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The Victory Garden

British historical fiction about the Women’s Land Army

I received a copy of this book courtesy of the publicist.

The Victory Garden - Rhys Bowen

“The Victory Garden” by Rhys Bowen is a historical fiction novel set in the UK during World War II. Emily Bryce has lived a sheltered and privileged life, and is prevented by her parents from becoming a nurse. However, when she meets an Australian pilot on a chaperoned hospital visit with her mother, she is inspired to do more to help out with the war efforts. Too late to study nursing, Emily instead joins the Women’s Land Army. After helping out farmers with their harvest, Emily is reassigned to a large estate to help tame the garden of an elderly widow and moves in with friends to an abandoned cottage near the herb garden. However, when Emily finds her future suddenly very uncertain and approaching at speed, she finds solace in journals left behind by a woman whose life seems to closely parallel her own.

I’ve read a few of Bowen’s books now, and this one is one of my favourites so far. I have a vague memory of learning about the Women’s Land Army when I was in school and the topic being completely bland. This story brings this real turning point in women’s rights to life and Emily is a fantastic character to explore issues of class, the value of women’s work, stigma around single mothers and family rejection. I especially enjoyed Emily’s time living, boarding and working with an incredibly diverse range of women and helping to prove that women can do the same work that men could do. I also really liked that while there were some romantic elements to the story, it certainly was not the main part of the book.

I think that while the first half of the book was incredibly engaging, I found the second half of the book a little slower. Isolated and unable to leave, the second half of the book involves a lot more introspection and a little bit of a mystery which was quite a different pace to the immersive feminist history of the first half. I did feel like the ending was a little bit of a deus ex machina, and that perhaps the book could have used a little more conflict or drama towards the end.

This is a great topic for a historical novel, and I really enjoyed putting myself in the shoes of a ‘land girl’ and reading about such a pivotal point in history for women. It was also a very easy read.

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The Victory Garden: A Novel

 

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Time Crawlers

Collection of science fiction short stories

Content warning: suicide

I received a copy of this book courtesy of the author.

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“Time Crawlers” by Varun Sayal is a collection of six science fiction short stories. The stories cover a range of themes from a subtle alien invasion (Eclipse), suicide for entertainment (Death by Crowd), a bureaucracy-obsessed magical being (Genie), time-bending beings (Time Crawlers), a powerful telekinetic (The Cave) and a super-weapon (Nark-Astra).

Sayal is a clear, engaging writer with a tongue-in-cheek style. Science fiction is often a very America-centric genre, and I really enjoyed reading another science fiction author writing from a non-European cultural perspective. I love the way Sayal weaves science and Indian culture together and peppers his stories with references to internet culture.

While I found Sayal’s stories very creative, several of them had a very similar ‘interview’ format with one person explaining a concept or idea to another person. I think that the ideas and the characters are definitely there, but I would like to see a bit more plot.

A fun and cheeky collection of stories that freshen up the science fiction genre.

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Time Crawlers: Dystopian Science Fiction Stories around Time Travel, Alien Invasion, Dark Artificial Intelligence, Psychics

 

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The Magic Pudding: The Adventures of Bunyip Bluegum

Classic Australian illustrated children’s book

Last year was the 100 year anniversary of this book, and although I was fond of a lot of Australian classics as a child, this one was admittedly one that I had never read. I have quite a few beautiful hardcover editions of these classics with beautiful slipcovers and I was hoping to find a matching edition of this book. I couldn’t find one in exactly the same style, but I did have this copy on my shelf, so I figured it would do for now.

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My home-made take on the Old English Apple Hat pudding

“The Magic Pudding: The Adventures of Bunyip Bluegum” written and illustrated by Norman Lindsay is a classic Australian children’s book. The story is about a koala called Bunyip Bluegum who, after getting annoyed by his uncle’s personal grooming habits, decides to venture out into the world on his own. He soon makes the acquaintance of a sailor called Bill Barnacle and a penguin called Sam Sawnoff who are in possession of a magical, infinite and talking pudding known as Albert. Bunyip, Bill and Sam become fast friends however when Albert is stolen, they must use their wits and their fists to get them back.

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I love funny animal stories, and my absolute favourite part of this book is without a doubt the illustrations. The black and white pencil illustrations at first glance seem very simple, but they are actually unbelievably expressive and effective. Lindsay’s experience as a cartoonist clearly served him well and his characters are all so cheeky and memorable. The characters really make this story and I loved turning the page and not knowing what or who to expect next. The character designs were second to none, be it a rooster, an echidna, a parrot, some policemen, a dog. I also enjoyed how Lindsay divided his book into four ‘slices’ and how the main characters had a song or a ditty for every occasion.

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Unfortunately, there were a lot of things about this story that had not aged well. The three women mentioned in this entire book did not actually say any words themselves. One had no lines at all (she was instead hanging out washing while her husband chatted to passers by), one was quoted by the penguin and another was kissed (whether she wanted it or not) by a bosun. Then there is the racism. The book is peppered with disparaging remarks about African people, Arabic people and Jewish people. Even though it is primarily set in the bush and was written in 1918, there is absolutely no mention of Aboriginal people whatsoever.

I won’t go into the legal issues with this story (despite how some of them grated against my law background) because I appreciate that it is meant to be entertaining. I also appreciate that the men in this story are quite diverse, and Bunyip in particular solves problems through his wits and his eloquence. However, I did feel that Bill took larrikinism a little too far, and there was quite a lot of hypocritical violence and double-standards in this book which frustrated me a lot.

One of the downfalls of classic literature is that it frequently contains things that no longer gel with social standards of today. I haven’t quite made up my mind yet about the trend of editing out ‘problematic’ things from older stories, but I do think it is important to acknowledge that things that people used to write aren’t OK anymore. I think that you can appreciate the art of a book, but critique the messages. I think that this is a beautifully illustrated, fun book that nevertheless has its fair share of cringeworthy moments.

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Any Ordinary Day: Blindsides, resilience and what happens after the worst day of your life

Non-fiction about how to deal with the worst day of your life

Content warning: death, trauma

I first read this author after I started listening to her podcast “Chat 10 Looks 3“. There had been quite a lot of talk about her new non-fiction work coming out, and I was very lucky to get a copy courtesy of Harry Hartog.

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“Any Ordinary Day: Blindsides, resilience and what happens after the worst day of your life” by Leigh Sales is a non-fiction book about life-changing events. After experiencing a close-call herself, Sales decides to investigate the likelihood of experiencing a terrorist attack, a natural disaster or even cancer, how we survive them and how we cope with the grief to move on with our lives.

Sales has a methodical style of writing and systematically applies logic to the problem of unexpected disasters to determine how likely it is something like that could happen to you. Although Sales is very cautious about applying research and reason to everything in her book, she writes with warmth and sensitivity. Sales interviews many people about the extremely personal topic of grief and the things that helped them through, including a survivor of the Lindt Cafe Siege. I think my favourite part of the book was towards the end where Sales explores the types of worldviews and personality traits that make someone more resilient to coping with trauma and grief. I also really liked Sales’ exploration of the importance of having someone accompany you when you go to see the body of a loved one, to guide you through the process of understanding death.

Although there were lots of things about this book that I found really interesting, I think there was something about the approach of this book that I fundamentally disagreed with. I think it is to do with the beginning of the book, where Sales walks the reader through an ordinary day, and asks them to imagine a blindside, an unexpected tragic event that they never expected to happen to them. Sales interviews a woman who suffered the double-whammy of being a survivor of the Lindt Cafe Siege as well as being diagnosed with multiple sclerosis. I felt like a lot of the beginning of the book was spent trying to understand why people are ‘victims of misfortune’, especially multiple misfortunes. How it is that extraordinarily bad things can happen to good people?

I found it surprising that Sales, who is otherwise such a rationalist, had such an anthropocentric view of these ‘events’. That somehow there must be a connection between cancer and a natural disaster and a violent gun attack. Sales tries to apply a number of different academic approaches to understand the connection, and I really felt like that it was an act of futility trying to calculate the odds that someone would be involved in a hostage situation and would also be diagnosed with an incurable disease. I felt that at the beginning of the book, there was a lot of why, why, why? To me, however, it seemed clear that the common denominator of all of these things has nothing to do with the cause, and everything to do with the impact.

There are so many kinds of illnesses and natural disasters and accidents, why wouldn’t someone experience an event or a diagnosis or a loss that results in grief? Even the religious people that Sales interviewed had a great deal of pragmatism about this. They hadn’t been singled out by the universe, it was just something that happened. Why not them? When Sales starts to explore what it is that makes people more resilient to traumatic events, it definitely seems like the people who are asking questions like “what if” and “why me” find traumatic events far more difficult to deal with than those who accepted that grief is a part of the human condition. Anyway, I realise I’ve gone on about this for a while now, but I felt that maybe some of the solution could have influenced the beginning of the book a little better. Plus, I would have liked Sales to go into far more depth about black swan events, uncertainty and the idea that hindsight has 20-20 vision.

The truth is, although we can’t predict what kind of grief we will experience, it is almost a certainty that we will experience grief of some kind and I think that overall, this is an important and useful book that unpacks what it takes to make it through trauma and grief. While I found the beginning of the book felt like it was asking the wrong questions, by the end of the book I felt like it was providing the right answers.

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Any Ordinary Day: Blindsides, Resilience and What Happens After the Worst Day of Your Life – Amazon Australia

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The Song of Achilles

Queer fantasy retelling of Greek mythology 

I’ve mentioned a few times that I’m part of a feminist fantasy book club, and for our first meeting of the year, this was our set book. Unfortunately I was running a little late and forgot to take photos of the wonderful Greek feast one of our members made, but I did read the book.

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“The Song of Achilles” by Madeline Miller is a fantasy retelling of the Greek myth of Achilles. The story is told from the perspective of Patroclus, a disgraced prince who is banished to the kingdom of Peleus after a terrible accident. Although initially isolated and lonely, Patroclus is soon befriended by Peleus’ godlike son Achilles. As the boys grow up together, under the tutelage of the centaur Chiron, they form an inseparable bond. However, increasingly determined to fulfill his destiny as the greatest warrior of all time, Achilles is drawn into a war that will put their love to the test.

The first half of this book was brilliant. Miller brought a unique and romantic perspective to this classic myth and a sense of realism to the characters of Patroclus and Achilles. I especially loved the dreamy and idyllic chapters in Chiron’s home where the two boys could explore their feelings for each other and their own hopes and dreams for the future without interference from the outside world. I thought that Miller did a good job of exploring Patroclus’ feelings of inadequacy juxtaposed against Achilles’ sense of entitlement, and the first half of the book was extremely engaging.

However, the second half of the book, when the young men go off to the Trojan war, I found to be a lot more difficult to get through. It wasn’t quite so obvious for the first half of the book, but for the second half it becomes abundantly clear that Patroclus didn’t actually have any purpose or work apart from being with Achilles. It was very late in the book that he started taking an interest in healing, which made him quite a frustrating point of view character up until that point. Also, I completely understand that according to the mythology Achilles spends 10 years fighting the Trojan war, but even though it only took up a couple of hundred pages in the book, the war part really seemed to drag on. I did appreciate that the war camp turned into its own ecosystem, but it just seemed a bit relentless that 10 years would pass with so little happening.

Anyway, an excellent example of direct queer representation that was a bit slow-going plot-wise at times.

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The Song of Achilles

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Too Much Lip

Aboriginal family comedy-drama about love, land and luck

A new book club has started up at my work so of course I’m in the thick of it. We put together a list of critically-acclaimed and diverse books and encouraged people to choose whichever books piqued their interest from the list. Although this author’s work has been published extensively, I hadn’t heard of her before. I have been making a real effort to read more Aboriginal and Torres Strait Islander authors, so I thought I would start with this one.

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“Too Much Lip” by Melissa Lucashenko is a family drama about a woman called Kerry, on the run from police, who drops in to see her dying grandfather before fleeing across the border. When she arrives, her brother Ken is on edge, her mother Pretty Mary is a mess, and her nephew Donny won’t speak to anyone. Her girlfriend is in jail and she’s just met a dugai man who is very keen on her. The family’s beloved river is in danger, her backpack is missing and to top it off Kerry can’t keep her bloody mouth shut.

This is a necessary book that brings to life a dysfunctional but completely relatable family. Lucashenko has a real talent for realism and the small town of Durrongo and the Salter family are effortless to imagine. Piece by piece, she unpacks the family’s dynamics to uncover not only past traumas but to uncover a way forward. Kerry is a great point of view character through which Lucashenko explores the themes of power, racism and morality. Morally ambiguous herself, Kerry dances a fine line in almost every action she takes, seemingly pulled in several directions by respect for family, culture, money and doing what’s right. I thought Lucashenko did a really brilliant job of building empathy for the family while still being critical of their less-than-savoury actions.

Although I really enjoyed Lucashenko’s writing, characterisation and exploration of themes, I think the one thing I struggled with a bit was the plot. I completely get that part of the comedy was the outrageous actions and coincidences and everything being a bit extra, but there were a couple of parts in the story, particularly towards the end, that I would have liked a little more subtlety. I felt that Lucashenko already engaged the reader enough with the way she tackled real-life issues and wrote her characters, and some of the mayhem at the end of the book felt a bit superfluous.

Whichever way you look at it, this book is definitely a reality check. If you’re looking for an Aussie family drama about the kind of family that doesn’t get written about so often, this is a great book to try.

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Too Much Lip – Amazon Australia

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Saga Volume 9

Epic fantasy and science fiction graphic novel series

I’ve been following this series pretty much as soon as it first came out. Even though I am certainly hooked, I have had some concerns for a while that the series has been getting a little stale. I chatted on my podcast some time ago that the author recently announced that the series would be going on hiatus for a year, and so I decided I’d stuck with it this long, I might as well read this last volume. Now, if you’re not up to date, I’d stop right here because this will be full of spoilers.

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“Saga Volume 9” by Brian K. Vaughan and illustrated by Fiona Staples begins some time after the end of Volume 8. Hazel, her parents Marko and Alana, Sir Robot IV, his son Squire, the two journalists Upsher and Doff, Petrichor and Ghüs have left Ghüs’ tiny world with Ianthe with the The Will (now known as Billy) forcibly in tow hot on their heels. When Upsher and Doff offer Marko and Alana a chance at a completely new life, the offer is very tempting to others in the group. However, before long Ianthe and Billy have caught up with them and nothing is certain anymore.

“Saga” has been, well, a saga and there is no shortage of drama in this volume. Staples’ art is as mesmerising as ever, and the story continues to shock at every turn. However, I have to say that Hazel’s extremely melodramatic narration has really started to grind on me. There were some parts where I felt it matched the story and art really well, but generally I find it a bit ham-fisted. Vaughan is certainly fearless when it comes to nixing his characters, but in a similar way to the George R. R. Martin, there does get a point where too many of your favourite characters are gone and you just aren’t that invested in the ones left.

I really do think that a hiatus is a good idea. This book ends on a big twist and I’m just not sure where they are going to go from there. A break will hopefully let Vaughan recharge and come back with some fresh ideas to wrap up the series.

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Saga Volume 9

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