Category Archives: Science Fiction

The Frankenstein Adventures

Adventure retelling of classic horror story

I received a copy of this book courtesy of the author.

“The Frankenstein Adventures” by Bil Richardson is a retelling of Mary Shelley’s “Frankenstein” to celebrate the 200 year anniversary of its publication. Drawing inspiration from more modern interpretations of the story, Victor Frankenstein is happily married to his wife Elizabeth and is busy trying to create life with his assistant Igor. When he hears that his old school nemesis is working on creating life himself, Victor takes a couple of shortcuts to win the race. However, when things don’t work out to plan, his creation flees and unwittingly kicks off a manhunt across the countryside.

This is a fun- and pun-filled story that takes elements of a classic story in a more modern, action style. Richardson has a clear writing style with a strong focus on dialogue and wordplay. I actually much preferred Richardson’s version of Victor Frankenstein, much more than Shelley’s gnashing mess of a man who, to his own detriment, is completely unable to face his own mistakes. I liked that Victor and Frank reconcile at the end and each acknowledge their own part in the events that played out.

I did feel that the setting of this book was a little confusing. It wasn’t exactly clear exactly where Castle Frankenstein was, but it did seem to be somewhere in America rather than in Europe. I also had some questions about the audience for this book. I understand that Richardson is quite keen to get young boys reading, and while I think that elements of this story will appeal to them, most of the characters are adults and there is a lot of quite gruesome violence. I also found Maria’s story, while synonymous with what happens to William in the original story, to also be quite disturbing and never fully addressed.

An interesting take on a classic story, Richardson’s Frankenstein family is far more emotionally intelligent than the original.

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The Knife of Never Letting Go

Dystopian young adult science fiction with a gender twist

I have been reading this author for a while, and I was so excited to meet him in person at the Sydney Writers’ Festival last year. I think that he really is the cutting edge of young adult fiction right now, and when he told me last year that he had a character in one of his series with the same name as me, I knew I was going to have to give it a go. To celebrate 10 years of publication, the series was recently released in these very striking editions with black-edged pages and I absolutely had to have them. It has been a while since I’ve reviewed a book with tinted edges, and there is also a film adaptation currently in production, so I thought I’d better get moving.

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“The Knife of Never Letting Go” by Patrick Ness is a dystopian young adult science fiction novel about a boy called Todd Hewitt who lives in a place called Prentisstown. In a town inhabited solely by men, where everyone can hear everyone else’s unfiltered thoughts at all times, Todd is the youngest. Spending most of his time alone with his dog Manchee, Todd is waiting for his 13th birthday, the day he will become a man, which is just a month away. However, when Todd stumbles across an impossible silence, everything he thought he knew about his town is thrown upside down.

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Sorry, my dog was just being too cute not to include this one

When I picked up this book, what I was expecting the satire of “The Rest of Us Just Live Here” or the poignancy of “Release“. However, this is a very different story. One thing I love about Ness’ writing is that he is not afraid to commit completely to exploring a difficult, nuanced issue. In this story, Ness creates a world where there truly is a difference between men and women. He uses what he knows about gender in society and throughout history to take this difference to its horrifying extreme. When I read “The Power“, this was the book I was hoping for and finally I got it. I also really liked that Ness constantly placed Todd in difficult moral situations and did not always let him choose the right way. Todd struggles with feelings of guilt and conflicting interests, and is by no means the perfect protagonist. Ness is also an incredibly versatile writer and there are a lot of subtleties in the language he uses in this book.

As much as I was hooked by this story, I can’t give it a perfect review. There were some things that happened in the narrative that I wasn’t quite sure about. Also, because we learn about the world as Todd learns about the world, there are some big knowledge gaps that we as the readers can identify but where Todd (somewhat maddeningly) doesn’t know what he doesn’t know. I do appreciate that this is a trilogy, so there is still a lot yet to happen, but it is a very ambitious story and I wasn’t always completely on board with the way the story was unfolding.

Nevertheless, Ness is an excellent and relevant storyteller and if I had teenagers, I would be giving them his books.

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The Knife of Never Letting Go (Chaos Walking Book 1)

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Time Crawlers

Collection of science fiction short stories

Content warning: suicide

I received a copy of this book courtesy of the author.

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“Time Crawlers” by Varun Sayal is a collection of six science fiction short stories. The stories cover a range of themes from a subtle alien invasion (Eclipse), suicide for entertainment (Death by Crowd), a bureaucracy-obsessed magical being (Genie), time-bending beings (Time Crawlers), a powerful telekinetic (The Cave) and a super-weapon (Nark-Astra).

Sayal is a clear, engaging writer with a tongue-in-cheek style. Science fiction is often a very America-centric genre, and I really enjoyed reading another science fiction author writing from a non-European cultural perspective. I love the way Sayal weaves science and Indian culture together and peppers his stories with references to internet culture.

While I found Sayal’s stories very creative, several of them had a very similar ‘interview’ format with one person explaining a concept or idea to another person. I think that the ideas and the characters are definitely there, but I would like to see a bit more plot.

A fun and cheeky collection of stories that freshen up the science fiction genre.

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Time Crawlers: Dystopian Science Fiction Stories around Time Travel, Alien Invasion, Dark Artificial Intelligence, Psychics

 

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Saga Volume 9

Epic fantasy and science fiction graphic novel series

I’ve been following this series pretty much as soon as it first came out. Even though I am certainly hooked, I have had some concerns for a while that the series has been getting a little stale. I chatted on my podcast some time ago that the author recently announced that the series would be going on hiatus for a year, and so I decided I’d stuck with it this long, I might as well read this last volume. Now, if you’re not up to date, I’d stop right here because this will be full of spoilers.

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“Saga Volume 9” by Brian K. Vaughan and illustrated by Fiona Staples begins some time after the end of Volume 8. Hazel, her parents Marko and Alana, Sir Robot IV, his son Squire, the two journalists Upsher and Doff, Petrichor and Ghüs have left Ghüs’ tiny world with Ianthe with the The Will (now known as Billy) forcibly in tow hot on their heels. When Upsher and Doff offer Marko and Alana a chance at a completely new life, the offer is very tempting to others in the group. However, before long Ianthe and Billy have caught up with them and nothing is certain anymore.

“Saga” has been, well, a saga and there is no shortage of drama in this volume. Staples’ art is as mesmerising as ever, and the story continues to shock at every turn. However, I have to say that Hazel’s extremely melodramatic narration has really started to grind on me. There were some parts where I felt it matched the story and art really well, but generally I find it a bit ham-fisted. Vaughan is certainly fearless when it comes to nixing his characters, but in a similar way to the George R. R. Martin, there does get a point where too many of your favourite characters are gone and you just aren’t that invested in the ones left.

I really do think that a hiatus is a good idea. This book ends on a big twist and I’m just not sure where they are going to go from there. A break will hopefully let Vaughan recharge and come back with some fresh ideas to wrap up the series.

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Saga Volume 9

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The Rain Never Came

Post-apocalyptic Australian fiction

I received a copy of this book courtesy of the author.

“The Rain Never Came” by Lachlan Walter is post-apocalyptic fiction set in a not-too-distant future Australia plagued by drought. Bill and Tobe are best mates who live in a derelict town that has been all but abandoned. They spend their empty days drinking at the local pub. However, when the pub’s bore runs out and they see some mysterious lights on the horizon, Bill agrees to leave town with Tobe.

Australia really lends itself to desert dystopian stories and the premise of this one was interesting. Set around Western Victoria, I enjoyed imagining the hot Victorian summers I grew up with taken to their extreme. I was intrigued by the mysterious ruling entity that decreed that everyone had to be moved to northern regions where there was still rain. This is an action-packed book and once Bill and Tobe are on the road, the action is non-stop.

There were some things that were a bit difficult about this book though. Walters writing style is very active and his characters are constantly doing things like walking, looking, smiling and laughing. Although as the story progresses, we learn a little more about Bill and Tobe’s past, what I really wanted to learn more about was the world they lived in. It wasn’t completely clear why people were being forced to leave the towns, and I would have liked to have had some more reveals about what led to this situation and what the purpose of the mass removal was.

A compelling idea, but I would have liked more world-building and character development.

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Doomsday Book

A friend of mine gave me a copy of this book a very long time ago. Perhaps just before I started writing this blog! This copy has a pretty understated and uninspiring front cover, and despite the fact that it won both the Hugo and Nebula Awards, it has gathered dust on my shelf for years. I’ve recently reorganised my bookshelves so I now have a shelf dedicated to books I haven’t read yet, and finally it was this book’s turn.

20180721_131041-641834144.jpg “Doomsday Book” by Connie Willis is a one of those books that is both science fiction and historical fiction: a time travel book. Set in the mid-2050s in Oxford England, the book is about a student of Medieval history called Kivrin who is to be the first person to travel back in time to the 1300s for historical research. Aghast, her professor Mr Dunworthy tries to talk her out of it, but Kivrin has the firm support of the acting Head of the History Faculty and the expedition is to go ahead. However, while Dunworthy frets about the margin of error and whether Kivrin did arrive in the correct year, both in the 14th Centry and in present day Oxford, there are far, far bigger problems.

This is an absolutely engrossing book. Willis is an incredibly skilled writer who is brilliant at creating and maintaining tension. The book flips back and fourth between Kivrin in the 1300s and Dunworthy in the 2050s, and no matter which part I was reading about, I was on the edge of my seat. Willis drops hints and suggestions throughout the book and keeps you guessing right until the very end about what is going to happen. I was also really surprised to find out that she is not actually English. She really captured that peculiar brand of British humour that combines the absurd with the chaotic and uses a lapse in otherwise very good manners to comedic effect. However, I wouldn’t consider this a particularly humourous book and the darker and more tragic parts of this book really underline Willis’ flexibility as a writer.

I think there was only one single tiny thing that got under my skin about this book and that is Willis’ tendency to repeat facts and dialogue in order to ensure that the audience appreciates their significance. While I think that this is a good technique to make sure that your audience is picking up what you’re putting down, it did occasionally feel a little heavy-handed.

Anyway, it really was no surprise that this book won so many awards. It is a cracking story and I am really inspired now to read more books by Willis, including more in this series about time-travelling historians.

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The Left Hand of Darkness

Following the very sad news that Ursula K. Le Guin died earlier this year, my feminist fantasy book club decided to commemorate her by reading one of her books. Le Guin was the first woman to win the Hugo Award for best novel for this book, so expectations were pretty high.

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“The Left Hand of Darkness” by Ursula K. Le Guin is a science fiction novel about a man called Genly Ai who has been sent to a frozen planet called Gethen as an envoy. The plot is quite complex, but essentially, Ai comes from a confederation of planets called the Ekumen and has been living on Gethen for some time learning about the planet’s humanoid inhabitants and their peculiar culture. The Genthenians only have one sex: each person goes through a sexual cycle with the potential to be either male or female at its peak. Ai has been working towards a meeting with the “King” in a country called Karhide so he can issue an invitation for Gethen to join the Ekumen. However, Ai’s efforts are undone when he fails to understand the subtle messages communicated by the Prime Minister Estreven.

Not unlike “Orlando“, this book was clearly groundbreaking when it was first released. The edition that I have has an introduction written by China Miéville, who praises the novel and its ability to reveal something new on each rereading. Published in 1969, 50 years ago next year, it certainly was a very unique premise. This is a very complex novel that explores what a society would be like with not quite no gender, but if everyone could experience either gender. The politics and the cultural differences between countries on a Genthen are done cleverly but subtlety, and I think they require a lot of concentration to pick up on the nuances of Genthenian people. Le Guin conjures a palpably icy world, nicknamed Winter by Ai, and the later chapters traversing through a white wasteland read almost like a journal of Antarctic explorers.

However, this book is not easy to read. To begin with, and this is the biggest criticism that Miéville alludes to and Le Guin herself acknowledges in her own introduction, the way gender is handled in this book feels clunky. I think the significance of the fact that each person on this world essentially is at once both male and female is lost because of the Le Guin’s choice of pronouns. I understand that in 1969, gender neutral pronouns in English weren’t really a thing, but given their prevalence across languages around the world I’m not quite sure that holds up. I understand that historically, he has been used in English to be gender neutral, but I think in this case it’s just confusing.

I think that even though it’s such a critical element of the story, the androgyny of the Genthenians simply is not centralised enough in the storytelling. Ai is the lens through which we observe this world. However, so much of the description is on the political structures and the weather, I felt like I was constantly searching for a foothold to understand what Le Guin’s imagined people were like and what their culture was. I appreciate that an inability to understand them and the way gender influenced their culture was a key issue for Ai and his mission, but I think such a fascinating idea should really have been done a bit more justice and have been given a bit more airtime.

I think the other problem I have with this book is a problem that I often have with older science fiction. The writing style is often quite cold, and relationships and emotions are often stated to exist rather than shown or felt to exist. Maybe this as well was exacerbated by Ai and his unreliable narration, but later in the book I felt like all of a sudden a relationship was there just because Ai said so, not because it had really been established.

I honestly could go on and on about this book, there really is so much in there to unpack and maybe one day I’ll have to read it again and see if, like Miéville, I can discover more on a second reading. I think this book really has a lot of important and interesting things to say, and was one of the first books to say them, but it is a difficult book to read and does feel impenetrable at times.

 

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