ebony Elizabeth Thomas is a non-fiction book about the representation of black women in fantasy. Thomas focuses on four examples of popular fantasy books and television series that feature a black female character. Thomas presents her theory of the Dark Other as a lens through which to understand how black women are marginalised, even in magical worlds. Exploring the themes of spectacle, hesitation, violence, haunting and emancipation, Thomas analyses “The Hunger Games”, “The Vampire Diaries”, “Merlin” and “Harry Potter” in depth while making mention of many other examples of afrofuturism and black fantastic stories.
This is a meticulous and thoughtful book that gives characters like Rue, Bonnie Bennett, Gwen and Angelina Johnson the attention and analysis that they often did not receive in their own stories. There were some very compelling arguments in this book, particularly Thomas’ discussion of hesitation and the rationale behind why readers, writers and publishers find black characters so disconcerting – even in fantasy worlds. I thought that the idea of waking dreams and the hypocrisy of how the idea of magic doesn’t break the illusion but an empowered black woman does was particularly piercing. Thomas is very frank about her experiences in fantasy fandom, and this first-hand knowledge and response enriches this structured and well-researched book.
I think the main question I have after reading this is who is the intended audience? Although softened y the autoethnography parts of the book, as well as the appealing subject matter, Thomas nevertheless has a very scholarly writing style that indicates her significant academic experience and qualifications. While I highly doubt anyone could fault her theories, research or conclusions, part of the advantage of writing non-fiction books is to bring complex yet important concepts to a broad audience and I think that some parts of Thomas’ book could be a little too intellectual for the average reader.
A fascinating and academic work about a phenomenon that any pop culture consumer has been exposed to but most probably haven’t even noticed.