Tag Archives: Novella

Silver in the Wood

Exquisite queer fantasy novella

My friend received this book as a gift from her partner, and was absolutely raving about it, so agreed to lend it to me. I wasn’t quite sure what to expect but it has a beautifully evocative cover and it is quite short, so I was optimistic.

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“Silver in the Wood” by Emily Tesh is a fantasy novella about a wild man rumoured to live in the woods called Greenhollow. On closer inspection, the wild name has a name: Tobias. He lives in harmony with the forest he is bound to, alone save his cat and local dryads. However, one day a young man arrives at Tobias’ cottage and with cheerful optimism throws his quiet life into disarray.

This is an absolutely lovely book that had me hooked from the beginning. Tesh is a beautiful writer who has a gift for knowing how much to give the reader, and how much to keep back. Tobias and Henry are great characters, and this book glitters with its earthy, understated magic. Although it is a quick read, it is full of surprises, and takes some classic folklore themes into some unexpected places.

There isn’t much to fault this book on. Perhaps the only thing is that towards the end of the story, there is a bit of a break in the narrative which felt a little jarring compared to the dreamy pace of the rest of the book. However, it made complete sense for the plot, so really it’s hardly a fault.

This is an incredibly enjoyable, refreshing and succinct story that was an absolute delight to read.

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The Ice Palace

Norwegian literary novel about a missing schoolgirl

Content warning: missing child

While on my trip to Northern Europe, I wanted to read a book from every country I visited. This book is hailed as a Norwegian classic, and I was keen to try something a bit different to Scandi Noir.

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“The Ice Palace” by Tarjei Vesaas and translated by Elizabeth Rokkan is a literary novel about a young girl called Siss who meets a new girl in school just as winter is setting in at her small Norwegian town – freezing the river solid. Although Unn is much more reserved than popular Siss, Siss is nevertheless drawn to her and the two girls spend an intimate evening playing together. The next day, after Unn skips school to explore a frozen waterfall, the town bands together to try and find her. One of the last to see her, Siss is grilled for answers as to where she may be. While Unn remains missing, Siss is also at risk of being lost.

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Icicles on traditional houses just outside Oslo, Norway

This is a beautiful, eerie novel that explores the intense yet fragile nature of the friendship of young girls. I don’t like to compare books too much, but it reminded me of “Picnic at Hanging Rock” and “Cat’s Eye” by Margaret Atwood. It had a similar dreamy quality juxtaposed against the sharp clarity of friendship, made all the more dramatic by the captivating yet deadly winter landscape. The opening scenes of the book with the cracking sounds of the ice in the darkness and the frozen beauty of the waterfall was mesmerising. This is quite a short book, almost a novella, and I am still haunted by it. Vesaas knows exactly how much information to give to the reader, and exactly how much to withhold. I also thought that he provides the reader with an incredible insight into the life-shattering and unresolved grief that comes with knowing someone who has gone missing.

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A waterfall on our way to Aurlandsfjord and Nærøyfjord

This was an excellent, haunting book that is an ideal novel for travelling through the spectacular scenery of Norway.

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The Black Tides of Heaven

Genderqueer non-Western fantasy by a Singaporean author

It was my turn to pick a book for my feminist fantasy book club, and after we’d read quite a few lengthy stories, I decided to go for a novella. I checked out the shortlists from the 2018 Hugo Awards, and this book looked the most interesting.

“The Black Tides of Heaven” by JY Yang is a fantasy novella, is the first in a trilogy of silkpunk novellas called the “Tensorate” series. It begins with twins Mokoya and Akeha, children of the Protector, who grow up in the Grand Monastery in the Protectorate after given away by their mother as newborns to settle a debt. Raised genderfree like all children of the Protectorate, the twins are especially close. However, as their gifts develop, the reach adulthood and politics shift, the twins find that their once unbreakable bond pulled to its limits.

This is a really interesting novella with a setting that I absolutely adored. The magic system, the Slack, was intriguing and the twins were a great way to explore the limits of different kinds of powers. The premise of children being raised genderfree was really interesting as well, as well as the ability for children to affirm their gender as adults.  Yang has a sparse but compelling style of writing and it was so refreshing to read fantasy set somewhere that wasn’t based on medieval Europe. I was so excited to cook some themed food for my book club, and I scoured the novella for references to food and built the menu around that.

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I think, however, that this is one of the very rare times that I felt like the book was too short. Not too short in that it ended abruptly, but too short in the way a piano accordion is short when compressed and there’s a lot that’s folded away out of sight. The story ranges from the twins’ birth to their adulthood, but it skips along so quickly that it did feel a little hard to get invested in the characters. Yang clearly has a lot in mind for their world the Tensorate, and I think that there was enough to this book that they could go back and beef it up with more characterisation and worldbuilding.

I would also like to say something about pronouns. I’ve reviewed a couple of books that use gender-neutral pronouns like “Ancillary Justice” and “The Left Hand of Darkness“. In the former, Leckie uses she to refer to everyone, and in the latter le Guin uses he. Yang uses they, which I have seen used and used myself online and in my personal life. However, there were a couple of moments where the meaning wasn’t immediately clear from context whether Yang was referring to one twin in a gender-neutral singular, or whether Yang was referring to both twins with a plural. The English language is, unfortunately, very clunky when it comes to pronouns. I’m not sure what the solution is, but I’m almost wondering, especially in a book set in a world inspired by cultures in Asia, whether or not it might have been better to just abandon English pronouns altogether and pick a pronoun from a language that already has gender neutral pronoun. Indonesian, for example, uses the pronoun dia for everyone regardless of gender.

Anyway, this was an interesting and creative story that I felt could have been easily expanded into a full novel. If you’re looking for fantasy that isn’t a rehash of Tolkein, this is a good place to start and I’m keen to read more of Yang’s work.

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