Limberlost

Contemplative novel about independence, masculinity and growing up

I received a copy of this eBook courtesy of the author.

Image is of “Limberlost” by Robbie Arnott. The eBook cover is an impressionistic painting of a yellow boat and a white tree with yellow leaves. There is greenery throughout the background and yellow stripes give the impression of the boat’s reflection.

“Limberlost” by Robbie Arnott is a bildungsroman novel about Ned, a fifteen year old boy who lives in regional Tasmania. His two older brothers are away at war and Ned, his sister and his father are alone on their apple orchard Limberlost without news. A quiet young man, Ned spends his summer shooting rabbits and saving money for a secret goal. Despite the stifled wartime atmosphere, Ned builds quiet connections with people in his family and his community and, with only the memory of his brothers to guide him, begins to find his own way to becoming a man.

This is an introspectively lyrical book about a young man who, despite a rich inner life full of dreams and worries, struggles to communicate with those around him. Although Arnott puts it to the reader to decide how much of Ned’s quietness is his personality or a product of his circumstances, one thing I really enjoyed about this book was how much effort his family and community put into listening to him. There were some very poignant moments scattered throughout this book and one of the highlights was the way Arnott engaged with the Tasmanian landscape and wildlife. Ned’s experience with a whale resonates throughout the book, re-examined through different lenses of memory and emotion. At the heart of the book was the tension caused by secretly helping an injured animal and Ned’s longing for a boat, and I loved the way all the characters reacted and interacted with Ned around his decisions. The innate warmth of the characters and their actions contrasts strikingly against their stiffness and outwardly suppressed emotions.

While I was entranced by Ned quietly navigating his way towards adulthood, I found the other chapters of him as an older man less compelling. While there were some interesting insights, I felt that Ned’s summer shooting rabbits was so perfectly self-contained as a story that I would have been satisfied had it been left with that.

A beautiful and gentle story and I look forward to reading more of Arnott’s work.

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The Genesis of Misery

Epic science fiction novel about faith, war and moral righteousness

Content warning: war, torture, abuse

I received a copy of this book courtesy of the publisher.

Image is of “The Genesis of Misery” by Neon Yang. The eBook cover is of a person in a green unitard and jacket with bobbed orange hair floating or falling through space. Behind them is a large pearlescent creature with four arms and a humanoid head, and an eclipsing planet.

“The Genesis of Misery” by Neon Yang is a science fiction novel about Misery, a petty criminal from a backwater planet, who has found themselves in hot water again. Misery has the power to manipulate certain types of stones, but is all too aware that this means they will likely die of voidmadness like their mother did. In fact Misery has already begun hearing voices. However, when the voice starts giving more and more specific suggestions, Misery begins to listen and is catapulted from marauder to messiah. Misery’s abilities find themself immersed in an ideological war. Increasingly extremist, is Misery’s war truly righteous or have they become the villain?

This was a really interesting story with an incredible amount of character development. I think this book is a fascinating study on the progression of extremism and the corruptibility of people with power. At the beginning of the book, Misery is fiery, logical and caught up in the goal of escaping their troubled background. However, as she listens more to the voice and leans into her powers, her moral compass begins to shift towards a completely different direction. This is also a really compelling book on the morality of war, and Yang uses a really unique third person omniscient perspective. As a reader, you feel really immersed in Misery’s thoughts and in the beginning, you feel really aligned with Misery. With great subtlety and effectiveness, Yang makes us question our continued alliance with this protagonist. This book embeds the use of preferred pronouns, building on Yang’s previous work, and makes living your authentic self an unquestioned part of Misery’s society.

However, I think that at times the book struggled in terms of readibility. A lot of the worldbuilding felt like broad brushstrokes and apart from some of the nuance of the religious war, I came away from the book feeling like I didn’t have much of a sense of the setting whether it was planetside, in a spaceship or in a giant mecha.

A thought-provoking example of science fiction that didn’t always bring the reader along with it.

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Legends & Lattes

Cozy queer fantasy romance about coffee and building community

I came across this book via NetGalley, and although I wasn’t accepted to review it, I liked the premise so much that when it came up as a recommendation when I was searching for my next running book, I decided to download it. It was Mardi Gras in Sydney over the weekend, so this is an ideal book to wind down the festivities with.

Image is of “Legends & Lattes” by Travis Baldree. The audiobook cover is designed like a café blackboard with the book’s title, a sword and curlicues designed as though they are written in chalk.

“Legends & Lattes” written and narrated by Travis Baldree is a cozy fantasy romance novel about an Orc called Viv who has quit her life as a mercenary and is opening up something the town of Thune has ever seen before: a coffee shop. With enough capital to get things started, Viv buys a suitable premises and starts ordering in supplies and equipment. Although initially the citizens of Thune are unsure about coffee, Viv slowly builds a community of customers and colleagues including Cal the hob, Thimble the ratkin and Tandri the succubus. However, as the coffee shop grows in popularity, so too does interest from the Madrigal, the local protection racket, and people from Viv’s past. Is Viv’s new life strong enough to withstand disaster?

This was an absolute delight to listen to. I went into this book with no expectations whatsoever and I was utterly charmed. Baldree narrated the book himself and he has an incredible talent for narration. All the character’s voices were unique, consistent and expressive and it was so easy to settle in and let the story wash over me. I’m not sure if it is the relentlessness of living through a pandemic, but the uncomplicated dream of opening up a little café and taking steps to implement that dream was so soothing, I couldn’t get enough. I found myself looking for extra opportunities to listen to the book: going for runs, gardening, folding washing; any excuse.

This story is all about building trust, respectful communication and slow burn romance. It is a character-driven story and Baldree has an aptitude for sensitively and kindly navigating relationships. Some of the characters were just adorable as well, and I couldn’t get enough of Thimble and his baking creations. I also really enjoyed the simple pleasure of Viv working out how best to deliver the drinks and snacks her customers wanted, and the joy of their shared satisfaction. While there wasn’t a huge amount of fantasy in the book, the generic medieval fantasy setting was a perfect blank slate for Baldree’s characters to shine against.

A warm and relaxing story ideal for anyone who likes fantasy, romance and happy endings.

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Soy Sauce for Beginners

General fiction novel set in Singapore about family, career, love and identity

Content warning: alcoholism, family violence, fatphobia

It was time for my next running book and the title of this one caught my eye. I have spent a lot of time living in South-East Asia and I absolutely adore cooking with and consuming all soy sauces, so I was keen to see what this book was like. It was also mercifully short.

Image is of “Soy Sauce for Beginners: a novel” by Kirstin Chen performed by Nancy Wu. The audiobook cover is of an Asian woman with black hair tied messily in a bun. She is facing away, and there is a floral design that blends into her neck.

“Soy Sauce for Beginners: a novel” by Kirsten Chen and narrated by Nancy Wu is a general fiction novel set primarily in Singapore. Gretchen has moved back to Singapore leaving behind her marriage and career in San Francisco, USA. The family business is making premium soy sauce and, after moving back in with her parents, Gretchen also finds herself with a ready-made job and all the perks. However, while Gretchen struggles to face the reality of her mother’s alcoholism and her failing marriage, she is also forced to confront the truth of what is happening within the family business.

This was an easy book to listen to. Chen’s straightforward writing style and Wu’s flexible narration worked well together. I think the highlights for me were definitely the scenes set in the soy sauce factory, and learning more about how different flavours and styles are achieved through different fermenting techniques. Singapore is such a dynamic country, and I always enjoy reading books set there, so it was an interesting to read a perspective from a character who is resentful to be home.

However, there were a few things that didn’t quite land for me in this book. Although the premise was fairly uncomplicated, I did find it hard staying invested in the story towards the end. While I appreciate this book was published nearly 10 years ago, I did find a lot of the commentary about weight, especially Gretchen’s friend Frankie’s former weight, quite grating. Chen deliberately doesn’t always portray Gretchen in an especially positive light, and I understand this book is about personal growth, but it did feel at times to be to such an extent that it was hard to empathise with Gretchen.

A heartfelt book that maybe just needed a dash more soy sauce.

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Bila Yarrudhanggalangdhuray (River of Dreams)

Historical fiction novel about the impact of colonialism on Wiradyuri people and country

Content warning: racism, colonialism, natural disaster, sexual harassment

I have read a few books by this author and I was really excited when her new historical fiction novel was released back in 2021. I picked up a copy from Read on Books in Katoomba while my significant other was running an ultramarathon, but it has been waiting on my shelf since then. I overestimated how many books I could read during the recent Dewey’s 24 Hour Marathon but this was the second in my stack of blue books and I was determined to read it.

Photo of “Bila Yarrudhanggalangdhuray” by Anita Heiss. The paperback book is in the foreground, and in the background is the Murrumbidgee River, a brown river forking with grassy hills, lots of greenery and a sandy bank on the far side. The cover is also of the Murrumbidgee River with the river reflecting the sky, with cockatoos flying over the water and an embossed design of a lizard in traditional x-ray style.

“Bila Yarrudhanggalangdhuray” by Anita Heiss is a historical fiction novel set in the 1830s about a young Wiradyuri woman called Wagadhaany who lives in Gundagai and works for the Bradley family. Despite warnings from the local Wiradyuri people, the white settlers ignore warnings about building their town on the Murrumbidgee River floodplains and disaster soon strikes. As the waters rise, Wagadhaany and the Bradleys, who refused to leave, make their way to the roof of the house. Although her father heroically rescues many of the town’s residents, after the flood, the impact of colonialism is as strong as ever. The surviving Bradleys decide to move to Wagga Wagga and insist on taking Wagadhaany with them. Devastated to leave her family and her country, Wagadhaany must find a way to be true to herself and her culture while navigating the expectations of the various white people in the household.

This is a beautifully crafted, utterly readable story about the real and ongoing impact of colonialism. Despite the heroism, ingenuity and talent for droving displayed by the Wiradyuri people, they are slowly dispossessed of and excluded from their land. Wagadhanaay was an wonderful protagonist who grows in spite of adversity and finds her own ways to resist and connect with community. Having read “Talkin’ Up to the White Woman” some time ago, I felt like Heiss did an excellent job depicting the seemingly well-meaning, condescending yet ultimately self-serving early white feminism that ultimately perpetuates white power structures. In a way, this is almost worse than some of the blatant racism Wagadhanaay experiences and witnesses. As a reader, seeing Wagadhanaay’s labour and relationships being exploited in this way is utterly heartbreaking. However, Heiss’ use of research and empathy makes these situations completely believable. I also really enjoyed how she wove through Wiradyuri language throughout the book, and the generosity of including a glossary of Wiradyuri words at the back of the book.

A bittersweet novel that, while unflinching in its depiction of colonisation, radiates warmth through romance, family, community and culture and resilience in the face of adversity.

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That Deadman Dance

Historical fiction about the impact of first contact between Noongar people, British settlers and whalers

Content warning: colonialism, sexual assault

Last year, even though things were a bit hectic, I decided to take part in the Dewey’s 24 Hour Readathon. I was over-ambitious, and on a whim decided to make a stack of blue books from my to-read shelves/piles.

Photo of a stack of blue books from top to bottom: “Borderliners” by Peter Høeg, “The Sky is Everywhere” by Jandy Nelson, “Breath” by Tim Wilson, “The Children’s Book” by A.S. Byatt, “first, we make the beast beautiful” by sarah wilson, “The Confession” by Jessie Burton, “Bila Yarrudhanggalangdhuray”/”River of Dreams” by Anita Heiss, “That Deadman Dance” by Kim Scott.

I decided to start with the largest book.

Photo of “That Deadman Dance” by Kim Scott. The paperback book is sitting amongst branches of a bottlebrush tree with seed capsules and thin, sparse green leaves. The cover is of a blue ocean against a blue sky, with waves caught in blurry motion breaking over rocks.

“That Deadman Dance” by Kim Scott is a historical fiction novel about a young Noongar boy called Bobby Wabalanginy who befriends British settlers who arrive at what is now known as south-western Western Australia. Charismatic, intelligent and adaptable, Bobby initially plays diplomat and straddles two cultures who are getting along more or less peacefully. He learns to read and write English, and travels on whaling expeditions, and when he returns to his people, he satirises the newcomers through dance, for which he has a particular talent. However, when his friend Dr Cross dies, the impact of colonisation becomes increasingly felt by his people. Disease, environmental destruction, disrespect, exclusion from their own land and, eventually, murder eventually place Bobby in a situation where he has to decide whether to side with the settlers, or his own people.

This is a richly written, thoroughly researched novel that explores an example of colonisation that, despite being initially peaceful, nevertheless required the exploitation of Noongar land and people. Especially through Bobby Wabalanginy’s skill in dance, Scott shows how Noongar culture is living and responsive to current events. However he demonstrates that Bobby Wabalanginy’s diplomacy has its limitations, and his aptitude for diplomacy through languages and storytelling is not, of itself, sufficient to persuade the settlers to engage in treaty negotiations. It was interesting reading Bobby Wabalanginy’s perception of whaling juxtaposed against classics such as “Moby Dick

However, despite the breadth of issues and detail included in this book, it was not always an easy book to read. The story flips back and forth between Bobby’s childhood and adulthood, and the chapters do not always feel naturally linked. Scott does not differentiate speech from the body of the novel with any punctuation, and as a reader, the sense is that you have to work hard to immerse yourself in the story.

An immersive and insightful example of historical fiction with a free form style that at times requires a lot of concentration from the reader.

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The Secret Garden

Classic children’s book about a lonely child and a hidden garden

I think I was recently down a Wikipedia rabbit hole looking up the filmography of Colin Firth when I found that he had been in a 2020 film adaptation of this book. I recall watching the 1993 version several times and I think I may have read this book as well as a kid, but I wasn’t completely sure. I remember the story was very wholesome, which I was definitely in the mood for, and I have a very pretty edition with lemon-coloured tinted edges that was just the thing.

Photo is of “The Secret Garden” by Frances Hodgson Bernett. The hardcover book is resting among greenery and small purple flowers. The cover is yellow with green botanical designs, a pattern of darker yellow keyholes and an embossed gold key hanging from a chain.

“The Secret Garden” by Frances Hodgson Bernett is a classic children’s novel about a young British girl called Mary who is left orphaned following an epidemic in British India. She is shipped back to England to live at the manor of an uncle she has never met. Spoiled and sullen from being neglected by her parents, Mary is largely left to her own devices in her new home. However, after a bit of kindness from one of the maids, Martha, and her brother Dickon, the encouragement of a little robin redbreast and some exploring, Mary uncovers two secrets of the manor.

This is an uplifting story about a young girl who, despite her privileged upbringing, doesn’t have any emotional connection with anyone. Bernett proposes that friendship, time outdoors and the beauty of nature can improve the happiness and wellbeing of any one. The book is a celebration of life the North York Moors and gardening; not just as a means of food production, but as a healthy and enjoyable hobby. Dickon brings a pagan earthiness to the story, encouraging and bringing the best out of prickly Mary in the same way he does the English wildlife.

However, unlike the inimitable “Black Beauty” (which I have in the same set of children’s classics), there are some a few elements to this book that don’t hold up today. Mary starts her life in India, and unfortunately the book has a lot of racist, colonial views about Indian people. There is a moment in the book where Bernett is a family violence apologist, suggesting that perhaps if a woman spoke more nicely to her husband, he wouldn’t get drunk and beat her. Then, there is a bit of an argument that book espouses toxic positivity.

Nevertheless, it is a cheerful book with some beautiful nature writing, and I’m keen to watch Colin Firth as Lord Craven.

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Filed under Book Reviews, Children's Books, Classics, Pretty Books, Tinted Edges

I’m Glad My Mom Died

Memoir about being a child actor with an abusive mother

Content warning: child abuse, emotional abuse, eating disorders, sexual harassment

I 100% chose this book for the provocative title. I was couple of years too old to be the target audience for this author’s breakout role in the Nickelodeon TV series “iCarly“, so I wasn’t familiar with her work or fame but when I saw this book come up I thought it would be an interesting one to listen to while out jogging.

Image is of “I’m Glad My Mom Died” by Jennette McCurdy. The audiobook cover is of the author, a young white woman wearing dusky pink clothing and holding a bubblegum pink urn that has confetti coming out of the top.

“I’m Glad My Mom Died” written and narrated by Jennette McCurdy is a memoir about her life as a child actor. The book opens with Jennette visiting her mother who is unconscious and dying of cancer. In an attempt to get her mother to wake up, Jennette tries to tell her mother something that she will be really proud of: that she is very thin. The story then goes back to Jennette’s early life and her mother’s desire that Jennette become famous. Initially, Jennette will do anything to make her mother, who is a cancer survivor, happy. However, as Jennette grows older, she soon realises that she actually doesn’t enjoy acting. The pressure caused by the auditions and pursuit of perfection starts to take a toll on her, but the successes seem to make her mother happy and start to bring in some income for the family. When Jennette lands a role on the TV series iCarly, her fame becomes a rollercoaster that she cannot get off. However, it is a rollercoaster that takes her away from her mother’s control and slowly, painfully and with many bumps along the way towards independence.

This was a captivating, heart-breaking story that was beautifully and expertly narrated by McCurdy herself. I think given the public fascination with celebrities and TV stars, it is easy to think that become famous must be a wonderful and easy life. Some of the pressure has been highlighted in reality TV shows like “Dance Moms“, but these highly scripted shows often focus more on the adults and the competition. It was truly illuminating hearing from someone who was for all intents and purposes forced into the life of a TV star, and truly heartbreaking hearing the impact on her through vulnerability to controlling behaviour, condoned and encouraged eating disorders and poor mental health. I think, however, the most devastating part of this book was how little the rest of her family and the television industry intervened in what everyone could see as abuse from her mother. There were also some really horrifying stories about behaviour from men in positions of power on the shows Jennette was appearing on. McCurdy has a warm, slightly sardonic style and a clarity of voice that other ghostwritten memoirs don’t seem to always have.

A challenging and honest memoir that reveals the darker sides of the dream being a child actor in Hollywood.

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Wildwood Dancing

Historical fantasy retelling of the fairytale “The Twelve Dancing Princesses

Content warning: sexual harassment, controlling behaviour

After a very heavy audiobook and a bit of a hard time, I was in the market for a book that I knew would be heartfelt, enjoyable and have a (hopefully) happy ending and Juliet Marillier never disappoints.

Photo is of “Wildwood Dancing” by Juliet Marillier. The paperback book is resting in a bush of purple flowers between two purple and red shoes at night time. The cover is of a young woman in an elaborate satin dress and gloves, in a nightscape of tiny creatures, flowers and woodland.

“Wildwood Dancing” by Juliet Marillier is a historical fantasy novel and a retelling of the fairy tale “The Twelve Dancing Princesses“. The story is about Jena, the second of five sisters who live an idyllic life in Transylvania and secretly visit another realm every full moon and dance all night with members of the magical court there. When their father goes away to recover from an illness, the older sisters are left in charge of the household and the family business under the supervision of their father’s cousin. Initially, things go well and level-headed Jena has things under control, even if people occasionally look at her a little askance with her pet frog Gogu. However, after tragedy hits, Jena finds that things are not going so well and finds it harder and hard to resist her second cousin Cezar’s attempts to take control of the situation. In her efforts to try to get things back on track, things get even worse and soon her eldest sister, the Other Kingdom and even Gogu are at risk.

This was a sweet, enjoyable book that took the famous setting of “Dracula” and reimagined it as a beautiful, magical forest setting. I really enjoyed the visits to the Other Kingdom and the warmth of the characters the sisters meet there. Jena was a very relatable character, eager to take on adult responsibilities but struggling to let go of the naiveté of her childhood. The onslaught of Cezar’s controlling behaviour was done really well, and Marillier captured the nuance of how small transgressions can soon turn into abusive behaviour. The prejudice expressed against the Night People provided an interesting overlay to the story.

Although this book was very enjoyable and was similar in style to many of Marillier’s other lovely stories, I felt that it was coded slightly younger than some of her other books I have read. There were some reveals that didn’t feel as surprising to me as in previous books, and I wasn’t sure if that was because the audience was intended to be a bit younger or not.

A sweet story full of heart that brought a traditional fairytale to life.

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Bedtime Story

Memoir about a mother trying to explain cancer to her son

Content warning: death, cancer

There has been a lot of loss in my family this year. When looking for my next audiobook to keep me company while running and gardening, I came across this one. Although I read one of this author’s books previously and didn’t love it, I thought that something to help me make sense of grief would be helpful.

Image is of “Bedtime Story” by Chloe Hooper. The audiobook cover is of a starry sky with copper coloured text over the top.

“Bedtime Story” by Chloe Hooper and narrated by Lisa McCune is a memoir about Hooper’s partner’s cancer diagnosis. Narrated in the second person to her eldest son, Hooper turns to children’s literature to try to find a way to explain the diagnosis to her children. However, she soon finds that most children’s literature is manifestly inadequate when it comes to explaining death and mortality. As her partner grows more unwell as treatment progresses, Hooper puts off the explanation further. However, she finds that her son picks up more than she thinks and finds his own ways of making sense of what is happening to their family.

This is a thoughtful, gentle book that grapples with how we break terrible news to children. I enjoyed Hooper’s exploration of different examples of children’s literature and they ways in which they do (or do not) deal with death. Second person narratives are a relatively unusual form of storytelling and one that I think worked well for the subject-matter. McCune’s narration captured the tone really well. It is matter of fact but sensitive, soft but clear.

I think this was probably not the right book for me at this time. I think this is a book for someone who is pre-grief; who is dealing with life-shattering news but the axe has not yet fallen. Someone who is dealing with waiting and who is hoping for the best but expecting the worst. I realised too late that this book is actually illustrated and for that reason alone, I do regret listening to the audiobook version because of course they weren’t included.

An introspective story about dealing with difficult news as a family.

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