Memoir about a mother trying to explain cancer to her son
Content warning: death, cancer
There has been a lot of loss in my family this year. When looking for my next audiobook to keep me company while running and gardening, I came across this one. Although I read one of this author’s books previously and didn’t love it, I thought that something to help me make sense of grief would be helpful.
Image is of “Bedtime Story” by Chloe Hooper. The audiobook cover is of a starry sky with copper coloured text over the top.
“Bedtime Story” by Chloe Hooper and narrated by Lisa McCune is a memoir about Hooper’s partner’s cancer diagnosis. Narrated in the second person to her eldest son, Hooper turns to children’s literature to try to find a way to explain the diagnosis to her children. However, she soon finds that most children’s literature is manifestly inadequate when it comes to explaining death and mortality. As her partner grows more unwell as treatment progresses, Hooper puts off the explanation further. However, she finds that her son picks up more than she thinks and finds his own ways of making sense of what is happening to their family.
This is a thoughtful, gentle book that grapples with how we break terrible news to children. I enjoyed Hooper’s exploration of different examples of children’s literature and they ways in which they do (or do not) deal with death. Second person narratives are a relatively unusual form of storytelling and one that I think worked well for the subject-matter. McCune’s narration captured the tone really well. It is matter of fact but sensitive, soft but clear.
I think this was probably not the right book for me at this time. I think this is a book for someone who is pre-grief; who is dealing with life-shattering news but the axe has not yet fallen. Someone who is dealing with waiting and who is hoping for the best but expecting the worst. I realised too late that this book is actually illustrated and for that reason alone, I do regret listening to the audiobook version because of course they weren’t included.
An introspective story about dealing with difficult news as a family.
Literary fiction novel about an asylum seeker in Sydney whose visa has expired
Content warning: racism, exploitation, family violence, torture
This was one of the books for Asia Bookroom‘s book group this year that unfortunately I wasn’t able to attend this one. I read another book by this author and really enjoyed it, so even though I missed the book group I was still very keen to read it.
Photo is of “Amnesty” by Aravind Adiga. The paperback book is standing between an orange bottle of Mr Muscle cleaner and a vacuum cleaner attachment. In the background is the vacuum cleaner and in the foreground is a yellow cleaning cloth.
Literary fiction novel about an asylum seeker in Sydney whose visa has expired
Content warning: racism, exploitation, family violence, torture
This was one of the books for Asia Bookroom‘s book group this year that unfortunately I wasn’t able to attend this one. I read another book by this author and really enjoyed it, so even though I missed the book group I was still very keen to read it.
Photo is of “Amnesty” by Aravind Adiga. The paperback book is standing between an orange bottle of Mr Muscle cleaner and a vacuum cleaner attachment. In the background is the vacuum cleaner and in the foreground is a yellow cleaning cloth.
“Amnesty” by Aravind Adiga is a literary fiction novel about a young man known as Danny who lives in Sydney and works as a cleaner. With blonde-tipped hair, an anglicised nickname, a local girlfriend and his portable vacuum cleaner, Danny has been working hard to make a new life for himself after his application for refugee status as a Sri Lankan was denied and his temporary visa expired. Danny spends his days cleaning, meeting up with his girlfriend and dealing with his landlord whose shop he lives on top of. However, one day, Danny finds out that one of his clients has died and that police are involved. Danny gets a call from the doctor she was having an affair with to come clean the apartment she was let him stay in. He keeps calling and calling and Danny is faced with a difficult choice: go to the police and have his visa status discovered or do nothing.
This was a tense, cramped type of book that follows the events of a single day. Adiga uses an interesting narrative structure where the books is broken down into elapsing periods of time, sometimes as small as a single minute, to show how Danny is grappling with the events as they are unfolding. Agida really centres this story in Sydney, but in a Sydney that not everyone experiences. Through Danny’s eyes we see opportunity, diversity and natural beauty but we also see poverty, exploitation and inequality. This is a cuttingly insightful book that unpeels a corner of Australia’s asylum seeker policies and shows not only the hardline stance towards asylum seekers, but also how the economy is propped up by the underpaid labour of people like Danny.
However, despite the cleverness of this novel, I didn’t always find it especially readable. Adiga’s focus on the minutiae of Danny’s life was at times claustrophobic. He builds and builds the tension without relief and the streets of Sydney feel more and more oppressive.
An intelligent yet uncomfortable reminder of the way asylum seekers are treated in Australia.
I received a copy of this eBook courtesy of the publisher.
Image is of “The First Binding” by R. R. Virdi. The eBook cover is of a person with dark skin, long hair and a ragged red cloak facing mountains and a city in the distance.
“The First Binding” by R. R. Virdi is an epic fantasy novel about a storyteller called Ari. After arriving at a tavern and providing a memorable performance, Ari meets a mysterious young woman with whom he forms an instant connection. As they navigate politics and danger in a foreign land, Ari shares the most personal story of all: how he overcame adversity to become a legend and The Storyteller.
This story has all the elements required for epic fantasy: orphan child, early mentor, street urchins, selective magic school and a journey to prove oneself. The book is set against a stunning South Asian backdrop and weaving in captivating mythologies and cultural elements to create rich, unique worldbuilding. I think my favourite part of the book was actually the interlude chapters set in the nation of Etaynia where Ari must navigate dangerous political games, though I did enjoy the competitive kite flying chapters as well.
However, this was not an easy book to read. It is over 800 pages long and it had a very slow start. Virdi has an overly descriptive style and I wish I was exaggerating but the book spent 30 pages describing a bench in a tavern. There were pages and pages of unnecessary descriptions of banal items: candles, cutlery and benchtops. The story really only felt like it began to get moving at page 375, well over a third of the way through. I actually feel like the editors did this book a bit of a disservice by not paring it back much, much more.
Ari is supposed to be an expert storyteller but I didn’t feel like the excellence of his storytelling was self-evident. Instead, there was a lot of reliance on audience reaction rather than having the stories shine in their own right. I also found the magic quite laborious. I understand that mastering the idea of folds took years and was very difficult, but the magic system took a long time to explain for something that did not inherently appear to be particularly complex. I also understand that Ari had gone through some things that perhaps made the magic much more difficult to execute in the earlier chapters however again, it seemed like there was a lot of time spent describing and not really that much magic to show for it which, as a reader, I found very frustrating. I also found the love interest quite cliched with a lot of batting eyelashes and a lot of male gaze. I think I could have forgiven quite a lot of these issues had the premise (rather than the setting) been more original.
There was some lovely worldbuilding in this book but you could have cut it in half without sacrificing the key parts of the story.
Award-winning science fiction novel about cross-cultural alien communication
Content warning: war, addiction, mental illness
I picked up a copy of this book many Lifeline Bookfairs ago for one very obvious reason: the book’s tinted edges. While possibly originally black, the edges have since faded to a purplish colour. This book has been sitting on my shelf for a very long time and I was inspired to read it when it came up in the category of “7th most read genre in your all-time stats” of the StoryGraph Onboarding Reading Challenge 2022.
Image is of “Embassytown” by China Mieville. The paperback book is upright against a glowing white background. Beside it is a small replica of the Rosetta Stone.
“Embassytown” by China Mieville is a science fiction novel about a young woman called Avice who comes from the eponymous city on a planet at the edge of the known universe. The city serves as a trading post and protected place of diplomacy with the endemic alien species the Ariekei, referred to as the Hosts. After becoming one of the few people born in Embassytown who manage to leave and travel through space, Avice returns to her childhood home with her partner: a passionate linguist who has a keen interest in the Hosts’ unique form of language. Diplomatic relations with the Hosts are conducted by a very select few humans called Ambassadors and while mutual understanding between humans and Ariekei is limited, Embassytown has enjoyed peace, stability and exchange of technologies for some time. That is, however, until a new Ambassador arrives from the Out.
This was an extremely clever and well-constructed novel and it is not a surprise in the slightest that it won a plethora of awards when it was published. Mieville’s premise is highly original and is an incredibly creative exploration of language, communication and diplomacy and how small misunderstandings can have catastrophic effects. Without giving too much away and detracting from the enjoyment of letting the reader’s understanding of the novel unfold, I really enjoyed the worldbuilding such as the expression of names as linguistic fractions, the buildings made from biomatter and the almost indecipherable concept of humans as similies that left me puzzling long after the book was over. Mieville leaves no stone unturned when it comes to exploring the implications of Embassytown’s establishment and each decision thereafter, but manages to do so without ever being boring. In some way, as the reader, we are required to empathise with the difficulties in understanding another culture by initially being faced with an unfathomable society and gradually gaining understanding and context as the book progresses.
I think the only very slight disadvantage to this book is that while Mieville’s pacing is very carefully done so as not to either overwhelm or underwhelm the reader with information, some readers may feel the time it takes to find your fitting a bit too long.
An exceptionally intelligent piece of science fiction, I am really looking forward to reading more of Mieville’s work.
Speculative fiction novel about humanity’s skin changing colour
Content warning: racial violence
I received a copy of this book courtesy of the publisher.
Image is of “The Last White Man” by Mohsin Hamid. The eBook cover is dark navy blue with stylised block text in pink and orange, and pale yellow and orange.
“The Last White Man” by Mohsin Hamid is a speculative fiction novel about a young white man called Anders. One morning, Anders wakes to find that his appearance is changed. He is no longer white. Confused and unsure what to do, he reaches out to his friend and lover Oona. As they slowly renegotiate their relationship, other people in society start experiencing changes in their appearance and skin colour until it becomes clear that society will never be the same again.
This was a deceptively simple book that explored race and racism in a novel way: what would happen if people who had lived their lives as white suddenly had to live their lives with a different racial appearance? Hamid uses a small but effective cast of characters to explore some of the subtle and not-so-subtle racist views that people harbour, and how those views must be grappled with in the new society he has created. Some of these issues play out in public displays of violence and conflict, while others play out in the privacy of family homes. Particularly effective were the interactions between Oona and her mother, whose refusal to accept the situation becomes untenable, and Anders and his father, who find a new understanding through this experience. However, I also thought that the otherwise banal setting of the gym where Anders works was where issues of discrimination, exploitation and tolerance were truly borne out.
I think the only thing that I found myself wanting was a bit more of an explanation of why this had happened. With a confidence that I can only admire, Hamid just sets the scene without any attempt to justify – scientifically or otherwise – what is causing people to change. I think I would have liked just the merest whiff of a theory to cling to.
A thought-provoking and original story that encourages the reader to really think about the social impacts of racism.
Psychological thriller about unsolved murders and a suppressed past
Content warning: self-harm, child abuse
I am still trying to make some headway in my reading challenges for the year, so I have been trying to double up a little bit and combine both the StoryGraph Onboarding Reading Challenge and the Mount TBR Reading Challenge into one. This was apparently a book that fits all of the criteria of my reading profile: a fiction book that is mysterious, dark, tense, fast-paced and 300-499 pages long. Specific! I actually have read a book by this author previously, and I had picked up another of hers from the Lifeline Bookfair some time a go and was keen to see what it was like.
Photo is of “Sharp Objects” by Gillian Flynn. The paperback book is sitting inside a dolls house between a doll’s chair and a doll’s bed with a blue and white floral bedcover. There is a wooden table with a basket and a miniature bread roll inside. The cover is plain black with embossed dark blue text.
“Sharp Objects” by Gillian Flynn is a crime thriller novel about a journalist called Camille who is asked to investigate a disappearance in her home town. Reluctantly, Camille takes on the assignment to cover the story of the second missing girl in a short period of time. When she arrives, she braces herself to see her estranged family while she interviews local police and the victim’s family. However, the longer she is in town, the clearer it becomes that despite the wealth and splendour of her family home, there are some very dark secrets that she thought she left behind. Despite seeming relatively stable if uninspired in her job, as the book progresses we start to see just how much of a toll Camille’s childhood has taken on her. Camille also has the opportunity to get to know her much younger, precocious teenage sister and becomes determined to protect her. The question is: who really needs protecting?
This is a compelling, disturbing story that examines the way trauma can ripple through families regardless of class with devastating effects. Flynn juxtaposes Camille’s mother’s pursuit of beauty and perfection with the emotional and physical scars Camille bears from growing up in that environment. Flynn is a very good at building and maintaining tension, and just like in “Gone Girl”, no matter how challenging the subject matter becomes, it is almost impossible to look away. There is a TV adaptation which is just as good with excellent acting.
I think the only thing about this book is that at times it feels almost provocative for the sake of it, kind of the same way that Camille’s little sister Amma is provocative for the sake of it. There were parts of this book that left me deeply uncomfortable; not just the fallout from terrible crimes, but the ethics of Camille’s own decisions.
It is starting to get rather late in the year, and it occurred to me that I really haven’t been making much of a dent in any of the reading challenges I started at the beginning of the year. So I’m trying to at least tackle the StoryGraph‘s onboarding reading challenge. This book was from the “Popular this Week” when I was adding my books from the challenge, and happily I already had a copy that I had picked up from the Lifeline Bookfair some time ago. The cover is very eye catching, with embossed text, black and white silhouettes and a dash of colour with a red scarf.
Photo is of “The Night Circus” by Erin Morgenstern. The paperback book is standing on black, brown and silver striped fabric next to a book with pages of light, a roughly folded origami tiger and a ticket that says wonderland on it. The cover is black and white with silhouettes of a man, a woman and a circus tent in Victorian clothing. The woman is wearing a floating red scarf.
“The Night Circus” by Erin Morgenstern is a historical fantasy novel set in Victorian England. The book is about a travelling circus known as Le Cirque desRêves that arrives in towns around the world with no warning. It opens at nightfall, it closes at dawn, and the tents inside contain wonders that its visitors have never seen the like before. However, there is much more to the circus than meets the eye. At its heart is a contest, and the players nominated are Celia, the daughter of an enchanter, and Marco, chosen by a mysterious sorcerer as an apprentice. However, the masters did not reckon on the desires of their players, and the players did not reckon on the community that would grow around the circus.
This is a sweet, intricate novel that leans into the romance, whimsy and transience of circuses. Morgenstern creates layers and layers of magical spaces, exploring the limits of magic and imagination. As the circus grows more and more intricate, we begin to see the toll on Celia and Marco, and those around them. I think my favourite part of the book was Bailey’s story, a young boy who falls in love with the circus, and I felt that Morgenstern handled his arc so delicately and so satisfyingly.
While I liked the writing and I enjoyed the premise, I think I found the overarching plot less compelling. The romance seemed to rely on predestination rather than real chemistry. There were things that I wanted to know more about, like the nature of the man in the grey suit, and there were things that I probably could have taken less of, like the listing of the various experiences in the circus which, while creative and beautifully described, did not necessarily contribute much to the plot.
A captivating book with an appealing premise that was a little light on with story.
Mystery novel set in Botswana about love, independence and humanity
Content warning: family violence, child labour
There are a lot of people in my family who enjoy detective and mystery novels, and I have had this book recommended to me several times. In fact, I have had a copy on my bookshelf for so long, I can’t remember where I got it from. This year, I have migrated from Goodreads to StoryGraph to keep track of the books I read. One of the things that StoryGraph offers is its new members is its onboarding challenge with six different challenge prompts to complete in your first year of membership. The second challenge prompt is “Read a book from the Five-Star section of someone from Similar Users”, and this book came up.
Image is of “The No. 1 Ladies’ Detective Agency” by Alexander McCall Smith. The paperback book is resting between a toy hippopotamus and a pair of black binoculars. The cover has stylised drawings of a crocodile with a watch in its belly, a woman in front of a house with a thatched roof, trees and ayellow and blue artistic border.
“The No. 1 Ladies’ Detective Agency” by Alexander McCall Smith is a mystery novel about Precious, a woman who opens a detective agency in Botswana with her inheritance from her father. Despite a slow start and some raised eyebrows from other citizens, Precious eventually receives her first clients. Although she does not have much experience or formal training, her unorthodox style, tenacity, powers of observation and empathy generate results. However, some of the mysteries prove to be challenging and solving them may prove dangerous. Meanwhile, Precious has to contend with advances from eligible men. However, with a history of heartbreak and a business to run, she is reluctant to think about romance again.
This was a fun and surprisingly complex book that tackled a range of social issues. I was particularly impressed at how sensitively McCall Smith handled family violence, and how a strong, independent woman can nevertheless experience violence and become a survivor. It is impossible to read this book and not empathise completely with Precious, and admire her resilience to begin her life again on her own terms. I also enjoyed a lot of the peripheral characters, most especially Mr JLB Matekoni, whose quiet sweetness is a delightful counterpart to Precious’ own style.
Although McCall Smith has clearly spent a lot of time in Botswana, and writes generously about the country, as he is a white man of Scottish heritage I did find myself wondering about the book’s authenticity (having never been to Botswana myself). I have read books by authors from other African nations including Nigeria, Cote d’Ivoire, Ghana, Liberia, and South Africa but none yet by an author from Botswana. There is a really interesting, detailed article on Medium about some of the barriers to novels being published in Botswana and shared with the rest of the world. McCall Smith’s book has also been adapted into a TV series which was one of the first major film productions in Botswana and has a talented cast that bring this off-beat mystery story to life.
An enjoyable, original story that subverts the detective fiction genre.
Fantasy novel about straddling cultures and collecting powers
This was the next set book for my fantasy book club, which I had to dial into because I caught COVID-19 at the end of June, and then almost as soon as I recovered, I caught a cold.
Image is of “The Hand of the Sun King” by J.T. Greathouse. The eBook cover is of a hand covered in intricate designs. In the background is a mountain, river and bamboo leaves in blue and a partially obscured yellow sun.
“The Hand of the Sun King” by J.T. Greathouse is the first novel in the fantasy series “Pact and Pattern” about a young man who grows up in two cultures. In his father’s household, he is Wen Alder, studying for the Imperial Examinations to obtain a prestigious position serving the Emperor. However, in the dead of night, under the tutelage of his maternal grandmother, he is Foolish Cur studying the old ways. Trying to balance both identities, and unable to keep his own ambition in check, he finds himself propelled into a life of politics and intrigue, of rebellion and conflicted loyalties.
This was a really interesting novel with a complex and well thought out magic system. Greathouse is consistent and detailed with the use of magic and fans of epic fantasy will not be disappointed reading about Foolish Cur’s efforts to master various powers. The novel is paced in a way that the reader gradually learns more about reaches of the Sienese Empire and the effects of colonialism at the same rate that Foolish Cur does, creating a sense of connection with him and an investment in his story. I have mentioned a couple of times on here that I have been enjoying books where the primary motivation is ambition, and this was no exception.
However, I did find the book takes a while to get started. While I appreciate the earlier chapters lay a lot of essential groundwork for the overall premise of the book, it was initially slow to gain momentum.
An enjoyable book (once it got going) with unique and well-considered magic, few boring fantasy tropes and plenty of complexity.
Walaupun saya tinggal di Indonesia untuk jumlah enam tahun, dan belajar Bahasa Indonesia di SD, SMP, SMU dan Universitas, sebelum ini saya belum pernah membaca buku novel dalam Bahasa Indonesia. Waktu saya masih remaja, bapak saya kasih kepada saya “Harry Potter dan Batu Bertuah”. Saya coba membacanya, tetapi kosa katanya terlalu susah dan saya tidak mebaca lebih dari si kembar Weasley yg ditemu pertama kali oleh Harry Potter di kereta api Hogwarts Express. Saya pernah dengar tentang buku ini dari teman-teman dan penulis lain (khususnya tentang hal realisme magis). Walaupun ada terjemahan Bahasa Inggris, saya punya keinginan untuk membaca buku ini dalam Bahasa Indonesia. Saya sekarang membaca beberapa buku untuk proyek tulisan dan buku ini ada tema relevan. Oleh karena itu, saya pesan edisi Indonesia.
Foto ini menunjukkan “Cantik Itu Luka” ditulis oleh Eka Kurniawan. Bukunya di tengah kotak batik dan tiga buku catatan batik. Sampul buku ada gambar pantai, kota, hutan dan gunung dengan warna merah dan ungu. Ada tokoh hitam yang duduk di perahu, berkelahi di pantai, gadis dan anjing yang berlari.
“Cantik Itu Luka” ditulis oleh Eka Kurniawan adalah sebuah novel tentang seorang perempuan bernama Dewi Ayu yang tinggal lagi sesudah dua puluh satu tahun kematian. Novel ini menjelaskan kenapa Dewi Ayu menutuskan untuk mati sesudah anak perempuan keempatnya lahir. Berbeda dari kakak-kakaknya, anak perempuan ini sangat jelek dan sebelum mati, Dewi Ayu kasih satu hadiah: nama Cantik. Terus, kita membaca tentang hidup Dewi Ayu sebagai orang Indo di kota Halimunda. Halimunda diokupasi oleh tentara Jepang pada Perang Dunia II dan Dewi Ayu terpaksa menjadi pelacur. Sesudah perang, Dewi Ayu menjadi pelacur yang paling terkenal dan dicintai di Halimunda. Dia punya tiga anak dari tiga bapak berbeda dan setiap anak lebih cantik dari pada yang lain. Akan tetapi, masa sesudah perang merupakan kesempatan untuk mendapat kemerdekaan dari Belanda dan membayang negeri baru. Ada tiga cowok yang menjadi sangat berkuasa pada waktu ini: Shodancho, Kamerad Kliwon dan Maman Gendeng. Siapa yang menang perang untuk jiwa Indonesia dan menikah anak perempuan cantik Dewi Ayu?
Novel ini mencerita sejarah Indonesia dari perspektif unik. Dengan pergunaan realisme magis dan tema yang mengerikan, Eka Kurniawan menunjukkan peristiwa yang paling jelek pada periode Perang Dunia II, Revolusi Nasional Indonesia, Penumpasan PKI dan mungkin juga Petrus. Tokoh-tokoh Dewi Ayu, anaknya dan suaminya mengalamkan peristiwa ini dengan berbeda dan jelas bahwa orang perempuan sangat mudah diserang oleh tentara, preman dan bahkan keluarganya. Dewi Ayu sangat praktis, dan tanpa emosi dia menderita dan mengambil tindakan untuk memastikan dia dan anaknya aman. Kadang-kadang ada peristiwa yang tidak bisa dijelaskan seperti orang yang hidup lagi, cium yang berapi, babi yang menjadi manusia dan kutukan yang tidak bisa dipatahkan. Eka Kurniawan menggunakan hal ini untuk membuat emosi Halimunda semakin keras. Gaya menulisnya sering seperti dogeng.
Akan tetapi, buku ini tidak mudah dibaca. Walaupun memang ada banyak kosa kata yang saya belum tahu (sesudah selesai buku ini, saya mengisi tiga buku catatan dengan kosa kata Bahasa Indonesia!), itu bukan masalahnya. Masalanya sebetulnya tema. Ada banyak kekerasan, banyak perkosaan dan banyak hal yang didaftarkan di atas yang sulit dibaca. Walaupun saya paham ada hal yang harus didiskusikan, Eka Kurniawan menulis tentang hal jelek dengan terlalu banyak perincian, dan saya merasa tidak nyaman membaca buku ini.
Walaupun ini buku yang penting dan menarik, itu juga buku sulit dan sering mengerikan.
Literary novel about an Indo woman, her family and the soul of Indonesia through 19th century history
Although I lived in Indonesia for a total of six years, and studied Indonesian in primary school, high school and university, before now I have never read a book in Bahasa Indonesia. When I was still a teenager, my dad gave me a copy of “Harry Potter and the Philosopher’s Stone”. I tried to read it, but the vocabulary was too difficult and I didn’t read further than the Weasley twins met for the first time by Harry Potter on the Hogwarts Express train. I had heard about this book from friends and other writers (especially about the issue of magic realism) Although there is an English translation, I wanted to read it in Bahasa Indonesia. I’m currently reading several books for a writing project and this book has relevant themes. As a result, I ordered an Indonesian edition.
Image is of “Cantik Itu Luka” written by Eka Kurniawan. The book is between a batik box and three batik notebooks. The cover is of a beach, city, forest and mountains in red and purple. There are black figures sitting in a boat, fighting on the beach, a girl and dogs running.
“Beauty is a Wound” by Eka Kurniawan is a novel about a woman called Dewi Ayu who lives again after twenty one years of being dead. This novel explains why Dewi Ayu decided to die after her fourth child was born. Unlike her sisters, this girl is extremely ugly and before dying, Dewi Ayu gives her one gift: the name Beauty. Next, we read about Dewi Ayu’s life as an Indo person in the city of Halimunda. Halimunda was occupied by the Japanese army during World War II and Dewi Ayu is forced to become a sex worker. After the war, Dewi Ayu becomes the most famous and beloved sex worker in Halimunda. She has three children from three different fathers and each child is more beautiful than the next. However, the time after the war is an opportunity to achieve independence from the Netherlands and imagine a new nation. There are three men who become very influential during this time: Shodancho, Kamerad Kliwon and Maman Gendeng. Who will win the war for the soul of Indonesia and marry Dewi Ayu’s beautiful daughters?
This novel depicts Indonesia’s history from a unique perspective. With the use of magic realism and horrifying themes, Kurniawan whos the most ugly events during World War II, the Indonesian National Revolution, the Indonesian Communist Purge and perhaps even the Petrus Killings. The characters of Dewi Ayu, her children and their husbands experiences these events differently and it is clear that women are especially vulnerable to the army, thugs and even their own families. Dewi Ayu is very practical, and without emotion she endures and takes action to ensure that she and her children are safe. Sometimes there are events than cannot be explained like people coming back to life, fiery kisses, pigs who become people and curses that cannot be cursed. Eka Kurniawan uses these elements to make Halimunda’s emotions even more intense. His writing style is often like fables.
However, this book is difficult to read. Although there is plenty of vocabulary that I didn’t know yet (after finishing this book, I had filled three notebooks with Indonesian vocabulary!), that wasn’t the problem. The problem was actually the themes. There is lots of violence, lots of rape and lots of the things listed above that are difficult to read. Although I understand there are things that need to be discussed, Eka Kurniawan writes about gross things with far too much detail, and I felt really uncomfortable reading this book.
Although this is an interesting and important book, it is also a difficult book that is often horrifying.
Tinted Edges 