Tag Archives: General Fiction

Little Fires Everywhere

Realistic novel about family, secrets and trust

I first heard about this novel when it won the 2017 Goodreads Choice Award for Best Fiction. Since then, it has been adapted into a TV miniseries that was released earlier this year. I’ve been really enjoying some of Reese Witherspoon’s work adapting books to film, so I picked up an edition of this book with a tie-in cover. After Marie Kondoing my bookshelf this year, and doing the #StartOnYourShelfathon challenge, I’ve been making a big effort to chip through my to-read shelf (yes, shelf!) and it was time to read this book.

A photo of the book cover on a background that is a cropped collage of scenic and touristy photos I took when I was in the USA in 2017

“Little Fires Everywhere” by Celeste Ng is a realistic novel about a real town called Shaker Heights. The story is about two families. The Richardsons are a well-to-do family with husband, wife and four children while the Warrens consist of a single mother and her daughter. When artist Mia Warren rents a small home from Mrs Elena Richardson, she promises her daughter Pearl that they will be able to stay there for good this time. Pearl quickly befriends Moody Richardson, then his siblings Trip and Lexie. Meanwhile, youngest daughter and black sheep Izzy begins to visit Mia and assist her with her work. As the family grows more and more intertwined, journalist Elena begins to grow suspicious of Mia’s past life and starts trying to investigate.

This is a strong novel that examines a small community and the forces that shake up its apparent idyllic existence. Ng is particularly concerned with motherhood, what makes a good mother and who deserves to be a mother. This book also examines class, race and profession and the ways in which these factors impact someone’s “suitability” as a mother. At the heart of the novel is a fascinating ideological controversy in its own right that in turn drives a wedge between Mia and Elena and kickstarts Elena’s skepticism about Mia’s background. This is a very readable novel, and I really enjoyed the earlier chapters as Pearl begins to navigate friendships with Moody, Trip and Lexie.

While this book is very readable, I did find myself a little disappointed at the ending. The opening pages of the book are very compelling and hint at a significant mystery to unfold. Without giving too much away, I felt that rather than the “spark” Ng hints at throughout the novel, the ending was an underwhelming fizzle without any of the twists or big reveals that I felt had been promised earlier on.

A well-written and insightful book that I wished had a bit less contemplation and a little more punch at the end.

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Dead Man Dreaming

Novel about coming to terms with a genetic illness

I received a copy of this eBook courtesy of the author.

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“Dead Man Dreaming” by Uday Mukerji is a novel about a man called David who is going through the final interviews for a prestigious position at a Canadian hospital as a heart surgeon. However, when the panel ask him a question about whether or not he has Huntington’s Disease, David is taken by surprise. Suddenly he is forced to confront the possibility that, like his father, he has Huntington’s Disease and impact it could have on his career, relationship and desire to have children. David’s drastic life changes as a result have him seeking and finding fulfilment in new places.

Mukerji is a clear, realistic writer with believable characters and premise. This is an interesting book that raises a number of pertinent ethical questions: is it reasonable to ask people about their genetic information during a job interview where hereditary conditions may impact performance? is it reasonable to encourage, or even require, people to undergo genetic testing prior to having children? These are questions that David himself ponders as he comes to terms with taking his own genetic test. Mukerji also asks the reader about openness in relationships, and the extent to which we need to make time to communicate with our partners and be honest with them.

The only thing that I found a bit challenging was that Mukerji relies heavily on David’s thoughts as a narrative device, and a not insignificant proportion of the book is David going over events and conversations again and again and mulling over his own worries. While this is probably a very accurate depiction of what it would be like for a real person in David’s situation, there were times where I felt the book needed a little more plot or conversation to help propel the story along.

A well-written story that explores issues arising from testing for hereditary conditions from a number of angles.

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Picture Perfect

Novel about love, family violence and belonging

Content warning: family violence

As I’ve mentioned previously, while everything is still under varying degrees of lockdown, I’ve had to find other suitable opportunities to listen to audiobooks that involve some kind of exercise. My solution: yard work. I’ve been trying to stick to shorter audiobooks to make it easier to pay attention, and this one came up when searching. Although this author is very popular and often a bit divisive, I have enjoyed a number of her books over the years, so I thought I would use an Audible credit on this book.

Picture Perfect cover art

“Picture Perfect” by Jodi Picoult and narrated by Megan Dodds is a novel about a woman who is found in a graveyard suffering from amnesia. She is taken to hospital by Will Flying Horse, who has moved to Los Angeles to work as a police officer. While Cassie recovers, pieces of her memory come back and she discovers that her real life is actually like something out of a fairytale. However, like most fairytales, there is a dark undercurrent and it will take all of Cassie’s strength to be her own hero.

Listening to this book, I was actually struck by how similar the story was to another book I read recently. Like “The Brave“, this story is about a woman who marries a movie star, who experiences domestic violence and who finds salvation in the arms of a biracial Native American man. Picoult’s novel was written 15 years earlier and I think hers is the better novel. Cassie is an anthropologist; educated, articulate and adventurous, she certainly doesn’t seem like the kind of person likely to be affected by family violence. However, the whole world falls for Alex Rivers’ charm and the acting skills he brings to the screen are just as effective at home. I felt like Picoult did a very convincing job of exploring the cyclic nature of family violence, and acknowledged that family violence does not discriminate and can happen in any type of family. Cassie is one of the three point of view characters, but unlike Nicholas Evans’ novel, it is her perspective that is put front and centre. I think I actually preferred this exploration of domestic violence to Liane Moriarty’s “Big Little Lies“.

I am no expert on Lakota culture, but the novel felt much better researched in this regard as compared with “The Brave”, and Will’s character seemed far more well-rounded than Evans’ character Cal. Instead of being little more than a literary device, Will experiences his own struggles with his biracial identity, racism in the police force and frustration with Cassie’s situation. The narration of this book was quite good, and Dodds has a drawling, contemplative voice that lends itself to many of the reminiscing chapters. Unusually, some of these chapters had a bit of music backing which helped distinguish between past and present.

This is one of Picoult’s earliest novels, and I think it is fair to say that her storytelling has improved considerably over the years. The plot of this book was a little meandering, and I think that in trying to fully explore each character’s background, character and motives, something of the tension in the novel was lost. I am so used to Picoult’s hard-hitting, fearless plot twists that I was quite surprised that this novel petered out on a rather positive note.

A thoughtful book that was ahead of its time in discussing family violence, but not quite as punchy as Picoult’s later books.

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Normal People

Irish novel about love, communication and trying to fit in

Content warning: mental health, domestic violence

Now that I have discovered that, for me, less is more when it comes to audiobooks, I was intrigued to see this one offered for free on Audible last month. I’d heard about it, and one of the cover designs is quite memorable with the people inside the anchovy tin, but I didn’t know much about it. It was a quite achievable 7.5 hours long, and, regrettably, was the last book I started before the gyms closed.

Normal People cover art

“Normal People” by Sally Rooney and narrated by Aoife McMahon is a novel about two teenagers, Marianne and Connell, who go to the same school in a small Irish town. Connell, though quiet, is popular at school while Marianne has no friends. Connell’s mother cleans Marianne’s mother, and although he and Marianne have never spoken at school, they begin to chat when he comes over to collect his mother after work. When they find themselves drawn together, they agree to keep things secret from everyone else at school. However, despite the magnetism between them, the secrecy makes their relationship uncertain. When they later cross paths at university, they click and become friends again, but changes in social standing and shortcomings in communication undermine the security they long to find in each other.

This was an absolutely stunning novel. I was absolutely hooked on every sentence. When the gyms had to close, I was desperate to find something active to do so I could keep listening and I ended up tackling the wilderness that had become our lawns. I found myself laughing aloud and my jaw actually dropping more times than I could count while listening to this book. Rooney has an absolute gift for exploring the tension, vulnerability and misunderstanding that can occur between two people. For a book that is ostensibly just about two people, there was not a dull moment. McMahon was a fantastic narrator and captured the tone of each character perfectly.

By getting to know each other more and more deeply over the years, Connell and Marianne slowly reveal their own secret struggles with mental illness and domestic violence to each other and become each other’s biggest support. However, Rooney is unmerciful in exploring how as humans we can fail one another, and how sometimes the only way to make amends is to grow as a person and succeed the next time. Rooney also provides some interesting commentary on class. She examines how class differences can complicate relationships, asking whether those complications are not insurmountable, and noting that wealth doesn’t guarantee happiness protect against abuse.

This book was just fantastic. I’ve already been recommending it to friends. Even more exciting, just weeks after I read it, I found out that a TV adaptation is coming out that started YESTERDAY. If you want to read something really good, this is really good.

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The Children Act

Legal drama about a life and death decision

I’ve only ever read one book by this author before, but he recently came across my radar after a minor controversy where he appeared to suggest that his new novel was unlike conventional science fiction and examined ethical dilemmas instead of focusing on “anti-gravity boots“. Anyway, I’d bought this book for my friend a long time ago because I thought it’d be relevant to her interests, so I asked her if I could borrow it back to read.

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“The Children Act” by Ian McEwan is a legal drama about Fiona, an English High Court judge, who specialises in family law. Although extremely successful in her work, congratulated by her peers for her well-written judgments about impossible ethical questions, Fiona’s personal life begins to fall apart when her husband announces his intention to have an affair. Unable to deal with this, Fiona throws herself headlong into a new case about a Jehovah’s Witness boy is refusing treatment for his leukemia. When the hospital makes an urgent application, Fiona decides to visit the boy in hospital to determine whether he is competent to make his own decision. However, as the judge, it is Fiona’s decision that matters the most and the way she makes it will change his life forever.

McEwan is compelling writer with a keen eye for human interest topics. This is a well-researched book and McEwan combines interesting case law with the realities of living a very privileged, but in some ways very lonely life. I thought the stand-out of this book was the character of Adam, a 17-year-old boy on the cusp of adulthood who is both dazzling in his potential and very, very young. McEwan captures his beauty and his folly extremely well.

I’ve been trying to put my finger on what it was I didn’t like about this book. I’ve looked at it from a few different angles, and ultimately I’ve had to conclude that it was Fiona’s characterisation. McEwan takes the stereotype of the working woman to its extreme with Fiona who had no children, has no time for her roving husband and whose only foray into any kind of wild abandon was a couple of trips to Newcastle with some cousins who are never named. Even though she is the main character, there’s an element of humanity, of realness missing from Fiona. I accept that McEwan is trying to shine a light on how cool legalistic arguments are not always suited to hot moral issues, but I refuse to accept that real people exist who are as banal as Fiona.

A well-written book but a shadow compared to my favourite fictional magistrate, Laura Gibson, who I cannot wait to see return to screen.

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The Place on Dalhousie

Coming of age drama about family, relationships and place

One thing my sister and I share is a love of Melina Marchetta’s books. Some time ago, I saw Marchetta speak about a previous book, and afterwards I felt so guilty that I didn’t think to get one signed for my sister. So this time when I saw her speak, I made sure to get a signed copy for my sister as an early birthday present. However, I may have sneakily read it before I gave it to her.

“The Place on Dalhousie” by Melina Marchetta is a novel about a young girl called Rosie who finds herself in a remote country town caring for an elderly woman when a flood hits. She meets an emergency volunteer called Jimmy, and in the chaos and the excitement, they form a fleeting connection. Two years later, Rosie returns to her childhood home in Sydney to face her stepmother Martha and the house her father built and left them after he died. Hurt, angry and in desperate need of help, Rosie doesn’t have a lot of options, but when Martha begins to look at selling the house, Rosie will have to reconsider her ideas about what family is.

This is a lovely book that is a loose sequel to Marchetta’s earlier books “Saving Francesca” and “The Piper’s Son” (though you absolutely don’t have to have read the first two to enjoy this one). Marchetta explores a plethora of themes in this book ranging from grief to motherhood to family to different Italian migrant experiences to relationships to aged care. It is exquisitely written and as a reader, you cannot help but fall in love with the abrasive but genuine and fierce Rosie. Marchetta gently explores her characters’ strengths and weaknesses, and brings them together with everyday things.

The only criticism anyone could possibly make about this book is that the ending is tied very neatly in a bow. But you know what? Sometimes you really need a book like that. If you’re looking something to warm you up this winter, this is the perfect book to curl up with.

 

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Eleanor Oliphant is Completely Fine

Scottish novel about routine, denial and coping when it all crumbles

Content warning: trauma, childhood trauma, mental illness, substance abuse

I received an ARC of this book courtesy of Harry Hartog.

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“Eleanor Oliphant is Completely Fine” by Gail Honeyman is an eponymous novel about Eleanor, a 29 year old woman who lives her life completely by routine. Every week she works in her administrative job, reads the newspaper, completes the crossword, listens to public broadcasting, watches television and drinks two bottles of vodka over the weekend. Eleanor has no friends, no family and no social interaction aside from unsolicited marketing calls and jokes at her expense by colleagues. Eleanor tells herself that everything is completely fine, but when she develops a crush on a musician, and inadvertently opens herself to the possibility of change, she may not be ready for everything else that comes flooding in.

This is an extremely readable book. In a style not dissimilar to Graeme Simsion, Honeyman has a real knack for dramatic irony. I’m always very impressed with authors that manage to carry this off, because let’s be honest – it’s always a smug feeling when you feel smarter (or in this case more socially adept) than the character you are reading about. Eleanor’s bumbling is particularly endearing, but I think that Honeyman importantly gets the balance right by allowing for enough character development and conflict so that the story is not just a series of cringeworthy exchanges. I also really enjoyed how she took really mundane, everyday things and made them new with Eleanor’s unique perspective.

A criticism I have made about many, many, many books I have read is the use of trauma, especially childhood trauma, as a plot device – but I’m going to make it in a slightly different way for this book. I feel like a lot of novels use the idea of repressed memories as a means for exploring difficult issues such as childhood trauma. Now, I’m not going to pretend that I’m a psychologist and give a commentary on the controversy around the idea of repressed memories. However, I do want to note that for an unacceptably high number of people, trauma is something they have to live with everyday. There are already far too many barriers to people disclosing traumatic events as it is, let alone the phenomena of repressed memories, and I think that I’d like to see authors explore some of those issues instead.

However, unlike another book I read, I did really appreciate that Honeyman emphasised the importance of counselling and social support in recovery, and I felt that she did a really good job of depicting Eleanor in crisis.

A well-written, enjoyable read that emphasises the importance of human connection.

buy the book from The Book Depository, free delivery

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The Joy Luck Club

Intergenerational Chinese family drama about mothers and their daughters

This is one of those modern classics that I had never gotten around to reading. I think I picked up a copy at the Canberra Lifeline Book Fair , gathering dust, waiting for me to read it. Well, with the end of the year looming and me not nearly close enough to my 80th book, its slender spine beckoned and finally it was this book’s turn.

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“The Joy Luck Club” by Amy Tan is an intergererational family drama about four Chinese mothers and four of their daughters. Jing-Mei, An-Mei, Lindo and Ying-Ying all found their way to San Francisco in the 1940s and became close yet competitive friends over mahjong, food and gossip. However, while the mothers hold on to many of the old ways while keeping elements of their pasts secret, they have each become disconnected from their daughters who have been raised American. The books is divided into four parts, two of which focus on the mothers’ stories and two of which focus on the daughters’.

This is a rich story for such a short book. There is a real need for diverse stories, and Tan does an excellent job of taking eight women from similar backgrounds and showing just how diverse their experiences can be. I particularly enjoyed reading about the transition from traditional life as young women to being mothers in a new country.

It is a difficult task to conjure eight unique voices, and for the most part I think that Tan achieves it. However, because it is quite a short story and the point of view characters change so quickly, it was a little hard to keep track of who was who. Part of that difficulty is that the mothers themselves all changed quite a lot from when they were young and there weren’t always obvious connections between their past and present selves.

An important novel on the migrant experience, that is full of depth if occasionally a little muddy.

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The Joy Luck Club

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Surrogate: A Novel

I received a copy of this book courtesy of the publisher.

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“Surrogate: A Novel” by Tracy Crisp is a story about a young nurse called Rachael who is asked to house-sit by a doctor from her hospital that she is loosely acquainted with. Dr Cate and her handsome husband Drum have plans to adopt a baby overseas. However when things don’t work out and they return home early, they first ask Rachael to stay and then the ask her to consider a much, much bigger proposition.

This is an evocative and unsettling story that explores the issue of surrogacy by pushing the boundaries of relationships. Crisp is a thoughtful writer who captures the day to day lives of Rachael, who is going through the confusing process of surrogacy, and her mother Mary, who went through something similar as a young woman. I thought Crisp’s real strength was exploring imperfect relationships and the reasons why people keep secrets from one another. The interplay between Cate, Rachael and Drum was particularly engaging.

I think probably the only thing I struggled with in this story was the role of Mick. Mick is Rachael’s father’s best friend, and Rachael is infatuated with him, but I just didn’t quite see how this part fit into the rest of the story. Mick seems to be a bit of a bridge between Mary’s past and Rachael’s present, but I’m not sure the foundations are quite strong enough to hold up that particular plot-line.

Anyway, this is an interesting novel that deeply explores the theme of giving up a child through the lens of ordinary people.

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