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Festival Muse 2019

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Festival Muse has become a Canberra Day long weekend tradition, and although I didn’t get to attend as many events as I would have liked, I did get to attend one very good one.

Creating Worlds

After a little silent reading picnic, a couple of friends in my fantasy book club and I decided to finish off the afternoon with something very on-theme. Horror and speculative fiction author Kaaron Warren chaired a discussion with other local authors Sam Hawke and Leife Shallcross on what goes into creating worlds.

From left to right: authors Sam Hawke, Leife Shallcross and Kaaron Warren

The event began with readings by each author of a passage from one of their books. Shallcross read a passage from her novel “The Beast’s Heart”, a retelling of classic fairy tale Beauty and the Beast. Hawke read a passage from her epic fantasy novel “City of Lies” and Warren read a passage from her book “Walking the Tree”. One of the most striking differences between the three novels was the size of the worlds. Where Warren’s book takes place on an island and Hawke’s in a city, Shallcross’ world is much smaller and takes place (for the most part) within the confines of a single house.

The authors talked about finding a balance in how much detail to provide the reader. Hawke said that as a writer, it is a game she plays with readers deciding how much description to give them and how much to let them imagine for themselves. They also compared writing different points of view, and the difference it makes to what characters notice and focus on.

Warren then asked the authors how they found coming up with names and words when writing speculative fiction. Warren said in her own book, she drew on botanical names to name her characters. Hawke said that she focused a lot on food that she wanted to eat, however she was careful not to exhaust the reader with too much new vocabulary. She said that she struggled quite a lot with names, and in fact wrote a third of her book with [name] in place of her main character’s name.

Hawke also gave us a little behind-the-scenes insight into a tool that she uses to come up with new fantasy words. She explained Vulgar, an online tool that generates fantasy languages which, if you’re a fantasy writer, you may wish to check out yourself. She said that she had been reluctant to adapt existing languages because she didn’t want linguists asking her why she called a lady “Chamberpot” or something!

Shallcross said that she drew a lot from Germanic names, and used names from a map, but did receive critique from a cartographer friend who pointed out that all the names she had used had the same rhythm. Warren said that she had received criticism from the same cartographer when she first drew a map of her world. She said that it had been terrible, because it was basically just a big circle, and the cartographer said that people living in her world on the edge of an enormous tree would think of themselves as being connected to other communities in a line rather than in a circle.

The writers agreed that when worldbuilding, you need to get the parts that you’re focusing on right and everything else can be fuzzy and allow readers to use their imagination. Hawke said that unlike many people, she was not particularly visual and when she imagines things, she tends to focus on touch, smell and other sense. She said that as long as you get the little things right, readers will trust you.

Warren then explored how the writers felt about actually knowing a place. Shallcross said that it was challenging, not having traveled to France, and instead she used meticulous research of maps and historical photographs to understand place. Hawke said that she had not traveled much growing up, and what she lacked in personal experience she tended to make up for with imagining her own worlds and research as she went along. Warren then shared about a short story she is working on about the demolition of the Northbourne flats. She said that after seeing all the steel, brick and glass as she drove by, she was drawn to visiting them in person to see how they felt and to get the smell of them as inspiration for her story.

The talk then opened up to audience questions. There were quite a few speculative fiction buffs in the audience and it was really great to see so many different takes on what goes into to building fictional worlds. Although unfortunately I didn’t get a chance to catch all the other great events of Festival Muse this year, this one was definitely a great way to round off a long weekend.

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Festival Muse

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This long weekend just past had a lot of things going on in Canberra, but one of the most exciting was the second annual Festival Muse. Muse is several things: bookshop, cafe, restaurant and wine bar but it is especially a venue for fantastic literary events. The schedule was jam-packed over four days and I managed to get along to two very interesting talks.

Turn Me On – Festival Opening

The opening event was at 6pm on Friday 9 March 2018. I had just finished a very long week at work, and so I very pleased to be ushered in with a glass of wine so I could take a seat and watch some intellectual weightlifting.

There were five speakers at this event from a broad range of backgrounds, experiences and beliefs and each gave a short monologue about what kick-started their engines and got them passionate about their chosen fields.

The first speaker was Michael Brissenden, ABC journalist and author, who is one of those rare people who actually grew up in Canberra in the 1960s. The Canberra nightlife wasn’t then what it is now, and people had to make their own fun. He described the house party culture as one of “cheerful desperation” – full of politicians and poetry, drunks and musicians. Brissenden read from his father’s book of ballads about Canberra, “Gough and Johnny Were Lovers“.

Next was Zoya Patel, editor of Feminartsy (a magazine I contribute to) and soon to be published author. While acknowledging the special kind of “affluent, privileged political echo chamber that is Canberra”, Patel nevertheless found plenty of opportunities while growing up to “keep the pilot light of her feminism burning”. Growing up in an Indian-Fijian household, Patel was an early adopter of feminism and began writing from a young age. When she became an editor for Lip Magazine, she witnessed the onslaught and impact of internet trolls against her writers first hand. Patel said that feminism is not about the individual but about the sisterhood and this experience motivated her to lift up her writers’ voices even more.

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The third speaker was not a writer, but conductor and musical director Roland Peelman. Peelman acknowledged early that he is a musician, a job of “no great political feat or activitism”. Rather, the is more interested in how music can bring people together with their hearts beating at the same pace. Peelman was born in Belgium, and reflected on the differences in politics between his native home and adopted home. He reflected that in politics, despite what people may think, compromise is not disfunctional and messy can be functional because an untidy government means making room for minorities. Coming back to his music, Peelman said that traditional formulas of economic rationalism do not necessarily apply even though he has encountered plenty of skepticism about how his organisations would remain sustainable. Art isn’t about satisfying shareholders, it has different objectives, and Peelman finished on the note that music is about building community.

The next speaker was neither writer nor musician, but local politician Elizabeth Lee MLA. Lee began by saying that even if her political beliefs are different, she still felt like she has lots in common with the other speakers. She drew parallels with Patel’s experiences and said that in her family, a Korean family with three daughters, her dad was the original feminist. Lee said that he would tell her that as the oldest, she was the needle and her sisters were the thread and where she goes her sisters will follow. After progressing in her legal career in both private practice and as a lecturer, Lee decided to follow her passions of organising people and getting people involved and run for the ACT Legislative Assembly. Lee has also experienced her fair share of sexist and racist online trolling, however has found that her firm responses have been a source of inspiration for young Asian women.

The final speaker for the evening was ACT Marriage Equality campaign director, Jacob White. He opened with a question: why are people into politics? For White, he was born into it. As the middle child with two sisters either side, he was born to be an agitator. He was also inspired by his Nanna and her disability advocacy for her daughter, White’s aunty. Although raised among political attitudes limited to “Paul Keating is an arrogant prick, John Howard is a weirdo and Mark Latham is a psychopath”, from an early age White was writing letters to his local council complaining about lantana in his cubby house. Using that gumption as a springboard, he eventually found himself leading the charge for marriage equality in Canberra.

After such a diverse array of speakers, the formal part of the event closed and Muse opened the restaurant area up with drinks and canapes. It was a great evening with plenty of opportunity for me to pursue one of my favourite hobbies: telling strangers what books they should be reading.

The Burning Issues of Now

Like a little bookend, the second event I went to was on Monday 13 March – the other side of the festival. Three panelists, journalist Gabrielle Chan, writer Siv Parker and reporter, presenter and broadcaster Dan Bouchier settled in for a robust discussion on what is going to be the next “big issue” in Australia now the marriage equality campaign is done and dusted.

Now, I must admit here that I was so captivated by the discussion that I actually didn’t take especially good notes, but on top of the list for Parker’s burning issues was the treatment of Aboriginal women. Parker reflected on her own upbringing as an Aboriginal woman in black-soil country in north-western New South Wales and Bouchier compared his own experiences in Tenant Creek, Northern Territory – “the Red Centre”. Parker explained that during her professional life working around the country, one constant that she has seen among Aboriginal women from all backgrounds is that they feel like they don’t have the opportunities to do what they want to do with their lives.

One of the biggest issues standing in their way is domestic and family violence, which Aboriginal women experience and even die from at far higher rates than other Australian women. Family violence has unavoidable spill-on effects on children’s outcomes as well. The panelists turned then to two issues that have been flooding the media: Aboriginal kids in youth detention and Aboriginal kids in care.

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Bouchier talked about the reaction to the terrible crime that happened in Tenant Creek recently, and the erroneous conflation of Aboriginal and Torres Strait Islander children being in out of home care at 10 times the rate of non-Indigenous children and the Stolen Generation. Parker explained that where the Stolen Generation was the result of a racist policy designed to make a generation of servants, the rate of Aboriginal and Torres Strait Islander kids in care is an issue tied to trauma and disadvantage.

Bouchier noted the reluctance of governments and media to explore these issues deeply due to a fear of not being politically correct. Chan said that as a journalist following the schedules of politicians, having to get across and report on multiple issues in a day with only limited opportunities to get a question in, it’s very difficult to report on issues in very great detail. The panelists talked about the many, many Royal Commissions that are supposed to investigate these issues in depth, but that even those get manipulated and the recommendations which are handed down can be ignored for decades.

The panelists then turned to last year’s historic Uluru Statement From the Heart, which, despite being a statement achieved from a convention of 250 Aboriginal and Torres Strait Islander leaders from around the country, was dismissed by the Government. However, despite it not turning out to be the magic solution, the panelists were hopeful that this is not the end and that the Uluru Statement feels more like a strong beginning.

Both Turn Me On and The Burning Issues of Now were great, thought-provoking events with engaged, diverse speakers. Even though it’s only been a day, I can’t wait to see what Festival Muse 2019 brings.

If you want another perspective, check out Whispering Gums‘ post.

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