Tag Archives: classic books

Heart of Darkness

Novella about colonisation in the Congo

I was in the market for a new audiobook, and had made a shortlist of books that were both not too long and that I hadn’t read before. It was plum season, and I wanted something to listen to while I was outside picking plums. Audible had made a bit of a song and dance about the narrator of this book, and of course I had heard of it before, so I thought I would give it a go.

Image is of a digital book cover of “Heart of Darkness” by Joseph Conrad, performed by Kenneth Branagh. The cover is simply some palm fronds against a black background.

“Heart of Darkness” by Joseph Conrad and narrated by Kenneth Branagh is a novella about a young man called Charles Marlow who manages to wangle his way into a job captaining a steamboat for an ivory trading company in Africa. On his journey to the station where the steamboat is moored, Marlow finds that he is following in the footsteps of a man called Mr Kurtz whose increasing success in the ivory trade and other pursuits appears to be accompanied by a deteriorating attitude towards the local African tribes. After significant setbacks, Marlow arrives at Kurtz’ station and is confronted by the full extent of Kurtz’ actions.

I think that the most significant and important thing about this book is that it is a critique and frank depiction of the horrors of colonisation in Africa. Given that it was published over 120 years ago, I was impressed at Conrad’s acknowledgement of (at least some of) the harm caused by colonisation and the theft of resources by Europeans in Africa.

However, I have to admit, I was just not that engaged in this book and even though it was only a few hours long, I frequently found myself tuning out and missed large swathes of the book. Branagh’s narration was maybe a little too soothing or something. I think that it’s also really important to note that while Conrad was clearly ahead of his time, this book describes significant violence against African people and does include some condescending attitudes towards African people. I don’t think that I can say it better than Kittitian-Brittish novelist Caryl Phillips who wrote, following an interview with Nigerian novelist Chinua Achebe:

…to the African reader the price of Conrad’s eloquent denunciation of colonisation is the recycling of racist notions of the “dark” continent and her people. Those of us who are not from Africa may be prepared to pay this price, but this price is far too high for Achebe. However lofty Conrad’s mission, he has, in keeping with times past and present, compromised African humanity in order to examine the European psyche.

An important and certainly well-studied piece of literature that serves as a reminder of how important it is to centre Africian voices.

1 Comment

Filed under Audiobooks, Book Reviews, Classics, General Fiction, Novella

Peter Pan

Classic children’s novel where children don’t grow up

This book hardly needs an introduction. “Peter Pan” has been adapted so many times into so many mediums, but most particularly film. There has been films that are animated and live action, a sequel to and a prequel to the book. Even though I had never read the book before, I had seen so many adaptations of the story that I was very familiar with the plot and themes. I can’t recall where I found this beautiful edition, but I’m not surprised that I bought it. Part of the Puffin Chalk collection, the book has a beautiful chalk-inspired design on the front and back cover and has deckle edges.

20200209_182701.jpg

I must have spent about an hour looking for the chalk I knew I had somewhere in the house to draw a hopscotch “court”. On the plus side, while looking for it I found a lost set of keys. 

“Peter Pan” by J. M. Barrie is a classic children’s novel about three children called Wendy, John and Michael Darling who meet a boy called Peter Pan who teaches them to fly. Peter takes them to Neverland, an island only able to be accessed by air. The Darling children join Peter and the Lost Boys in fighting pirates, play-fighting with the Native American tribe, listening to mermaids, watching fairies and hunting the many beasts that live in Neverland. Peter and Wendy play at being mother and father to the young boys, but before long, Wendy realises that they are forgetting their own parents. However, before she can make for home, she is kidnapped by the nefarious Captain Hook who is seeking revenge for Peter cutting off his hand and feeding it to a crocodile.

20200209_182730.jpg

It was a really interesting experience finally reading this book that has inspired so many films and concepts. I think every adaptation I’ve seen has drawn quite faithfully on elements from the story, and the themes of Peter Pan have filtered so completely into pop culture, so when I did read it, almost every phrase and every event was familiar to me. The book is jammed full of ideas of love, adulthood and motherhood and what you potentially lose by gaining immortality.

Barrie has quite a primal way of writing, depicting children as almost feral creatures who are often selfish and ruled by instinct. When the children first fly to Neverland, they fly for days, stealing fish from birds and unphased by the unknown. In fact, Barrie’s style reminded me a lot of Joan Lindsay’s “Picnic at Hanging Rock“; dark, with quite a lot of allusions to death and violence, and bodies being things that are malleable and even disposable. The result is a book that while magical, often evokes a sense of unease rather than a sense of wonder. Peter himself is irreverent and unsentimental, with no qualms about using violence including (Barrie hints) against his own Lost Boys. The contradiction between Peter’s rejection of his own mother, playing father to Wendy as mother but yet refusing to grow up is the heart of this novel.

Originally a play, the novelisation was published in 1911 so it is unsurprising that there are elements of this story that have not aged well. If I were reading this book to a child, there would be a lot of points upon which I would have stop and discuss – not least of which Barrie’s depiction of the people indigenous to Neverland. This book deals directly and indirectly with death, which is also hardly surprising given the character of Peter Pan was inspired by Barrie’s own brother who died in childhood. The book also has quite entrenched gender roles, with Wendy moving straight from her nursery into becoming the mother for the lost boys, later returning to Neverland to do Peter’s spring cleaning.

I think this book will remain a classic because growing up is a timeless and universal theme for all children. However, it is a book that I think needs to be read with a critical eye and with an understanding of the context in which it was written.

 

2 Comments

Filed under Book Reviews, Children's Books, Fantasy, Pretty Books, Puffin Chalk

The Magic Pudding: The Adventures of Bunyip Bluegum

Classic Australian illustrated children’s book

Last year was the 100 year anniversary of this book, and although I was fond of a lot of Australian classics as a child, this one was admittedly one that I had never read. I have quite a few beautiful hardcover editions of these classics with beautiful slipcovers and I was hoping to find a matching edition of this book. I couldn’t find one in exactly the same style, but I did have this copy on my shelf, so I figured it would do for now.

20190315_223801-793373792.jpg

My home-made take on the Old English Apple Hat pudding

“The Magic Pudding: The Adventures of Bunyip Bluegum” written and illustrated by Norman Lindsay is a classic Australian children’s book. The story is about a koala called Bunyip Bluegum who, after getting annoyed by his uncle’s personal grooming habits, decides to venture out into the world on his own. He soon makes the acquaintance of a sailor called Bill Barnacle and a penguin called Sam Sawnoff who are in possession of a magical, infinite and talking pudding known as Albert. Bunyip, Bill and Sam become fast friends however when Albert is stolen, they must use their wits and their fists to get them back.

20190315_2240221020365124.jpg

I love funny animal stories, and my absolute favourite part of this book is without a doubt the illustrations. The black and white pencil illustrations at first glance seem very simple, but they are actually unbelievably expressive and effective. Lindsay’s experience as a cartoonist clearly served him well and his characters are all so cheeky and memorable. The characters really make this story and I loved turning the page and not knowing what or who to expect next. The character designs were second to none, be it a rooster, an echidna, a parrot, some policemen, a dog. I also enjoyed how Lindsay divided his book into four ‘slices’ and how the main characters had a song or a ditty for every occasion.

20190315_2240221020365124.jpg

Unfortunately, there were a lot of things about this story that had not aged well. The three women mentioned in this entire book did not actually say any words themselves. One had no lines at all (she was instead hanging out washing while her husband chatted to passers by), one was quoted by the penguin and another was kissed (whether she wanted it or not) by a bosun. Then there is the racism. The book is peppered with disparaging remarks about African people, Arabic people and Jewish people. Even though it is primarily set in the bush and was written in 1918, there is absolutely no mention of Aboriginal people whatsoever.

I won’t go into the legal issues with this story (despite how some of them grated against my law background) because I appreciate that it is meant to be entertaining. I also appreciate that the men in this story are quite diverse, and Bunyip in particular solves problems through his wits and his eloquence. However, I did feel that Bill took larrikinism a little too far, and there was quite a lot of hypocritical violence and double-standards in this book which frustrated me a lot.

One of the downfalls of classic literature is that it frequently contains things that no longer gel with social standards of today. I haven’t quite made up my mind yet about the trend of editing out ‘problematic’ things from older stories, but I do think it is important to acknowledge that things that people used to write aren’t OK anymore. I think that you can appreciate the art of a book, but critique the messages. I think that this is a beautifully illustrated, fun book that nevertheless has its fair share of cringeworthy moments.

4 Comments

Filed under Australian Books, Book Reviews, Children's Books, Classics