Tag Archives: graphic novel

(Adults Only) Whisper Grass

Short queer erotic graphic novel tie-in to roadtrip comic series

Content warning: sexual themes, drug use

After recently Marie Kondoing a significant amount of my house, and subsequently donating a LOT of books, I have had a bit more space to think about my remaining book collections including my graphic novels. I really enjoy graphic novels, and a lot of books in my collection are physical copies of a series that has become popular as a webcomic. I realised that I actually have some unfinished collections in some series, including a brilliant webcomic called “The Less than Epic Adventures of TJ and Amal“. I recently ordered the third volume in the print edition (the webcomic is free to read online), and I had a little niggle in my memory that there had been a limited edition mini-comic that the author had released. I remember not being able to get one of the limited print copies, but a quick search through my files showed that I had managed to buy an eBook copy from the publisher. It is now December, and the clock is ticking to hit my reading goal for the year, so I thought I’d finally read this little comic.

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“Whisper Grass” by E. K. Weaver is an erotic graphic novel about two young men, TJ and Amal, who are on an road trip together after meeting in a bar. Amal has to make it across the country to his sister’s graduation after coming out to his traditional family, and TJ has offered to cover costs if Amal does the driving. Amal is a med student while TJ lives a rather itinerant lifestyle, however despite their differences, the two bond during their journey together. One evening, the pair stay at a motel room and after attempts to buy some drinks are unsuccessful, share a smoke of weed together instead.

This is a fun and warm vignette where a casual evening of Amal and TJ hanging out together becomes something more intimate. Weaver is very keen on characterisation and mood, so while this is an erotic comic, the focus is still very heavily on the emotional connection between the two characters. In the author’s own words, “Sometimes people ask me why most of the sex scenes in TJ and Amal fade to black, get cut short, or are off-camera entirely. The answer is showing those encounters wouldn’t have moved the plot forward, explored the characters’ personalities, or added any substance to the story. In short, those sex scenes were unnecessary. Here’s something unnecessary.” I think that the decision to offer this as a standalone comic separate to the main series was a good decision. Although it is perhaps a little unnecessary, this comic is full of tenderness, humour and enthusiastic consent and complements the main series really well.

If you, like me, fell in love with TJ and Amal, this is a light-hearted and enjoyable edition to a fantastic webcomic series that only adds to our understanding of these two complex characters.

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She Ran Away From Love

Teddy bear picture book about finding yourself

I received a copy of this book courtesy of the author, whose other book I reviewed previously.

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“She Ran Away From Love” by Mawson is a picture book about a teddy bear called Frilly who isn’t sure she is being her authentic self. She consults her friend Mawson for advice, but ultimately decides that she needs to go on a journey to find the answers herself.

This is a sweet book that gently explores the idea of personal development and wanting more from yourself and from your life. Frilly is an interesting character who tries to reconcile being true to herself with personal growth, and I particularly liked the part where she is very assertive about the type of quest she is going on and declines Mawson’s offer of swords, shields and horses because they are neither quiet nor pink. I also like that the book examines different methods for finding happiness, concluding ultimately that you have to do what works for you. The scenery in the photographs is arranged using things around the house that a teddy bear may well use and the author has grown more confident using different editing techniques to bring more emotion to the photos.

A thoughtful, uplifting book suitable for all ages.

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(Adults Only) Letters for Lucardo

Queer erotic graphic novel about vampires

Content warning: sexual themes

I really enjoy webcomics, which is a bit of a double-edged sword. On the one hand, incredible artists can enjoy complete creative freedom and publish beautifully illustrated long-form stories that readers can often enjoy for free. Sometimes these stories get picked up by publishers and turn into award winning books that you can buy. However, the downside is that without anything but positive feedback from fans, maintaining enthusiasm for webcomics can be difficult, and many that I have followed over the years have been discontinued. One such webcomic was called “Judecca”, an eerie, compelling comic about a sharkman, his roommate (a talking rabbit) and a girl with facial scars. Unfortunately, the author discontinued the comic and although you can find bits and pieces scattered around online, there doesn’t appear to be any archive anywhere. However, the author has started publishing graphic novels and although it’s not “Judecca”, I have been keen to check them out. I ordered a copy via a Kickstarter, but this one has been sitting on my shelf for a while. After Marie Kondoing my books recently, I decided to finally read it.

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“Letters for Lucardo” by Otava Heikkilä (the name is different because the author has transitioned since publication) is a graphic novel about the immortal son of a vampire lord called Lucardo who falls in love with a 61 year old human scribe called Ed. Shy and conscientious, Ed is shocked when Lucardo confesses his feelings but they quickly develop an intimate relationship. However, unspoken between them is Ed’s mortality and although Lucardo seems unconcerned by the future, Lord von Gishaupt has his own agenda.

This is an interesting story that explores the idea of queer relationship between two men of significantly different ages. Lucardo is 33, and visibly much younger and stronger than his partner Ed and Heikkilä gently explores some of the insecurities Ed feels about his trim but aging body. Heikkilä also explores enthusiastic consent and clear communication during sex, as well as how sex can involve negotiation, creativity and flexibility. In the years since I read “Judecca”, Heikkilä’s art style has continued to improve and his depiction of male bodies is refreshingly realistic, gentle and true to his artistic style.

I do have to say that when I picked the book up and opened it for the first time, I was disappointed that the illustrations are all in black and white. I totally understand the reason for this – expense and effort – but when you are expecting colour, black and white can be a bit of a let down. The other thing was that I felt that while the overarching story did have tension, there wasn’t quite as much worldbuilding, context and depth to the story as I would have liked. While I am often very happy with a story that focuses on relationships, I like a bit more drama.

An engaging and very inclusive graphic novel with some great illustrations and messages which could have used a little more colouring in, literally and figuratively.

Image of Castor the Sloth, looking through a telescope. #StartOnYourShelfathon The Quiet Pond.

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Griffin & Sabine

Interactive graphic novel about love and letters

I picked this book up goodness only knows how long ago from the Lifeline Book Fair. It was clearly a graphic novel, but it has an enigmatic front cover. I actually assumed that it was about a bird called Griffin (it is not). Given how dire things were getting for my 2019 Goodreads Reading Challenge, I decided that this book had sat on my shelf long enough.

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“Griffin & Sabine” by Nick Bantock is a graphic epistolary novel about an artist called Griffin who begins receiving mysterious postcards from a tropical island far away, written by someone called Sabine. From the outset, Sabine appears to have intimate knowledge about Griffin and his artwork, and as their correspondence becomes more and more involved, Griffin begins to wonder who she really is.

This is a stunning piece of fiction, expertly executed with illustrations, writing and even fold-out letters. Bantock is clearly a creative genius who is able to manifest two distinct voices and bring them to life with striking and original designs. Looking at the cover of this book, I had absolutely no idea what I was in for and I enjoyed every second. I was also thrilled that even though I bought it secondhand, all of the pieces were still intact and I was able to enjoy the tactile experience of lifting the longer letters out of their envelopes.

A shining example of the graphic novel genre, and a story that left me equal parts delighted and disturbed.

 

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Jim Henson’s The Storyteller: Dragons

Graphic novel of dragon stories inspired by Jim Henson’s The Storyteller

I really enjoy graphic novels, and knowing this, my partner bought me this book quite a while ago. I’m going to be honest with you right though, there was a very particular reason why I picked up this book to read towards the end of last year. It was December, I had one month left to reach my 2019 Goodreads Reading Challenge goal of 80 books, and I was in big trouble. Whenever I find myself in this situation, there is really only one option: to read the shortest books on my to-read pile.

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I took this at The Copper Dragon, a fantasy-themed bar in Tuggeranong, ACT. Unfortunately it wasn’t open, but I really want to visit! 

“Jim Henson’s The Storyteller: Dragons” is a graphic novel with stories and art by Daniel Bayliss, Nathan Pride, Hannah Christenson and Jorge Corona with some script and colours by Fabian Rangel Jr., Cassie Kelly and Jen Hickman. There are four stories told in the style of the television series: Son of the Serpent, The Worm of LambtonAlbina and Samurai’s Sacrifice. Each explores the well-known theme of dragon and hero in different cultural and gender contexts.

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Also speak of dragons, my city currently has a fire right next to it and I took this immediately after taking the photo above

I think my favourite of the stories is the first, Son of the Serpent. Daniel Bayliss, a graphic novelist and artist from Mexico, draws on mythology and graphic art from native cultures of North America, and his bold, colourful designs are breathtaking.

Probably one thing that made this book a little hard for me was that I actually had never watched Jim Henson’s The Storyteller. Each of the stories is clearly inspired by the format of the television show, with the dog interjecting while the Storyteller tells a tale, and it felt like there were quite a few in-jokes that went over my head. The art on the front cover is gorgeous, but unfortunately it didn’t reflect any of the stories within, and I wasn’t as captivated by the other three as I was the first.

A fun graphic novel for nostalgic fans of the TV show (or of dragons) but might miss the mark for graphic novel aficionados.

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And the Ocean Was Our Sky

Surreal illustrated retelling of “Moby Dick”

I forgot to mention in my previous review that another major reason for me finally reading “Moby Dick” is that a friend of mine had lent me a copy of this book. I’ve read several of Patrick Ness‘ books before and I was very much looking forward to this one, but it didn’t seem right to try to read it before reading the story it is inspired by. Luckily for me, this one is much shorter.

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“And the Ocean Was Our Sky” by Patrick Ness and illustrated by Rovina Cai is an illustrated young adult novel that reimagines the classic novel “Moby Dick” by Herman Melville as told from the perspective of a whale. Narrated by a whale who styles herself as Bathsheba, the reader is set adrift in an alternative underwater world where whales have developed technology, have reclaimed the depths of the sea and have themselves become hunters. Third Apprentice in a female-only pod under the command of Captain Alexandra, Bathsheba joins the hunt for the terrifying and monstrous Toby Wick. However, when they find a human man abandoned by his crew and Bathsheba is charged with torturing him for information, her perspective on humans and the ethics of the hunt is forever changed.

This book has haunted me since I read it late last year. Ness is a beautiful writer, and he has created a strange and unsettling world for his whales to live in that are realised with Cai’s sublime illustrations. The whales live in exile, only breaching on the rarest occasions and instead relying on breather bubbles that allow them to swim almost forever underwater. Except, to the whales, they are no longer ‘under’. To them, the ocean is their sky and the air below where the men and their ships live is the Abyss. However, the whales’ world is not an easy one to live in. The pods drag around sunken ships, and their cities are built on precipices. They see themselves as hunters but really they are banished, calling themselves hunters but in reality they are just as hunted.

Toby Wick was probably the element that disturbed me the most. Ness never quite gives enough information to the reader about what exactly Toby Wick is. Going much further than Melville’s white whale, the horror of Toby Wick is in the unknown. Is he a monstrous man, is he a machine, is he some awful hybrid of both? We are never truly certain. Throughout the book, hands are a prominent motif representing the ingenuity and dexterity of, and the terror inspired by, humans.

This is a dark and at times unnerving book that does not provide the reader with many answers, but leaves them instead with a lot of questions. A very original take on a classic story.

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Body Music

Collection of short graphic stories about love and intimacy

Content warning: sexual themes

I picked this book up from Canty’s Bookshop recently. They have been getting in some great graphic novel stock, and this one caught my eye because the author is the same author behind “Blue is the Warmest Colour” that famously was made into an incredible film.

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“Body Music” by Julie Maroh is a collection of short graphic stories set in the city of Montreal, Canada. Each story explores issues around love between two (or more) people, transcending gender, race and age. Some of the characters feature in more than one vignette, but each story is, for the most part, a standalone story.

Maroh is an exceptional artist with an honest illustrative style that highlights the beauty, the grotesque and the humanity that can be found in everyday life. Maroh has a natural flair for storytelling with each panel a quiet revelation of hope, pain, loneliness, and love. I really loved chapter 14, The Ghost of Illness, chapter 16, In the Heat of the Club. Sait Catherine Street East, and Charlene’s perspective in chapter 6, Fantasies of the Hypothetical. Maroh did an exceptional job depicting her characters with disabilities (which included a wheelchair user, a person who develops blindness and two men who use sign language), and presents sex as something awkward, humorous and tender. I also really enjoyed the diversity of bodies: slim, curvy, freckled, hairy.

While I felt that this was a beautiful book, I felt that there was something missing to tie all the stories together. Maroh is very committed to diversity, in theme as well as in her characters, but I think a side effect of this was that there wasn’t really a strong common thread to unite each vignette. Perhaps if she had intertwined the stories even more, and had more overlap between the characters and their experiences of living and loving Montreal, I may have gotten a stronger sense of the city itself.

A poignant and thought-provoking book full of excellent examples of the storytelling strength of the graphic novel genre.

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Sabrina

Graphic novel about the aftermath of a terrible crime

Content warning: gendered violence, mental illness

Shortly after starting at a new job, I managed to rope in some colleagues into starting a work book club with me. To kick off the first meeting, we put together a list of books including some from the 2018 Man Booker Prize longlist. This book is the first graphic novel to ever be longlisted for arguably the most prestigious prize for English language fiction, and as a long-standing fan of graphic novels, I had to check it out.

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“Sabrina” by Nick Drnaso is a graphic novel about a young woman called Sabrina who goes missing and is later found brutally murdered, and the ripple effect this crime has on the people in her life. The story follows Sabrina’s boyfriend Teddy, Teddy’s childhood friend and recent divorcee Calvin and Sabrina’s sister Sandra. Both Teddy and Sandra struggle to make sense of what has happened to Sabrina, with Teddy becoming a recluse in Calvin’s empty house and Sandra no longer finding meaning in her everyday routine. Caring for Teddy fills up the time left by Calvin’s absent family, but with Teddy largely uncommunicative and staying in his room in his underwear occasionally eating the takeout Calvin buys, his house is still extremely lonely. Meanwhile, after Sabrina’s body is found and footage is leaked of her murder, conspiracy theorists begin to target Teddy, Sandra and Calvin with accusations that they are crisis actors and that Sabrina’s death was actually a false flag operation.

Graphic novels, especially when written and illustrated by the same person, are unique in that not only is the author communicating to you through their writing, but they also communicate via their art. Drnaso is very minimalist in both his writing and illustration style and the pared back conversation and sparse scenes are very effective at conveying the everyday and each of the characters’ searches for a new normal. He has a real talent for capturing the mundane and I do think that this is a really astute work on suburban America and the interplay between work, relationships, friendships and social media. The focus of this book is undoubtedly conspiracy theories, and the impact that they have on the families and friends of victims of tragic events. Drsnaso excels at building a gradual sense of unease and paranoia, especially for Calvin, as the impact of media reporting, invasive messages from conspiracy theorists and caring for Teddy begins to affect his work and personal life.

I agree that there are a lot of strengths in this graphic novel, but I must admit I am a bit incredulous that this graphic novel is the first one to be longlisted for the Man Booker Prize. Was it good? Yes, it was fine. Was it the best graphic novel ever written? Not by a long shot. I think one of my biggest issues with this book was that despite Sabrina being the eponymous character, and the victim of an appalling case of gender violence, Sabrina’s story is the backdrop to Calvin’s, Teddy’s and, to a lesser extent, Sandra’s stories. As someone with a close friend who went missing and was later found dead, the focus of this book made me deeply uncomfortable.

I understand how losing your girlfriend in such circumstances could lead some to depression, and I understand that caring for someone with mental illness can be challenging, but I really don’t think this book went anywhere close to deep enough on the impact of Sabrina’s death on her family, especially Sandra. Considering the vast majority of this book is men talking to other men, I don’t think that there was really ever enough analysis on why Sabrina was murdered. At one point Sabrina’s sister calls Teddy and berates him for his lack of action, including primarily not coming to Sabrina’s funeral, and I kind of see where she’s coming from. I understand that Drnaso made changes through the editing process to make Sandra’s story more prominent, but she probably gets about a tenth of the airtime Calvin and Teddy get.

I think I really just feel that if you’re going to write a book about American conspiracy theory culture following tragic events, I think that you should at least do the tragic event itself justice. Sabrina didn’t have a voice in life or in death, and I just feel that given the horrendous statistics globally, but also in the USA, on women who are subjected to violence by men, I would have liked Drnaso to have taken a bit of a stronger stand in helping to empower the women affected by this kind of violence – even if it was to show how valued they were in life and how missed they are in death.

Look there is plenty more I could say about this book about themes of gratitude, relationship breakdown and workplace culture, but I might leave it there for now. Anyway, I am nevertheless glad to see that graphic novels are finally starting to be taken seriously in mainstream literature. I think that Drnaso has produced a chilling piece on the impact of conspiracy theories, but if you’re tempted to give graphic novels ago, there are plenty of other excellent award-winning ones that you might like to try as well.

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Saga Volume 9

Epic fantasy and science fiction graphic novel series

I’ve been following this series pretty much as soon as it first came out. Even though I am certainly hooked, I have had some concerns for a while that the series has been getting a little stale. I chatted on my podcast some time ago that the author recently announced that the series would be going on hiatus for a year, and so I decided I’d stuck with it this long, I might as well read this last volume. Now, if you’re not up to date, I’d stop right here because this will be full of spoilers.

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“Saga Volume 9” by Brian K. Vaughan and illustrated by Fiona Staples begins some time after the end of Volume 8. Hazel, her parents Marko and Alana, Sir Robot IV, his son Squire, the two journalists Upsher and Doff, Petrichor and Ghüs have left Ghüs’ tiny world with Ianthe with the The Will (now known as Billy) forcibly in tow hot on their heels. When Upsher and Doff offer Marko and Alana a chance at a completely new life, the offer is very tempting to others in the group. However, before long Ianthe and Billy have caught up with them and nothing is certain anymore.

“Saga” has been, well, a saga and there is no shortage of drama in this volume. Staples’ art is as mesmerising as ever, and the story continues to shock at every turn. However, I have to say that Hazel’s extremely melodramatic narration has really started to grind on me. There were some parts where I felt it matched the story and art really well, but generally I find it a bit ham-fisted. Vaughan is certainly fearless when it comes to nixing his characters, but in a similar way to the George R. R. Martin, there does get a point where too many of your favourite characters are gone and you just aren’t that invested in the ones left.

I really do think that a hiatus is a good idea. This book ends on a big twist and I’m just not sure where they are going to go from there. A break will hopefully let Vaughan recharge and come back with some fresh ideas to wrap up the series.

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Saga Volume 9

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Cottons: The Secret of the Wind

It’s no secret that I love rabbits. I was browsing the graphic novel section in a book store the other day and I saw this book and was immediately captivated by the artwork. I love graphic novels, and one of my all time favourite books is Watership Down, so a book featuring bunnies living in their own society had me hook, line and sinker.

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“Cottons: The Secret of the Wind” is a graphic novel written by Jim Pascoe and illustrated by Heidi Arnhold. The first in the series, the story follows a young brown rabbit called Bridgebelle who works in a carrot factory and who cares for her ailing aunty. Bridgebelle’s job is to help convert carrots into cha, the energy that powers the Vale of Industry. Although she dreams of being an artist, using cha to make beautiful objects called thokcha, she is tied to the factory in order to support her aunty. However when her friend Croquet goes missing and the foxes who covet the cha grow more bold and more dangerous, Bridgebelle’s abilities and her tragic past can no longer go ignored.

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This review is going to be full of rabbit photos.

This is a beautifully illustrated book with great character design and worldbuilding. Bridgebelle is an enigmatic, lonely young rabbit who is struggling to find her way in an increasingly dangerous world. I particularly liked the character Glee who seems particularly complex, and I enjoyed the worldbuilding and the steampunk vibe of the Vale of Industry. I also really liked Samiji, a brave and fiery young rabbit who joins the sect of rabbits who dedicate their life to windism. For a more detailed insight into the world of Lavender, there is a bit of a fictional overview of the history, society and culture at the back of the book.

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I think some of the things that felt a little underdone were the foxes as antagonists and the concept of cha. Cha seems to at once be a power source, a material for making art, a narcotic and a potential weapon. I’m not always into high fantasy with super complex magic systems, but I did feel a little like cha needed a bit more explanation or at least something to pique the interest of the reader and make them curious to read more. There was some of that detail in the section at the back, but I think I would have liked it woven into the story a little more. I also didn’t quite get how the foxes could be so malignant and powerful, yet not be able to simply walk in and take over the factory.

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Ori’s review was not as glowing as mine

A beautifully rendered story that perhaps leaves the reader with more questions than answers, I will be keeping an eye out for the second volume.

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