Category Archives: Science Fiction

The Ask and the Answer

Young adult science fiction novel about fascism, colonialism and sexism

Content warning: fascism, colonialism, slavery and sexism

This author is one of my favourite young adult authors, and I was thrilled to meet him some time ago at the Sydney Writers’ Festival. After the event, he signed a copy of my book and was quite excited to see my name. He told me that he had a talking horse with this name in his series “Chaos Walking”, which at the time I hadn’t read yet but was thrilled to hear. Angharad isn’t exactly a common name in books. Since then I read the first book, but had yet to meet Angharrad the talking horse who it turns out is introduced in the second. If you haven’t read the first book yet, I recommend you read my review of “The Knife of Never Letting Go” instead. Like the previous book, this 10 year anniversary edition has striking black tinted edges and very subtle embossing of slightly shiny black text on the matte cover. It has been sitting on my shelf for far too long.

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“The Ask and the Answer” by Patrick Ness is the second book in the young adult science fiction series “Chaos Walking”. After discovering the truth about what happened to the women of Prentisstown, and meeting Viola, the girl who came from offworld, Todd and Viola arrive in Haven to find that it has been surrendered Mayor Prentiss, who now refers to himself as President of New Prentisstown. Todd and Viola are quickly separated, and Viola is placed in a healing clinic with women healers while Todd is locked up with the former Mayor of Haven. While recovering from her gunshot wound, Viola discovers that there is an underground resistance movement. Meanwhile, Todd is put to work supervising enslaved individuals of the planet’s native species, the Spackle. Unable to contact one another, Viola and Todd start to question their trust in one another.

This is an incredibly hard-hitting novel that picks up immediately where the previous one left off. Ness had already begun to explore the inequality between men and women caused by men developing Noise – the unchecked ability to project their thoughts to everyone around them – as a consequence of colonising the planet in the previous book. However, in this book he explores this issue far deeper and makes vivid connections between the way the Spackle are enslaved and controlled, and the way the women of New Prentisstown are enslaved and controlled. Towards the end of the book, Todd asks men who have been complicit in detaining, assaulting and marking women who they believe is going to be next.

Ness does an excellent job of character development in this book, really exploring what it means to be a man in Todd’s world. Juxtaposing Todd against Davey, Mayor Prentiss’ son, he examines how the two boys react to being made to brand Spackle and direct them to engage in slave labour. He also explores how Mayor Prentiss introduces Todd to control and violence so gradually in a way that is reminiscent of the progression of the Holocaust in Nazi Germany, and little by little Todd becomes complicit himself in the very things he condemned. I also found Mayor Prentiss’ use of information as a means of control equally chilling, and Ness draws all these themes together, driving the story towards an explosive conclusion.

One thing that always stands out to me about Ness’ writing is its sophistication, and his ability to reckon with complex themes in a way that doesn’t speak down to young adults but converses with them. A frequent complaint I have of second books in trilogies is that they are often a bit of a sagging bridge between the first book and the last. However, similar to “The Secret Commonwealth“, I actually thought this book was stronger than the first.

A compelling and insightful book that weaves in themes of politics and history while still being a fast-paced and exciting story. I would highly recommend this, and all of Ness’ books, to young adults.

Image of Castor the Sloth, looking through a telescope. #StartOnYourShelfathon The Quiet Pond.

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Filed under Book Reviews, Pretty Books, Science Fiction, Tinted Edges, Young Adult

The Old Lie

Military space opera science fiction

Content warning: war

I was very excited when this book came out recently, because I enjoyed the author’s debut novel so much. These past couple of months have hit the publishing industry hard, with book tours and events being cancelled en masse across the country. So, in a small effort to support local bookstores, I went and bought this and a few others from Harry Hartog Woden who were running a book takeaway service. The cover design is so striking. I was hoping to get this review up in time for ANZAC Day, but alas, it was not to be.

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“The Old Lie” by Claire G. Coleman is a science fiction novel with several point of view characters. Corporal Shane Daniels volunteered for the war and fights the enemy planetside through mud while dreaming of the family left behind. Jimmy is on the run with no documentation or support, trying to find his way back home one station at a time. William is trapped in a cell in a medical facility, with no way of knowing if he can ever leave. The only thing more impressive than Romany “Romeo” Zetz’s flying skills is Romeo’s reputation with women. Weakened by a terrible sickness, Walker is trying to make his way home to his grandfather’s country.

Coleman has constructed a clever novel using multiple perspectives to examine the human impact of war. Although the intergalactic setting may seem far fetched, this is a well-researched novel and the things that happen in this book are all based on things that have happened historically. Even the title, drawn from Wilfred Owen’s poem Dulce et Decorum est, is well-considered. Coleman paints layer upon layer of complexity and the individual stories, particularly Jimmy’s, are engrossing. While the experiences of the main characters seem worlds apart at the beginning, with Shane and Romeo more than willing to risk their lives for the war, as the book progresses, the true nature of the Federation and their positions in it becomes clear. This book is at heart a political commentary on the way Aboriginal people were treated following military service in the World Wars, and it is excellently executed.

However, this is not an easy book to read. War novels aren’t exactly my cup of tea, so the first half of the book, which is all no guts, no glory, was a bit hard going for me, someone who would prefer no war altogether in fiction and real life. This book, like the reality of war, is incredibly violent and that violence, physical or otherwise, is extremely confronting in Coleman’s hyper-realistic style. Coleman uses a lot of tools to hit her point home, but after a while I was a little overwhelmed by the “hammering of small-arms fire”, “stomach contents” and “the screams [that] would not stop”.

A well-written and well-researched novel that science fiction buffs and war history aficionados will enjoy equally.

 

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In the Vanishers’ Palace

Vietnamese-inspired queer fantasy novella

It was my turn to host the feminist fantasy book club I’m in, but alas: social distancing. I had chosen this book after coming across a list of Asian-inspired fantasy and this one looked particularly interesting. However, until basically this past weekend, having guests over was basically illegal and that meant that book club was suspended indefinitely. Except, I really wanted to have book club and was missing all my friends, so I decided to host a virtual book club. Three members put their hand up for a DIY dinner pack, and I had a great time foraging for ingredients and containers to put together the bare bones of a two-ish course meal that just needed wet ingredients and cooking. The menu: rice paper rolls, pho and spiked Vientamese coffee. The evening was pretty successful! While there were some technical difficulties early on, and limits to how many could be in the video chat at once, and some mysterious reverberation, it was a great night and I loved seeing what everyone cooked.

In the Vanishers' Palace by Aliette de Bodard

“In the Vanisher’s Palace” by Aliette de Bodard is a fantasy novella retelling of the classic fairy tale “Beauty and the Beast“. The story is about Yên, a young woman who lives in a traditional village governed by strict rules and hierarchies. Unless part of the social elite, a villager is only tolerated as long as they remain useful. Yên, an aspiring academic but yet to pass the requisite exams, instead teaches children and helps her mother, the village healer. When Yên’s friend, the daughter of a village elder, is infected by a plague, Yên’s mother summons an ancient dragon called Vu Côn to save her life. However, in this broken world, nothing comes for free, and the village agrees to give Yên to the dragon to pay the debt. Yên is whisked away to a strange palace where Vu Côn sets her the task of teaching her two spirited children. Once there, Yên marvels at the mysterious and deadly palace and slowly grows closer to Vu Côn. However, with the threat of the plague looming closer and secrets threatening to erupt, the least of Yên’s worries is a broken heart.

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My DIY dinner pack

This is a unique story that takes the general elements of “Beauty and the Beast” and reimagines them in a completely different setting. de Bodard is quite a lyrical writer with a keen interest in language and words, and fuses fantasy and science fiction elements to create the palace that is Vu Côn’s home. One room seems to contain a magical library whereas another contains extremely modern technology, and I enjoyed de Bodard’s interplay between modern and ancient.

Rhiannon's cooking

My friend Rhiannon’s cooking

This is certainly an incredibly inclusive book and aside from queer romance, there are non-binary characters, diverse examples of female leadership and the book itself clearly draws on de Bodard’s own Vietnamese heritage.

However, I wouldn’t say that this would be my first recommendation for a book during the coronavirus crisis. This is quite a dark book, and Yên’s is a world ravaged by illnesses left by the mysterious Vanishers with those who fall ill facing banishment or worse. Given the current times, it was a little hard to want to pick this up to relax after a day spent reading the news.

My cooking

My attempt

In a similar way to “The Black Tides of Heaven“, I felt that de Bodard raced through this story a little and that the concept of the Vanishers could have been fleshed out a little, or at least hinted at a bit more strongly, than simply the ruins left behind. I also felt that the romantic aspect of the book was a little hurried, and some of the subtlety could have been teased out a little further.

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My spiked Vietnamese coffee

Nevertheless, this is a quick and spirited read that is an original retelling of a classic fairy tale.

Spike's cooking

And, last but not least, Spike using up some of the noodles for lunch the following day

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Ancestral Night

Queer science fiction space opera

This was the next set book for my first fantasy book club gathering of the year. Although the author is known for her fantasy writing, this book is in fact science fiction. Now, unlike some other members of the bookclub, I quite like science fiction, so I was more than willing to give this book a chance.

Ancestral Night (White Space, #1) by Elizabeth Bear

“Ancestral Night” by Elizabeth Bear is a science fiction novel about Haimey, an engineer on a small spaceship with a pilot called Connla, an AI called Singer and two cats. The purpose of the mission is to salvage parts and technology from wrecked and abandoned ships, work that is sanctioned by the Synarche government. However, when the crew discover an abandoned ship full of ancient technology and the scene of an unthinkable crime, their trajectory takes an abrupt turn. When Haimey discovers that some of the technology has melded to her, loses the ability to moderate her own emotions and finds herself trapped on an ancient ship with a sexy but ruthless pirate, she must confront the truth of her own past in order to save the galaxy’s future.

This is an epic science fiction novel in the classic space opera style. Bear introduces plenty of interesting technologies and builds on the genre’s canon of human augmentation, superior aliens, innovative means of space travel and a pan-galactic government. There were a handful of interesting aliens, and I particularly liked Cheeirilaq who was a space station police officer that resembled a giant praying mantis. I thought Bear explored some interesting moral questions about regulating emotions chemically and how much of a person is retained when their memories are modified.

However, there were a lot of things that frustrated me about this book. It is a long book. Now, I know I complain about long books fairly frequently, but this book was hundreds of pages shorter than some of the ones I’ve reviewed previously and it still felt long. Part of the problem is that Bear is quite a repetitive writer. Haimey seemed like she was constantly shivering, constantly using the word “atavistic”, constantly referring to the pirate as a “bad girl” and constantly lamenting how she has terrible taste in women. I’m not going to give too much away here, but Haimey really hadn’t been with that many women to justify how many times she said that about herself.

The part of the book where she and the pirate are stuck on the ancient ship hurtling towards god knows where felt like it went forever. I totally get that Bear had spent a lot of time trying to figure out how someone could survive on an alien ship for weeks and weeks without obvious sources of food and water, but the book really dragged and the tiny bit of interaction between Haimey and the pirate did not outweigh the amount of time where nothing was happening. I felt like a lot of this book took place in Haimey’s mind, and that there was far too much thinking (about the same things over and over again), and far too little action. Then the huge action scene at the end felt as ridiculous as this.

For people who have never read much in the way of science fiction, I think this would be as good a place as any to start. However, those who are a little more seasoned and who are looking for something fresh may find this a bit frustrating.

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The Swan Book

Speculative fiction novel about an Aboriginal woman and her swans

Content warning: sexual assault

I’ve mentioned previously on this blog that I’ve started listening to audio books as a means of motivating myself to go to the gym. I’m still fine-tuning how exactly I select which books to listen to, but certainly the quality of the narrator is something I’ve realised is important to me. I have been trying to read more books by Aboriginal authors, and although I had heard of this author, I hadn’t actually read any of her work. I was scrolling through the categories on Audible and this book jumped out at me. I listened to the narrator in the sample, and immediately knew I wanted to hear more.

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“The Swan Book” by Alexis Write and narrated by Jacqui Katona is a speculative fiction novel about an Australia in the not too distant future. The story is about a young woman called Oblivia Ethylene who does not speak and whose story begins when she was found living in a tree. Taken in by a climate migrant Bella Donna, Oblivia lives on a swamp inside a rusted out hull in the middle of a military-run Aboriginal camp in Australia’s far north, and they are visited often by the overbearing Harbour Master.

Black Swan

A photo I took a while back of black swans on Lake Burley Griffin, Canberra 

However, as time passes, it becomes clear that Oblivia is not a reliable narrator, and her life actually began before she was found in a tree. We learn that Oblivia was gang raped, outcast from her family and deeply traumatised by the experience. Oblivia forms a deep connection with swans that come to Swamp Lake, later renamed Swan Lake, inspired by Bella Donna’s own love for the white swans of her homeland. After Bella Donna dies, Oblivia is visited by the newly sworn-in first Aboriginal President of Australia, Warren Finch who informs her that she is his promised bride. As Oblivia is forced to follow him to the Southern cities, she is in turn followed by the ghosts of her past and confronted by new ghosts in her future.

This is a deeply rich and complex novel that tackles a number of issues through a unique perspective such as trauma, the Intervention and climate change. I was struck by how many of the issues and predictions Wright made seem even more pressing now, only 7 years after publication. Oblivia is a fascinating character who appears both more aware and more naive than she first seems. Wright is a natural storyteller with a patient style, slowly unfurling each new piece of information and examining it from several perspectives before laying it down carefully before you. Nothing is rushed in this novel, yet at the end I found myself still unsure about so many elements of the plot. How much was real, how much was Oblivia’s fantasy, and how much was something in between? I’m still not certain what happened to the Genies or to Warren Finch, and whether Oblivia saw herself on TV or an impostor.

I absolutely must comment though on the narration of this book. Jacqui Katona was a superb narrator who captured the spirit of the novel completely. She has a soft, slightly cracked voice that reminds me of dust picked up by a desert wind. I loved listening to Katona speak in language, and she had a great knack for capturing the voices of the different characters, the matter-of-factness of the narration generally and even singing refrains from some of the songs referenced in the book.

Although Katona brought this book to life, I did at times find it a bit challenging to listen to. It’s no secret to anyone who has met me that I’m not the best at processing what I hear, but I did find this book at times maybe a little complex to concentrate on while I was also trying to count reps at the gym. Although Wright revisits pieces of the story several times, I did at times find myself asking whether a certain part was supposed to be ambiguous, or whether I had just missed something while I was trying to set the speed on the cross-trainer.

A captivating, intricate and extremely relevant book that Katona impeccably narrates.

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The Testaments

Sequel to “The Handmaid’s Tale”

This book hardly needs an introduction. Everyone has been talking about Margaret Atwood since her prize-winning novel “The Handmaid’s Tale” was made into a television series and commenting at length about the extent to which the story mirrors current events today. The original novel ends rather abruptly, but with the TV series now renewed for a fourth season, it has gone far beyond the ambit of the original novel. So when Margaret Atwood announced that 34 years after the original novel she would be publishing a sequel, there was a huge amount of interest. The interest was compounded when she (somewhat controversially) was awarded the Booker Prize for the new novel jointly with author Bernadine Evaristo. I have a fraught relationship with Margaret Atwood’s writing. Some of her books like “Cat’s Eye” and “The Blind Assassin” I would name among my favourite novels of all time. Others, like “The Heart Goes Last” and “The Robber Bride” left me lukewarm. Buying this eBook left me feeling a bit apprehensive, but with tickets to see her speak in Canberra just next month, I knew I had to read her new book.

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“The Testaments” by Margaret Atwood is a dystopian novel set approximately 15 years after the events of her acclaimed novel “The Handmaid’s Tale”. There are three point of view characters: Lydia, Agnes and Daisy. Lydia is an Aunt: a high-ranking woman governing and implementing laws about women in Gilead, the nation formerly known as the USA. Agnes is an adopted daughter of a Commander in Gilead who escapes an arranged marriage by agreeing to become a Supplicant: a future Aunt. Daisy, also an adopted daughter, lives in Canada. However when her parents are victims of a terrorist attack, Daisy learns her true identity and become essential to Mayday: an underground resistance movement.

“The Handmaid’s Tale” ended on a cliffhanger, and for those readers who were desperate to know what happens next, to Gilead as much as to Offred, this book certainly answers those questions. Atwood is at her strongest in Lydia’s flashbacks to her arrest when the government was overthrown and Gilead was first established. I felt like the scenes where successful, “immoral” women were detained inside the stadium were realistic, compelling and deeply disturbing. I also felt that Atwood was asking the reader an important question: can the means always justify the ends? The idea of Supplicants to be a interesting form of subversion.

However, this is a bit of a tricky book to review. In some ways, we are living in a time of sequels, prequels, retellings and reboots. There seems to be a chronic inability to leave things to the reader’s imagination. I’m not going to go into depth about a related pet peeve of mine: unnecessarily verbose fantasy novels, but it’s a similar problem. The books I’m enjoying the most right now are those that leave me wanting more. Apart from exploring what it means to be a Supplicant, I wasn’t sold on Agnes’ story and Daisy’s story, while certainly the most action-packed, seemed chaotic and the plan to infiltrate Gilead felt flimsy. Maybe ultimately it was a question of scale. In a classic fantasy or science fiction novel, I would happily suspend my disbelief that a nobody becomes a chosen hero who saves the day mostly through luck and timing. For a story that purports to be a realistic alternative future, it was hard to be convinced. Neither Agnes nor Daisy were particularly compelling characters, and I found myself mostly looking forward to Lydia’s chapters hoping for more flashbacks.

I haven’t read Evaristo’s novel, the other winner of the 2019 Booker Prize, but I am a little surprised that this was a joint winner. For fans of the TV series and original novel, this will fill in plenty of gaps and show old characters in new light. However, I think that “The Handmaid’s Tale’ was excellent as a standalone novel and while this sequel is fine, it was not necessary.

 

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Red Sister

Fantasy novel about assassin nuns

This was a set book for the feminist fantasy book club I am in, and broke the trend a little by being written by a man. I have to say, it wasn’t a particularly enticing cover, and it was subject to significant ridicule before we even had the meeting. I mean, it really is so bad, I’m tempted to start a new category on my blog for ugly book covers. Needless to say, my expectations were not high when I bought it for my Kobo.

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Contender for the worst book cover ever? 

“Red Sister” by Mark Lawrence is a fantasy (and kind of science fiction) novel about a girl called Nona who is taken from her home, placed on a cart with other children and taken to a city to be sold. The children are inspected for physical signs for their potential to have the traits of each of the original tribes: hunska, marjal, quantal and gerant. Her dark eyes, dark hair and incredible reflexes suggest hunska blood, and Nona is sold to a fight hall. However, after a violent incident, Nona is sentenced to death and is rescued at the last minute by Abbess Glass of the convent Sweet Mercy. Nona is enrolled to become a novice and train to become an assassin. Far behind her peers in her literacy and social skills, and with her past threatening to catch up with her, Nona must learn to walk the path before it is too late.

 

This is a fast-paced, immersive read that mixes elements of fantasy, science fiction and your classic, young adult magic school. I really enjoyed the world-building in this book, and the concept of a world completely frozen except for a thin strip along the equator kept warm by a mysterious red moon. The idea of a planet long ago settled by humans who have made it their own and who have special abilities is one that I have read in Anne McCaffrey, C J Cherryh and even Patrick Ness‘ books – and it is a premise that I simply never get tired of. Lawrence is a strong writer who is able to explain some of his complicated magical concepts, and allude to technology that, while the characters don’t understand, the reader recognises, in a clear way. I also liked how much uncomplicated queer content there was in this book, and Lawrence’s handling of relationships.

I think the thing I struggled with was the plot itself. The timeline was a little all over the place, sometimes doubling back, sometimes skipping ahead years at a time. While the theme of “Nona is under threat” was constant, the nature and source of that threat was in constant flux. I felt like the trial at Sweet Mercy was confusing and a little pointless, with Abbess Glass as opaque, unpredictable and infuriating as Dumbledore. The book also seemed divided in two with the demons from Nona’s past forgotten, and a new threat to the mysterious shipheart introduced very late in the story. I think all the elements were there, but they just felt like they needed a little reshuffling or something. Honestly, I just wanted to know more about the original tribes and the red moon, and less about who was trying to attack Nona at any given second for no discernible reason.

This was a very easy book to read, and there were plenty of things I liked about it, but I’m still on the fence about whether or not I’ll read the second book in the series.

 

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Binti

Himba-inspired afrofuturism

My feminist fantasy book club has been in full swing, and we deviated a little for our most recent book and tried a Hugo-award winning science fiction novella instead.

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“Binti” by Nnedi Okorafor is an eponymous science fiction novella about a young Himba woman who defies her close-knit family’s wishes and runs away to accept an offer as the first Himba person to study at an intergalactic university. Although far from her family, Binti proudly displays her distinct culture with her very visible otjize. However, when the ship is boarded by a hostile alien race, it is Binti’s unique culture that may be salvation.

This is a quick, intense novella that throws you headlong into Binti’s world. Okorafor pulls together all the classic elements of science fiction with space travel, aliens with tentacles, futurism and social commentary. Okorafor is a spirited writer, and this is an incredibly quick read. There are lots of pockets of technological ingenuity scattered throughout the book, and I love Okorafor’s approach to Afrofuturism and how it pays homage to traditional culture while weaving it seamlessly with science and space travel.

I think the only difficulty, which is one I have experienced with novellas before, is that because the story is so quick, it’s a little bit hard to get attached to the characters. There is an incident that happens about halfway through the book, and Binti refers to the impact of it several times afterwards, but the affected characters were introduced so briefly it is a little hard to empathise.

Nevertheless, this is a creative, enjoyable story that you will whip through in no time.

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The Frankenstein Adventures

Adventure retelling of classic horror story

I received a copy of this book courtesy of the author.

“The Frankenstein Adventures” by Bil Richardson is a retelling of Mary Shelley’s “Frankenstein” to celebrate the 200 year anniversary of its publication. Drawing inspiration from more modern interpretations of the story, Victor Frankenstein is happily married to his wife Elizabeth and is busy trying to create life with his assistant Igor. When he hears that his old school nemesis is working on creating life himself, Victor takes a couple of shortcuts to win the race. However, when things don’t work out to plan, his creation flees and unwittingly kicks off a manhunt across the countryside.

This is a fun- and pun-filled story that takes elements of a classic story in a more modern, action style. Richardson has a clear writing style with a strong focus on dialogue and wordplay. I actually much preferred Richardson’s version of Victor Frankenstein, much more than Shelley’s gnashing mess of a man who, to his own detriment, is completely unable to face his own mistakes. I liked that Victor and Frank reconcile at the end and each acknowledge their own part in the events that played out.

I did feel that the setting of this book was a little confusing. It wasn’t exactly clear exactly where Castle Frankenstein was, but it did seem to be somewhere in America rather than in Europe. I also had some questions about the audience for this book. I understand that Richardson is quite keen to get young boys reading, and while I think that elements of this story will appeal to them, most of the characters are adults and there is a lot of quite gruesome violence. I also found Maria’s story, while synonymous with what happens to William in the original story, to also be quite disturbing and never fully addressed.

An interesting take on a classic story, Richardson’s Frankenstein family is far more emotionally intelligent than the original.

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The Knife of Never Letting Go

Dystopian young adult science fiction with a gender twist

I have been reading this author for a while, and I was so excited to meet him in person at the Sydney Writers’ Festival last year. I think that he really is the cutting edge of young adult fiction right now, and when he told me last year that he had a character in one of his series with the same name as me, I knew I was going to have to give it a go. To celebrate 10 years of publication, the series was recently released in these very striking editions with black-edged pages and I absolutely had to have them. It has been a while since I’ve reviewed a book with tinted edges, and there is also a film adaptation currently in production, so I thought I’d better get moving.

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“The Knife of Never Letting Go” by Patrick Ness is a dystopian young adult science fiction novel about a boy called Todd Hewitt who lives in a place called Prentisstown. In a town inhabited solely by men, where everyone can hear everyone else’s unfiltered thoughts at all times, Todd is the youngest. Spending most of his time alone with his dog Manchee, Todd is waiting for his 13th birthday, the day he will become a man, which is just a month away. However, when Todd stumbles across an impossible silence, everything he thought he knew about his town is thrown upside down.

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Sorry, my dog was just being too cute not to include this one

When I picked up this book, what I was expecting the satire of “The Rest of Us Just Live Here” or the poignancy of “Release“. However, this is a very different story. One thing I love about Ness’ writing is that he is not afraid to commit completely to exploring a difficult, nuanced issue. In this story, Ness creates a world where there truly is a difference between men and women. He uses what he knows about gender in society and throughout history to take this difference to its horrifying extreme. When I read “The Power“, this was the book I was hoping for and finally I got it. I also really liked that Ness constantly placed Todd in difficult moral situations and did not always let him choose the right way. Todd struggles with feelings of guilt and conflicting interests, and is by no means the perfect protagonist. Ness is also an incredibly versatile writer and there are a lot of subtleties in the language he uses in this book.

As much as I was hooked by this story, I can’t give it a perfect review. There were some things that happened in the narrative that I wasn’t quite sure about. Also, because we learn about the world as Todd learns about the world, there are some big knowledge gaps that we as the readers can identify but where Todd (somewhat maddeningly) doesn’t know what he doesn’t know. I do appreciate that this is a trilogy, so there is still a lot yet to happen, but it is a very ambitious story and I wasn’t always completely on board with the way the story was unfolding.

Nevertheless, Ness is an excellent and relevant storyteller and if I had teenagers, I would be giving them his books.

buy the book from The Book Depository, free delivery

The Knife of Never Letting Go (Chaos Walking Book 1)

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