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Betrothed

Urban fantasy young adult romance novel

I am currently on a bit of a fantasy bender in an attempt to get through my to-read shelves, including some which are taken up by fantasy series. In a previous post, I talked about how my book club and I won a fantastic trivia event: well, this was my prize! A series of four books including one signed by the author. I hadn’t read them before, but the covers are all quite beautiful with a reflective, pearlescent effect. They have waiting on my shelf for three years collecting dust and now was the time to read them.

Image is of “Betrothed” by Wanda Wiltshire. The paperback book is resting on top of some shiny purple wings. The cover has a silhouette of a young man and a young woman holding his hand in hers. They are standing on a rock with ocean and mountains behind them. The cover has a pearlescent effect and behind the man is the faintest outline of wings.

“Betrothed” by Wanda Wiltshire is the first book in the urban fantasy young adult romance series of the same name. The story is about a 17 year old girl called Amy who has had a challenging upbringing. Living in Sydney, her delicate health and countless allergies have drastically impacted her life, not to mention the fact that she is adopted. While she has some close friends, school is difficult and she is frequently picked on because of her skin reactions to just about everything. When she starts having incredibly realistic dreams with a voice calling out for someone called Marla, Amy initially doubts that they could be true. However, when the mysterious Leif arrives in person, Amy begins to question exactly who she is.

This is a light-hearted that is about love and identity. Wiltshire doesn’t take herself too seriously, and Amy leaves upbeat Sydney for even more upbeat Faera, and we gradually learn the truth about her heritage. Wiltshire gently explores some of the real difficulties of living with severe allergies, and Amy’s struggles with her health are counterbalanced by the enjoyment she is able to derive from the simplest things like scented baths and lavish food in Faera. Wiltshire introduces some tension with a loose love triangle and intergenerational grudges, and a countdown to Amy’s 18th birthday upon which her future hangs.

While not overtly religious, there are certainly some very traditional ideas about male and female roles including the idea that female faeries are created from a piece of a male faery’s soul which is all very Eve made from Adam’s rib. A lot of the book is spent examining Amy’s feelings and disbelief in relation to her newly discovered identity, and everyone in the human world seems happy to exist as a supporting cast for her. I found the Faera world a bit disconcerting. Wiltshire describes a utopia with no money, nothing wanting and no aging, and I found it hard to wrap my head around a society where everything appears to be predetermined. I felt that although a lot of information and conflict had been introduced early on in the book, the plot plateaued and it didn’t feel like much was happening for the second half. Amy didn’t really undergo much character development, and I would have liked to have seen more depth to her than romantic interest.

Readable enough but not particularly ground-breaking in terms of concept or themes.

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Filed under Australian Books, Book Reviews, Fantasy, Young Adult

Nine Perfect Strangers

Low-key thriller novel about an unconventional health retreat

Content warning: suicide, mental health

I received a copy of this book ages ago courtesy of Harry Hartog. I have been on a real adaptation kick recently so when I heard that a TV adaptation was being released, and given my very real lockdown attempt to finally get on top of my to-read shelf, I was inspired to finally read it.

Image is of “Nine Perfect Strangers” by Liane Moriarty. The paperback book is sitting on a blue and silver yoga mat between a Tibetan singing bowl and a small milk jar with a sprig of wattle blossom. The cover is white with 9 differently coloured stones balanced on top of one another, and has the additional text that says “Can a health retreat really change your life forever?”

“Nine Perfect Strangers” by Liane Moriarty is a low key thriller novel about 9 people who sign up for a wellness retreat at a place called Tranquillum House on a property in rural Australia. A bestselling novelist, a couple with relationship issues, parents and their adult child, a mother, a lawyer and a cynical man everyone seems to recognise each find themselves hoping to change their lives for the better. The charismatic Masha, director of the program and supported by her staff Yao and Delilah, is eager to lead each person on a personalised 10-day journey of wellness and healing towards a new life. However, after the first few days it becomes apparent that Masha’s methods are unorthodox, illegal and potentially deadly.

This was a very readable book with Moriarty’s signature character-driven style. The book changed focus from character to character, but was primarily told from Frances the writer’s perspective who was particularly endearing. Moriarty really teased out each character’s personality and traumas, and even though his family’s story was one of the more challenging ones, I really enjoyed the character of Napoleon and how Moriarty unpacked his nerdy cheeriness to expose the pain beneath. I also thought Ben and Jessica had a really interesting dynamic, and Moriarty explores how a drastic change in life circumstances can impact a relationship and different perspectives on cosmetic surgery. I thought she really captured the spirit of the wellness tourism industry with just the right amount of foreboding to keep things interesting. I really felt that Moriarty must have spent quite a bit of time researching, because the way she wrote about certain elements of the book was very realistic. The tension between the projected confidence about finding the answers to a fulfilling life and the self-doubt that affects us all was done really well, and Masha’s hubris was something to behold.

As readable and amusing as it is, this book is a little bit extra and there were a few parts where the drama felt a little excessive. While I really enjoyed Moriarty’s descriptions of Tranquillum House, there was maybe a little too much celebration of the colonial project and the house’s convict history and no recognition of traditional owners of the land. Seeing the modern timber and glass building in the (American) adaptation of the book, I felt that perhaps it was the better setting. The ending was maybe a little too drawn out and neat, but in these times far be it for me to begrudge a happy ending.

A spirited and enjoyable read with a good dose of histrionics and a very tidy resolution. While the TV series is maybe a little too Americanised and a little melodramatic, so far it seems well-cast and fun enough to watch.

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Under Your Wings / The Majesties

Dark mystery about a wealthy Chinese-Indonesian family

Content warning: family violence, racial violence

When I first heard about this book, I knew immediately that it was a book I wanted to read. I lived in Indonesia for 5 years when I was very young, and another year for university, but have not read nearly as much fiction by Indonesian authors or set in Indonesia as I would like. I was already familiar with this author from her translation work, and after a bit of trouble finding a physical copy of the book (it has been republished in America under a different title), I found out that it was available as an audiobook. I was training for a run with one of my dogs (that we ended up not being able to go to anyway), and it was the perfect length and topic for my next listen.

Image is of the audiobook cover of “Under Your Wings” by Tiffany Tsao. The cover has a picture of a woman in profile with her hair up in a bun against a plain white background. She is in black and white with a red butterfly covering her eyes. The cover has the words “Blood is thicker than water, but poison trumps all” in red.

“Under Your Wings” (published in the USA as “The Majesties”) by Tiffany Tsao and narrated by Nancy Wu is a mystery novel about a young woman called Gwendolyn Sulinado who is the sole survivor of a mass murder. As she lies in hospital on the brink of death, she reflects on her life and upbringing and tries to piece together what caused her twin sister Estella to poison her entire wealthy Chinese-Indonesian family.

This was a very enjoyable book for me and had lots of elements to hook me and keep me hooked. I have been lucky enough to attend some enormous Chinese weddings in South-East Asia and have experienced first hand some of the opulence that comes along with them, and I loved Tsao’s casual yet compelling descriptions of the wealth enjoyed by Gwendolyn’s family. While at university, I wrote a paper on the racism experienced by Chinese-Indonesians, particularly during the May 1998 riots, and I thought Tsao’s novel explored this historic racial tension from a unique and insightful point of view. Tsao acknowledges the privilege enjoyed by the Sulinados and other families in similar positions, and the necessary political deals and exploitation that leads to such extreme wealth. Tsao also acknowledges the tension between pribumi and Chinese-Indonesians goes two ways as discovered by Gwendolyn when exploring her family’s history.

Tsao also examines the issue of intermarriage between powerful families and how money, prestige and reputation are sometimes put before the safety and wellbeing of individual family members. One of my favourite parts of the book, however, was reading about Gwendolyn’s work mixing genetic engineering (something I love to read about), her passion for entomology and fashion to create beautiful dynamic garments. Wu was a perfect narrator for this story and her ear for accents captured the nuance of Chinese-Indonesians not only of different genders and ages, but who had studied in Australia as compared to the USA.

I think probably the only thing that I wasn’t completely sure about was the twist at the end. Without giving anything away and not to say that the ending didn’t fit the narrative, I felt that the story was already so delicate and complex, I didn’t think that it needed one more final reveal to make its point.

A beautifully written and beautifully narrated book that had me from the get-go.

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Shelter

Outback thriller about secrets and lies

Content warning: family violence, child abuse, animal abuse, emotional abuse

I received a copy of this eBook courtesy of the publisher. I actually read some of this author’s work when I was a teen and particularly enjoyed her biopunk novels, though this one is a significantly different genre.

Text Publishing — Shelter, book by Catherine Jinks
Image is of a digital book cover of “Shelter” by Catherine Jinks. The cover is of a silhouette of a small house and a dead tree in a paddock at either sunrise or sunset. There are lights turned on and there is fog in the background.

“Shelter” by Catherine Jinks is a thriller novel set outside a small country town in rural Australia. Meg is a middle-aged woman who lives alone in a small property. A survivor of family violence herself, she agrees to take in a young woman called Nerine and her two small children and let them hide out for a while. Despite the secrecy, remoteness and lack of reception, Nerine is adamant that her violent ex while find a way to track them down. As more and more strange things happen, Meg begins to wonder if it is her own ex-husband they should be worried about and how safe her hideaway really is.

This is a tense read and Jinks really demonstrates her prowess at setting pace and a sense of place. Meg is a believable character who is at once capable and independent yet ultimately very vulnerable. The scars left on her psyche by her ex-husband grow more and more evident as the pressure in the book continues, and I felt that Jinks really captured the long-term harm that being in an abusive relationship can have on you and how insidious emotional abuse in particular can be. Throughout this book, Meg second-guesses herself and her hesitation and lack of faith in herself ultimately impacts the way other people treat her and leaves her open to further exploitation. Heartbreakingly, I felt that Jinks wrote about how abusive families can impact children very authentically and the scenes with Ana were particularly compelling and upsetting.

However, this is not a feel good story and ultimately the ending felt very unsatisfactory. I appreciate the point I believe Jinks was trying to make about the justice system and how an emotional abuser can continue to indirectly cause you harm long after the relationship has ended. However, as the climax of the books unfolds and the impact of what happened becomes clear, I found it a little hard to suspend my disbelief. I know that Jinks has likely been inspired by (slight spoiler if you click through) this case, but I think that the Epilogue just felt a bit off to me. As I finished the book, I had a bitter taste in my mouth and I’m not sure Meg got a fair shake of the stick. Perhaps that was Jinks’ intention.

A complex, challenging and deeply uncomfortable novel that explores emotional abuse from a fresh and disturbing perspective.

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A Song of Flight

Historic Celtic fantasy novel

Content warning: spoilers for the first two books

This is the third book in the series, so if you haven’t started it yet check out my reviews of the first and second books. It hasn’t been an easy winter, and I have been a bit distracted from reviewing what with lockdowns etc, but I was so excited for this book pre-ordered this book when it came out at the beginning of August and harangued the poor staff at Dymocks Canberra on release day and they had to open the box for me! I definitely needed a little winter pick-me-up.

Image is of “A Song of Flight” by Juliet Marillier. The paperback book is resting on a timber table next to grey and black feathers and a silver belt buckle. The cover is of a woman in profile in the foreground holding a large knife, gazing across water at a stone tower in the background.

“A Song of Flight” by Juliet Marillier is the third book in the historical fantasy series “The Warrior Bards”. The book begins a short while after the events of the second book, back on Swan Island. Experienced after several successful if challenging missions, Liobhan has been given the new responsibility of helping to train new recruits. Her comrade and lover Dau spends most of his time training recruits on the mainland, and they take what few moments together they can. However, when news arrives that a prince is missing and his bodyguard Galen, Liobhan’s brother, is seriously injured, Liobhan and Dau are dispatched on separate but complementary missions to discover what happened. Meanwhile, Liobhan’s adopted brother Brocc, who is now a father, is having serious difficulties with his wife and queen Eirne in the Otherworld about the increasing presence of the mysterious and dangerous Crow Folk. When he is exiled with a precious burden, Brocc must use all his training and powers to ensure the Crow Folk are not used for evil.

This book had a different tempo than the other two books, and one of the overarching themes in this book is overcoming adversity without violence. Introduced in the earlier books, the Crow Folk make a much bigger appearance in this story and the main characters must untangle myth and culture to get to the heart of why the Crow Folk have come to their land. Whereas the previous book was Liobhan and Dau’s, this time I felt that Brocc’s story really became centre-stage. As I have often said, Marillier is a master of romance so it was really interesting to read her take on a relationship breakdown. Although Brocc has always been accepted completely by his adopted family, Marillier hints tantalisingly at who his biological family may be and what the implications of that may be. Brocc is pushed to his limits in this book and asked how far he would go for the ones he loves.

I enjoyed finally getting to meet the third child of Blackthorn and Grim, Galen, and seeing another side of their family. Blackthorn and Grim make an extended cameo in this book and it was nice to see them in a happy home, regardless of the circumstances. Although not as prominent as the previous book, Liobhan and Dau’s relationship (limited as it is by time, distance and their commitment to Swan Island) is tested in this book. Will they be able to put Swan Island missions before all else, including their love? Although many threads of this story were tied up very tidily, Marillier left enough questions unanswered and doors unclosed to make me wonder whether this truly is the last book, or whether we shall be seeing more of Brocc, Liobhan and Dau in future.

An excellent example of Marillier’s work and a satisfying ending to the trilogy without completely extinguishing the hope that perhaps there may be more to come.

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Filed under Australian Books, Book Reviews, Fantasy, Historical Fiction

She Who Became the Sun

Queer Imperial Chinese fantasy about ambition and power

I received a copy of this eBook courtesy of the author. I also received a paperback copy of this book from Paperchain Bookstore‘s recent VIP science fiction and fantasy After Dark event which came with a signed bookplate. It was a really fun event with some local fantasy authors, however I have to say it is dangerous having a bookshop open with wines on offer because it turns out a little loss of inhibition means buying a lot more books!

Image is of “She Who Became the Sun” by Shelley Parker-Chan. The paperback book is resting on a black tangzhuang-style men’s jacket with white lining. The cover is ombre yellow and orange with a dark orange Chinese dragon and black text.

“She Who Became the Sun” by Shelley Parker-Chan is a fantasy novel set in Imperial China. The story is told from two perspectives: an orphaned girl who appropriates her brother Zhu Chongba’s identity in pursuit of the great destiny he was promised and a eunuch called Ouyang whose loyalty to the Mongols who adopted him is undermined by his vow to avenge his family.

This is an epic novel that explores the idea of fate, and how much our lives are predetermined and how much our determination can shape our lives. Zhu was a fascinating character who refreshingly pursues ambition using wits, willpower and an impeccable sense of timing. Parker-Chan challenges the reader to consider gender identity from very unique perspectives: being forced to assume a gender to survive, and having your sex stolen from you without your consent. I really liked that in this book, ambition trumps everything and I felt that this made the character’s motivations really refreshing. Parker-Chan’s characters are surprising in their ruthlessness and I enjoyed how they used hardship as a springboard to greatness, no matter the moral implications. The magic in this book is really understated and Parker-Chan did an excellent job maintaining ambiguity about who is responsible for fate and who grants the power to conjure light.

I am actually a bit reluctant to write much more about this book because it is such a journey. A ground-breaking addition to the fantasy genre, and I cannot way for part 2 of this duology.

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Filed under Advanced Reading Copies, Australian Books, Book Reviews, Fantasy, Signed Books

Gulliver’s Wife

Historical fiction inspired by “Gulliver’s Travels” from the perspective of his wife

2020 was a tough year for authors with new releases and unfortunately this was another book that missed out on its due publicity. I first heard about this author through her amazing cookie art. She is also a really lovely person and sent me a gorgeous note and gift when my wedding was postponed last year. It’s a beautifully designed book with bronze foil and I was really excited to read it.

Image is of “Gulliver’s Wife” by Lauren Chater. The paperback book is resting in a bed of purple irises. The cover design is of dark red orchid-like flowers and greenery and a small brown bird with bronze foil around the edges.

“Gulliver’s Wife” by Lauren Chater is a historical fiction novel that asks the question: while Lemuel Gulliver sailed around exploring previously uncontacted lands as depicted in Jonathan Swift’s “Gulliver’s Travels“, what did his family do without him? Moreover, it asks what did his family do when he comes home after years of being missing, presumed dead, telling stories of tiny people? Set in London, UK, in 1702, this book follows his wife Mary and his daughter Bess as they navigate the change his return brings to their home’s dynamic, the financial impact his presence has on their lives and their increasingly strained relationship with each other.

This is a meticulously researched book about life as a woman in 1700s England. Using the tension between Mary’s lack of individual rights as an apparent widow and the family’s increasing economic needs as a framework, Chater explores what options are available for a woman of Mary’s background and station, and how they are further limited when her husband resumes his position as head of the household. Choosing midwifery as Mary’s career was a really clever choice: one of the few roles for women with minimal male influence. I thought that the interaction between midwives, surgeons and the church was really interesting as well as the lenses through which decisions are made about who was best placed to handle the work of delivering babies. Mary is a fully rounded character with hobbies (gardening), a love interest (not her husband) and

One of the most powerful elements of this book was the mother-daughter relationship. With utmost sensitivity, Chater teases out the complexities of the way Mary and Bess relate to each other, and how they are at once too close and too distant. Bess idolises her father, and I thought that there were some interesting questions posed about whose responsibility it was to disabuse her of reverence. Should Mary have been more frank with her and risk further teenage derision, or should Bess have been more realistic and let go of her childish ideas about her father’s promises? I really liked the way their relationship evolved over time and how space was made for a new type of respect. Alice, the family’s sole domestic worker, is a great counterbalance to the tension between the two as well as having her own complex family background.

One ever-present challenge for historical fiction is being as true as possible to the era while while still writing for a modern audience. I think that for the most part, Mary’s tolerance for others and openness in relation to social issues is done really well. A career as a midwife creates more room for Mary to be exposed to a variety of different circumstances and creates a bit of distance from an otherwise very religious, patriarchal society. However, there were a couple of situations in which I thought Mary was perhaps a little too understanding for a person of her time.

A creative take on a classic novel. Unlike other works of historical fiction that have used classics as inspiration, I think that this novel has a very clear purpose and prompts the reader to consider what life may have been like for the people literary heroes left behind.

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Filed under Australian Books, Book Reviews, Historical Fiction

The Dangers of Truffle Hunting

Saucy romance about food, wine and photography

Content warning: sex scenes

I have had this ARC sitting on my to-read shelf since I got it from Harry Hartog…gosh, about 5 years ago? I’m making a big effort to get through my reading backlog, and because of the title, I always felt like this was the right book to read in winter.

Image is of an advance reading copy of “The Dangers of Truffle Hunting” by Sunni Overend. The paperback book is standing upright between a champagne bottle and a bowl of cake mixture on a kitchen bench. A shirtless man stands behind it with a flour handprint on him. There are cloves scattered around, a red apple cut in half and two cinnamon sticks.

“The Dangers of Truffle Hunting” by Sunni Overend is a romance novel about Kit, a young woman who has just secured a job as a food photographer for a highly regarded lifestyle magazine with a slick and minimalist style. Kit is engaged to successful if somewhat uptight furniture designer and is about to start planning a big wedding at her family’s vineyard. However, when she visits her family to hear about her father’s new venture, she meets the farmhand Raph and is inspired to start taking much more creative, suggestive photographs. As the tension between her own creativity and desire begins to clash against the path that her work, her fiancé and even her own mother have set out for her, Kit must decide what kind of life she really wants to lead.

This is a fun and very readable romp that I absolutely whipped through. The perfect blend of idyll and serendipity with just the right amount of drama, I was up late at night flipping pages to get to that ending. Overend writes about food with the same sensuality that is drawn from Kit. This book is full of cozy and evocative scenes choosing wines in cellars, making pastry and even participating in cooking classes in France. Although not wildly surprising, there was a good twist later in the story to keep things interesting. Overend writes eroticism well and there are plenty of creative scenes to warm readers up on cold winter nights.

It probably should be said that this book is pure romantic fantasy, so even though it is written with realism in mind, there are enough coincidences, privileges and special opportunities that you’ll have to suspend some considerable disbelief. There are also a couple of scenes that felt a little superfluous. Also, I know it was the point of the book but Kit’s fiancé was so unbelievably boring, every scene with him in it made my eyes roll.

A spicy food-lover’s fantasy with not many truffles but nevertheless a quick and enjoyable to read.

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Where the Fruit Falls

Family saga novel about racism, Aboriginal identity and intergenerational trauma

Content warning: racism

2020 was not a great year for authors. Usually when an author publishes a book, especially with a well-resourced publisher, the author has the opportunity to promote the book through events such as interviews, panels and readings. For many authors last year, social distancing, lockdowns and curfews meant that promoting books in person simply was not possible. This book was published last year and although I saw a lot of discussion about it on social media, unfortunately I don’t think it got anything like the publicity that it deserved. I bought a copy and it is a beautiful book with a striking design including gold foil on the cover. I haven’t been very active on here recently, but this is my next book to review, and given that today is the first day of Reconciliation Week, it is an ideal time to boost an Aboriginal author.

Image is of “Where the Fruit Falls” by Karen Wyld. The softcover book is sitting between three pink lady apples and three potatoes. The cover is red with a winding blue river in the background and the silhouette of a tree in the foreground with apples picked out in gold foil.

“Where the Fruit Falls” by Karen Wyld is a family saga set in Australia in the mid-1900s. After the end of a family chapter, Brigid, a young woman with a white mother and an Aboriginal father who was killed in action, leaves her grandmother’s apple orchard to make her own way. Following a willy wagtail, Brigid finds her way to lost kin to have her twin babies on country and to gradually make peace with her identity. However, in a changing world, her daughters must face their own challenges and survive the prejudices levelled against them for the colour of their skin.

When I’m reading, I usually take notes of my impressions of the book and things I liked or didn’t like. For this book, the only note I wrote was this: “This story feels like a pebble that has rolled up and down a beach, over and over. It may not be the same shape as the original stone, but it is still the same stone; just smoother and a nice weight in your hand”. This book feels like a story that has been told over and over, perfected a little more with each retelling. Some people have described this book as magic realism, however Wyld elaborates a little more on how she considers it a literary device rather than a genre and how she inserts fractures in her her writing to draw the reader’s attention. Embellished in some parts, abridged in others, this story flows with a familiar rhythm.

However, this is by no means a typical story. Wyld makes some fearless narrative decisions that are devastating in their impact and reverberate throughout the whole novel. Brigid is a complex character who struggles to break free from the lessons she was taught about her skin colour and her worth as a child. Through her daughters Tori and Maggie, Wyld explores the stark difference in how people are treated based on their appearance and the assumptions made about their connection to country and culture. Although Wyld never refers to any particular region or city, this book has a really strong sense of place and I really enjoyed seeing the land through Brigid’s eyes and the city through the twins’.

A beautifully constructed and heartbreaking story. Not just this week but every week, I implore you to follow, support and listen to Aboriginal and Torres Strait Islander writers to learn about and empathise with this country’s history and the continuing impacts of colonialism, and this book is an excellent place to start.

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Phosphorescence: On awe, wonder & things that sustain you when the world goes dark

Part self-help book, part memoir about finding your inner glow

Content warning: cancer

I think it’s pretty obvious why I picked up this book: it is breathtaking. The unique hardcover design is covered in subtle, intricate silver foil and it is truly eye-catching when you walk past it in a bookshop as I did. I saw Julia Baird speak some years ago about her biography of Queen Victoria, but I haven’t yet managed to tackle that very large book. However, this book seemed much more manageable and I think we can all agree we need a bit of brightening up.

“Phosphorescence: On awe, wonder & things that sustain you when the world goes dark” by Julia Baird is a non-fiction book that blends memoir with self-help. Drawing on her own experiences in the wake of a cancer diagnosis, Baird considers what it is that nurtures us during challenging times and how we can foster our own phosphorescence. Baird divides her book into four main sections that loosely deal with our physical environment, our identity, friendship and finding hope.

There are a lot of thought-provoking ideas in this book. Baird incorporates snippets of various philosophies and research to support the things that she does in her life that she finds helpful. I enjoyed the earlier chapters about nature the most, especially about the physical phenomenon of phosphorescence. Reading Baird’s account of swimming at Manly Beach has made me want to get into distance swimming even more and Baird’s awe for cuttlefish was nice to read around the same time as I watched “My Octopus Teacher“. Baird is a spirited writer who beautifully captures the awe nature inspires in us. I was also quite interested in reading about the movement within the Anglican Church to allow women to be ministers and how instead of accepting the idea, the patriarchs doubled down on including women.

However, for a lot of the book, I didn’t feel very engaged. I think the book that I was hoping for was something more like “H is for Hawk” with phosphorescence in the natural world as more of a central theme. I’ve always been captivated by things that glow, and some of my happiest memories are seeing unexpected fireflies at dusk and swimming with bioluminscent plankton, so I was expecting a blend of memoir and natural history. Unfortunately, this book only touches briefly on this phenomenon and the majority of the book is about Baird’s experiences living in New York, surviving cancer and, directly and indirectly, her religion. Without a clear central theme, it did feel a bit more like a collection of Baird’s essays and ruminations vaguely organised by theme. This book actually reminded me a lot of Leigh Sales’ “Any Ordinary Day“, except rather than forensically trying to figure out why events happen in anyone’s lives, Baird is more concerned with sharing the details of little decisions she has made to try to make sense of her own life. She also included two chapters that were letters to her own children which, while I appreciate the sentiment, I’m not sure really aligned with the rest of the book. I also felt that the audience this book is written for was quite a narrow one, and Baird doesn’t really acknowledge that a lot of her experiences are the result of significant privilege.

A book that will certainly cheer you up sitting on your bookshelf, but could have used more glowing jellyfish.

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Filed under Australian Books, Book Reviews, Non Fiction, Pretty Books