Category Archives: Signed Books

The Good Girl of Chinatown

Memoir about burlesque dancing in Shanghai

Content warning: racism, drug use, family violence

Three years ago I went to an event at Muse Bookstore where I saw this author speak about her new memoir. Even though it was a great talk and I was interested enough to buy a copy of the book for the author to sign, for one reason or another, this book has waited very patiently on my bookshelf since then for its turn. This year I have been making a bit more of an effort to get through my to-read shelves, and it was high time I read this book.

“The Good Girl of Chinatown” by Jenevieve Chang is a memoir about her experiences as a burlesque dancer in Shanghai, China in the late 2000s. After moving to the UK from Sydney to study dance, Jenevieve marries a man of Nigerian heritage called Femi. Although she envies his close-knit family, living with three generations under the one roof eventually becomes too much, and the couple jump at a job opportunity for Femi as a yoga teacher in Shanghai. Despite her family being from China, Jenevieve struggles to find a place in the performing arts scene in a city looking for Western faces. She mixes instead with an eclectic mix of “expats“. Her marriage slowly unravelling, when an opportunity comes up to star as a showgirl in a vaudeville, Jenevieve jumps at the chance. Cecil’s dreams of a club called Chinatown are intoxicating, and it’s easy to overlook some of the issues with payment, venues and transparency in the beginning. However, when things begin to really fall apart, Jenevieve is forced to face up to who she is beneath the costumes and performance and the traumas that ripple through generations of her family.

As I have mentioned many times on this blog, memoir is a genre that I often struggle with. However, this was an excellent memoir. Chang is a natural storyteller blending hard truths and entertainment on every page. The structure of this book was very effective using three key perspectives: Chang in the first person, Jenevieve as a child in the third person and fictionalised accounts of family history. I think it is a really courageous thing to write about your family, and although Chang provides plenty of empathy and cultural and historical context, she does not shy away from writing about the impact of corporal punishment on her family. One of the most powerful parts of this book, after having learned as a reader about Chang’s grandparents being exiled to Taiwan after the fall of Kuomintang in 1949 and Chang’s own estrangement from her parents, was her connection with family who still live in China.

However, Chang’s experience as a burlesque dancer and “Chinatown Girl” was also riveting reading. Cecil is the classic charming con artist, winning supporters over with his plans for Chinatown as the next great thing while quickly succumbing to greed and siphoning invested money instead of paying staff and contractors. Despite little to no pay, the performers are whisked along on a journey of late nights, flowing champagne and many creative differences. There was a particularly striking part of the book where many of the performers are taking an experimental drug that just seems to be available all the time, and it is strongly suggested that whoever is providing it is using the performers as guinea pigs. A big turning point in the book is Chang’s realisation that the Chinatown concept is a nostalgic colonial fiction that bares no resemblance to her family’s experience of 20th century China.

This is a captivating memoir and a testimony to Chang’s flexibility as an artist. In a time where the possibility of Australians travelling to and living in Shanghai in the near future is extremely low, and anti-Asian racism is on the rise, this is an important book as well as a great read.

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Troll Hunting

Non-fiction book about the motivations and impact of online trolling

Content warning: sexist and racist slurs

I have seen this Canberra journalist and writer speak at quite a few author events over the years, including with Carly Findlay, Margaret Atwood and Miriam Sved. However, despite being familiar with her work in cyberhate and online trolling, I had not actually read her book. Just when COVID-19 lockdown started to kick off, I saw that she had some signed copies available so after a contactless swap, I finally received a copy. After very recently being trolled for the first time (though certainly not harassed online for the first time), I thought it was high time I read it.

Troll Hunting

“Troll Hunting” by Ginger Gorman is a non-fiction book about the phenomenon of online trolling.  The book is divided into three sections: Trolls, Targets and Troll Hunting. Against the background of her own experience on the receiving end of trolling, Gorman walks the reader through what trolling is, who the perpetrators are, who the victims are, the emotional and financial impact of trolling and how effective different mechanisms are in trying to prevent, curb and prosecute trolling.

This is a fascinating and insightful book that lifts the veil a little on something that is almost always hidden by the anonymity of the internet. Gorman uses her investigative journalism skills to connect with numerous and, in some cases, infamous trolls to unpack the motivations behind trolling. As she develops relationships bordering on friendship with her sources, Gorman finds herself asking ethical questions not only of them, but of herself. However, it is Gorman’s ability to empathise with and relate to these (mostly) young men that draws out why they spend their time trolling.

Gorman’s chapter “Deep in the grey” was one of the strongest and most unsettling in the whole book, and we learn that while online trolling has IRL (in real life) impacts on victims, the victims themselves are not always perfect either. The sources themselves are incredibly interesting characters, and by the end of the book, some of the trolls start asking themselves the questions that Gorman asks them about why they participate in trolling. Particularly unnerving is how much trolling is underpinned by sexist and racist beliefs, how organised some trolling is and how far it has to go before legal action is taken. I also really liked the Notes in the margins where Gorman provides a frank overview of how being a victim of trolling and writing a book about trolling starts to take a toll on her.

In terms of solutions to trolling, Gorman explores the pros and cons of stronger legislation, complaints-handling agencies, better training of police and even removing the anonymity of the internet. These are all systemic solutions, however following Gorman online, she clearly has developed ideas and strategies about how to target trolling as an individual. I think the only thing I would have liked to have seen in this book is a bit more about what we as individuals can do to tackle trolling. I had reasonable success with just being more annoying and inane than my troll, but I think in a future edition I would love to see an additional chapter on what strategies Gorman has since found that work well.

This is a book is full of nuance and depth that explores an issue that almost everyone is aware of but almost nobody truly understands. An important read for internet enthusiasts and policy-makers alike.

 

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Cedar Valley

Small town mystery set in 1990s Australia

Quite a few years ago now, I received an Advance Reading Copy of a book by a debut novelist, and absolutely loved it. I was very excited to go along to see the author talk about her second book about 18 months ago and get myself a signed copy. However, like several books, this one has sat on my shelf patiently waiting its turn until now.

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“Cedar Valley” by Holly Throsby is a small town mystery set in a fictional town of the same name. On the day that Benny Miller, a 21 year old university graduate, arrives in Cedar Valley trying to connect with her recently deceased mother, a man is found dead out the front of a shop on the main street after sitting there alone for hours. While the town tries to make sense of what happened, Benny begins to learn more about the people who live there, especially her mother’s best friend Odette, and more about the mysterious life of her own mother.

Throsby is a thoughtful author who gently explores a number of issues peripheral to the main mystery at the heart of the novel. There are three main point of view characters including Cora, the owner of the curios shop outside which the man was found dead, Tony, the police officer investigating the case, and Benny. Cora and Tony both have a fair bit on their plate, including coping with the sudden decline of Tony’s mother who is also Cora’s best friend. I really enjoyed how Throsby subtly but critically portrayed Tony’s home life, and how he was both unlikeable yet relatable. I also really liked Odette and her warmth towards Benny, despite them never having met before. It soon becomes clear that the book is less about the mystery of the man, which the characters soon realise is very similar to the Tamam Shud case, and more about Benny coming to terms all the questions she has about the truth of her mother’s life.

I’m just going to pause the review there, and mention an incredible coincidence that happened while I was reading this book. Throsby is very upfront about the influence of the Tamam Shud case on her book, and late one night while reading the book, I started reading up a bit about the case. I was familiar with it, but I couldn’t remember a lot of the details. One of the first things that comes up when you start researching the case is the origin of the phrase tamam shud. It is the last line in a book called “Rubáiyát of Omar Khayyám”. Now, this book sounded extra familiar to me because just that weekend, I had ordered a care package curated by Beyond Q Books, which completely coincidentally included a copy of “Rubáiyát of Omar Khayyám”.

There is a lot of speculation, but some people believe that the particular edition of the book the line tamam shud was torn from may hold the answer to a mysterious code that was found inscribed in the back of the same book, which has since been lost. One of the most well-known researchers of the case advised that he had been searching for a FitzGerald edition of the book with no success. My heart was pounding now, and I jumped out of bed to check inside the title page of my book. “Rendered into English Verse by Edward FitzGerald”. No. Way. I flipped to the last page and quickly googled a photograph of the original torn out phrase: not a match. It was a different font. Feeling both disappointed and relieved, I was finally able to go to sleep.

Anyway, back to the book. I think it’s fair to say that I didn’t enjoy this book as much as I enjoyed Throsby’s first novel. In “Goodwood”, I was very invested in Jean as a main character and despite all the leads and speculation throughout the novel, the ending was incredibly satisfying. In this book however, it was the peripheral characters I was more interested in. Benny felt like more of a lens than a leading character, and I didn’t really feel particularly invested in her. I found myself wanting to know much more about Odette, and how her own interesting life had unfolded. I think I was also hoping that with no resolution about the Tamam Shud case, that Throsby would allow the reader a bit of closure in this book, but alas it was not to be.

A meditative novel that carefully examines the relationships that form between residents of small towns, and leaves you perhaps with more questions than answers.

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Into Bones Like Oil

Horror novel about searching for and escaping the dead

Giveaway details at the bottom of the review

This is a very special book because it was one of the several lots that I won earlier this year in the #AuthorsforFireys Twitter auctions to raise money for the Australian bushfires. I know the multiple award-winning Canberra author, whose books I have reviewed previously and who has been a guest on the Lost the Plot Podcast, and the pack she was offering was a very exciting one. She was offering a copy of her book together with an interactive, multi-sensory experience for the reader to enjoy while reading the book. After I won, we met up shortly afterwards on another very stormy day (which seems to be a theme!) and had the exchange over drinks. I couldn’t wait to set everything up so I could spend a Sunday evening savouring the book and all the items that came with it.

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“Into Bones Like Oil” by Kaaron Warren is a horror novella about a woman called Dora who arrives at The Anglesea, an old boarding house by the coast. The house is run by the friendly but unsettling Roy, and is full of many other guests, some of whom Dora only sees glimpses of at breakfast. It’s a short walk to the beach and an old shipwreck. At first, Dora feels that the guests appear to be all connected by the fact that they are escaping something. Many of them sleep for days without emerging from their rooms. However, the longer she stays at The Anglesea, the more she grows to realise that people don’t seem to ever leave The Anglesea, and neither did the ship’s passengers.

This is an incredible eerie story about guilt and greed, and how those made vulnerable by pain can easily be exploited by others. Dora is a great character, and the more we learn about her past, the more we understand how she ended up at a place like The Anglesea. Although it is a novella, there is plenty packed in and Warren’s writing is complex and insightful. This book seeps into you and lingers long after you finish reading.

Warren is an incredibly vivid writer, and this book really lends itself to enjoying alongside a sensory pack. If you want to make your own pack, here is what you will need:

  • Page 1 – key
  • Page 3 – clock & battery
  • Page 4 – a seashell (to listen to)
  • Page 8 – a scarf
  • Page 15 – a glass and a shot of vodka
  • Page 31 – paints
  • Page 32 – curry
  • Page 48 – striped shirt & Nick Cave and the Bad Seeds Nocturama CD
  • Page 52 – Cheezles
  • Page 65 – soap
  • Page 69 – perfume
  • Page 72 – baked beans
  • Page 74 – girls’ brush

I had so much fun setting up the pack and working through it. I arranged everything clockwise in a circle. I managed to get stuck on the second item, the clock and battery, because I couldn’t quite get the battery in, but managed to wedge it in using the key. When I listened to the seashell, the effect was slightly spoiled by a jet flying over at exactly that moment, but I waited until it passed and tried again. I was a bit of a wuss with the peach-flavoured vodka, and had to mix it with lemonade after the first taste. The paints were great fun, and I was inspired to do a little painting.

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Unfortunately, because I had set everything up at once, by the time I got to the curry at page 32 it was a little lukewarm, but that was easily fixed in the microwave. Also, hilariously, the Dove brand soap had seeped into some of the other items, especially the fabric ones, so everything smelled very clean. The perfume was a really nice touch. I don’t wear much perfume, but there is something very evocative about it.

Anyway, this was an deeply unsettling book that was made all the more immersive with the sensory pack, and both are a testament to Warren’s creativity.

To pay this great experience forward, I will restock the sensory pack and give it to the first person who contacts me via Facebook, Twitter or Instagram with proof of purchase of “Into Bones Like Oil”. Open to Canberrans only, and I will drop it off in a contactless way at a location of your choosing. 

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Capital Yarns Volumes 1 and 2

Canberra-based short stories for young and old

If you listen to my podcast Lost the Plot, you might remember me speaking to this particular author back in Episode 25 about short stories. More recently, I helped to launch his latest collection of short stories in a live podcast event. While I had read quite a few, and listened to more on his podcast, I thought it was high time that I finished reading both collections and sat down to review them.

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“Capital Yarns Volume 1” and “Capital Yarns Volume 2” by Sean Costello are two collections of shorts stories based in and around Canberra. Each story is constructed around three objects nominated by friends, family and members of the public which are highlighted in bold text. The stories range in theme, some more playful, some darker, some tackling modern social issues. In the second volume, printed in a slightly different format, the stories are arranged by age group and grow progressively more serious as the book goes on.

A Canberran born and bred, Costello’s love for the city permeates the pages of each book. Clearly a keen people-watcher, Costello brings to life stories of ordinary Canberrans in some well-known and not-so-well-known parts of Australia’s often derided but increasingly cosmopolitan capital city. Costello pokes fun at some of the stereotypes of Canberra including its politicians and its hipsters, but importantly his satire is always aimed at privilege and he never punches down. Costello makes a clear effort to showcase the diversity of Canberrans and some of my favourite stories are decoding the opposite sex and how i met your grandfather in Volume 1 and hey sister and delusions of grandeur in Volume 2.

Like many authors, I think Costello starts to hit his stride a little more in Volume 2 and I felt that the arrangement by age group lent an overall cohesiveness to the book that wasn’t quite there with Volume 1. I also felt that the stories in Volume 2 were a bit stronger overall and were perhaps a little less about issues, places and things were instead more driven by plot and characters.

Two lovely collections of heartfelt stories filled with Canberra pride that you can experience for yourself in written or audio format on Costello’s website.

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Into the World

I received not one but ten copies of this book as part of a prize pack from a book club contest from Allen & Unwin. I’m part of a sort of feminist-fantasy book club, and although this isn’t a fantasy book at all, it does have quite a few feminist themes. The prize pack also included a couple of bottles of wine, some snacks, some book club questions and some French-inspired recipes. I also got to meet the author at a local event, so I was very lucky to get my copy of the book signed as well.

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“Into the World” by Stephanie Parkyn is a historical fiction novel based on the life of Marie-Louise Girardin, a real French woman.In the novel, Marie-Louise has just given birth to a baby boy who, widowed, she cannot afford to keep. Estranged from her family and entangled in the politics of the French Revolution, Marie-Louise makes the drastic decision to give up her son and find work at sea. However, given the attitudes towards women in 18th Century France, Marie-Louise disguises herself a man and finds a job as the ship’s steward on board the Recherche. While the official mission is for two ships to find the missing French explorer La Pérouse who disappeared somewhere near New Holland, Marie-Louise’s ship also carries a number of naturalists looking to study the continent’s unique flora. Marie-Louise befriends the scientists but finds her loyalties torn between them and the officers of the ships, particularly Kermadec, the captain of the second ship. As tensions threaten to boil over, Marie-Louise worries that her secret will be discovered.

This is a difficult book to review. Parkyn has clearly put an enormous amount of research into this book. Her environmental science background meant that the detail of the expedition is meticulously captured and it was very easy to imagine life on the boat and the characters and experiments of the naturalists. The sailors’ reactions to the new plants, animals and people of the Australian continent felt very authentic. Parkyn had a tricky job to depict two trips around the continent and compare first impressions with second impressions, but I think that Parkyn brought that fresh perspective in a clipped, academic style.

Nevertheless, there were quite a few things that I struggled with in this book. Very little has been written about the enigmatic character of Marie-Louise, and I absolutely appreciate that like most historical fiction novels, an author needs a bit of creative license. Parkyn creates a backstory of intrigue and involvement in the French Revolution which I thought did give a bit more impetus for Marie-Louise’s extreme choice to become a male sailor than simply being an unwed mother. A revolutionary so bold as to dress as a man and go sailing around the world to undiscovered lands, I was expecting Marie-Louise to be brave and canny.

However, I felt like the character of Marie-Louise in this book is very timid and unsure. She is constantly second-guessing herself and while I appreciate how nerve-wracking it would have been for the real Marie-Louise, I really would have liked to have seen a much more bold and confident character to match those incredible feats. Any sailor who hopped on a ship to travel uncharted seas would have had to have been brave; a woman hiding her identity, doubly so. I really wanted Marie-Louise to show that kind of gumption.

Something else I was surprised about was the ending. Without giving away too much, Parkyn chose to end the story differently to the way the real Marie-Louise’s story ended. I can understand the temptation to give her an uplifting ending, but I think that maybe the real story would have given Marie-Louise the hero’s ending that I think she deserved. I also think that while there was a huge amount of historical detail, I would have liked a bit more French culture.

Anyway, this was a really interesting story about a woman who had a fascinating life but unfortunately did not leave much of a trace of her incredible adventures behind. Parkyn brings Marie-Louise’s unique story to life, and though I didn’t necessarily agree with all the choices she made for Marie-Louise, I thought it was a very well-researched book.

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Heart of Brass

If you listen to my podcast, you might recall that a couple of episodes ago I interviewed local Canberra author Felicity Banks about interactive fiction and her project “Murder in the Mail“. A while ago, by coincidence, my partner bought me a copy of her book at CanCon, completely unaware that Felicity and I had already been chatting!

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“Heart of Brass” by Felicity Banks is the first book in her pre-Federation Australian steampunk series “The Antipodean Queen”. The story is about a young upper class Englishwoman called Emmeline whose family has a lot of secrets but not much money. One of those secrets is that Emmeline, a keen inventor, has a steam-powered heart made of brass. When her attempts to save her family’s financial situation through a strategic marriage go very awry, Emmeline is sent to the colonies on the last convict ship and finds herself in Victoria. In this strange new land, she realises that she has a lot more freedom and opportunities than she perhaps had at home, but also has a lot more enemies.

This is a very fast-paced book full of action and intrigue. Banks introduces a very diverse range of characters that give a really holistic sense of the kinds of people who made their way to Victoria during the gold rush. This steampunk book involves a little bit of magic, and I really enjoyed the subtlety of Banks’ magic system and the way people can interact with metal. I think that it worked really well in a steampunk setting, and particularly well in a goldrush setting. I liked the way that people tapped into the properties of metal and used them to express themselves and enhance themselves in the clothing that they wore.

Now, I absolutely have to mention something about this particular book that really made it enjoyable for me. At the end of the book is a short choose your own adventure-style story called “After the Flag Fell” about a true historical figure called Peter Lalor, but set in Banks’ own steampunk reimagining of the Eureka Stockade. This was such a fun and cleverly done little story, and I was flipping through trying to achieve all the goals and collect all the items with absolute delight.

I think maybe the only thing I found a bit challenging in this book is that there is a lot going on, and Emmeline and her two new companions Matilda and Patrick are on the run for the majority of the book. Sometimes this made it a little bit difficult to keep up with all the action, but I think for people who really enjoy adventure fiction, this isn’t going to be much of an issue.

A fun story with an especially fun choose your own adventure bonus at the end, Banks’ novel is a fresh look at Australia’s history and blows apart some of the dark areas of our past with explosions, metal and lots and lots of steam.

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A Perfect Alibi

I received a copy of this book courtesy of the publisher, Leaf by Leaf Press, which is a cooperative of writers from the UK in an area called the West Midlands where I lived for 6 months as an 18 year old. I was pretty excited to read this one and retrace some familiar places.

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“A Perfect Alibi” by R. J. Turner is a mystery/thriller novel that starts out in a cemetery. A young woman called Jane returns to her hometown for her estranged father’s funeral. When the time comes to lower his coffin into the ground, a naked woman’s body is discovered in the grave. Detective Inspector Dundee and Detective Sergeant Eccles are assigned the case, and while they are investigating Jane discovers that her father had been hiding even more from her than just his feelings. However, he had the perfect alibi, right? He was already dead.

This is a modern take on the mystery/thriller genre. I really enjoyed the diverse range of characters, including the lesbian police officer, people whose linguistic background is critical to the plot and the characters in wheelchairs who contributed significantly to solving the crime. Turner did an excellent job as well depicting the difficulty balancing work with family and casts Dundee’s moral weaknesses in stark relief against the better judgment of his female colleagues. He also manages to do with while maintaining the likability and relatability of Dundee which was an impressive feat.

Without giving too much away, I think the part about this story that I struggled with the most was Pete’s. While I enjoyed Jane, Dundee, Eccles, Agnieska and most of the other characters, I found Pete a bit difficult to relate to and his arc a bit hard to engage with. I see how his story was necessary to move along the entire plot, but I enjoyed the parts with Jane, Dundee, Eccles and Agnieska far more.

This was a fast-paced read with a surprising amount of depth, especially regarding the characters. I would be interested to see if Dundee gets up to more shenanigans in future books.

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Nevermoor: The Trials of Morrigan Crow

A lot of people have been talking about this newcomer on the scene of children’s fantasy. The book is by an Australian author, and when I saw a signed copy in the window of a Canberra bookshop, I thought I’d better grab a copy and give it a go myself.

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“Nevermoor: The Trials of Morrigan Crow” by Jessica Townsend is a children’s fantasy novel about a young girl called Morrigan who is cursed. Blamed for every mishap that takes place in Jackalfax, a town in the state of Great Wolfacre, in the Wintersea Republic, where her father is Chancellor, Morrigan is treated like an outcast by her community and her family. Due to die on Eventide, Morrigan is instead rescued by the charismatic Jupiter North and taken to a magical city called Nevermoor. However, her status in this city is not secure. In order to avoid the deadly hunt of smoke and shadow, Morrigan will have to trust Jupiter’s confidence that she will pass the trials to gain entry and sanctuary into Nevermoor’s prestigious Wundrous society.

First things first, I think kids will probably enjoy this book. Although I’m an adult, if I look at this book through the eyes of my younger self, it’s easy to read, it doesn’t shy away from heavy themes, yet it has a strong sense of wonder about it. There are some really creative elements that I enjoyed in Jupiter North’s hotel like Morrigan’s bedroom that changes daily and the chandelier that regrows. It’s a fast-paced story and Morrigan has a sense of integrity that really resonated with me. Townsend writes in a style that’s both complex and age appropriate and I think has a particular knack for capturing the subtleties of a young person’s emotions and relationships. There was a particular part where Morrigan felt guilty about something and eventually confessed to Jupiter, and I just felt like the whole emotional exchange was handled by Townsend in a really realistic way. Something being a much bigger problem for the child than it is for the adult, but the adult appreciating being told the truth in the end nonetheless. I’m certain I would have whipped through this as a kid.

However, I am no longer a kid, and this is not my first fantasy book. This book has been touted as the next “Harry Potter” and I think that is a fair but not necessarily favourable comparison. Drawing on themes from J K Rowling’s famous series and the gothic atmosphere from “A Series of Unfortunate Events“, this book definitely has a familiar vibe to it. I could go through the various tropes in it, but I don’t want to give away any spoilers. I did really like some of the side-characters, but Morrigan herself I thought could have been a bit more interesting. Maybe after Harry Potter and Bella whatserface from “Twilight” I’m a bit tired of dark hair and pale skin being considered a revolutionary appearance. The trials themselves as well I wasn’t completely sold on. Morrigan felt a little bit like Harry Potter bumbling his way through the Triwizard Tournament meets Jill Pole muddling up Aslan’s instructions in “The Silver Chair”.

Also, there was something about the world building that confused me a bit. The Wintersea Republic seems like a very English-inspired world/country (surprising given Townsend is from Queensland, Australia but again very typical for this kind of fantasy), and Nevermoor is this kind of missing magical fifth state that is only accessible via a type of giant clock. I couldn’t quite get a grip on the relationship between the Wintersea Republic and Nevermoor, and the extent to which the former has magic. Maybe this will be revealed later in the series, but at the moment it feels a bit unfinished.

Anyway, while I may be old and jaded, I’m fairly certain that for lots of kids for whom this will be their first foray into fantasy, this book will be a breath of fresh air and they will thoroughly enjoy the story. For adults who have read several children’s fantasy books, this one will feel very familiar. Perhaps a little too familiar. Either way, it’s about the target audience and the target audience will love it.

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Dragonclaw

Kate Forsyth’s historical novel and fairy tale retelling “Bitter Greens” was one of the first books that I reviewed on this blog. When another of her books was nominated as the next book to be tackled by my feminist fantasy book club, I was really excited to see her take on the genre. Then, even more excitingly, Kate Forsyth came to speak at the National Library of Australia this week. I got several books signed, but I’ll be writing more about the event for the ACT Lit Bloggers of the Future program later on.

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“Dragonclaw” by Kate Forsyth is the first book in her series “The Witches of Eileanen”, as well as being her first published novel. The story begins in a secret valley, where foundling Isabeau has grown up with her guardian, the wood witch Meghan. On her 16th birthday, Isabeau has the opportunity to showcase the skills and power she’s been developing over the years. However, in a world where witchcraft is prohibited and witches themselves persecuted, the initiation is risky. After drawing the attention of enemies, Isabeau finds herself sent on a dangerous quest by herself to the heart of Eileanan, a journey that she is perhaps not yet ready for. Meanwhile, elderly Meghan summons her courage to climb Dragonclaw and seek the advice of the last species untouched by the war on magic. However Meghan is not prepared for the help that their council reluctantly provides.

Winter has well and truly arrived in Canberra, and I was definitely in the mood to snuggle up with a fantasy adventure. In a genre usually dominated by male writers, it was really refreshing to read a fantasy novel where the majority of the characters were women who each wield power in their own way. The story itself is a blend of original ideas and traditional magical concepts which makes this a very easy story to step into. There is so much action in this book and it was a great story to discuss in a book club. There were also plenty of modern and traditional themes to unpick and lots to read into about the characters, their relationships and their particular flaws. Even how you pronounce characters’ names got a big discussion, especially the name Meghan (MEGG-an, MEE-gan, or MAY-gen, like my sister?)

I picked up the 20th anniversary edition of this book (the red one pictured above) for book club, but then I found the original 1997 edition at the most recent Canberra Lifeline Book Fair. Unusually, I preferred the original. I really liked the grey stonework design that matches in each book in the series. There’s a scene in “Dragonclaw” where Meghan is walking along a stone wall, and I think the cover design really captures that aesthetic perfectly.

This is the first book in a series of six, and then there is a further trilogy again set in the same world. I thoroughly enjoyed it and as it’s shaping up to be a long cold winter, I may very well delve into a few more of these before it ends.

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