Non-fiction book about making a podcast about an unsolved murder
Content warning: murder, graphic violence, child sexual abuse
I started listening to this podcast when it first aired back in 2017 and I was immediately engrossed, but perhaps not for the same reasons as everyone else who listens to true crime podcasts. In 2008 a friend of mine went missing while travelling overseas and was found dead several weeks later. The answer to the question of what happened to her has never been resolved. In fact, her case has also been discussed in episodes of different podcast. So listening to this story about a woman who was murdered in her own bookstore being told by someone who was truly committed to finding out the truth gave me hope that perhaps one day the truth of what happened to my friend will be uncovered. When the author came to the Canberra Writers’ Festival the following year to discuss her book, I knew that I had to go along. I’m not quite sure what led me to finally pick it up three years later, but the timing couldn’t have been better. After all these years, the Victorian Coroner is re-examining the case. The podcast had a new episode out just this month and you can keep up to date with the court proceedings here.
“Trace: Who killed Maria James” by Rachael Brown is a non-fiction book about the making of Season 1 of the true crime podcast “Trace“. This season is about the unsolved murder of Maria James, who was found stabbed to death in her own bookshop in 1980. Brown reviews historic case material and interviews police officers who were involved in the original investigation while she tries to negotiate the production of the podcast and navigate interviews with witnesses who may be reluctant to speak out.
This is an engrossing book that goes into much deeper detail than the podcast, with a strong focus on Brown’s own experiences researching and recording. With the extra space afforded by the book, Brown is able to give a lot more detail about the different leads that were and were not followed by Victoria Police. She outlines the initial investigation, and shares the in-depth interviews she has with the detective who was the lead of the case. I think some of the most powerful parts of the book are when Brown, in her signature honest style, acknowledges the choices she made as a journalist and the times where those choices were mistakes. Brown is forthright about balancing the needs of the interviewees, the priorities of the producers and pursuing promising lines of enquiry. The most harrowing parts were about Maria’s sons and their experiences of abuse by priests of the Catholic church, and the stories Brown uncovered from over survivors of abuse. Perhaps, however, the most disturbing parts were how many errors there seemed to be in the way the evidence in Maria’s case was handled and whether or not these errors were accidental.
An incredibly important book not just for true crime fans or even fans of the podcast, but for all of us who believe that the truth should not be obstructed.
Tinted Edges 