Tag Archives: audiobook

Anansi Boys

Urban fantasy about the son of a god

I have actually already read this book, and back before I stopped using the star review mechanism on Goodreads, I gave this a 3 star review. I remember not being as impressed with this book as I was with other works by the author. However, when I saw that there was a BBC radio adaptation available to listen to online, I thought I would give it another try.

Promotional image from BBC Radio 4’s adaptation of “Anansi Boys” by Neil Gaiman. The image has three black men, one black woman and one white man illuminated by coloured stage lighting.

“Anansi Boys” by Neil Gaiman, adapted by Dirk Maggs and directed and produced by Allegra McIlroy for BBC Radio 4 is a radio play about a young black man called Fat Charlie (voiced by Jacob Anderson) who is living a mediocre life in London when he finds out his charismatic father Mr Nancy (voiced by Lenny Henry) has died in Florida, USA. After just catching the end of the funeral, Charlie finds out that not only was his father was much more than he seemed, but that he has a twin brother. After whispering to a spider that he wouldn’t mind meeting him, his brother Spider (voiced by Nathan Stewart-Jarrett) arrives at his London flat and turns his life upside down.

I enjoyed this adaptation far more than I did the original novel. Gaiman likes to write about the theme of seemingly ordinary men who get swept up in extraordinary events, and I remember finding the parts of the book highlighting Charlie’s humdrum existence and reticent personality a bit dull. However, the voice acting in this adaptation is excellent and the actors infuse the characters with depth and subtlety that I felt was missing in the original. Anderson makes Charlie a much more relatable character and lets Charlie’s disappointments and difficulties with self-esteem and assertiveness rise through the dialogue. Stewart-Jarrett was excellent as Spider, and captured the Anansi charm and charisma perfectly.

I think a major question that arises through work like this is about stories and who should be able to tell them. Gaiman is very interested in writing about historical gods in contemporary settings, and this book slots within his “American Gods” universe. However, this book is about Anansi, a god and character from West African, Carribean and African American folklore. Given the #OwnVoices movement, I did a bit more reading about the background of “Anansi Boys”, and Lenny Henry has done some great interviews (written and spoken) about his own involvement in the original creative process behind Gaiman’s story. The advantage of this adaptation is that there are so many black voice actors, and while the writer, adaptor and director are all white, it was really nice to learn about Henry’s significant input into the novel.

A really fantastic production that was even more enjoyable than the original book.

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Why We Swim

Non-fiction book about the history and psychology of swimming

I came across this book on Twitter a few months ago when the author ran a contest for World Swim Day. I didn’t win, but I was intrigued by the book. I don’t think I have ever been tempted by any book remotely resembling sports biography, but this book hooked me. I was a keen swimmer as a kid and every year trained for months in the lead-up to the inter-school swimming carnival in my local area. I’m a strong swimmer, if not a particularly fast swimmer, and after years of not winning any ribbons in high school I was thrilled to get 2nd place in a race in my last ever swimming carnival. Over the years since then, I’ve come back to the pool again and again and I can still easily swim 1km. A couple of years ago my partner bought me a set of swimming headphones and I even have an aquatic-themed playlist I listen to when I swim. There’s something that draws me to the water, and I was interested to see what drew other people as well. I saw that it was available as an audiobook, so I bought a copy to listen to.

Why We Swim cover art
Image is of a digital book cover of “Why We Swim” by Bonnie Tsui with one arm cutting through water against a navy background

“Why We Swim” by Bonnie Tsui and narrated by Angie Kane is a non-fiction book that blends memoir, journalism and anthropology to explore what it is that draws us to the water. Tsui provides a brief overview of swimming throughout human history using a few modern day examples, and then interviews extreme swimmers including a man who survived freezing Icelandic waters, a woman who smashed international distance swimming records while training to regain mobility and a man who started a swimming school for beginners in a war zone. Alongside this, Tsui shares her own experience as a swimmer and how the joy of swimming connects her with her family.

Tsui is a spirited writer who curates remarkable stories of swimmers who defy the limits. I particularly enjoyed the story of Guðlaugur and the speculation about prisoners who escaped Alcatraz by swimming. I was also fascinated by the history of different strokes and the different types of swimming that emerged through Samurai culture in Japan. The exclusivity of swimming and swimming clubs in relation to gender, race and class in the United Kingdom was also very interesting. There was recently a controversy here in Australia very recently about a women’s swimming pool in Sydney that stated in its policy that only transwomen who have undergone gender reassignment surgery would be able to use the pool. The policy didn’t go into detail about how exactly staff would be checking this, but understandably there was considerable community concern and the Association responsible for managing the Ladies’ Baths has updated their website in response.

In addition to some of the social issues surrounding swimming, Tsui spends quite a bit of the latter part of the book on research about the impact that swimming has on our bodies, and the physical, emotional and social benefits of swimming which really resonated with me. I also found Tsui’s reflections on her own family’s experiences with swimming really touching, especially how the skill and affinity for swimming is being passed on to her own children. Kane was a clear narrator who was easy to listen to.

While this book certainly explores swimming around the world, it definitely has an American focus and a particular interest in exceptionalism. I was probably a little less engaged with the story of a swim school for beginners in Baghdad set up by an American soldier and stories about record-breaking swims than I was some of the others. I was really fascinated by some of Tsui’s writing about human swimming ability and physiology that makes us suitable for swimming, and although it is certainly an extremely contentious theory, I was surprised she didn’t mention the Aquatic Ape Hypothesis just for interest’s sake.

A thought-provoking book that has reignited my enthusiasm for swimming and inspired me to look into distance swimming here in Australia.

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A Lonely Girl is a Dangerous Thing

Novel about a child prodigy all grown up

Content warning: sexual themes

This book was released this year, and I had seen it mentioned a few times on social media, so when I came across it while scrolling for my next audiobook, I thought I would give this one a go.

A Lonely Girl Is a Dangerous Thing cover art

“A Lonely Girl is a Dangerous Thing” by Jessie Tu and narrated by Aileen Huynh is a novel about a violinist called Jena who once was famous as a child prodigy. Now in her early 20s, her life in Sydney is consumed with rehearsals, auditions and hookups. As her ambition for music reignites, Jena is forced to confront what happened to make her career come crashing down in her late teens. For Jena, the violin is everything, but it is not enough to keep the deepest feelings of loneliness at bay. As her liaisons grow more and more complicated, Jena struggles to balance her dreams, her friendships and her lovers.

This is compelling book that attempts to answer a question I have certainly found myself wondering from time to time: what happens to child prodigies when they grow up? Through Jena, Tu explores the ways in which talent, work ethic and family support each influenced Jena’s success and downfall. Tu also examines how the lack of meaningful emotional connection as a child has impacted Jena’s relationships as an adult, resulting in messy, overlapping friendships and casual sex. Although Jena seems to yearn for close friendships, she also can’t seem to avoid self-destruction and choosing the gratification of feeling wanted in a fleeting sexual encounter over friends. However Tu challenges the reader to consider whether the standard by which we judge Jena’s behaviour would be equally applied to the men she sleeps with. Tu also explores the sexism in classical music: in the music written, the music selected and the people who gatekeep it.

I thought that the narrative decision of sending Jena to New York to confront her demons and the limitations of her talent was very clever, and it was this part of the book where Jena undergoes the most introspection about her past and the possibilities for her future. I also liked how Tu explores themes of race, countering stereotypes in a subversive way and subtly comparing Jena’s experience as Asian in Australia with her experience in New York. Despite her perfectionist approach to music, Jena’s personal life is largely an unmitigated disaster and she is often selfish and blunt, making a litany of poor decisions. Her ruthless ambition and frank descriptions of her sexual encounters are a far cry from the stereotype of Asian women as meek and unassuming. Huynh narrates the story with a flat, deadpan style that initially I found a little disconcerting but quickly warmed to. I felt that it actually captured Jena’s way of viewing the world well, and helped to translate Jena’s lack of emotional connection into the lived experience of loneliness.

I think that the part of the book that I found the hardest to reconcile was Jena’s affair with Mark, an older wealthy white man who is in a relationship with another woman. Tu leans uncomfortably into the cliche of seeking validation from sleeping with an unavailable man, and we have to watch Jena overlook Mark’s racist and sexist comments, and increasingly violent, dominating behaviour in bed. Conversely, a character that I really would have liked to have seen more of was an artist Jena meets called Val. There were a few points in the book where I thought that Tu might be hinting that Jena’s desire to be Val’s friend might translate into the intimacy she had been unable to find elsewhere, but unfortunately Val remained a relatively minor character.

There is plenty more I could go into, especially about motherhood, but I’ll wrap it up to say that this was a raw, challenging and fresh book that left me with plenty to think about.

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The Lebs

Literary realism about growing up Lebanese in Sydney

Content warning: sexual assault, racism

I first heard about this book when I saw the author speak on a special literary episode of Q+A. If you didn’t catch it, I would highly recommend watching it because there is some fantastic discussion about the Australian literary scene. The author in particular spoke so passionately and eloquently that his discussion really stuck with me, and I made a mental note to read his book. It popped up recently while I was searching for my next audiobook, and I was really excited to listen.

The Lebs cover art

“The Lebs” by Michael Mohammed Ahmad and narrated by Hazem Shammas is a bildungsroman about a teenager called Bani Adam who attends a Lebanese-majority high school in Western Sydney called Punchbowl Boys. Bani Adam is a dreamy boy whose thoughtful internal voice separates him from the hypermasculine culture that surrounds him. He has a deeply romantic crush on his English teacher, and after she leaves, he begins to channel his feelings into writing. When Bani Adam has a short story published, an opportunity arises for him to develop himself as a creative. However, outside Punchbowl Boys, Bani Adam grows to realise that the main thing that society sees in him is his ethnicity.

This is an incredibly insightful book that really captures the mood of Australia in the early 2000s. Bani Adam is an incredibly complex character, and I absolutely loved the dissonance between his articulate and sensitive inner voice, and how he presents to his friends and classmates. Shammas was a fantastic narrator, and the way he captured the voice of teenage boys, written with such honesty by Ahmad, was nothing short of brilliant. As someone who was in high school in Australia in the early 2000s, the cultural references, language and even occasionally behaviour were familiar to me. However, this book is about the singular experience of a Muslim-majority all-boys public school in Western Sydney, and it was eye opening to read about an experience in Australia happening parallel to my own. Ahmad captures how Lebanese identity, Islam and masculinity are so tightly woven together not only within the microcosm of Punchbowl Boys, but by Australian mainstream media against the backdrop of anti-Arabic sentiment in the wake of September 11 and the Sydney Gang Rapes. I thought that the way Ahmad handled the complexity and nuance of racial prejudice towards the Lebanese-Muslim community, and sexist and misogynistic attitudes within the Lebanese-Muslim community, was excellent. Bani Adam is the perfect protagonist for this book because while he is not comfortable with and doesn’t share the attitudes he hears from his peers, he learns that despite his inner self, he is still seen as just a “Leb” by the broader Australian community. Even though for some people the earlier parts of the book may be more confronting, I actually found the latter half of the book much more challenging when Bani Adam, seeking to improve himself artistically among peers, finds himself made to perform a caricature of the very community he is trying to distance himself from.

I just want to make a quick note about this book in audiobook format. As I mentioned, Shammas narrated this book excellently, but I also felt that this book really lent itself to being listened to. Ahmad revisits scenes several times, in the same way that teens (and adults) rehash events trying to examine them and make sense of them from different perspectives, using slightly different language and observations each time. I felt that this narrative style was actually really great in audiobook format for someone like me who can find active listening challenging at times, by reinforcing what is happening but challenging the reader to think about the same situation slightly differently. Interestingly, a significant way through the book, there was a content warning about discussion of sexual assault. I was surprised the producers decided to put this in just prior to the particular chapter rather than at the beginning of the entire book, so if you decide to listen, don’t worry, you haven’t accidentally skipped back to the beginning of the book.

A really important and thought-provoking book that I would thoroughly recommend. I found out after reading this book that it is actually a sequel to Ahmad’s book called “The Tribe” which I haven’t yet read, and now really want to.

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Virgins

Novella prequel to the “Outlander” series

Content warning: sexual assault, sex work

After having no positive COVID-19 cases in my city for over 3 months, I have accepted that I really have no excuse for not returning to the gym. It has been a bit surreal, to be honest. I’m santitising all the equipment before and after use, and I’m jogging to and from the gym to reduce my time in the space. However, it has been really good to be able to increase how much time I’m listening to audiobooks for (though I have to say, I seem to have a neverending amount of mowing to do). After my last audiobook, I thought I would try something a bit shorter this time. While I have mentioned her books previously, I actually haven’t reviewed any of this author’s books on my blog before. This is wild to me because I am a huge fan of the TV adaptation of this series and watch it religiously every season, and have been reading these books since I was a teen. The most recent book was published in 2014, and the author has been busily working on the 9th book of the series since then. I had this on my Audible wishlist and it was blessedly short, and kept me busy for two gym sessions and a run.

Virgins cover art

“Virgins” by Diana Gabaldon is a historical fiction novella and prequel to her “Outlander” series set in France in the 1700s. Two young Scots, Jamie and Ian, are reunited when Jamie joins a band of mercenaries in rural France. Jamie, beset with physical and emotional wounds following an incident with the English back in Scotland, takes a while to open up to his best friend about what really happened. Meanwhile, a simple job to escort a priceless treasure and a young woman safely to Paris soon goes awry.

This is a quick novella that shares a brief insight into the life of Jamie Fraser before he meets Claire in the main series. Although Jamie is traumatised, badly injured, over-confident and very naive, we see glimmers of the man that he will become later in the series. Jamie and Ian’s friendship is a given in the “Outlander” series, so it was interesting to see a little more of the interplay between the two and to see Jamie occasionally being less than generous with his best friend, bragging about his superior education. A large part of the plot centres on a femme fatale archetype which was titillating if not surprising.

I think if you haven’t read any of the other books in the series, I probably wouldn’t recommend you start with this one. While there are no spoilers, there are a lot of nods to character development and history that I think would make a lot more sense to a reader with more context. “Dragonfly in Amber” is largely set in France, and I think it makes for interesting reading to reflect on Jamie’s first experiences there knowing what happened later on than vice versa. There was a graphic sexual assault scene in this book that was pretty confronting as I was jogging along to the gym alone in the evening, and while I think that the scene was certainly historically plausible and Gabaldon does revisit the incident later in the book to mete out some justice, it was pretty shocking hearing the assault being rationalised due to the victims occupation as a sex worker.

This is a quick, easy book to read (or listen to) and I think my suspicions that I need audiobooks to be quick and easy have been proved once again. A good choice for an “Outlander” fan looking for something to tide them over until the next book and season.

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Normal People

Irish novel about love, communication and trying to fit in

Content warning: mental health, domestic violence

Now that I have discovered that, for me, less is more when it comes to audiobooks, I was intrigued to see this one offered for free on Audible last month. I’d heard about it, and one of the cover designs is quite memorable with the people inside the anchovy tin, but I didn’t know much about it. It was a quite achievable 7.5 hours long, and, regrettably, was the last book I started before the gyms closed.

Normal People cover art

“Normal People” by Sally Rooney and narrated by Aoife McMahon is a novel about two teenagers, Marianne and Connell, who go to the same school in a small Irish town. Connell, though quiet, is popular at school while Marianne has no friends. Connell’s mother cleans Marianne’s mother, and although he and Marianne have never spoken at school, they begin to chat when he comes over to collect his mother after work. When they find themselves drawn together, they agree to keep things secret from everyone else at school. However, despite the magnetism between them, the secrecy makes their relationship uncertain. When they later cross paths at university, they click and become friends again, but changes in social standing and shortcomings in communication undermine the security they long to find in each other.

This was an absolutely stunning novel. I was absolutely hooked on every sentence. When the gyms had to close, I was desperate to find something active to do so I could keep listening and I ended up tackling the wilderness that had become our lawns. I found myself laughing aloud and my jaw actually dropping more times than I could count while listening to this book. Rooney has an absolute gift for exploring the tension, vulnerability and misunderstanding that can occur between two people. For a book that is ostensibly just about two people, there was not a dull moment. McMahon was a fantastic narrator and captured the tone of each character perfectly.

By getting to know each other more and more deeply over the years, Connell and Marianne slowly reveal their own secret struggles with mental illness and domestic violence to each other and become each other’s biggest support. However, Rooney is unmerciful in exploring how as humans we can fail one another, and how sometimes the only way to make amends is to grow as a person and succeed the next time. Rooney also provides some interesting commentary on class. She examines how class differences can complicate relationships, asking whether those complications are not insurmountable, and noting that wealth doesn’t guarantee happiness protect against abuse.

This book was just fantastic. I’ve already been recommending it to friends. Even more exciting, just weeks after I read it, I found out that a TV adaptation is coming out that started YESTERDAY. If you want to read something really good, this is really good.

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Migraine: A History

Non-fiction book about the history of treating migraines

Back in the days when gyms were allowed, I was using audiobooks to help motivate myself to go. The rule was that I was only allowed to listen to the book while physically inside the gym building. This meant that in order to hear what happened next, I would have to go back to the gym. It was a great system! Anyway, I was flipping through Audible, trying to figure out what to spend my credits on, and I came across this book. I’ve had migraines since I was about 10 years old, so this is a topic close to my…brain.

Migraine: A History cover art

“Migraine: A History” by Katherine Foxhall and narrated by Robin J Sitten is a non-fiction book about the history of diagnosing and treating migraines. Foxhall examines how early physicians responded to their patients complaining the constellation of symptoms we now associate with migraine, and attitudes changed over time.

This is a fascinating book that taught me a lot about the way migraine is viewed by society. Interestingly, Foxhall argues that during the Middle Ages, physicians were more sympathetic to migraines (despite the brutal treatments they often tried out on their patients). It was only later that migraine began to be associated with weak, feminine and intellectual individuals unsuited to the hardships of labour outdoors. Foxhall argues that this change in social attitude has meant that migraine, despite being such a common and debilitating chronic condition, has received so little medical interest and funding. She compares this with other illnesses associated with women and touches on the issue of pain bias in the medical profession.

Foxhall is a clear, thorough researcher who explores in great detail the hardships many patients were subjected to in addition to their migraines. Sitten does an admirable job of bringing spirit into a non-fiction work, and her slightly sardonic tone was particularly enjoyable when reading the more gruesome treatments patients were subjected to.

However, this book taught me two other things. One, non-fiction is difficult for me to listen to for prolonged periods of time. Two, long books are difficult for me to listen to for prolonged periods of time. Despite Foxhall’s compelling research and Sitten’s reading style, it is hard to make a non-fiction book exciting to listen to, especially one written in an academic style. This book is just shy of 10 hours long, and with introductions, chapter summaries and conclusions, there was quite a lot of repeated information. Foxhall also spends a significant amount of time at the end of the book describing migraine art competitions which felt a little bit hard to relate to without actually looking at the artwork itself. It is also worth mentioning that this is a Eurocentric book, and while I appreciate that linguistic barriers exist, I would have really liked to have learned about how migraine has been considered and treated in non-Western cultures as a comparison.

Although perhaps a bit too long and academic to keep me enthusiastic at the gym, I related a lot to this book and learned a lot about how medical opinions on migraines have changed over the centuries, and not necessarily for the better.

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The Underground Railroad

Audiobook alternative history about the Underground Railroad

Content warning: slavery, violence, sexual violence

As I said in a previous review, I’m currently trying to motivate myself to go to the gym by listening to audiobooks only when I am at the gym. I was scrolling through the available books, and this one jumped out at me. I had heard that it had won lots of awards, including the Pulitzer Prize, the National Book Award and the Arthur C. Clarke Award, and they were more than enough credentials for me to try it out.

The Underground Railroad cover art

“The Underground Railroad” by Colson Whitehead and narrated by Bahni Turpin is an alternative history novel about slavery in the USA. The story is mostly about Cora, a young slave who lives on a plantation in the state of Georgia. When she was very young, Cora’s mother Mabel escaped without her. Left to fend for herself against attempts to steal her tiny plot of land, gang rape and beatings, when Cora is asked by another slave called Caesar to escape with him, she eventually agrees. The Underground Railroad, which Whitehead imagines as a literal railroad underground, takes Cora and Caesar to South Carolina. Given a job and a new life in a new city, Cora must decide which is greater: the cost to stay, or the risk to keep running.

This is a heavy, intense book that reimagines this period of American history and distills it to its essence. Whitehead’s depiction of the underground railroad as an actual railroad was so convincing, that I was most of the way through the book before I asked myself, hang on… This is an incredibly challenging book, and the seemingly never-ending variety of horrors enslaved people were subjected to is very difficult to hear. Cora’s characterisation as a resilient young woman living in her mother’s shadow, and with her mother’s abandonment, was engaging, and I thought that the last few chapters of the book were the best.

The ending really elevated this book for me, and I have to admit that there were parts of the book that did stretch on – especially when Cora was hiding in an in North Carolina, completely dependent with her health slowly ebbing away.  I think that while she was a clear narrator, Turpin had a sardonic, languid style that I felt was sometimes at odds with Cora’s inherent gumption and opportunism. However, it certainly aligned with the parts of the book where Cora was required to stay very still like on the railway, working in the museum and later in the attic.

A well-written, fraught and necessary book with a superb ending.

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Beautiful

Audiobook retelling of Nordic fairy tale 

I am a Juliet Marillier tragic, and I was so excited to hear that she had a new audiobook coming out, and was even more thrilled when I won a copy on Audible in a contest! To win, I had to share which fairy tale I would most like to see retold from a unique perspective, and I said Hans Christian Andersen’s “The Red Shoes” because (like many of his fairy tales) I always felt the punishment was disproportionate to the crime. Anyway, I had recently joined the gym and I decided to waste no time and start listening during my next workout. I had listened for about 5 minutes while I was on the stair-climber (or something equally painful), when I laughed aloud because I realised that I had just read this story very, very recently.

Image result for alien iii william gibson audible

“Beautiful” by Juliet Marillier and narrated by Gemma Dawson is a retelling of the Nordic fairy tale “East of the Sun, West of the Moon” about Hulde, a princess who lives in a palace at the top of a glass mountain. Her mother, the queen, rules over Hulde and the palace servants with an iron fist. Hulde is told from a young age that her destiny is to marry the most beautiful man in the world. The only friend Hulde has is a white bear called Rune who comes to visit, and who shows her kindness and takes the time to teach her about the world. However, when he leaves, Hulde is left with more questions than answers about her future. When her wedding day arrives, her life is turned upside down and she finally has the opportunity to make her own destiny.

This book was an absolute delight. I have never been so motivated to go to the gym as I was to hear the next part of this story. There are so many wonderful parts to this book that I kind of don’t want to tell you about for fear of spoiling the joy of discovering them for yourself. Hulde is a brilliant, complex protagonist whose physical, emotional and perhaps even magical strength helps her to overcome the many challenges she is faced with. Marillier does a wonderful job showing Hulde’s journey from naive, innocent girl to fully-realised woman. In this story, problems aren’t solved by violence or trickery, but rather with patience, kindness and courage. I’m still smiling about the companions Hulde meets along the way, and the thrill of finding out the romantic direction the book took. I would also like to mention that I quite enjoyed Dawson’s narration, and felt that she captured Hulde’s innocence and strength really well while also creating distinct voices for the different characters.

I think the only thing that people may find frustrating about this story is that quite a lot of the book is about her learning things that the reader likely takes for granted and making mistakes that the reader likely feels are easily avoidable. Hulde is very young in spirit, and while this means that she has a lot of character development, there is a fair amount of time taken up by people explaining things to her. However, I do think that this is a necessary part of the story as Hulde navigates issues like power, independence, kindness and love.

I simply adored this story and if anything was going to get me to the gym, it was the prospect of listening to this.

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