Category Archives: Magic Realism

Cantik Itu Luka (Beauty is a Wound)

Perhatian: ulasan buku ini akan ditulis dalam Bahasa Indonesia dulu, dan Bahasa Inggris berikut.

Note: this book review will be written first in Bahasa Indonesia, then English afterwards.

Novel sastra tentang seorang perempuan Indo, keluarganya dan jiwa Indonesia melalui sejarah abad 19an

Peringatan pemicu: perkosaan, perbuatan sumbang, kebinatangan, penelantaran anak, penyalahgunahan, perang, penyiksaan, penculikan, pedofilia, pernikaan anak, bunuh diri, keguguran

Walaupun saya tinggal di Indonesia untuk jumlah enam tahun, dan belajar Bahasa Indonesia di SD, SMP, SMU dan Universitas, sebelum ini saya belum pernah membaca buku novel dalam Bahasa Indonesia. Waktu saya masih remaja, bapak saya kasih kepada saya “Harry Potter dan Batu Bertuah”. Saya coba membacanya, tetapi kosa katanya terlalu susah dan saya tidak mebaca lebih dari si kembar Weasley yg ditemu pertama kali oleh Harry Potter di kereta api Hogwarts Express. Saya pernah dengar tentang buku ini dari teman-teman dan penulis lain (khususnya tentang hal realisme magis). Walaupun ada terjemahan Bahasa Inggris, saya punya keinginan untuk membaca buku ini dalam Bahasa Indonesia. Saya sekarang membaca beberapa buku untuk proyek tulisan dan buku ini ada tema relevan. Oleh karena itu, saya pesan edisi Indonesia.

Foto ini menunjukkan “Cantik Itu Luka” ditulis oleh Eka Kurniawan. Bukunya di tengah kotak batik dan tiga buku catatan batik. Sampul buku ada gambar pantai, kota, hutan dan gunung dengan warna merah dan ungu. Ada tokoh hitam yang duduk di perahu, berkelahi di pantai, gadis dan anjing yang berlari.

“Cantik Itu Luka” ditulis oleh Eka Kurniawan adalah sebuah novel tentang seorang perempuan bernama Dewi Ayu yang tinggal lagi sesudah dua puluh satu tahun kematian. Novel ini menjelaskan kenapa Dewi Ayu menutuskan untuk mati sesudah anak perempuan keempatnya lahir. Berbeda dari kakak-kakaknya, anak perempuan ini sangat jelek dan sebelum mati, Dewi Ayu kasih satu hadiah: nama Cantik. Terus, kita membaca tentang hidup Dewi Ayu sebagai orang Indo di kota Halimunda. Halimunda diokupasi oleh tentara Jepang pada Perang Dunia II dan Dewi Ayu terpaksa menjadi pelacur. Sesudah perang, Dewi Ayu menjadi pelacur yang paling terkenal dan dicintai di Halimunda. Dia punya tiga anak dari tiga bapak berbeda dan setiap anak lebih cantik dari pada yang lain. Akan tetapi, masa sesudah perang merupakan kesempatan untuk mendapat kemerdekaan dari Belanda dan membayang negeri baru. Ada tiga cowok yang menjadi sangat berkuasa pada waktu ini: Shodancho, Kamerad Kliwon dan Maman Gendeng. Siapa yang menang perang untuk jiwa Indonesia dan menikah anak perempuan cantik Dewi Ayu?

Novel ini mencerita sejarah Indonesia dari perspektif unik. Dengan pergunaan realisme magis dan tema yang mengerikan, Eka Kurniawan menunjukkan peristiwa yang paling jelek pada periode Perang Dunia II, Revolusi Nasional Indonesia, Penumpasan PKI dan mungkin juga Petrus. Tokoh-tokoh Dewi Ayu, anaknya dan suaminya mengalamkan peristiwa ini dengan berbeda dan jelas bahwa orang perempuan sangat mudah diserang oleh tentara, preman dan bahkan keluarganya. Dewi Ayu sangat praktis, dan tanpa emosi dia menderita dan mengambil tindakan untuk memastikan dia dan anaknya aman. Kadang-kadang ada peristiwa yang tidak bisa dijelaskan seperti orang yang hidup lagi, cium yang berapi, babi yang menjadi manusia dan kutukan yang tidak bisa dipatahkan. Eka Kurniawan menggunakan hal ini untuk membuat emosi Halimunda semakin keras. Gaya menulisnya sering seperti dogeng.

Akan tetapi, buku ini tidak mudah dibaca. Walaupun memang ada banyak kosa kata yang saya belum tahu (sesudah selesai buku ini, saya mengisi tiga buku catatan dengan kosa kata Bahasa Indonesia!), itu bukan masalahnya. Masalanya sebetulnya tema. Ada banyak kekerasan, banyak perkosaan dan banyak hal yang didaftarkan di atas yang sulit dibaca. Walaupun saya paham ada hal yang harus didiskusikan, Eka Kurniawan menulis tentang hal jelek dengan terlalu banyak perincian, dan saya merasa tidak nyaman membaca buku ini.

Walaupun ini buku yang penting dan menarik, itu juga buku sulit dan sering mengerikan.

Literary novel about an Indo woman, her family and the soul of Indonesia through 19th century history

Content warning: rape, incest, bestiality, child abandonment, abuse, war, torture, kidnapping, pedophilia, child marriage, suicide, miscarriage

Although I lived in Indonesia for a total of six years, and studied Indonesian in primary school, high school and university, before now I have never read a book in Bahasa Indonesia. When I was still a teenager, my dad gave me a copy of “Harry Potter and the Philosopher’s Stone”. I tried to read it, but the vocabulary was too difficult and I didn’t read further than the Weasley twins met for the first time by Harry Potter on the Hogwarts Express train. I had heard about this book from friends and other writers (especially about the issue of magic realism) Although there is an English translation, I wanted to read it in Bahasa Indonesia. I’m currently reading several books for a writing project and this book has relevant themes. As a result, I ordered an Indonesian edition.

Image is of “Cantik Itu Luka” written by Eka Kurniawan. The book is between a batik box and three batik notebooks. The cover is of a beach, city, forest and mountains in red and purple. There are black figures sitting in a boat, fighting on the beach, a girl and dogs running.

“Beauty is a Wound” by Eka Kurniawan is a novel about a woman called Dewi Ayu who lives again after twenty one years of being dead. This novel explains why Dewi Ayu decided to die after her fourth child was born. Unlike her sisters, this girl is extremely ugly and before dying, Dewi Ayu gives her one gift: the name Beauty. Next, we read about Dewi Ayu’s life as an Indo person in the city of Halimunda. Halimunda was occupied by the Japanese army during World War II and Dewi Ayu is forced to become a sex worker. After the war, Dewi Ayu becomes the most famous and beloved sex worker in Halimunda. She has three children from three different fathers and each child is more beautiful than the next. However, the time after the war is an opportunity to achieve independence from the Netherlands and imagine a new nation. There are three men who become very influential during this time: Shodancho, Kamerad Kliwon and Maman Gendeng. Who will win the war for the soul of Indonesia and marry Dewi Ayu’s beautiful daughters?

This novel depicts Indonesia’s history from a unique perspective. With the use of magic realism and horrifying themes, Kurniawan whos the most ugly events during World War II, the Indonesian National Revolution, the Indonesian Communist Purge and perhaps even the Petrus Killings. The characters of Dewi Ayu, her children and their husbands experiences these events differently and it is clear that women are especially vulnerable to the army, thugs and even their own families. Dewi Ayu is very practical, and without emotion she endures and takes action to ensure that she and her children are safe. Sometimes there are events than cannot be explained like people coming back to life, fiery kisses, pigs who become people and curses that cannot be cursed. Eka Kurniawan uses these elements to make Halimunda’s emotions even more intense. His writing style is often like fables.

However, this book is difficult to read. Although there is plenty of vocabulary that I didn’t know yet (after finishing this book, I had filled three notebooks with Indonesian vocabulary!), that wasn’t the problem. The problem was actually the themes. There is lots of violence, lots of rape and lots of the things listed above that are difficult to read. Although I understand there are things that need to be discussed, Eka Kurniawan writes about gross things with far too much detail, and I felt really uncomfortable reading this book.

Although this is an interesting and important book, it is also a difficult book that is often horrifying.

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Filed under Book Reviews, Historical Fiction, Magic Realism

The Orchard

Fictional podcast about a death at a mysterious girl’s school

Content warning: bullying, suicide

The time had come to choose my next running audiobook. I was flicking through the options and came across this: a fictional podcast. I really enjoy fictional podcasts and I’ve listened to more over the years than I have reviewed on this blog because I’m never quite sure if they count as books. I actually find fictional podcasts (or radio plays) easier to listen to than audiobooks: I think the extra sound editing and production makes the story more immersive, and the voice actors make the characters more distinct. Anyway, maybe I should review more fictional podcasts but in the meantime, let’s start with this one.

Image is of the “The Orchard” by Mike Jones and Mike Cowap. The audiobook cover has the text ‘Starring Eric Bana’ with a photograph of Eric Bana in a collared shirt with silhouetted images of girls running behind trees in blue light in the background.

“The Orchard” by Mike Jones and Mike Cowap is a fictional podcast about a detective and single dad called Adam Durwood who is about to resign from the force. His last case is to investigate the unusual death of a teenage boy by the orchard of an exclusive all girls’ school. His superiors are eager to write it off as a suicide but Detective Durwood is not convinced. He questions students and staff but their responses are confounding; hinting at the school’s secret history. As impartial as Detective Durwood thinks he is, something about the case is pulling him in and while he is distracted, something is pulling his daughter away from him.

This was a really eerie, well-scripted story with exceptional voice acting. There was a surprisingly stellar cast of characters, with Eric Bana as Adam Durwood, Magda Szubanski as Barbara and Gary Sweet as DI Simes. Bana in particular was a standout and captured the nuance of dogged detective and struggling dad perfectly. Each episode was only about 20 minutes or so, which was a pretty ideal length for a short run. There was quite a sinister vibe and I found this podcast really quite creepy to listen to when I was running by myself at night after work. The story covered a range of issues, and I thought one of the most compelling elements was the impact something like a catastrophic car crash can have on a family, the way we process grief and what you would do to get your family back.

As enjoyable as the podcast was, the closer I got to the ending the less convinced I was with the plot direction. I thought that there had been some really strong groundwork around the school, secret societies and the way alumni connections can be used to propel students towards success. However, the final reveal in the story took a completely different path that I found less interesting and much less convincing.

An enjoyable story with a great cast that didn’t quite land the ending.

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Filed under Audiobooks, Australian Books, Book Reviews, Fantasy, General Fiction, Magic Realism, Mystery/Thriller

Bestiary

Surreal novel about a Taiwanese family in the USA

Content warning: family violence, child abuse, racism

I first saw this debut novel being promoted on Twitter back in 2020 when author events were being cancelled left, right and centre. Now that we are starting to resume some in-person events here in Australia, I was very keen to go back to Asia Bookroom’s Book Group. Members can nominate books and volunteer to lead the discussion and I proposed this book. Unfortunately I missed the previous meeting but I was excited to prepare to present the book and facilitate a discussion. There is a lot going on in this book, so I will adapt my presentation to inform the review below to highlight some of the many themes and stylistic choices as well as to share my own thoughts.

Image is of “Bestiary” by K-Ming Chang. The paperback book is resting on muddy ground next a navy blue shovel. The cover is of a yellow stylised tiger that appears to be battling a garden hose that looks like a snake gaainst a navy backdrop with a moon and leaves.

“Bestiary” by K-Ming Chang is about three generations of women in a family: Grandmother, Mother and Daughter. Grandmother moved from Taiwan to Arkansas, USA with her second husband and two youngest daughters (including Mother), leaving her three eldest daughters behind. Years later, Mother has her own children including Daughter and her brother. The book goes back and forth between perspectives and stories of the three, linking them together with their shared history, shared heritage and shared experience as migrants in America. After becoming obsessed with digging holes in her backyard, Daughter begins to receive letters from the ground written by Grandmother to each of her daughters, sharing stories about their family history and revealing what happened to her four aunties.

This is a rich and complex book that is surprising and original at every turn. The book is divided up into chapters, each told from either Grandmother’s, Mother’s and Daughter’s perspective. Some of Grandmother’s chapters are told in the form of translated letters, with annotations by Daughter and her girlfriend Ben. There are parables, poetry, family histories and first person accounts all drawing on oral storytelling traditions and leaning into extreme subjectivity bordering on unreliable narration. I really felt that this book transcended what we would usually consider ‘magic realism’ and arrived squarely in surrealism. Chang certainly drew on plenty of examples of mythology and brought them to life in a literal way. I felt that the style and the structure were both chaotic in a complimentary way, and both served to highlight and obscure what was happening with the family. 

I think one of my favourite parts of the book was Daughter and Ben’s relationship, and how parallels are drawn between that and Grandmother’s Grandfather (the pirate and his lover) and even Grandmother. I really liked how mythology and queerness are woven together, especially with children being created from queer love in quite fantastical ways. Chang said of writing queer relationships in her interview with LitHub

they are transformed by each other, that they are literally alchemizing each other. I wanted their desire to feel fully embodied and sometimes even mythic, world-defining, almost supernatural, completely defying any definitions of what’s real or possible. Everything they want is possible. Their relationship felt like pure potential to me—while I was writing Ben in particular, there was this sense of rebellion and irreverence and redefining the rules she’s been given. Their desire is literally magic, and I wanted to channel that hunger. It felt so liberating to write them into the past and the future, to write them in a way that felt boundless.

I think one of the most striking (and honestly quite shocking) things about this book was the role bodily functions played in the story-telling. In addition to her characters frequently creating water (by spitting and urinating) like they enter water (lakes, rivers, the sea), Chang also writes a lot about digesting. The holes that Daughter and her brother dig in the yard consume offerings and vomit up letters from Grandmother. In an interview with the Rumpus, Chang says that she grew up talking openly about bodily functions and that she likes to balance the beautiful with the grotesque. She said something interesting about deciding what is clean and unclean is often a question of class. She also talked about how stories are told through the mouth, and so too is everything processed by the body. Stylistically, the way Chang engaged with bodily functions reminded me a lot of “The English Class” by Ouyang Yu, which was the first Asia Bookroom Book Group I attended.

Family violence is a significant part of the book and hand-in-hand with this is abandonment. In many ways the family is fractured and at times there are even threats with knives and thoughts of how to best defend oneself from violent family members. I think family violence ties very closely with the intergenerational trauma experienced by the family, not just because of the war and the occupation of Taiwan (set out with far more clarity in “Green Island“!) but also as immigrants in the USA. There were some very compelling moments of Mother and Daughter experiencing racism in schools. I also wondered if the surrealism style was a way to cope with some of the things that happened; treating trauma “irreverently” (like Chang says in an interview) and focusing on seemingly trivial things rather than the bigger, more traumatic memories. 

As you may have extrapolated, this was not an easy book to read. As a reader, you have to put in a lot of time and thought into understanding this book and the things Chang is trying to convey. There are so many layers of metaphor, parable and surrealism that at times it is hard to know what should be taken literally and what should be taken with a grain of salt.

A challenging and at times confusing book full of colourful stories interlaced with beautiful poetic writing.

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Song of the Crocodile

Spiritual historical fiction novel about multiple generations of an Aboriginal family

Content warning: racism, segregation, sexual assault

I heard about this book when it was first published in 2020, and it was longlisted for the Stella Prize and shortlisted for the Victorian Premier’s Literary Awards (Indigenous Writing) and the Indie Book Awards (Debut Fiction). I picked up a copy some time back from the National Library of Australia and I’ve been looking forward to reading it for a while.

Image is of “Song of the Crocodile” by Nardi Simpson. The paperback book is standing on an ironing board between a stack of folded clothing on the left and an iron on the right. The cover is of a dead gumtree standing in the middle of a grassy plain with a sunset behind that turns into a starry sky.

“Song of the Crocodile” by Nardi Simpson is a historical fiction novel interwoven with spirituality. The story opens with Margaret, an Aboriginal woman who works at a hospital in a country town called Darmoor laundry for pay and caring for otherwise neglected Aboriginal patients for free. When she loses her job through injustice, it is but one of a long series of injustices that are inflicted upon her family directly and indirectly by the white settlers of Darnmoor including her daughter Celie, her granddaughter Mili and her great-grandsons Paddy and Yarrie. Meanwhile, a sinister and ancient force lurks beneath the town, emboldened by plans to change the course of one of the town’s rivers. It is up to Jakybird, a songman created from a piece of his mother’s hair, to gather together spirits and ancestors to sing the monster Garriya back to where it came from.

This is a beautiful and complex novel that explores the bonds of family, and the violence of colonialism, from every angle. Simpson’s strength is character development and she excels at depicting the irreparable and cumulative damage inflicted upon each generation of the family by white supremacy. The characters themselves were very interesting, and I enjoyed the earthiness of Celie, the otherworldliness of Mili with her reflective eyes and the pain and self-hatred of Paddy counterbalanced by the love of his brother Yarrie. Simpson honours traditional storytelling and it is through Jakybird and the duty he is charged with that we try to make sense of the ongoing and evolving harm perpetuated by colonialism.

A challenging book full of heart and truth-telling and one that stayed with me for quite some time after I finished it.

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Filed under Australian Books, Book Reviews, General Fiction, Historical Fiction, Magic Realism

Devotion

Queer historical fiction about Prussian immigrants to South Australia

I received a copy of this eBook courtesy of the publisher.

Image is of “Devotion” by Hannah Kent. The eBook cover is light grey with a dark grey, banksia-shaped shadow and white, long-stemmed plant.

“Devotion” by Hannah Kent is a historical fiction novel set initially in Prussia in 1836. Hanne, her twin brother and her parents live in an Old Lutheran community. Hanne has always struggled to fit in with the other teenaged girls and the expectations of her mother, and prefers instead to spend time in nature. However when Hanne meets Thea, the daughter of a new family who joined the community, her whole world changes and suddenly she doesn’t feel so alone. When the community flees religious persecution for the colony of South Australia, Hanne and Thea’s bond is put to the ultimate test.

Kent is a beautiful writer and this book shows off her prowess bringing the diverse and untold stories of women in history to life. I found this to be a really relatable story, and Kent expertly captured the mutual love and frustration of mother-daughter relationships and how faith is interwoven in the community’s daily life. The connection between Hanne and Thea was both gentle and electric, and watching their friendship and relationship bloom was the highlight of the book. There were some elements of magic realism and spirituality that were interesting as well, with Hanne’s affinity for listening to nature underpinning and enriching a lot of the events that unfold.

It is a little hard to review this book because something incredibly significant and life-changing happens in the middle of the book which I can’t really mention without spoiling the story. Suffice to say that while it was creatively courageous, I’m not sure it added to the overall plot and I think I might have preferred it if Kent had taken another direction.

A unique story with plenty of depth, plenty of emotion and plenty of heart.

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Filed under Advanced Reading Copies, Australian Books, Book Reviews, eBooks, Historical Fiction, Magic Realism

Foxspell

Young adult novel about a young boy’s affinity for foxes

I am currently doing my Short Stack Reading Challenge, and I raided all my shelves for some very short books to see out the end of the year. I picked up this book at the Lifeline Book Fair some time ago. I can’t remember if I chose it because someone recommended it to me, or because this author was one I read as a kid because my (admittedly very annoying) year 5 teacher was obsessed with her. Either way, this was the next book in my short stack. It is actually a signed copy, addressed to someone called Katie in the year of publication – 1994. Edit: I was just reminded that I have read this author more recently, I had just forgotten her pseudonym.

Image is of “Foxspell” by Gillian Rubinstein. The paperback book is situated between a red, brown and yellow spray paint cans. The cover has a fox on the bottom half and a young boy’s eyes in the next quarter, and the text against a brown background.

“Foxspell” by Gillian Rubinstein is about a young boy called Tod who, after his father returns overseas, has moved with his mother and two sisters to live with his grandmother on a property in South Australia. Despite being a talented artist, Tod struggles with school and feels the strain of the arguments at home. When he comes across a dead fox and is moved to bury it, he unknowingly creates a connection between himself and a fox spirit. Spending more and more time in the area nearby called the quarries, Tod attracts the attention of Shaun, an older teenager whose gang vandalise property and who is interested in Tod’s sister Charm. As things at home become more and more difficult, and Tod falls further behind in school, the temptation to run with a fox and run with a gang becomes greater and greater.

This was quite a surprising book. Even though it was written nearly 30 years ago, it still felt fresh and relevant. Although not ever said explicitly, it is suggested that Tod has a learning disability like dyslexia and instead of blaming him for his difficulties, the book explores how the people around him are failing him. I also thought that Rubinstein did a good job of weaving earthy magic into the story while acknowledging that white people, like foxes, invaded this country and that Traditional Owners’ beliefs and connection to country persists. There were also lots of other interesting parts to this story. Tod’s mother is an aspiring comedian and uses anecdotes about her family in her sets, and I thought that the dichotomy between her lack of involvement in her kids’ day to day lives, and her disrespect for their boundaries by using their lives as material for her shows was a fascinating subplot. I also really liked the character of Tod’s sister Charm, and the complicated relationship between her, Shaun, Tod and Shaun’s younger brother.

An unexpectedly complex story that I liked a lot more than I remember liking Rubinstein’s other books.

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Filed under Australian Books, Book Reviews, Children's Books, Fantasy, Magic Realism, Signed Books, Young Adult

Under the Whispering Door

Queer romance novel about life, death and what lies between

Content warning: death

I received a copy of this book courtesy of the publisher.

Image is of the eBook cover of “Under the Whispering Door” by TJ Klune. The cover has a house with colourful storeys stacked precariously on top of one another, with a little scooter next to it. In the background is a stylised forest with a silhouette of a large deer.

“Under the Whispering Door” BY TJ Klune is a queer speculative fiction romance novel about a man called Wallace who has died. A lawyer by trade, Wallace’s initial instinct is to try to negotiate with the reaper who has been assigned to him about how to get back to his old life. However, when he finds himself at a strange tea shop run by a man called Hugo, Wallace begins to realise that while his old life was actually not that fulfilling, he is not quite ready to cross over.

Coincidentally, I have been reading a few books that grapple with the afterlife and the question of what lies beyond. This was overall a very enjoyable one. Klune is excellent at a slow-burn romance, and in that respect it is as delicate as the other book of his I’ve read. Wallace is the quintessential corporate lawyer but somehow Klune’s take on his character development feels fresh and original. This book radiates with warmth, and I enjoyed the tenderness that developed between Wallace, Hugo, reaper Mei, Hugo’s grandfather Nelson and, of course, a ghost dog called Apollo. I also liked how Klune set out the many rules of how the crossing over process is supposed to work, and promptly begins breaking them with wild abandon. I am very passionate about improving bad rules, and lots of bad rules are improved in this book.

One of the only things that frustrated me about this book was how frequently the characters say that Mei is an excellent (albeit inexperienced) reaper, when everything in the plot appears to suggest otherwise. I found her maddeningly vague, the few dead people she brought to the teashop seemed extremely unhappy about it and she seemed extremely quick to lose her temper with anyone who didn’t live in the teashop. The budding romance suffered a little for a bit too much tell and not quite enough show. Apart from being a device for adding tension, the reason why Mei was able to touch ghosts but not Hugo was never really explained. In fact there seemed to be a lot of inconsistencies about what ghosts could and couldn’t do, especially when it came to Apollo the dog.

Nevertheless, an enjoyable and sweet story about finding the biggest joy in the smallest pockets of life.

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Where the Fruit Falls

Family saga novel about racism, Aboriginal identity and intergenerational trauma

Content warning: racism

2020 was not a great year for authors. Usually when an author publishes a book, especially with a well-resourced publisher, the author has the opportunity to promote the book through events such as interviews, panels and readings. For many authors last year, social distancing, lockdowns and curfews meant that promoting books in person simply was not possible. This book was published last year and although I saw a lot of discussion about it on social media, unfortunately I don’t think it got anything like the publicity that it deserved. I bought a copy and it is a beautiful book with a striking design including gold foil on the cover. I haven’t been very active on here recently, but this is my next book to review, and given that today is the first day of Reconciliation Week, it is an ideal time to boost an Aboriginal author.

Image is of “Where the Fruit Falls” by Karen Wyld. The softcover book is sitting between three pink lady apples and three potatoes. The cover is red with a winding blue river in the background and the silhouette of a tree in the foreground with apples picked out in gold foil.

“Where the Fruit Falls” by Karen Wyld is a family saga set in Australia in the mid-1900s. After the end of a family chapter, Brigid, a young woman with a white mother and an Aboriginal father who was killed in action, leaves her grandmother’s apple orchard to make her own way. Following a willy wagtail, Brigid finds her way to lost kin to have her twin babies on country and to gradually make peace with her identity. However, in a changing world, her daughters must face their own challenges and survive the prejudices levelled against them for the colour of their skin.

When I’m reading, I usually take notes of my impressions of the book and things I liked or didn’t like. For this book, the only note I wrote was this: “This story feels like a pebble that has rolled up and down a beach, over and over. It may not be the same shape as the original stone, but it is still the same stone; just smoother and a nice weight in your hand”. This book feels like a story that has been told over and over, perfected a little more with each retelling. Some people have described this book as magic realism, however Wyld elaborates a little more on how she considers it a literary device rather than a genre and how she inserts fractures in her her writing to draw the reader’s attention. Embellished in some parts, abridged in others, this story flows with a familiar rhythm.

However, this is by no means a typical story. Wyld makes some fearless narrative decisions that are devastating in their impact and reverberate throughout the whole novel. Brigid is a complex character who struggles to break free from the lessons she was taught about her skin colour and her worth as a child. Through her daughters Tori and Maggie, Wyld explores the stark difference in how people are treated based on their appearance and the assumptions made about their connection to country and culture. Although Wyld never refers to any particular region or city, this book has a really strong sense of place and I really enjoyed seeing the land through Brigid’s eyes and the city through the twins’.

A beautifully constructed and heartbreaking story. Not just this week but every week, I implore you to follow, support and listen to Aboriginal and Torres Strait Islander writers to learn about and empathise with this country’s history and the continuing impacts of colonialism, and this book is an excellent place to start.

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Filed under Australian Books, Book Reviews, General Fiction, Magic Realism

Knee Deep

Young adult novel about Hurricane Katrina, New Orleans and voodoo

I received a copy of this eBook courtesy of the publicist.

Image result for knee deep karol ann hoeffner
Image is of a city street flooded with a girl floating in a small dinghy on top

“Knee Deep” by Karol Hoeffner is a young adult novel about a 16 year old white girl called Camille who lives a slightly off-beat life as the daughter of owners of a bar in New Orleans. Exposed to a very diverse range of people in the French Quarter, Camille’s first love is for her handsome next door neighbour, an 18 year old young black man called Antwone. Already facing the not inconsequential obstacles of an interracial romance and Antwone’s current girlfriend, Camille’s crush is truly put to the test by Hurricane Katrina. When Antwone goes missing, Camille turns to voodoo magic to return her love to her. However, her dogged pursuit in a city of chaos puts more than just her dreams of a relationship at risk.

This is a readable and creative novel that resonates as a historical and cultural touchstone. Although of course in Australia we all saw the reports of Hurricane Katrina on the news, and have watched TV shows that reference the struggles to rebuild, it is hard to imagine what it was really like being there during such a challenging and tumultuous time. Hoeffner has a compelling writing style that reminded me a bit of Daniel Woodrell in his book “Kiss Kiss”. Camille is a really interesting character who makes a number of ethically suspect and selfish decisions, and Hoeffner fosters a strong sense of dramatic irony around her crush and exactly how requited it actually is.

I think the only part of this book that got under my skin was that Hoeffner did take some creative liberties with elements of the story. For example, although the hurricane happened in 2005, Hoeffner describes her characters posting on Facebook several times even though the social media service wasn’t open to public access until late 2006.

A unique and historically relevant book that showcases New Orleans culture and challenges the reader with ethical questions.

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The Constant Rabbit

Speculative fiction about an England where rabbits are anthropomorphic

Content warning: discrimination, disability

I’ve mentioned this author a couple of times on here previously: once when I saw him speak at an event and got my book signed, and when I reviewed one of his books. I really enjoyed hearing him speak about writing funny books, and he is one of the few authors who makes me laugh aloud. While we are all waiting eagerly for a sequel to his novel “Shades of Grey”, I was thrilled to see that he had a new release this year and even more thrilled that it appeared to be about rabbits. I don’t think anyone would be surprised to know that I love rabbits and without even reading the blurb this book had considerable appeal to me.

Image is of the cover of the book “The Constant Rabbit” by Jasper Fforde pictured with my brown and white rabbit Ori. Her ears are in a similar position to the ears on the book’s cover.

“The Constant Rabbit” by Jasper Fforde is a speculative fiction novel about an alternative England with anthropomorphic rabbits. For over 50 years, rabbits have been able to walk upright, speak, have jobs, start families and have become the target of considerable discrimination. Public servant Peter Knox works in a seemingly innocuous job and lives an unassuming life with his daughter in a small village. However, when two rabbits and their children move in next door, Peter must confront his past and his own role in the anti-rabbit policy to force England’s rabbits to move to a MegaWarren in Wales.

Image is of the book “The Constant Rabbit” by Jasper Fforde standing upright next to my brown and white rabbit Ori who is losing patients with being photographed

I was absolutely the perfect audience for this book and I enjoyed it from start to finish. This was a really amusing book that had me laughing aloud at multiple points. However, it is also a really clever book and the rabbits are a fantastic allegory for racial politics in the UK today. Fforde presses the reader to consider the whole spectrum of bigotry from failing to speak out against discriminatory jokes all the way to outright violence and vilification. It was also really interesting to see how Fforde interwove typical British politeness with conservative, exclusionary views. Peter was an excellent, complex character who struggles to reconcile his own progressive views with the system he implicitly supports through his work. The interactions between himself, Constance Rabbit and her husband were among the funniest parts of the book. I also really liked the way Fforde wrote about disability focusing on individuals and accessibility rather than the particulars of the disability itself. Fforde also leaves plenty to the imagination when it came to how rabbits became anthropomorphic, though I loved the interlude of an alternative history for the Big Merino in Goulburn.

This was a thoroughly enjoyable and extremely relevant book and I cannot wait to see what Fforde comes up with next.

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Filed under Book Reviews, Fantasy, Magic Realism, Science Fiction