Category Archives: Graphic Novels

May 12, 2023 · 2:08 am

Agatha: The Real Life of Agatha Christie

Biographical graphic novel about famous crime fiction novelist

I picked up this book at a Lifeline Bookfair, I think. I haven’t read much of Agatha Christie, but a lot of my family members enjoy her work, especially her books about the Belgian detective Poirot. A graphic novel sub-genre I’ve enjoyed previously is graphic novel biographies with one of the best being “Anne Frank: The Anne Frank House Graphic Biography” which includes the incredible story of her father Otto Frank. I must have picked this one up some time ago, and decided to read it during my Short Stack Reading Challenge. I actually had a lot of trouble getting the right photograph for this review. I’ve been in the UK and Belgium, and tried to take photos at a library hotel, a comic book museum and even a comic-themed hotel. I’m not really happy with any of them (and was disappointed I didn’t see any Poirot statutes or anything in Brussels) so I’ll just include them all and be done with it.

Photo is of “Agatha: The Real Life of Agatha Christie” by Anne Martinetti, Guillaume Lebeau and Alexandre Franc, and translated by Edward Gauvin. The paperback book is resting in front of windows made of carved stone. The cover is of a red-haired woman looking out at a city nightscape with a pen to her mouth. There are searchlights in the sky.

“Agatha: The Real Life of Agatha Christie” by Anne Martinetti, Guillaume Lebeau and Alexandre Franc, and translated from French by Edward Gauvin is a biographical graphic novel about the famous crime fiction author Agatha Christie. The story opens with Agatha’s mysterious disappearance in 1926 and the grilling of her husband by police. The story then turns to Agatha’s childhood to follow the journey of how she became a bestselling writer and the events that led up to her disappearance, discovery and life afterwards.

Photo is of “Agatha: The Real Life of Agatha Christie”. The paperback book is sitting below a striped wall with illustrated photoframes that have cartoon portraits inside.

This is an interesting presentation of a biography that takes some creative liberties to share Agatha’s story in a unique way. The art style, while simple, is easy to follow and captures the mood and key details of the era Agatha lived in. Agatha’s life is depicted as colourful and rich, full of inspiration for her stories. The authors made the interesting narrative choice to have Agatha converse with her character Poirot throughout the book: sometimes seeking creative and emotional support, sometimes using him as a soundboard, and sometimes arguing with him about his own character arc.

Photo is of “Agatha: The Real Life of Agatha Christie”. In the background are comic books, out of focus, suspended from a ceiling.

I think while in many ways it is an original way to tell a story, I wasn’t sure that Agatha and Poirot’s conversations always added to the overall story. I appreciate what the authors were trying to achieve but I felt that their characterisation of Poirot, someone very invested in his own story, didn’t really match with Agatha’s own characterisation. The simplicity of the art style and the limited colour palette did make it difficult at times to distinguish between the characters.

A quaint and engaging way to present a biography and one that has inspired me to read more of Agatha Christie’s work.

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April 30, 2023 · 10:28 pm

Zenobia

Graphic novel about the Syrian refugee crisis

I picked up a copy of this book ages ago from Canty’s Bookshop. Back in December (yes, I am still very behind on reviews!) I was raiding my bookshelves for suitable books for my Short Stack Reading Challenge and this little graphic novel was definitely on the list.

Photo is of “Zenobia” by Morten Dürr and Lars Horneman. The hardcover book is resting on wrinkled beige fabric that looks like it could be sand or waves. The cover is of a young girl facing away towards a destroyed city street in purple and apricot shades.

“Zenobia” by Morten Dürr and Lars Horneman is a graphic novel about a young girl called Amina from Syria who is on a crowded boat which is hit by a large wave. As she falls into the ocean, she thinks about her life before the boat, when her parents didn’t come back from buying ingredients for dolmas.

This is a quiet graphic novel that without direct reference or depiction of violence, explores the human impact of the Syrian civil war. Although Amina is the main character and point of view of the book, her voice is almost entirely internal and the situation is almost entirely outside her control, resulting in the very strong sense that she is voiceless and powerless. Dürr and Horneman draw parallels throughout Amina’s journey with text and imagery, with themes like salt, being lost and Zenobia, a Syrian heroine, connecting past and present.

I appreciate that this is a graphic novel that is suitable for younger audiences, and can help children to make sense of a very fraught and complex situation. However, while reading it, I did wonder if perhaps in making it so accessible, a little too much nuance was lost, including in relation to Amina’s true experience of living through conflict. I think a good counterpoint about conflict in and migration from the Middle East is “Persepolis“, written and illustrated by an Iranian author.

An easy read about a challenging topic for all ages that at times feels a little over-simplified.

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April 22, 2023 · 11:32 pm

Dinotopia: A Land Apart from Time

Illustrated fantasy book about a society with sentient dinosaurs

I absolutely love graphic novels and illustrated stories, but somehow I missed this book which came out when I was a young kid. I picked up a copy from the Lifeline Bookfair quite some time ago, and everyone I have mentioned it to has been full of happy nostalgia. When I was picking out books for last year’s Short Stack Reading Challenge, I added this one to the list and was thrilled to finally get a chance to read it.

Photo is of “Dinotopia: A Land Apart from Time” by James Gurney. The hardcover book is in front of the rear right foot of a large triceratops statue that is bigger than the frame. The cover has illustrations of people riding dinosaurs on it.

“Dinotopia: A Land Apart from Time” by James Gurney is an illustrated fantasy story about an explorer and biologist called Arthur Denison and his son William. Told as though Gurney has discovered a forgotten sketchbook, the story follows Arthur and William after they are washed ashore on a strange land when their ship sank at sea. They soon discover that the land is inhabited by both people and dinosaurs who coexist peacefully. Over time, Arthur and Will explore the new land and its inhabitants and adjust to their new life in Dinotopia.

This is a beautifully illustrated, whimsical book that was a delight from beginning to end. Arthur’s perspective as a naturalist was an inspired way to tell the story as the reader uncovers new facets of Dinotopia at the same time Arthur does. The story is told in the style of a journal with the text accompanied by exquisite paintings of Gurney’s imagined society. The detail is sublime with all kinds of imagined elements for how such a cooperative society might operate such as botany, technology, culture, sports, transport, architecture, written language, clothing and more. The human inhabitants of the world are descendants of castaways or recent castaways themselves, resulting in a very pluralistic and tolerant community.

Some may critique the lack of conflict in this book, which flows in an even pace along what I have previously described as a “where we went and what we did there” trajectory but honestly the writing was so lovely, the illustrations so quaint and the worldbuilding so novel that I was willing to forgive just about anything and enjoy the peaceful ride.

An absolutely lovely book full of wonder and beauty and I’m looking forward to reading more in the series.

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March 27, 2023 · 12:16 am

Iron Bard Ballisto

Humorous comic about a musical barbarian superhero

I can’t remember exactly where I bought this comic from, but I think it was potentially from the creator himself at one of the Free Comic Book Days at Impact Comics pre-COVID. It looked fun and I’m always keen to support local authors and artists. It has been sitting on my shelf far too long and I pulled it out for the Short Stack Reading Challenge.

Photo is of “Iron Bard Ballisto” by Ben Hutchings. The comicbook is resting on top of sheet music and two black and one white vinyl records. Above the comicbook is a black, sparkly ukulele.

“Iron Bard Ballisto” by Ben Hutchings is a comic about an barbarian minstrel called Iron Bard Ballisto who infiltrates the multi-story building of a mysterious company called ZND. Using unlikely weapons like plectrums, vinyl records and actual song, Iron Bard Ballisto nullifies the enemies to crash the boardroom and save Tasmania.

This is a surreal, amusing story with lots of fun throwaway lines and ridiculous battle scenes. Hutchings is very creative with his use of music as a weapon, and pushes the theme to the extreme. The art style was both dynamic yet understated with a limited colour palette of blues and whites. I also really liked that there was some sheet music on the back which was fun to try out on my electric piano.

I think the only thing missing for me was clear motivations. Iron Bard Ballisto is understandably a bit wild but it wasn’t quite set out exactly why a body positive bra solutions business was harming the Tasmanian rainforest. Perhaps a bit more exposition would have been helpful (even if was as silly as the rest of the story).

A fun, ridiculous comic that was quick and easy to read.

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March 23, 2023 · 12:13 am

Blacksad: They All Fall Down Part One

Detective noir graphic novel about corruption and conspiracy in New York City

Content warning: murder, sexual harassment

I have been blogging here for 8 years and I cannot believe that this is the first time I am reviewing a book from this series. I think that’s a testament to how much I love this series that I have been waiting over 8 years for the next installment. It came out last year and I was so excited to read it, I knew that it was going to be the first book for my Short Stack Reading Challenge for December.

Photo is of “Blacksad: They All Fall Down Part One” by Juan Díaz Canales and Juanjo Guarnido. The hardcover graphic novel is resting on a chain between two metal gates. In the background is a construction site with a large orange crane against a sunset. The cover is of an anthropomorphic black cat in an olive green suit holding a gun. Beside him is an anthropomorphic brown weasel in a cap and leather jacket. In the background an eagle-like figure stands on a metal platform in front of a large bridge with cranes on top and a city nightscape in the distance.

“Blacksad: They All Fall Down Part One” by Juan Díaz Canales and Juanjo Guarnido is the fourth volume in the “Blacksad” detective noir graphic novel series. The story is about John Blacksad, a black cat private eye who becomes involved in trying to prevent the assassination of Kenneth Clarke, the president of the Transport Workers Union. Clarke, a bat, is a keen advocate for public transport workers while the city is being brutally transformed by a construction magnate, a peregrine falcon called Solomon. However, Solomon’s reach is longer than Blacksad could even imagined and between a Shakespeare in the Park troupe, journalists, underground mechanics, the bourgeoise and the mob, a blackmailed gull brings everything crashing down.

All of the books in the “Blacksad” series are wonderfully intricate and complex, and this is no exception. Díaz Canales once again tackles hard-hitting social issues that, while set in the 1950s, nevertheless resonate with the modern reader in the battle for public space and a city’s soul. Guarnido’s illustrations feel especially urban in this graphic novel, highlighting iconic scenes, styles and even artworks from the New York cityscape without ever feeling stereotypical. He captures the crushing of crowds without ever losing detail or perspective, and the sense of place is cemented with fashion and technology from the times.

Another excellent chapter in the “Blacksad” series and I fervently hope it’s not 8 more years before we see “Part Two” translated.

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September 3, 2022 · 12:27 am

Rigsby, WI

Comic of age webcomic set in the early 2000s

Content warning: mental illness, racism, drug use, sexual harassment

I have reviewed a few graphic novels on here that were originally webcomics. However, I don’t think I have ever reviewed a webcomic that has not yet been published and is still being updated. I first came across this artist well over a decade ago when she was creating a different webcomic called “Cheap Thrills“. “Cheap Thrills” was a story about a group of teenagers illustrated in a style the artist often referred to as humanimals but that others may recognise as furry/anthro. In 2012, the artist posted that the comic was no longer going to be updating regularly and that she couldn’t say if or when it would again. Many fans who had become immersed in the complex lives of these kids were heartbroken but understanding at the announcement. Then, in 2018, she announced something new: the same characters we all loved, but rebooted with a revitalised setting and a more sophisticated plot.

Image is of “Rigsby WI” by SE Case. The webcomic banner is of a burning house with a redhaired girl standing in the foreground holding a bicycle.

“Rigsby WI” by SE Case is a coming of age webcomic about a group of teenagers called Jeordie, Beth, Anna, Erik and Frank who live in the eponymous town Rigsby in Wisconsin, USA. Jeordie, a talented artist and basketballer, navigates small-town racism as a biracial person and explores his sexuality. Beth, his next door neighbour, is homeschooled by her aunt after a tumultuous time with her family and early school years. Her best friend Anna struggles with maintaining high grades in a dysfunctional family situation, staying over with friends and her half sister more than she does at home. The friend Anna grew up with, Erik, is trying to reinvent himself to impress a girl and pursue sports. Anna also gets to know Frank, an older student who has repeated several times, who lives in the same trailer park as her sister and is known as the go-to weed guy.

This is a hard-hitting, slice-of-life webcomic that tackles a range of social issues while paying homage to the cultural touchstones of early 2000s. Each of the three chapters published so far use a slightly different style that reflects not only the season but the overall mood of the chapter. The webcomic is extremely immersive with the characters engaging with the music, fashion and historical events of the time. I was even inspired to make a playlist of the songs referenced in the comic. Case sensitively but boldly explores issues of class, race, sexuality and mental illness through realistic dialogue and extremely relatable characters. She has a real knack for capturing both the emotionally charged interactions and sheer irreverence of teenagerhood. The characters visibly develop as the comic progresses and the whole story is infused with a sense of growth.

I’m just as hooked as I was on “Cheap Thrills” and I can’t wait to watch how this comic evolves.

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July 26, 2022 · 11:23 pm

Heartstopper: Volume 1

Queer romantic young adult graphic novel set in the UK

Content warning: homophobia, sexual assault, disordered eating, mental illness, bullying

I saw lots of trailers for the Netflix adaptation of this graphic novel and suddenly copies of it were for sale everywhere. It looked unbelievably cute and I had a book voucher leftover from Christmas, so I picked up a paperback copy of the first volume.

Image is of “Heartstopper: Volume 1” by Alice Oseman. The paperback book is resting against a legal graffiti wall beneath a simple representation of the Ukraine flag, blue and yellow, twisted in the middle, partially covered by a hot pink tag. Above the flag are two stylised leaves, also in blue and yellow, which reflect the colours used in the TV adaptation to represent Nick and Charlie. The cover is of two teenage boys in school uniforms, one with dark hair and one with light hair.

“Heartstopper: Volume 1” by Alice Oseman is a graphic novel about a quiet teenage boy called Charlie who goes to Truham Grammar School for Boys. At the beginning of the year, his school starts a new ‘vertical’ form group to take attendance and Charlie’s seat is next to a boy called Nick, the captain of the school rugby team. Although they are quite different, they become fast friends, and begin spending time together outside school. Charlie is the only openly gay student at Truham and even though he is developing feelings for Nick, all his friends are adamant Nick is straight. But maybe, just maybe he might like Charlie back.

This is an incredibly sweet and readable graphic novel that gently and courageously tackles a number of different social issues but especially coming to terms with your sexuality and identity as a teenager. I just adored how respectful Charlie and Nick are with each other and that only becomes more apparent as the series progresses. Oseman brings to light the loneliness of being the only openly LGBTIQA+ student in the school and how being forced to keep things secret can leave you vulnerable to abuse. I really liked how Oseman struck a balance between the supports Charlie has around him, especially his friends and his sister, and his vulnerability to bullying, negative self-talk and restricted eating.

One of the most unique and striking things about this graphic novel is the use of motifs like leaves, flowers around the panels to emphasise what is going on emotionally in the story. Oseman’s art style overall is quite simple yet expressive. I really liked that they shared earlier drawings of the comic from years before it was published online as a webcomic (which I was inspired to read and which is still being updated). From reading many webcomics, and even trying a couple myself, I know how difficult it is to find a consistent style while your art steadily improves from all the practise. While maybe not my favourite graphic novel from an aesthetic point of view, Oseman’s style is definitely unique more than adequately conveys the story.

Which brings me to the Netflix adaptation. If I liked the graphic novel, I loved the TV series. It was beautifully filmed, immaculately edited and very well-acted. I understand Oseman was one of the writers for the show, and I almost think this story really came to life in film. The show kept some of the embellishments of the comic with certain scenes split into panels like a comic or animated leaves and flowers floating across the screen. The secondary characters felt much more filled out as well, and while the TV series remained very faithful to the comic, almost scene for scene, it seemed like a much richer story. So much thought was put into characterisation, sets and even colour palettes. I watched it while I was sick at home with COVID and am not ashamed to admit that I watched the entire thing three times. The music was exceptionally curated and you can listen to the Heartstopper ‘mixtape‘ as well for the full sensory experience. Sometimes it feels like everything on TV is really depressing or intense or dark or scary, and it was so lovely to watch something that was warm and sweet, yet utterly compelling.

A thoroughly enjoyable and inclusive story that you can check out for yourself in book, webcomic or TV format.

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January 9, 2022 · 8:56 pm

Going Down Swinging No. 30

Anthology of short fiction, poetry, comic art, graphic novella and spoken word

Last year, I was thrilled to win a micro-microfiction contest with this journal. I was so inspired I decided to buy one of their annual anthologies. I was looking through the store on the website trying to decide which one and I could not go past this one. The cover design is so striking (by Katrina Rhodes) and I was intrigued by the two spoken word CDs included with it, the design of which matches the Fabergé egg-shaped hot air balloons on the covers. I knew that I had to pick this for my Short Stack Reading Challenge back in December.

Image is of “Going Down Swinging No. 30”. The paperback book is resting on a wooden table with a pair of vintage binoculars and a pocket watch. The cover is of a duck with a dark green head wearing a period-style lime green three piece suit, riding in a hot air balloon. Things are hanging over the side like an anchor, dried onions and a teapot. The balloon is dark green with an intricate design. The duck is floating past a city of light grey buildings with domes and spires.

“Going Down Swinging No. 30” is a special 30th anniversary anthology of short fiction, poetry, comic art, graphic novellas and two spoken word CDs. Although there is an extensive contents page at the beginning, this was a surprisingly quick read. It has a really immersive feel with a very high quality selection of works. Given the number of pieces it is going to be impossible for me to review each or even most, so I will try to highlight some of my favourites.

The Clockwork Children by Felicity Bloomfield was an absolutely chilling horror short story about wanting to fit in with other children that reminded me a bit of “Slade House” or perhaps “Coraline” by Neil Gaiman. Procession by Paddy O’Reilly was a disturbing exploration of what a society with dogs who gained some sentience might be like and the humans who decide to worship them. Rhianna Boyle’s little comic Dirty Joke was a pure and humorous story about making the most of a difficult situation and reconnecting with family. Salvatore Ciliento’s ink illustrations were a beautiful and calming interlude among the written pieces. Shit Brooches by Oslo Davis was a hilarious, punchy little comic that really resonated with me given how popular brooches seem to be over the last couple of years. I thought that Retro Ryder by Robert Caporale was a really interesting take on the trauma of losing a friend when young with a bit of ambiguity thrown in to keep it edgy. I also really liked the realism of Gutted, for Carl Solomon by Luke Johnson which had a intoxicatingly urban setting and examined the ethics of thinking about violence as compared to acting on it. Midlife by Andy Murdoch was an excellent look at intimacy, queer identity and turning 30.

It was a bit hard for me to separate each piece of spoken word on the CDs (let alone find something in my house that would play them!) but the effect of voice over music and ambient noise was very compelling and they definitely added to the overall experience of this book.

A really enjoyable collection and I am keen to get my hands on some more issues of Going Down Swinging.

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September 2, 2021 · 11:26 pm

You Died: An Anthology of the Afterlife

Anthology of comics about death and what comes afterwards

Content warning: death

I have read and supported a few books by Iron Circus (previously called IronSpike), including some that are quite racy! However, I heard about this book because one of my favourite webcomic artists had a comic in it. If you have never come across SE Case’s “Rigsby WI” slice of life, early 2000s, small town comic, then I strongly encourage you to check it out immediately. Anyway, when I checked out the Kickstarter I saw it was by a publisher I had backed before so I decided to back this one as well. When it arrived, I put it on my shelf for a bit and was delighted when I realised after going to bed one night that it glows in the dark.

Image is of “You Died: An Anthology of the Afterlife” edited by Andrea Purcell and Kel McDonald. The image is a photograph of the paperback book with the lights turned out, and all you can see is the glow-in-the-dark (phosphorescent) detailing of moths and fungi.

“You Died: An Anthology of the Afterlife” edited by Andrew Purcell and Kel McDonald is a collection of short comics about the possibilities of what happens during and after death. The book has a foreword by Caitlin Doughty, an advocate of death acceptance and the creator of the “Ask a Mortician” YouTube channel. There are 24 comics that each deal with death and dying in ways that are meant to be poignant, reassuring and even beautiful.

Image is of the book with the lights turned on. The cover has the title in stylised central alignment, surrounded by the black outline of a coffin. The cover is decorated with the moths and fungi that glow in the dark as well as a skeleton hugging its knees in the background and red flowers in the foreground.

This is a diverse collection of interpretations on the theme, which is reflective of the contributors. The comics broach the topic of death from a range of cultural perspectives. Inanna’s Descent to the Underworld by Ahueonao is a tongue-in-cheek Mesopotomian story about goddess Inanna, siblings and and the cyclic nature of life and death which I really enjoyed. Danielle Chuatico’s story All Souls Day is a heart-warming depiction of a Filipino tradition of packing a picnic and visiting the cemetery to share memories about cherished family members. I Promise by A. Shinozaki and Cheryl Young gently considers the difficulty in upholding someone’s wishes and traditions around death when rituals such as kotsuage are not permitted in Western countries. Bone Ink by Rhiannon Rasmussen-Smith and Grace P Fong is a beautifully illustrated comic mixing illusions with Chinese traditional painting and exploring the meaning of legacy.

There were also plenty of diverse relationships and I especially liked the signature honesty and rawness of remember by SE Case and coming to terms not with what you’re facing but with what you’re leaving behind. Arkou by Isabelle Melancon & Megan Lavey-Heaton with a queer twist on the stories of Ankou in Breton, Welsh and Cornish folklore. I’m a big fan of animal stories of course so I also liked the biological education of What Eats Us by Letty Wilson and the heart-rending concept of Herd by Shae Beagle. The Last Wreath by Juliette GMM Lopez was kind of delightfully surreal and Peat, Bone, Oak by Laura Ketcham was a really enlightening comic about bog people.

While there were certainly some standouts in this collection, I felt that there was a range of quality and impact in the comics and some stories worked better than others. There were a few science fiction/fantasy interpretations that I felt took the theme too abstractly, and quite a few comics that unfortunately just weren’t that memorable. I know the anthology was about the afterlife, but I think I had expected something a little more along the lines of Caitlin Doughty’s YouTube channel: a bit more matter of fact and tied a little more to the natural world.

A creative and contemplative collection, with a number of really strong comics that unfortunately outshone the others.

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August 29, 2021 · 10:50 pm

Animorphs The Graphic Novel: The Invasion

Graphic novel adaptation of middle grade sci-fi series Animorphs

As I have mentioned on this blog previously, I was a HUGE fan of this series when I was a kid. I’m still trying to complete my collection after cancelling my monthly Scholastic subscription, but when I saw that a graphic novel adaptation had recently been released I had to go out and buy it. I’ve been on a bit of a sci-fi graphic novel kick and I’m not even sorry.

Image is of “Animorphs The Graphic Novel: The Invasion” based on the novel by K. A. Applegate and Michael Grant, and adapted by Chris Grine. The paperback graphic novel is sitting in front of the “Animorphs” series arranged chronologically on a bookshelf. The cover has five kids standing on a slope watching pink lights in the sky in the bottom with the top quarter depicting a boy morphing into a lizard.

“Animorphs The Graphic Novel: The Invasion” adapted by Chris Grine is based on the science fiction middle grade novel of the same name: the first book in the “Animorphs” series by K. A. Applegate and Michael Grant. In this book, five kids who loosely know each other are forever bound together when they take a shortcut through a construction site coming home from the mall. While crossing through, they witness the landing of an spaceship and meet Elfangor, a dying alien from the Andalite species. Elfangor warns Jake, Cassie, Marco, Rachel and Tobias about an invasion that is already taking place on planet earth by a parasitic alien species called Yeerks and grants them the only weapon available: the ability to morph. Calling themselves the Animorphs, they must acquire the DNA of different animals and try to infiltrate a secret organisation recruiting humans as hosts and try to stop the Yeerks from enslaving the entire human race.

This is a great adaptation of the original book and Grine has done a great job staying true to the original story and dialogue while still bringing his own spin. Grine has kept the story set in the same time, the late 1990s, with that real mallrat flavour of walkmans, jumpers tied around waists and phones with cords. My initial response to the art style was that it felt a bit childish with thick, bold linework but then I remembered I’m not actually the target audience. With that in mind, I think it’s actually perfect for kids with a great balance between clarity and detail. I really liked the use of different shaped speech bubbles to distinguish between speech and thought-speak, and I also really liked that Grine allocated each character a different colour to help readers keep track of who was speaking in thought-speak. I also felt like some of the things that I had struggled to imagine like the Sharing and the Yeerk pool were illustrated really well, and I liked the take on the alien species, especially the Andalites.

I think probably the one part that I was a little disappointed with was the depiction of morphing. I completely see what Grine is doing, making it look a bit gross and unsettling which is certainly how it is described in the books. I also understand that with a graphic novel, you are just getting a snapshot, and each panel is highlighting a single moment in the uncomfortable, awkward morphing process. However, I think when I imagined morphing, it was a little less goofy and a little more awesome. A little more flipbook animation and a little less flailing.

This graphic novel had plenty of nostalgia but an original enough take that the story felt fresh and appealing to younger audiences. I can’t wait until more of the series is released.

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