Tag Archives: Horror

Encounters: an Anthology of Australian Speculative Fiction

Collection of Australian speculative fiction short stories

Last year I attended my first ever Conflux, the annual Canberra speculative fiction conference. I was thrilled to present on three panels: From Paper to Screen, Sentient Flora and Fauna and Write What You Know. It was a great event and I got to see some incredible speakers including Shelley Parker-Chan. There was also a market which included a lot of secondhand books available, and this is one I picked up. I was looking for my next book in my Short Stack Reading Challenge and this was it.

Photo is of “Encounters: an Anthology of Australian Speculative Fiction” edited by Maxine McArthur and Donna Maree Hanson. The paperback book is resting on top of a program that says “Conflux 16: Natcon 60: Visions of…” and a blue lanyard with “Conflux 2022: Visions of Time, Angharad”. The cover is of the faces of two people and a simian figure, with stars, a moon and cosmic dust in the background.

“Encounters: an Anthology of Australian Speculative Fiction” edited by Maxine McArthur and Donna Maree Hanson is a collection of 22 short stories ranging across science fiction, fantasy, horror and everything in between.

While overall the stories were pretty good, there were some standouts. Although I don’t often go for vampire stories, there was something about The Flatmate from Hell by Dirk Flintheart that was very enjoyable. Una, the One by Frankie Seymour was an interesting take on the question about whether or not it is ever possible to have environmental harmony with humans. Sleeping With Monsters by Michael Barry had quickfire twist after quickfire twist, challenging our assumptions at every turn. I also really liked Guarding the Mound by Kaaron Warren, which dealt with questions of legacy and the connection between past and future. Finally, I really liked Happy Faces for Happy Families by Gillian Polack which used time travel to unpack complex issues about childhood illness.

While there were quite a few stories I enjoyed, like any anthology, there are often going to be some that don’t resonate. I think that perhaps a clear theme might have made the anthology feel a bit more united. Also, there were a few moments where I had to remember that the book published in 2004, because some of the language, including around race, is a bit out of date.

An interesting and diverse collection of short stories.

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Filed under Australian Books, Book Reviews, Fantasy, Horror, Science Fiction, Short Stories

The Little Stranger

Gothic novel about a declining English manor

Content warning: post-traumatic stress disorder, war, self-harm, paranormal themes

I saw a trailer for the film adaptation of this book a few years ago, and saw that the novel was by Sarah Waters who I have never read, but who is quite well-known for her lesbian fiction. It looked really well shot with beautiful filmography and an eerie vibe. I tend to prefer to read the book before watching the film, and kept an eye out for the book in second-hand bookstores. However, it wasn’t until a couple of years later I finally saw the book at the Lifeline Bookfair. Hilariously, the film doesn’t appear to be available to stream anywhere online in Australia at the moment, so I still haven’t seen it, but I did finally get a chance to read the book.

Image is of “The Little Stranger” by Sarah Waters. The paperback book is in front of a sandstone wall with weeds around it. The cover is a film-tie in with a picture of a young white woman with dark hair in a blue dress sitting in a chair, with an older white woman in a lavender dress and a young red-haired man in a tuxedo standing behind. Two children are off to the side and in the distance is a sandstone coloured manor.

“The Little Stranger by Sarah Waters is a gothic novel about Dr Faraday, a general practitioner in his mid-30s who lives in Warwickshire in the West-Midlands, England. Growing up poor, a pivotal memory for Dr Faraday is visiting Hundreds Hall, a grand Georgian house, as a small boy. Now grown, he is called out to Hundreds to attend to a young maid. Although the house has withered since the war, Dr Faraday is just as mesmerised as he was as a boy, and he soon forms a friendship with Mrs Ayres and her adult children Caroline and Roderick. However, it is more than the house that has changed at Hundreds. Initially concerned that the family members are experiencing mental health symptoms, even a rationalist like Dr Faraday begins to find it harder and harder to explain the things that are happening in the house. Increasingly involved, Dr Faraday must ask himself who, or what, is the catalyst.

This is a deeply unsettling book that really seeps into your bones. Waters maintains an exquisite amount of tension throughout the book by giving the reader just enough to spark imagination but not enough to ever result in a satisfying resolution. As the house slowly crumbles so too does the Ayres family. With one misfortune after another, I found myself looking for the culprit. Was it one person, was it another, or was it an inexplicable, sinister force? In the end, nobody seemed trustworthy, not even the narrator Dr Faraday. After the book was finished, I felt like that math lady meme, trying in vain to put all the pieces together. I always feel that a sign of a good book is that you keep thinking about it once it is done, and I definitely kept thinking about this one. Also, even though nothing too overt happens, I found this book genuinely eerie to the point of being actually frightening. At one point, I was reading the book at night while my husband was in the same room playing computer games, and he shouted at something happening on screen, and I just about jumped out of my skin, I was that on edge. I had to abandon reading it that evening and try again the next day during daylight because it was too stressful.

It was such a well-written and well-paced book that there wasn’t really anything negative to say about it except that given it was published in 2009, there were some things that perhaps may not have made it past editors today. One example being Caroline’s elderly Labrador retriever dog, who shares a name with a slur used to refer to Romani people.

A lingering and haunted book that is just the thing if you’re looking for a gothic winter novel.

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Filed under Book Reviews, Historical Fiction, Horror, Mystery/Thriller

Bunny

Literary body horror novel about women at university

Content warning: bullying, sex slavery, horror

Ages ago I requested this book on Netgalley not because I love rabbits, but because the description was really intriguing. Unfortunately it was in my early days of the platform and I didn’t realise you had to download books within a certain timeframe and I didn’t get a chance to read and review it. However, I have remained intrigued by this book ever since and eventually I caved and bought a copy for my Kobo.

Image is of “Bunny” by Mona Awad. The eBook cover is orange-red with a monochrome photograph of the back of a rabbit. The ears are pointed towards the reader.

“Bunny” by Mona Awad is a literary body horror novel about a young woman called Samantha Mackey who has won a prestigious scholarship to study creative writing at Warren University in New England, USA. There are four other students in the cohort, a clique who call each other ‘Bunny’ as a term of endearment. She and her only friend Ava privately make fun of the Bunnies, and Samantha has even come up with a special nickname for each: Cupcake, Creepy Doll, Vignette and the Duchess. However, one day the Bunnies invite Samantha to their Smut Salon, and slowly and seemingly despite her better judgment, Samantha is brought into the fold. With Ava all but forgotten, the Bunnies show her how they really use their creativity and Samantha has to decide where she draws the line.

This was an incredibly refreshing book and I am so glad that I went and bought a copy. Awad wrote with an exquisitely twisted clarity, shifting tones easily between Samantha before the Bunnies and Samantha after. Warren University is like an parallel universe where everything is a little darker, a little more dangerous and a little more possible. A big theme of this book is loneliness and isolation, and Samantha’s difficulty connecting with people was cleverly written. The characters are erudite and mysterious, and Awad seamlessly weaves in modern social issues into their conversations. There was a lot of interesting commentary about university culture, and the banality of academic privilege juxtaposed against the surreal events of the book was, in my view, far more captivating than other books set in universities I’ve read recently. There is an excellent twist to this book and I won’t spoil it by saying anything more, but while I had some guesses, I did not come close to appreciating the full story. I also really enjoyed Awad’s commitment to the rabbit theme with subtle references throughout the book.

There was only one very minor thing about this book that I found a bit difficult and that was keeping track of the Bunnies themselves. Of the four Bunnies Creepy Doll (Kira) was probably the most distinct, and while I appreciate that they were supposed to be a bit of an amorphous blur, it was a bit hard at times to tell who was who.

I honestly was so inspired by this book that I went and made a playlist to try to capture its very particular atmosphere. This book has such a unique flavour, it really got under my skin and I am so glad I went out of my way to buy it.

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Filed under Book Reviews, eBooks, General Fiction, Horror

We Have Always Lived in the Castle

Gothic novel about two sisters in a mysterious manor

I needed a new audiobook to listen to when I was doing training for my hike in Tasmania, and I had made a shortlist of books that were around 5 hours long which seems to be the sweet spot for my attention span. I had heard of this one before but had no idea what it was about. It looked a bit spooky and I was keen to try something a bit different.

Image is of the audiobook cover of “We Have Always Lived in the Castle” by Shirley Jackson. The cover is a black and white artwork of two blonde girls and a black cat with townspeople behind them in a style that looks similar to linocut printing

“We Have Always Lived in the Castle” by Shirley Jackson and narrated by Bernadette Dunne is a gothic novel about an 18 year old girl known as Merricat who lives in the Blackwood family manor with her sister Constance and her uncle Julian. Constance never leaves the house and its grounds and Uncle Julian is a wheelchair user, so it is up to Merricat to walk into town each week to shop for groceries. Although the people in the village serve her and let her take library books home without ever expecting her to return them, they are also openly hostile towards her. Nevertheless, Thefamily shares a quiet life with Merricat playing with her cat Jonas, Constance working in her garden and Uncle Julian working on his book about the family’s recent history. However, when their cousin Charles turns up the manor, their peaceful existence is thrown into disarray.

This is a delightfully unsettling book that keeps you guessing the whole time. Merricat is a captivating narrator who is utterly unreliable and who appears both younger and older than her actual age. I really enjoyed the way Jackson maintains the sense of uncertainty throughout the book with characters saying contradicting things about what happened to the Blackwood family that are never truly resolved. Merricat’s use of magic and superstition contributes to the mysterious atmosphere and undermines the reader’s understanding of what is real and what is not. Dunne was an excellent narrator who captures Merricat’s apparent innocence perfectly.

A fascinating book that kept me thinking and wondering long after it had finished, and a really good option if you’re in the mood for something eerie.

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Filed under Audiobooks, Book Reviews, General Fiction, Horror, Mystery/Thriller

Welcome to Night Vale

Novel set in fictional podcast’s paranormal town

A particular genre of podcast that I enjoy is fictional podcasts, and one of the very first fictional podcasts I started listening to was “Welcome to Night Vale“. If you’ve never listened, the podcast is in the format of a show on a community radio station run by the mysterious and charismatic Cecil. Each episode includes updates about the town’s unusual happenings and immerses the listener deeper and deeper into the unusual and ominous culture of Night Vale as well as regular segments known as Weather and Traffic. Some years ago, the creators of the podcast released a novel set in the town and I jumped out and bought a copy. Although my partner read it at the time, it has waited on my bookshelf, watching me judgmentally with its crescent moon eye symbol. Finally, I relented.

Image is of “Welcome to Night Vale” by Joseph Fink & Jeffrey Cranor. The purple book is on a table in front of baskets of fake fruit and a plastic flamingo. It appears to be nighttime in the background.

“Welcome to Night Vale” by Joseph Fink & Jeffrey Cranor is a novel set in the eponymous town where all manner of strange, paranormal things happen. The story is about two women: Jackie, who runs a pawn shop and has been 19 years old for more years than she can remember, and Diane, a single mother struggling to raise her teenage son who is going through puberty and who also changes shape constantly. When even more strange things than usual begin happening in Night Vale, unlikely pair Jackie and Diane must work together to solve the mystery of the man nobody seems to remember and find their way to King City.

This is a contemplative book with a mildly threatening aura that takes the reader on a journey through lesser known parts of Night Vale. In addition to some of our favourite characters from the podcast such as Cecil and his boyfriend Carlos, we meet new characters and explore some new and particularly dangerous areas of the town such as the Library. The book weaves together several threads and themes to explore broader issues of identity, family, adolescence and parenthood. Although a difficult character in some ways, Diane’s challenges in relating to her son as he grows up were both relatable and poignant. I enjoyed the transcripts of radio show episodes as interludes, with Cecil reporting with alarming accuracy on Jackie and Diane’s activities and whereabouts. The scenes with Jackie’s mother were particularly unsettling and really set the menacing and absurdist tone we have come to know and love from the podcast.

While there were a lot of aspects of this book that were well done, I did find it a little slow to get started. The characters spend a considerable time musing on their own circumstances, and it is some time before the action kicks off. I think that perhaps now wasn’t the best time for me to read this book. We are currently living through a time of significant uncertainty, with things like borders opening and closing and changes in rules about where, how and with whom we associate happening suddenly and without much warning. This is a book that really leans into the unexpected and decisions made by authorities (known and unknown) are often arbitrary and inexplicable, and reading this book made me realise that I do have a bit of fatigue around these things and probably impacted how much I enjoyed it.

Nevertheless, a valuable contribution to the Night Vale universe in a complementary format to the podcast, definitely a book for fans.

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Filed under Book Reviews, Fantasy, Mystery/Thriller, Science Fiction

Into Bones Like Oil

Horror novel about searching for and escaping the dead

Giveaway details at the bottom of the review

This is a very special book because it was one of the several lots that I won earlier this year in the #AuthorsforFireys Twitter auctions to raise money for the Australian bushfires. I know the multiple award-winning Canberra author, whose books I have reviewed previously and who has been a guest on the Lost the Plot Podcast, and the pack she was offering was a very exciting one. She was offering a copy of her book together with an interactive, multi-sensory experience for the reader to enjoy while reading the book. After I won, we met up shortly afterwards on another very stormy day (which seems to be a theme!) and had the exchange over drinks. I couldn’t wait to set everything up so I could spend a Sunday evening savouring the book and all the items that came with it.

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“Into Bones Like Oil” by Kaaron Warren is a horror novella about a woman called Dora who arrives at The Anglesea, an old boarding house by the coast. The house is run by the friendly but unsettling Roy, and is full of many other guests, some of whom Dora only sees glimpses of at breakfast. It’s a short walk to the beach and an old shipwreck. At first, Dora feels that the guests appear to be all connected by the fact that they are escaping something. Many of them sleep for days without emerging from their rooms. However, the longer she stays at The Anglesea, the more she grows to realise that people don’t seem to ever leave The Anglesea, and neither did the ship’s passengers.

This is an incredible eerie story about guilt and greed, and how those made vulnerable by pain can easily be exploited by others. Dora is a great character, and the more we learn about her past, the more we understand how she ended up at a place like The Anglesea. Although it is a novella, there is plenty packed in and Warren’s writing is complex and insightful. This book seeps into you and lingers long after you finish reading.

Warren is an incredibly vivid writer, and this book really lends itself to enjoying alongside a sensory pack. If you want to make your own pack, here is what you will need:

  • Page 1 – key
  • Page 3 – clock & battery
  • Page 4 – a seashell (to listen to)
  • Page 8 – a scarf
  • Page 15 – a glass and a shot of vodka
  • Page 31 – paints
  • Page 32 – curry
  • Page 48 – striped shirt & Nick Cave and the Bad Seeds Nocturama CD
  • Page 52 – Cheezles
  • Page 65 – soap
  • Page 69 – perfume
  • Page 72 – baked beans
  • Page 74 – girls’ brush

I had so much fun setting up the pack and working through it. I arranged everything clockwise in a circle. I managed to get stuck on the second item, the clock and battery, because I couldn’t quite get the battery in, but managed to wedge it in using the key. When I listened to the seashell, the effect was slightly spoiled by a jet flying over at exactly that moment, but I waited until it passed and tried again. I was a bit of a wuss with the peach-flavoured vodka, and had to mix it with lemonade after the first taste. The paints were great fun, and I was inspired to do a little painting.

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Unfortunately, because I had set everything up at once, by the time I got to the curry at page 32 it was a little lukewarm, but that was easily fixed in the microwave. Also, hilariously, the Dove brand soap had seeped into some of the other items, especially the fabric ones, so everything smelled very clean. The perfume was a really nice touch. I don’t wear much perfume, but there is something very evocative about it.

Anyway, this was an deeply unsettling book that was made all the more immersive with the sensory pack, and both are a testament to Warren’s creativity.

To pay this great experience forward, I will restock the sensory pack and give it to the first person who contacts me via Facebook, Twitter or Instagram with proof of purchase of “Into Bones Like Oil”. Open to Canberrans only, and I will drop it off in a contactless way at a location of your choosing. 

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Filed under Australian Books, Book Reviews, Horror, Novella, Signed Books

Festival Muse 2019

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Festival Muse has become a Canberra Day long weekend tradition, and although I didn’t get to attend as many events as I would have liked, I did get to attend one very good one.

Creating Worlds

After a little silent reading picnic, a couple of friends in my fantasy book club and I decided to finish off the afternoon with something very on-theme. Horror and speculative fiction author Kaaron Warren chaired a discussion with other local authors Sam Hawke and Leife Shallcross on what goes into creating worlds.

From left to right: authors Sam Hawke, Leife Shallcross and Kaaron Warren

The event began with readings by each author of a passage from one of their books. Shallcross read a passage from her novel “The Beast’s Heart”, a retelling of classic fairy tale Beauty and the Beast. Hawke read a passage from her epic fantasy novel “City of Lies” and Warren read a passage from her book “Walking the Tree”. One of the most striking differences between the three novels was the size of the worlds. Where Warren’s book takes place on an island and Hawke’s in a city, Shallcross’ world is much smaller and takes place (for the most part) within the confines of a single house.

The authors talked about finding a balance in how much detail to provide the reader. Hawke said that as a writer, it is a game she plays with readers deciding how much description to give them and how much to let them imagine for themselves. They also compared writing different points of view, and the difference it makes to what characters notice and focus on.

Warren then asked the authors how they found coming up with names and words when writing speculative fiction. Warren said in her own book, she drew on botanical names to name her characters. Hawke said that she focused a lot on food that she wanted to eat, however she was careful not to exhaust the reader with too much new vocabulary. She said that she struggled quite a lot with names, and in fact wrote a third of her book with [name] in place of her main character’s name.

Hawke also gave us a little behind-the-scenes insight into a tool that she uses to come up with new fantasy words. She explained Vulgar, an online tool that generates fantasy languages which, if you’re a fantasy writer, you may wish to check out yourself. She said that she had been reluctant to adapt existing languages because she didn’t want linguists asking her why she called a lady “Chamberpot” or something!

Shallcross said that she drew a lot from Germanic names, and used names from a map, but did receive critique from a cartographer friend who pointed out that all the names she had used had the same rhythm. Warren said that she had received criticism from the same cartographer when she first drew a map of her world. She said that it had been terrible, because it was basically just a big circle, and the cartographer said that people living in her world on the edge of an enormous tree would think of themselves as being connected to other communities in a line rather than in a circle.

The writers agreed that when worldbuilding, you need to get the parts that you’re focusing on right and everything else can be fuzzy and allow readers to use their imagination. Hawke said that unlike many people, she was not particularly visual and when she imagines things, she tends to focus on touch, smell and other sense. She said that as long as you get the little things right, readers will trust you.

Warren then explored how the writers felt about actually knowing a place. Shallcross said that it was challenging, not having traveled to France, and instead she used meticulous research of maps and historical photographs to understand place. Hawke said that she had not traveled much growing up, and what she lacked in personal experience she tended to make up for with imagining her own worlds and research as she went along. Warren then shared about a short story she is working on about the demolition of the Northbourne flats. She said that after seeing all the steel, brick and glass as she drove by, she was drawn to visiting them in person to see how they felt and to get the smell of them as inspiration for her story.

The talk then opened up to audience questions. There were quite a few speculative fiction buffs in the audience and it was really great to see so many different takes on what goes into to building fictional worlds. Although unfortunately I didn’t get a chance to catch all the other great events of Festival Muse this year, this one was definitely a great way to round off a long weekend.

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Filed under Literary Events

Slade House

British supernatural horror novel 

I first read this author when I was 18 years old after his book “Cloud Atlas” was recommended to me by someone I was seeing at the time. I have been slowly getting to some of his other books, though his manuscript for the Future Library project is something I will probably never get to read. Anyway, I was getting to the pointy end of my 2018 reading challenge, and this book was short and sitting on my shelf so I decided it was time to read it.

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“Slade House” by David Mitchell is a horror novel set in the UK. It begins in 1979 with a teenage boy called Nathan who is dragged along by his mother to an exclusive event at a manor called Slade House. After some difficulty finding the address, and after Nathan taking some valium, they eventually find the iron door in an alleyway and make their way into the manor’s garden. Things don’t seem so bad and Nathan befriends another teen called Jonah. However, when things start becoming a little strange, Nathan finds himself unable to leave. 9 years later, a divorced police officer is investigating Slade House and disappearances that are associated with the mysterious address. 9 years later after that, a shy member of a supernatural club goes to a party at Slade House. Will the cycle continue, or will someone be able to break the circuit and see through the illusion?

This book was genuinely terrifying. I was about halfway through, in the chapter Oink Oink, and my heart was positively racing. Mitchell has a real flair for getting inside the head of a diverse cast of characters, and for conjuring empathy in his readers. Each point of view character is isolated in their own way, and Mitchell shows us that courage comes from unexpected places and to never underestimate people based on their appearance. Mitchell is also an expert in layering stories and each chapter builds on and elaborates the former, bringing the true horror of the story to the fore.

I actually don’t have much more to say about this book except that if you’re looking for a well-written and extremely unsettling horror story, look no further.

buy the book from The Book Depository, free delivery

Slade House

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Filed under Book Reviews, Fantasy, Horror, Mystery/Thriller, Uncategorized

The Grief Hole

Award-winning modern horror on everyday evil

Although this might not seem like a Christmas book, I first bought it from the author when she was selling her books at the Beyond Q Christmas book sale that they held a couple of years ago when they were based in Curtin. I bought a copy of this book from the author, which came with a super cute little handmade Christmas cracker and a bookmark made out of stamps, and it sat on my shelf for far too long before I finally read it. Just this year though, I interviewed the author about writing horror for a Halloween special episode of my podcast, and so it was definitely time for me to give this book a read.

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“The Grief Hole” by Kaaron Warren is a horror novel about a young woman called Theresa who works as a domestic violence social worker. Theresa has a special but macabre ability: she can tell how you will most likely die. Increasingly haunted by the spirits of future death that surround her clients, she decides to start taking fate into her own hands with disastrous consequences. Traumatised, she moves away and takes up a job offer from an estranged relative whose daughter recently committed suicide. When the talented young artist’s death begin to emerge, Theresa is determined to prevent history repeating itself. However, when she discovers who exactly she is up against, Theresa is forced to examine her own motives.

This is an eerie and disturbing story that uses a thin overlay of the supernatural to explore good and evil, selfishness and selflessness in an otherwise very realistic world. Warren turns the themes of power and control inside out to examine questions of how much we determine our own futures and how much we must passively accept. She also asks whether our intentions can ever truly be pure, and whether we can ever truly know what the impact of our actions will be. Warren has a real knack for dialogue and for taking the everyday and making it horrifying. She maintains a palpable sense of unease throughout the entire book.

However, this book won’t be for everyone. Although it’s not blood-spattered, stereotypical horror it is very disturbing in its own way. I found quite a few parts of the book confronting and uncomfortable, and this is a book that lingers after you have read it. It is intentionally ambiguous and the reader will often feel like they are walking through a heavily rainy landscape unable to clearly see where they have been or where they are going.

A unique and unsettling take on the horror genre by a local Canberra author, it is not surprising why this book won so many awards and if you’re looking for something a little darker than normal, this would be a great book to check out.

buy the book from The Book Depository, free delivery

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Filed under Australian Books, Book Reviews, Horror

Lost the Plot – Episode 29 – Halloween Horror Special

Halloween Special featuring award-winning author Kaaron Warren speaking about writing horror fiction

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Show Notes

“The Adventurous Princess and other Feminist Fairy Tales” by Erin-Claire Barrow
Lost the Plot – Episode 18 – Feminist Fairy Tales
Erin-Claire’s Kickstarter Page
Erin-Claire’s Website

“Capital Yarns: Volume 2” by Sean Costello
Lost the Plot – Episode 25 – Short Stories
Sean’s Pozible Page
Sean’s Website

Sisonke Msimang talking about “Always Another Country”
Sisonke

Australian Reading Hour
Website

Australian Reading Hour

What other people were reading:

  • “The Psychology of Time Travel” by Kate Mascarenhas
  • “The Woman Who Fooled the World: Belle Gibson’s Cancer Con” by Beau Donelly and Nick Toscano
  • “Beneath the Mother Tree” by D. M. Cameron
  • “No Friend but the Mountains: Writing from Manus prison” by Behrouz Boochani.

Dickson Library Works
Lost the Plot – Episode 26 – Book Disasters
Dickson Library Facebook post
Dickson Library website

Indigenous Literacy Day
Website
Great Book Swap

Reading in Timor Leste
National Library of East Timor
Xanana Gusmao Reading Room
Reading in Timor Leste

Man Booker Prize 2018 Shortlist
Man Booker Prize website

“Matilda at 30”
The Guardian article
Quentin Black website
Penguin Books website

“The Helpline” Trailer from Text Publishing
Youtube channel

“My Brilliant Friend” Trailer
Vulture article

Fantastic Beasts and Where to Find Them Nagini Controversy
SBS article
Vanity Fair article
Pottermore article

Lifeline Book Fair Theft
ABC article
The Riot Act article

New Harry Hartog at the Australian National University
ANU media release

Man wins bookstore in raffle
The Guardian article

Grimms’ Fairy Tales
Wiki page

Snow White and Rose Red
Wiki page

The Snow Queen
Wiki page

The Little Mermaid
Wiki page

“Trying to Save Piggy Sneed” by John Irving
NY Times full essay

“The Grief Hole” by Kaaron Warren
IFWG Australia

Lostprophets
Wiki page about lead singer’s arrest

World Fantasy Convention 2018
Website

Australian Gothic

Windmill Story
I’m not 100% sure, but it may be “Windmill at Magpie Creek” by Chrisobel Mattingley. If anyone knows, send me a message! 

The Bearded Lady’s Mystic Museum
Facebook page

“Tiger Kill” by Kaaren Warren
CSFG 

Kaaron Warren’s Website
Click here

The Black Tides of Heaven
My review

Frankenstein of Baghdad
My review

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Filed under Lost the Plot