Family saga novel about racism, Aboriginal identity and intergenerational trauma
Content warning: racism
2020 was not a great year for authors. Usually when an author publishes a book, especially with a well-resourced publisher, the author has the opportunity to promote the book through events such as interviews, panels and readings. For many authors last year, social distancing, lockdowns and curfews meant that promoting books in person simply was not possible. This book was published last year and although I saw a lot of discussion about it on social media, unfortunately I don’t think it got anything like the publicity that it deserved. I bought a copy and it is a beautiful book with a striking design including gold foil on the cover. I haven’t been very active on here recently, but this is my next book to review, and given that today is the first day of Reconciliation Week, it is an ideal time to boost an Aboriginal author.
“Where the Fruit Falls” by Karen Wyld is a family saga set in Australia in the mid-1900s. After the end of a family chapter, Brigid, a young woman with a white mother and an Aboriginal father who was killed in action, leaves her grandmother’s apple orchard to make her own way. Following a willy wagtail, Brigid finds her way to lost kin to have her twin babies on country and to gradually make peace with her identity. However, in a changing world, her daughters must face their own challenges and survive the prejudices levelled against them for the colour of their skin.
When I’m reading, I usually take notes of my impressions of the book and things I liked or didn’t like. For this book, the only note I wrote was this: “This story feels like a pebble that has rolled up and down a beach, over and over. It may not be the same shape as the original stone, but it is still the same stone; just smoother and a nice weight in your hand”. This book feels like a story that has been told over and over, perfected a little more with each retelling. Some people have described this book as magic realism, however Wyld elaborates a little more on how she considers it a literary device rather than a genre and how she inserts fractures in her her writing to draw the reader’s attention. Embellished in some parts, abridged in others, this story flows with a familiar rhythm.
However, this is by no means a typical story. Wyld makes some fearless narrative decisions that are devastating in their impact and reverberate throughout the whole novel. Brigid is a complex character who struggles to break free from the lessons she was taught about her skin colour and her worth as a child. Through her daughters Tori and Maggie, Wyld explores the stark difference in how people are treated based on their appearance and the assumptions made about their connection to country and culture. Although Wyld never refers to any particular region or city, this book has a really strong sense of place and I really enjoyed seeing the land through Brigid’s eyes and the city through the twins’.
A beautifully constructed and heartbreaking story. Not just this week but every week, I implore you to follow, support and listen to Aboriginal and Torres Strait Islander writers to learn about and empathise with this country’s history and the continuing impacts of colonialism, and this book is an excellent place to start.
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