Incredibly readable romantic poetry from Trinidad and Tobago
I received a copy of this book courtesy of the author.
“Love and Other Inconveniences” by Rhea Arielle is a collection of poetry that traces the life cycle of an intoxicating but doomed romance. Divided into three Acts, the book walks the reader through infatuation, heartbreak and self-love.
I started reading this book while waiting for the bus, and I was so engrossed I had finished it by the time I arrived at work. As is probably pretty apparent from this blog, I am not a huge consumer of poetry but there was something about Arielle’s incredibly unique and tactile way of writing that was very arresting. Her poems are very brief and very poignant and I love the way she handles space and time. I don’t often share quotes from books I read, but here are two that I particularly loved:
There are no locks on your future
so why do you knock at the door
Let yourself in.
When your lips
part to speak
the winds shimmer
under your voice
and carry music
to my waiting ear.
Romantic poetry is certainly not for everyone, and the themes in this book are very familiar. However, Arielle brings a freshness to a topic that most people can relate to.
This is the kind of poetry that even people who don’t normally enjoy poetry can enjoy. I liked it so much I bought a copy for my friend.
Love and Other Inconveniences
I received a copy of this book courtesy of the author. I don’t know much about poetry, apart from being able to recite a bit of Banjo Patterson, so I was interested to try reading something a bit different.
“All She Wrote” by Charmaine L. Glass is a collection of free-verse poetry. Loosely divided into themes, Glass’ poems cover a variety of topics with a heavy focus on the ups and downs of love.
Most of Glass’ poetry is written in the second person which gives it a really personal, intimate flavour, as though she’s talking to you, or you’re overhearing her talking to someone else. The sad, suburban setting of someone who not only lives for love, but is willing to give up everything for love, seeps through the words. Reading her poems, I got a real sense that Glass’ poetry is meant to be heard aloud. Although perhaps some of her strongest pieces like No Christmas Tonight, Heart Burn and Plant involve much more vivid imagery than her other, more soliloquy-type poems, the others aren’t to be dismissed entirely. I think some of the repetitive phrases and rhyming couplets would really shine if you could hear them spoken with their true, intended rhythm. I also really enjoyed I Must Be Crazy, Grown Girl’s Lullaby and Time Upstate and more generally the Longing and Still She Wrote collections.
A heartfelt collection that would best be read aloud to a group.