December 23, 2018 · 10:25 pm
Memoir about growing up as an only child in post-war Europe
The first I heard of this book was when I went to go see the author speak at the National Library of Australia. As someone from a large family, I have always been a bit curious about the dynamics of a family with only one child, and so I bought a myself a copy and got it signed by the author.
“Only” by Caroline Baum is a memoir about growing up as an only child with two European parents in England. With Caroline’s successful businessman father an Austrian refugee from the war and her beautiful mother an orphan from tragic circumstances, her elegant yet traumatised parents raise her in an affluent home full of tension and high expectations. As a young adult, the controlled and isolated environment of her childhood becomes stifling and Caroline begins to forge her own life. However, as her relationship with her parents turns increasingly fractious as they age, Caroline finally severs ties with her parents. Resuming contact years later after a tentative olive branch, Caroline soon finds that her relationship with her parents is forever changed.
This is a beautifully written book that weaves together the many themes experienced by this small but complex family. Baum explores the deep and lasting impact of her parents’ trauma on her family’s unique dynamic, and throughout the book struggles to reconcile with her father’s controlling behaviour against his extreme vulnerability as an older man. Baum is very cognizant of her family’s privilege and her recollections of her extraordinary upbringing are tempered with an awareness that the dinners, schools, clothes and travel were not opportunities available to many people. I also really enjoyed Baum’s recollections of her early days as a journalist, which honestly would have made a great memoir in its own right.
I think the one thing that I felt was missing was a bit more information about Baum’s life in Australia. I think that with any memoir, it’s hard to know what to include and what to exclude. This is a book about being an only child, but I would have liked to have read more about what it is like to be an only child living in another country away from your parents.
A fascinating insight into an elite and insular post-war family, I enjoyed this book and I look forward to reading more of Baum’s work.
December 17, 2018 · 10:05 pm
Domestic noir novel about the aftermath of an abusive relationship
Content warning: domestic violence
I received a copy of this book courtesy of the author.
“A Perfect Marriage” by Alison Booth is a domestic noir novel about a woman called Sally whose secret is preventing her from moving on from her dark past. Busy with her teenage daughter Charlie and her career as a geneticist, Sally decides to attend a conference in Spain. After a chance meeting on the flight over promises something more than just a professional relationship, Sally finds herself forced to confront her previous marriage and come clean with everyone she loves about how it really ended.
This is a subtle novel that delicately and sensitively explores the issue of domestic violence. A lot of stories explore the trauma of living through domestic violence, but I feel that far fewer examine the aftermath and the impact felt many years afterwards. Sally is a relatable character who really brings the truth that anyone can be a victim of domestic violence to the forefront. As a reader, you find yourself cheering for Sally and celebrating each little win.
I think the only thing that some people may have difficulty with in reading this novel is that it is a quiet book. It’s a slow burn that doesn’t have a lot of highs and lows, but rather matches the more ordinary rhythms of real life.
A very honest interpretation of a serious and sadly all too common scenario, this is a thoughtful and easy-to-read book.
December 15, 2018 · 4:30 pm
Award-winning modern horror on everyday evil
Although this might not seem like a Christmas book, I first bought it from the author when she was selling her books at the Beyond Q Christmas book sale that they held a couple of years ago when they were based in Curtin. I bought a copy of this book from the author, which came with a super cute little handmade Christmas cracker and a bookmark made out of stamps, and it sat on my shelf for far too long before I finally read it. Just this year though, I interviewed the author about writing horror for a Halloween special episode of my podcast, and so it was definitely time for me to give this book a read.
“The Grief Hole” by Kaaron Warren is a horror novel about a young woman called Theresa who works as a domestic violence social worker. Theresa has a special but macabre ability: she can tell how you will most likely die. Increasingly haunted by the spirits of future death that surround her clients, she decides to start taking fate into her own hands with disastrous consequences. Traumatised, she moves away and takes up a job offer from an estranged relative whose daughter recently committed suicide. When the talented young artist’s death begin to emerge, Theresa is determined to prevent history repeating itself. However, when she discovers who exactly she is up against, Theresa is forced to examine her own motives.
This is an eerie and disturbing story that uses a thin overlay of the supernatural to explore good and evil, selfishness and selflessness in an otherwise very realistic world. Warren turns the themes of power and control inside out to examine questions of how much we determine our own futures and how much we must passively accept. She also asks whether our intentions can ever truly be pure, and whether we can ever truly know what the impact of our actions will be. Warren has a real knack for dialogue and for taking the everyday and making it horrifying. She maintains a palpable sense of unease throughout the entire book.
However, this book won’t be for everyone. Although it’s not blood-spattered, stereotypical horror it is very disturbing in its own way. I found quite a few parts of the book confronting and uncomfortable, and this is a book that lingers after you have read it. It is intentionally ambiguous and the reader will often feel like they are walking through a heavily rainy landscape unable to clearly see where they have been or where they are going.
A unique and unsettling take on the horror genre by a local Canberra author, it is not surprising why this book won so many awards and if you’re looking for something a little darker than normal, this would be a great book to check out.
November 18, 2018 · 10:08 pm
Literary fiction about an ordinary yet dysfunctional family told from the perspective of a differently-abled boy.
Content warning: disability, chronic illness, domestic violence
Last year I saw Sofie Laguna speak about her new book “The Choke”, and it was one of the most fast-paced and scintillating author talks I’ve ever been to. Although I was really interested in buying a copy of her newer book, I really wanted to get my hands on a copy of her previous novel that won the Miles Franklin Award in 2015. In the end, that was the one I bought and got signed.
“The Eye of the Sheep” by Sofie Laguna is a literary novel told from the perspective of a neurodiverse young boy. Jimmy’s family are like other families. He has a mum, a dad and a brother. His dad works in a refinery, his mum stays home and looks after the family. However, Jimmy isn’t like other children. His mind is too quick in some ways and too slow in others, and he sees the world in a very unique way. As his family’s limited emotional and financial resources are stretched to the limit, the tension threatens to tear Jimmy’s life apart.
This is a spectacular novel that you need to throw yourself into headlong and let it cover you completely. Laguna takes the banal and makes it mesmirising. Writing a story through the eyes of Jimmy was ambitious, but Laguna does so convincingly and evocatively. I really liked how Jimmy ages through the story and finds that the world beyond his mother’s cloying arms is neither as understanding nor as undemanding.
Laguna also uses Jimmy’s observations to tackle some very difficult themes. I think one of the most challenging parts of this book is Paula, Jimmy’s mother, and the increasing toll her weight, her asthma and domestic violence takes on her. Jimmy’s naive understanding of what is happening in his family is contrasted against his brother’s increasingly verbal and violent protests against his father’s violence. Where Jimmy thinks about the things his mother could do to mitigate his father’s anger, I found myself wondering at why this family that does so much better apart tries so hard to stay together. Laguna explores the theme of fighting to breathe over and over again, throwing each family member’s sense of being trapped in stark relief.
I could go into more detail about this book but I think this is the kind of story you just have to wade into and experience for yourself. It was definitely no mistake this book won the Miles Franklin, and I am very eager to read more of Laguna’s work.
August 26, 2018 · 12:57 am
A little while I got the most exciting email ever: would I like to host a discussion with two authors about their books at Muse Bookshop? Obviously the answer was yes, and this is one of the books.
“The Passengers” by Eleanor Limprecht is a historical fiction novel about a woman called Sarah who was an Australian war bride. After six decades of living in America, Sarah finally returns to Australia on a cruise ship with her granddaughter Hannah. On the journey across the Pacific, Sarah recounts to Hannah her story of growing up in rural New South Wales, moving to Sydney and meeting an American serviceman. Meanwhile, Hannah is going on a journey of her own and although she agreed to go on the trip to look after her elderly grandmother, Hannah comes to realise that sometimes she is the one who needs looking after.
Now, when you start reading this book, you should absolutely play this song. Just like the Waifs’ classic track, this is a beautifully whimsical book about a time of great change in Australia. Limprecht brings to life a tough country upbringing, the shifting dynamics between parents and adult children and the incredible bravery that it takes to move to another country forever. Sarah is a wonderful character who showcases the resilience and adaptability of so many young women who made that journey. When I interviewed Limprecht, I asked her to read out a passage and the passage I chose is right at the beginning of the book where Sarah is reminiscing about all the work she did with animals on the family farm. Reading about her dog Blackie, and how that upbringing directs her life later on, gave me a hitch in my breath. The conflict Sarah feels about her parents as she grows to better understand their private lives is palpable.
As a counterweight to Sarah’s story is the story of Hannah. Fiercely intelligent and about the same age as Sarah was on her voyage to the USA, Hannah’s own life is being stymied by a secret struggle. Where Sarah constantly looks outward and forward, Hannah is spiraling internally, choking on a past she’s never been able to talk about. Reading Hannah’s parts of the book was much harder than reading Sarah’s. Sarah is inherently a much more likeable character, but that could be because I found Hannah’s experience a little too close to home. Although Hannah is so much younger and has grown up in a much freer world, in a lot of ways Sarah is far more liberated and confident than her young granddaughter. However, I think that the contrast between past and present helps propel the story along and ultimately I think it was a good choice.
If you like historical fiction, this is a wonderful story filled with truths about the real women who took this incredible journey in the 1940s to a new country and a new life forever.
June 17, 2018 · 2:19 pm
Content warning: mental health, self-harm.
This book had received quite a lot of attention when it first came out, and I was intrigued to read a book that not only has such a striking pearlescent cover, but is by a Canberra author as well. I picked up a copy and it sat patiently on my shelf for ages, but when I got my copy signed at the author’s event launching her newest book, I knew it was time to give this one a go.
“The Anchoress” by Robyn Cadwallader is a historical fiction novel about a teenage girl called Sarah in medieval England. Sarah decides to become an anchoress, secluding herself in a cell attached to a church to live the rest of her life in solitude and prayer. As the story progresses, the reader comes to learn why Sarah has chosen this hard, lonely life while Sarah learns that even as an anchoress, she cannot escape the outside world.
This is an ambitious book that is excellently crafted. It’s difficult to tell an engaging story completely set within a tiny cell, but Cadwallader brings to life a rich story full of engaging characters and moral dilemmas. You can tell the research that went into this book. Cadwallader conjures a world where the opportunities for a woman to make her own life are greatly limited, especially by the risks of childbirth. The day to day detail of this story brings medieval culture to life. In such simple times, even the smallest objects have so much meaning and utility. I think that my favourite parts of this book are the characters that Sarah interacts with, and the snippets of the outside world that she ultimately can’t escape. I also really loved how the discussion of writing a prayer onto an apple played out, and Sarah’s difficulty in interpreting her faith by balancing the wishes of the villagers and the decisions of the priests.
I think the only part of the book I struggled with was the ambiguity of Sarah either being haunted by the spirit of the previous anchoress Agnes, or suffering from some serious mental health issues. I appreciate that during medieval times, the line between mental illness and mysticism was much, much more blurry than it is today. However, I think that I would have liked maybe a little more focus on the mental health part and looking a bit more sharply at the damage Sarah was doing to herself rather than leaving it ambiguous.
This is a fascinating book that really immerses the reader into a medieval phenomenon that so little is known about. Cadwallader’s passion for her subject matter radiates off the page and I can’t wait to read more of her work.
June 11, 2018 · 1:24 am
I received a copy of this book courtesy of the author.
“A Perfect Square” by Isobel Blackthorn is an Australian novel about two mothers and two daughters. Eccentric artist Harriet has her carefully controlled bohemian-bourgeois lifestyle in the Dandenong Ranges in Victoria upturned when her pianist daughter Ginny moves back home after a breakup. Tension crackles between them as Ginny tries to pry the truth about her father from her mother and they collaborate on a joint exhibition. In the UK, another artist called Judith struggles with her own daughter Madeline, and as the novel progresses the connections between the two families become more and more clear.
This is a dark and fraught story about the complexity of female relationships, and particularly mother-daughter relationships. I found Harriet a particularly fascinating character who straddles privilege and a more modest artistic lifestyle, who balances innate talent against anxiety about originality, and who wants to see her daughter flourish yet feels envy about her daughter’s success. I felt like there was some real honesty in the way that Blackthorn described an artist’s life. Harriet’s self-doubt and reliance on selling her artworks rather than just painting whatever felt very real to me. Blackthorn also explored some interesting ideas about fatherhood, being a single parent, and how much love and affection is the right amount to give to children.
The focus of the novel was definitely on Harriet and Ginny’s relationship, but the second half of the book had much more of a thriller theme. There were two families, but the majority of the story was so much about Harriet and Ginny that Judith and Madeline were effectively only support characters. I think that I would have liked to have seen either equal airtime for Judith and Madeline to better strengthen the overall sense of suspense, or to have removed them altogether and let Harriet and Ginny carry the story by themselves. I also felt a little like Ginny’s two best friends were support characters as well. It seemed like they had no lives of their own outside Ginny’s sphere of perception and I didn’t feel like Ginny had individual relationships with either of them.
A tense story with some difficult yet universal themes, this book gives an interesting perspective into the lifestyle of artists and expectations around motherhood.