It is starting to get rather late in the year, and it occurred to me that I really haven’t been making much of a dent in any of the reading challenges I started at the beginning of the year. So I’m trying to at least tackle the StoryGraph‘s onboarding reading challenge. This book was from the “Popular this Week” when I was adding my books from the challenge, and happily I already had a copy that I had picked up from the Lifeline Bookfair some time ago. The cover is very eye catching, with embossed text, black and white silhouettes and a dash of colour with a red scarf.
“The Night Circus” by Erin Morgenstern is a historical fantasy novel set in Victorian England. The book is about a travelling circus known as Le Cirque desRêves that arrives in towns around the world with no warning. It opens at nightfall, it closes at dawn, and the tents inside contain wonders that its visitors have never seen the like before. However, there is much more to the circus than meets the eye. At its heart is a contest, and the players nominated are Celia, the daughter of an enchanter, and Marco, chosen by a mysterious sorcerer as an apprentice. However, the masters did not reckon on the desires of their players, and the players did not reckon on the community that would grow around the circus.
This is a sweet, intricate novel that leans into the romance, whimsy and transience of circuses. Morgenstern creates layers and layers of magical spaces, exploring the limits of magic and imagination. As the circus grows more and more intricate, we begin to see the toll on Celia and Marco, and those around them. I think my favourite part of the book was Bailey’s story, a young boy who falls in love with the circus, and I felt that Morgenstern handled his arc so delicately and so satisfyingly.
While I liked the writing and I enjoyed the premise, I think I found the overarching plot less compelling. The romance seemed to rely on predestination rather than real chemistry. There were things that I wanted to know more about, like the nature of the man in the grey suit, and there were things that I probably could have taken less of, like the listing of the various experiences in the circus which, while creative and beautifully described, did not necessarily contribute much to the plot.
A captivating book with an appealing premise that was a little light on with story.
Mystery novel set in Botswana about love, independence and humanity
Content warning: family violence, child labour
There are a lot of people in my family who enjoy detective and mystery novels, and I have had this book recommended to me several times. In fact, I have had a copy on my bookshelf for so long, I can’t remember where I got it from. This year, I have migrated from Goodreads to StoryGraph to keep track of the books I read. One of the things that StoryGraph offers is its new members is its onboarding challenge with six different challenge prompts to complete in your first year of membership. The second challenge prompt is “Read a book from the Five-Star section of someone from Similar Users”, and this book came up.
“The No. 1 Ladies’ Detective Agency” by Alexander McCall Smith is a mystery novel about Precious, a woman who opens a detective agency in Botswana with her inheritance from her father. Despite a slow start and some raised eyebrows from other citizens, Precious eventually receives her first clients. Although she does not have much experience or formal training, her unorthodox style, tenacity, powers of observation and empathy generate results. However, some of the mysteries prove to be challenging and solving them may prove dangerous. Meanwhile, Precious has to contend with advances from eligible men. However, with a history of heartbreak and a business to run, she is reluctant to think about romance again.
This was a fun and surprisingly complex book that tackled a range of social issues. I was particularly impressed at how sensitively McCall Smith handled family violence, and how a strong, independent woman can nevertheless experience violence and become a survivor. It is impossible to read this book and not empathise completely with Precious, and admire her resilience to begin her life again on her own terms. I also enjoyed a lot of the peripheral characters, most especially Mr JLB Matekoni, whose quiet sweetness is a delightful counterpart to Precious’ own style.
Although McCall Smith has clearly spent a lot of time in Botswana, and writes generously about the country, as he is a white man of Scottish heritage I did find myself wondering about the book’s authenticity (having never been to Botswana myself). I have read books by authors from other African nations including Nigeria, Cote d’Ivoire, Ghana, Liberia, and South Africa but none yet by an author from Botswana. There is a really interesting, detailed article on Medium about some of the barriers to novels being published in Botswana and shared with the rest of the world. McCall Smith’s book has also been adapted into a TV series which was one of the first major film productions in Botswana and has a talented cast that bring this off-beat mystery story to life.
An enjoyable, original story that subverts the detective fiction genre.
Fantasy novel about straddling cultures and collecting powers
This was the next set book for my fantasy book club, which I had to dial into because I caught COVID-19 at the end of June, and then almost as soon as I recovered, I caught a cold.
“The Hand of the Sun King” by J.T. Greathouse is the first novel in the fantasy series “Pact and Pattern” about a young man who grows up in two cultures. In his father’s household, he is Wen Alder, studying for the Imperial Examinations to obtain a prestigious position serving the Emperor. However, in the dead of night, under the tutelage of his maternal grandmother, he is Foolish Cur studying the old ways. Trying to balance both identities, and unable to keep his own ambition in check, he finds himself propelled into a life of politics and intrigue, of rebellion and conflicted loyalties.
This was a really interesting novel with a complex and well thought out magic system. Greathouse is consistent and detailed with the use of magic and fans of epic fantasy will not be disappointed reading about Foolish Cur’s efforts to master various powers. The novel is paced in a way that the reader gradually learns more about reaches of the Sienese Empire and the effects of colonialism at the same rate that Foolish Cur does, creating a sense of connection with him and an investment in his story. I have mentioned a couple of times on here that I have been enjoying books where the primary motivation is ambition, and this was no exception.
However, I did find the book takes a while to get started. While I appreciate the earlier chapters lay a lot of essential groundwork for the overall premise of the book, it was initially slow to gain momentum.
An enjoyable book (once it got going) with unique and well-considered magic, few boring fantasy tropes and plenty of complexity.
Walaupun saya tinggal di Indonesia untuk jumlah enam tahun, dan belajar Bahasa Indonesia di SD, SMP, SMU dan Universitas, sebelum ini saya belum pernah membaca buku novel dalam Bahasa Indonesia. Waktu saya masih remaja, bapak saya kasih kepada saya “Harry Potter dan Batu Bertuah”. Saya coba membacanya, tetapi kosa katanya terlalu susah dan saya tidak mebaca lebih dari si kembar Weasley yg ditemu pertama kali oleh Harry Potter di kereta api Hogwarts Express. Saya pernah dengar tentang buku ini dari teman-teman dan penulis lain (khususnya tentang hal realisme magis). Walaupun ada terjemahan Bahasa Inggris, saya punya keinginan untuk membaca buku ini dalam Bahasa Indonesia. Saya sekarang membaca beberapa buku untuk proyek tulisan dan buku ini ada tema relevan. Oleh karena itu, saya pesan edisi Indonesia.
“Cantik Itu Luka” ditulis oleh Eka Kurniawan adalah sebuah novel tentang seorang perempuan bernama Dewi Ayu yang tinggal lagi sesudah dua puluh satu tahun kematian. Novel ini menjelaskan kenapa Dewi Ayu menutuskan untuk mati sesudah anak perempuan keempatnya lahir. Berbeda dari kakak-kakaknya, anak perempuan ini sangat jelek dan sebelum mati, Dewi Ayu kasih satu hadiah: nama Cantik. Terus, kita membaca tentang hidup Dewi Ayu sebagai orang Indo di kota Halimunda. Halimunda diokupasi oleh tentara Jepang pada Perang Dunia II dan Dewi Ayu terpaksa menjadi pelacur. Sesudah perang, Dewi Ayu menjadi pelacur yang paling terkenal dan dicintai di Halimunda. Dia punya tiga anak dari tiga bapak berbeda dan setiap anak lebih cantik dari pada yang lain. Akan tetapi, masa sesudah perang merupakan kesempatan untuk mendapat kemerdekaan dari Belanda dan membayang negeri baru. Ada tiga cowok yang menjadi sangat berkuasa pada waktu ini: Shodancho, Kamerad Kliwon dan Maman Gendeng. Siapa yang menang perang untuk jiwa Indonesia dan menikah anak perempuan cantik Dewi Ayu?
Novel ini mencerita sejarah Indonesia dari perspektif unik. Dengan pergunaan realisme magis dan tema yang mengerikan, Eka Kurniawan menunjukkan peristiwa yang paling jelek pada periode Perang Dunia II, Revolusi Nasional Indonesia, Penumpasan PKI dan mungkin juga Petrus. Tokoh-tokoh Dewi Ayu, anaknya dan suaminya mengalamkan peristiwa ini dengan berbeda dan jelas bahwa orang perempuan sangat mudah diserang oleh tentara, preman dan bahkan keluarganya. Dewi Ayu sangat praktis, dan tanpa emosi dia menderita dan mengambil tindakan untuk memastikan dia dan anaknya aman. Kadang-kadang ada peristiwa yang tidak bisa dijelaskan seperti orang yang hidup lagi, cium yang berapi, babi yang menjadi manusia dan kutukan yang tidak bisa dipatahkan. Eka Kurniawan menggunakan hal ini untuk membuat emosi Halimunda semakin keras. Gaya menulisnya sering seperti dogeng.
Akan tetapi, buku ini tidak mudah dibaca. Walaupun memang ada banyak kosa kata yang saya belum tahu (sesudah selesai buku ini, saya mengisi tiga buku catatan dengan kosa kata Bahasa Indonesia!), itu bukan masalahnya. Masalanya sebetulnya tema. Ada banyak kekerasan, banyak perkosaan dan banyak hal yang didaftarkan di atas yang sulit dibaca. Walaupun saya paham ada hal yang harus didiskusikan, Eka Kurniawan menulis tentang hal jelek dengan terlalu banyak perincian, dan saya merasa tidak nyaman membaca buku ini.
Walaupun ini buku yang penting dan menarik, itu juga buku sulit dan sering mengerikan.
Literary novel about an Indo woman, her family and the soul of Indonesia through 19th century history
Although I lived in Indonesia for a total of six years, and studied Indonesian in primary school, high school and university, before now I have never read a book in Bahasa Indonesia. When I was still a teenager, my dad gave me a copy of “Harry Potter and the Philosopher’s Stone”. I tried to read it, but the vocabulary was too difficult and I didn’t read further than the Weasley twins met for the first time by Harry Potter on the Hogwarts Express train. I had heard about this book from friends and other writers (especially about the issue of magic realism) Although there is an English translation, I wanted to read it in Bahasa Indonesia. I’m currently reading several books for a writing project and this book has relevant themes. As a result, I ordered an Indonesian edition.
“Beauty is a Wound” by Eka Kurniawan is a novel about a woman called Dewi Ayu who lives again after twenty one years of being dead. This novel explains why Dewi Ayu decided to die after her fourth child was born. Unlike her sisters, this girl is extremely ugly and before dying, Dewi Ayu gives her one gift: the name Beauty. Next, we read about Dewi Ayu’s life as an Indo person in the city of Halimunda. Halimunda was occupied by the Japanese army during World War II and Dewi Ayu is forced to become a sex worker. After the war, Dewi Ayu becomes the most famous and beloved sex worker in Halimunda. She has three children from three different fathers and each child is more beautiful than the next. However, the time after the war is an opportunity to achieve independence from the Netherlands and imagine a new nation. There are three men who become very influential during this time: Shodancho, Kamerad Kliwon and Maman Gendeng. Who will win the war for the soul of Indonesia and marry Dewi Ayu’s beautiful daughters?
This novel depicts Indonesia’s history from a unique perspective. With the use of magic realism and horrifying themes, Kurniawan whos the most ugly events during World War II, the Indonesian National Revolution, the Indonesian Communist Purge and perhaps even the Petrus Killings. The characters of Dewi Ayu, her children and their husbands experiences these events differently and it is clear that women are especially vulnerable to the army, thugs and even their own families. Dewi Ayu is very practical, and without emotion she endures and takes action to ensure that she and her children are safe. Sometimes there are events than cannot be explained like people coming back to life, fiery kisses, pigs who become people and curses that cannot be cursed. Eka Kurniawan uses these elements to make Halimunda’s emotions even more intense. His writing style is often like fables.
However, this book is difficult to read. Although there is plenty of vocabulary that I didn’t know yet (after finishing this book, I had filled three notebooks with Indonesian vocabulary!), that wasn’t the problem. The problem was actually the themes. There is lots of violence, lots of rape and lots of the things listed above that are difficult to read. Although I understand there are things that need to be discussed, Eka Kurniawan writes about gross things with far too much detail, and I felt really uncomfortable reading this book.
Although this is an interesting and important book, it is also a difficult book that is often horrifying.
Content warning: mental illness, racism, drug use, sexual harassment
I have reviewed a few graphic novels on here that were originally webcomics. However, I don’t think I have ever reviewed a webcomic that has not yet been published and is still being updated. I first came across this artist well over a decade ago when she was creating a different webcomic called “Cheap Thrills“. “Cheap Thrills” was a story about a group of teenagers illustrated in a style the artist often referred to as humanimals but that others may recognise as furry/anthro. In 2012, the artist posted that the comic was no longer going to be updating regularly and that she couldn’t say if or when it would again. Many fans who had become immersed in the complex lives of these kids were heartbroken but understanding at the announcement. Then, in 2018, she announced something new: the same characters we all loved, but rebooted with a revitalised setting and a more sophisticated plot.
“Rigsby WI” by SE Case is a coming of age webcomic about a group of teenagers called Jeordie, Beth, Anna, Erik and Frank who live in the eponymous town Rigsby in Wisconsin, USA. Jeordie, a talented artist and basketballer, navigates small-town racism as a biracial person and explores his sexuality. Beth, his next door neighbour, is homeschooled by her aunt after a tumultuous time with her family and early school years. Her best friend Anna struggles with maintaining high grades in a dysfunctional family situation, staying over with friends and her half sister more than she does at home. The friend Anna grew up with, Erik, is trying to reinvent himself to impress a girl and pursue sports. Anna also gets to know Frank, an older student who has repeated several times, who lives in the same trailer park as her sister and is known as the go-to weed guy.
This is a hard-hitting, slice-of-life webcomic that tackles a range of social issues while paying homage to the cultural touchstones of early 2000s. Each of the three chapters published so far use a slightly different style that reflects not only the season but the overall mood of the chapter. The webcomic is extremely immersive with the characters engaging with the music, fashion and historical events of the time. I was even inspired to make a playlist of the songs referenced in the comic. Case sensitively but boldly explores issues of class, race, sexuality and mental illness through realistic dialogue and extremely relatable characters. She has a real knack for capturing both the emotionally charged interactions and sheer irreverence of teenagerhood. The characters visibly develop as the comic progresses and the whole story is infused with a sense of growth.
I’m just as hooked as I was on “Cheap Thrills” and I can’t wait to watch how this comic evolves.
“The Summer I Turned Pretty” by Jenny Han and narrated by Lola Tung is the first novel in a young adult trilogy about a teenager called Belly who is on summer vacation. Every summer, she and her family stay with her mother’s best friend Susannah and her family. The four kids grow up together: Belly, her brother Steven and Susannah’s two sons Conrad and Jeremiah. Belly is the youngest and she has always felt like the little kid running after the boys. Nevertheless, she looks forward However, this summer, Belly is determined that things are going to be different. They are, but different in ways that she never could have expected.
This is standard coming of age novel set in the idyllic fictional beachside town of Cousins Beach. Han uses flashbacks to previous summers to build the groundwork for the dynamics between the two families, and Belly’s long-term crush on the handsome, brooding Conrad. This book is beautifully narrated by Lola Tung who also plays Belly in the TV adaptation, and she has a way of bringing all the sweetness, optimism and drama you could want in a young adult novel.
However, I frequently found this book frustrating. Although I suspect that Han was often trying to make a point, in reality Belly came across as extremely superficial. This summer, Belly’s primary currency is attention and she is constantly observing who is giving her attention, who could be giving her attention and who is getting attention instead of her. Belly is so self-involved, she completely misses what is going on with everyone around her. However somehow, despite multiple instances of incredibly selfish, bad behaviour, things do work out for her.
I have to say, this is one of those rare instances where I prefer the TV adaptation to the book. Through the series, all of the characters are much more filled out, especially Belly’s mother, Jeremiah and Belly’s brother Steven. I also felt that the TV show was a lot more diverse. Unlike the book, Belly is clearly cast as Eurasian with her cultural background mentioned more than once. There are queer characters and the debutante ball, not present in the book, was a great backdrop against which to explore ideas of beauty, tradition and class. I also felt like Belly was much more relatable in the show, and had some keen hobbies and interests outside boys.
A really nicely narrated audiobook, but while I think I’ll stick with the TV series, I don’t think I’ll read any more in the series.
As I have mentioned several times on this blog, I have been a fan of this author for a long time. I adored the “Chocolat” series and have really enjoyed most of her original folklore and fairy tales. I also realy liked her psychological thrillers. However, this book has been on my shelf for years and years and I have not managed to read it. I really enjoy runes, and I really enjoy fantasy, but for some reason every time I have tried to start this book I just haven’t been able to get into it. It probably isn’t helped by this cover design which, despite the embossing and gold foil, remains, tragically, quite ugly. The illustrator has actually designed some pretty iconic book covers so I am not sure what happened here. Anyway, I am trying really hard to get through my to-read pile as part of the Mount TBR Reading Challenge and when I actually made my own set of runestones recently, I figured it was finally time to tackle this book once and for all.
“Runemarks” by Joanne Harris is a fantasy novel about a teenage girl called Maddy Smith who has always been an outcast in her small village Malbry. Maddy has a strange birthmark on her hand, a dark orange ruinmark in the shape of a rune. With the mark comes something else: an ability to wield magic. While the townsfolk discourage anything that requires any amount of imagination, when Maddy was small she met a travelling man called One-Eye. Every season, near a large hill with a red horse carved into it, One-Eye teaches her more about runes, lore, and cantrips from old times. When he is away, Maddy practises her magic in small ways such as chasing away goblins. However, when One-Eye finally returns, he has a special request: to open a way beneath Red Horse Hill and retrieve something that will change the world.
This book draws heavily on Norse mythology, especially the gods and realms that make up the Nine Worlds. While drawing on similar motifs and themes to many of her other stories, in this one, Harris explores a different style of writing. This book is action-packed with a focus on battles for overt power and the fate of the world rather than the subtler themes often touched on in her other work. I think my favourite parts of the book were actually the Examiners, their distorted morality and struggles for control over themselves and each other. Harris explores how fanaticism can breed intolerance and hate, echoing similar messages in some of her other work. Of all the characters in the book, I think perhaps my favourite was Ethelberta who underwent the most character development and was perhaps the most relatable character in the book.
However, in finally finishing this book I was reminded why I had so much trouble with it the other times I have read it. I’m not sure if I am just not very inspired by Norse mythology or if there just wasn’t the same kind of balance between the wonder of magic and horror or danger that you find in some other fantasy novels. Maddie’s time in the oppressive, stale tunnels of Red Horse Hill just felt relentless, and each setting after the next was more and more grim. I appreciate it is a dark story, but there was no respite; no Rivendell-equivalent where we could catch our breath, get to know the characters and understand what was to come next. I think ultimately Maddie’s world didn’t really seem like one that deserved to be saved. Her town was awful, the tunnels were awful, the Examiners and whatever was in the Outlands was awful, the realms they visited were awful and all the people and gods: also pretty awful. I didn’t come away from this book feeling inspired by humanity, I came away feeling like Maddie left a bad place for several that were arguably worse.
While the use of runes to cast spells was a fun way to conceive magic, so much time was spent explaining how the magic was limited that when it came down to it, it did seem quite implausible that the Good Guys (difficult at any time to ascertain due to constantly shifting alliances and morally grey and ambivalent gods) would even be strong enough to fight the final battle. I get that the gods are meant to be fickle and fallible, but I just wasn’t cheering for any of them.
Ultimately not my style of fantasy and I think perhaps Norse mythology is not for me.
Historical fiction retelling of the Labyrinth set in Crete in World War II
Content warning: war, sexual assault, family violence, torture, sexual harassment, disability discrimination
I received a copy of this eBook courtesy of the publisher.
“The Crimson Thread” by Kate Forsyth is a historical fiction novel and retelling of the story of the Labyrinth from Greek mythology. The book is about a young woman called Alenka who lives in Crete with her mother and younger brother. During the Nazi occupation of World War II, she is part of the local resistance. When German paratroopers land on the island in 1941, Alenka saves the lives of two young Australian men: childhood friends Jack and Teddy. However, the war is far from over and as the fighting intensifies on land and off, it becomes harder and harder to know who to trust.
This was an excellently researched book that seamlessly wove together two Cretes: the one of classic mythology and the modern one of the mid-20th century. The pacing in this book was superb. There was a lot of really challenging themes, and Forsyth knew exactly when to allow moments of tension and moments of tenderness. Some of the scenes were so poignant or full of perfect timing that they brought me to tears. The parts of the book that are hardest to read are those that are true either to the Nazi occupation of Crete or the events following Ariadne helping Theseus to navigate the Labyrinth and defeat the Minotaur in Greek mythology. Forsyth’s writing is so vivid in these moments, using motifs and metaphors that span millennia, and appealing to the universal human experience.
Alenka was such a relatable character, trying to do her best in extremely dangerous and ever-changing circumstances, including in her own home. My heart broke for her over and over. Conversely, the friendship and rivalry between Jack and Teddy was a fascinating exploration of class, disability and entitlement in Australian culture. All of the characters felt incredibly well-rounded with histories, motivations and unique personalities propelling them towards the final conflict. Forsyth has written about her experiences growing up with a stutter and writes with power, authenticity and flexibility about Jack’s stutter and how it waxes and wanes depending on the situation and his state of mind. This topic also has a particular significance to my family. During World War II, my grandfather’s twin brother’s aeroplane was shot down over Crete and never recovered. I understand the inspiration for Forsyth’s book came from her own family connection to Crete.
I have reviewed quite a few books by Forsyth on this blog, and I think this is her best yet.
Fictional podcast about a death at a mysterious girl’s school
Content warning: bullying, suicide
The time had come to choose my next running audiobook. I was flicking through the options and came across this: a fictional podcast. I really enjoy fictional podcasts and I’ve listened to more over the years than I have reviewed on this blog because I’m never quite sure if they count as books. I actually find fictional podcasts (or radio plays) easier to listen to than audiobooks: I think the extra sound editing and production makes the story more immersive, and the voice actors make the characters more distinct. Anyway, maybe I should review more fictional podcasts but in the meantime, let’s start with this one.
“The Orchard” by Mike Jones and Mike Cowap is a fictional podcast about a detective and single dad called Adam Durwood who is about to resign from the force. His last case is to investigate the unusual death of a teenage boy by the orchard of an exclusive all girls’ school. His superiors are eager to write it off as a suicide but Detective Durwood is not convinced. He questions students and staff but their responses are confounding; hinting at the school’s secret history. As impartial as Detective Durwood thinks he is, something about the case is pulling him in and while he is distracted, something is pulling his daughter away from him.
This was a really eerie, well-scripted story with exceptional voice acting. There was a surprisingly stellar cast of characters, with Eric Bana as Adam Durwood, Magda Szubanski as Barbara and Gary Sweet as DI Simes. Bana in particular was a standout and captured the nuance of dogged detective and struggling dad perfectly. Each episode was only about 20 minutes or so, which was a pretty ideal length for a short run. There was quite a sinister vibe and I found this podcast really quite creepy to listen to when I was running by myself at night after work. The story covered a range of issues, and I thought one of the most compelling elements was the impact something like a catastrophic car crash can have on a family, the way we process grief and what you would do to get your family back.
As enjoyable as the podcast was, the closer I got to the ending the less convinced I was with the plot direction. I thought that there had been some really strong groundwork around the school, secret societies and the way alumni connections can be used to propel students towards success. However, the final reveal in the story took a completely different path that I found less interesting and much less convincing.
An enjoyable story with a great cast that didn’t quite land the ending.
I received a copy of this eBook courtesy of the publisher.
“The City Inside” by Samit Basu is a science fiction novel set in Delhi, India in a not-too-distant future. The story is primarily about Joey, a young woman who has an extremely successful job as a reality controller: managing and editing the livestream content of her influencer ex-boyfriend Indi. However, her personal life pales in comparison; despite having a luxury apartment, she spends most of her free time sleeping at her parents’ house where her family carefully avoid saying anything controversial. Meanwhile, Rudra, the estranged son of a wealthy man who has been living incognito among struggling migrants, reconnects with his family at his father’s funeral. Avoiding his brother’s attempts to join the family business, when he bumps into Joey who offers him a job, he accepts. However, as Indi’s ambitions grow bigger and Rudra’s family interests begin to reveal their true nature, Joey and Rudra realise that corporate power and sinister conspiracies run much deeper than either of them could have possibly realised.
This was a richly conceived book with exceptional and completely plausible worldbuilding. Basu draws on contemporary sources of power and influence and imagines how they may have evolved a decade from now. Influencers have merged with reality TV: carefully curated content with fictionalised storylines and strategic advertising placements. Airborne-illnesses, increasing temperatures and air pollution have normalised mask wearing, filtered air and avoiding the outside. The setting in Delhi brings further layers of complexity and nuance; drawing on ethnic tensions, historical protests and political influence to create a conflicted present still grappling with caste, wealth and freedom of speech.
Joey was a really interesting character whose personality at work and personality at home seem almost completely incompatible, raising questions about how much her memory is influenced, and by whom. Joey is politically engaged enough and fluent enough in progressive discourse to be aware of her own moral shortcomings, and tries to make what little difference she can through her work. In contrast, Rudra’s attempts to completely distance himself from his family prove to be inadequate in counteracting the harm they are causing to society. However, any kind of political action is dangerous, and Basu pushes the reader to make up their own mind about what is right, what is wrong and what is understandable.
While I really enjoyed the setting and the character development, I did find the plot a little confusing. The book draws on cyberpunk traditions in science fiction and using digital spaces, avatars and social media to create and recreate reality, social connections and even business deals. However, between a meeting in one of these digital spaces, subject to surveillance on multiple levels, and the action really kicking off, I found it hard to keep track of exactly what was happening. Basu is quite a subtle writer, leaving a lot to the reader to interpret themselves, but when crucial plot items were happening I found that I was hoping for a little more clarity and a little less like scenes whipping by me in a speeding train carriage.
An intricate and highly original premise that conveys a lot but becomes a bit muddied towards the end.