Epic fantasy and science fiction graphic novel series
I’ve been following this series pretty much as soon as it first came out. Even though I am certainly hooked, I have had some concerns for a while that the series has been getting a little stale. I chatted on my podcast some time ago that the author recently announced that the series would be going on hiatus for a year, and so I decided I’d stuck with it this long, I might as well read this last volume. Now, if you’re not up to date, I’d stop right here because this will be full of spoilers.
“Saga Volume 9” by Brian K. Vaughan and illustrated by Fiona Staples begins some time after the end of Volume 8. Hazel, her parents Marko and Alana, Sir Robot IV, his son Squire, the two journalists Upsher and Doff, Petrichor and Ghüs have left Ghüs’ tiny world with Ianthe with the The Will (now known as Billy) forcibly in tow hot on their heels. When Upsher and Doff offer Marko and Alana a chance at a completely new life, the offer is very tempting to others in the group. However, before long Ianthe and Billy have caught up with them and nothing is certain anymore.
“Saga” has been, well, a saga and there is no shortage of drama in this volume. Staples’ art is as mesmerising as ever, and the story continues to shock at every turn. However, I have to say that Hazel’s extremely melodramatic narration has really started to grind on me. There were some parts where I felt it matched the story and art really well, but generally I find it a bit ham-fisted. Vaughan is certainly fearless when it comes to nixing his characters, but in a similar way to the George R. R. Martin, there does get a point where too many of your favourite characters are gone and you just aren’t that invested in the ones left.
I really do think that a hiatus is a good idea. This book ends on a big twist and I’m just not sure where they are going to go from there. A break will hopefully let Vaughan recharge and come back with some fresh ideas to wrap up the series.
Saga Volume 9
It’s no secret that I love rabbits. I was browsing the graphic novel section in a book store the other day and I saw this book and was immediately captivated by the artwork. I love graphic novels, and one of my all time favourite books is Watership Down, so a book featuring bunnies living in their own society had me hook, line and sinker.
“Cottons: The Secret of the Wind” is a graphic novel written by Jim Pascoe and illustrated by Heidi Arnhold. The first in the series, the story follows a young brown rabbit called Bridgebelle who works in a carrot factory and who cares for her ailing aunty. Bridgebelle’s job is to help convert carrots into cha, the energy that powers the Vale of Industry. Although she dreams of being an artist, using cha to make beautiful objects called thokcha, she is tied to the factory in order to support her aunty. However when her friend Croquet goes missing and the foxes who covet the cha grow more bold and more dangerous, Bridgebelle’s abilities and her tragic past can no longer go ignored.
This review is going to be full of rabbit photos.
This is a beautifully illustrated book with great character design and worldbuilding. Bridgebelle is an enigmatic, lonely young rabbit who is struggling to find her way in an increasingly dangerous world. I particularly liked the character Glee who seems particularly complex, and I enjoyed the worldbuilding and the steampunk vibe of the Vale of Industry. I also really liked Samiji, a brave and fiery young rabbit who joins the sect of rabbits who dedicate their life to windism. For a more detailed insight into the world of Lavender, there is a bit of a fictional overview of the history, society and culture at the back of the book.
I think some of the things that felt a little underdone were the foxes as antagonists and the concept of cha. Cha seems to at once be a power source, a material for making art, a narcotic and a potential weapon. I’m not always into high fantasy with super complex magic systems, but I did feel a little like cha needed a bit more explanation or at least something to pique the interest of the reader and make them curious to read more. There was some of that detail in the section at the back, but I think I would have liked it woven into the story a little more. I also didn’t quite get how the foxes could be so malignant and powerful, yet not be able to simply walk in and take over the factory.
Ori’s review was not as glowing as mine
A beautifully rendered story that perhaps leaves the reader with more questions than answers, I will be keeping an eye out for the second volume.
I’ve been reading the “Saga” series for some time now, and have been reviewing them as they come out on this blog. If you’re not up to date, you might want to go back a step or two so you aren’t dealing with spoilers.
“Saga Volume 8” by Brian K. Vaughan and illustrated by Fiona Staples picks up where the previous volume of the graphic novel series left off. Hazel’s mother Alana, who is pregnant with a second forbidden mixed-race baby that has died in utero, visits a town on a remote planet called Abortion Town with Prince Robot IV pretending that the child is theirs. When they are refused entry, Alana and Marko have to put their faith in the “doctor” in the Badlands who may be able to help.
I’ve said in previous reviews that I’ve been enjoying these comics a bit less, and I think part of the problem is that each one has a lot of hard-hitting social issues that are tackled but there isn’t a lot of overarching narrative. I felt like this one tackled the tricky issues of abortion and transgender identity in an interesting way. As always, the animal side-kicks are on point. However, it’s really hard to see where this is going. Are we just going to be following Hazel’s entire childhood, or are we going to actually get to Hazel as an adult? Is this a comment on the broader socio-political issues of Alana and Marko’s respective planets?
Am I enjoying this as much as I did at the beginning? No, honestly, I’m not. Will I keep reading them? Definitely yes.
Last year I reviewed the incredible free online graphic novel “Priya’s Shakti“. An empowering story about an Indian woman who, after being raped, becomes a hero, its creators have just released the second installment of Priya’s story: “Priya’s Mirror“.
With the blessing of goddess Parvarti and a tiger sidekick to boot, rape survivor Priya has been travelling India inspiring other women. While resting on her journey, Priya is approached by a man who asks for her help. The man is in love with a woman who has a beautiful voice but who is also the victim of an acid attack. She is trapped in a castle with other women scarred from acid attacks, and it is going to take Priya’s gumption with Parvarti’s help to break these women and their demonic captor free from their self-made prisons.
This graphic novel is so necessary. Drawing on elements of faith and fantasy, Priya tackles a social issue that is as much about reducing stigma as it is prevention. Acid attacks are a horrific example of gender violence and Priya’s story shows that part of the solution lies in empowering the women who are victims of these attacks and tacking back the self esteem the perpetrators tried to steal. In this beautiful illustrated and digital format where modern meets traditional, Priya’s stories are very appealing to a wide audience. The comic is free to download as well which makes it available to everyone, regardless of their socio-economic background.
If you have a spare 10 minutes, I would definitely recommend you read this comic. Stigma and shame are still rife when in comes to gender-based violence and fuel beliefs that women are somehow to blame. Stories like this one are essential to continuing the fight to empower women and to make our world a safer, better place.
I have been following this phenomenal and gritty webcomic called “Judecca” for years now. I also follow updates of the authors on tumblr. While their main project is “Judecca”, every now and then they post up some of their other projects, and that’s how I got reminded of the fantastic little collection called “Eagerness and Desire”.
I had in fact bought the PDF version of “Eagerness and Desire” about a year ago and had promptly forgotten all about it when I saw something posted about it. It jogged something in my memory, I did a quick search in my email inbox and ‘lo and behold: there it was. I had a happy little PDF of it sitting right there, ready to be read.
“Eagerness & Desire”, by Noora Heikkilä, is a collection of three short comics about love, sex and dating. The first follows the escapades of a very cute and very forward waitress. The second is about three women who summon a demon and have a blast with him. The third is about a couple, life and death.
I really love Heikkilä’s work. “Eagerness and Desire” is a great example of the feminist, sex-positive and body-positive messages that she embeds in her work. She’s a fantastic artist with a really edgy, messy, watercolour style that has just improved and improved over the years I’ve been following her work.
If you have $5 and you’re willing to throw it at a great artist and a really adorable, entertaining read in PDF format, “Eagerness and Desire” is just a mouse-click away.