Tag Archives: spoken word

Going Down Swinging No. 30

Anthology of short fiction, poetry, comic art, graphic novella and spoken word

Last year, I was thrilled to win a micro-microfiction contest with this journal. I was so inspired I decided to buy one of their annual anthologies. I was looking through the store on the website trying to decide which one and I could not go past this one. The cover design is so striking (by Katrina Rhodes) and I was intrigued by the two spoken word CDs included with it, the design of which matches the Fabergé egg-shaped hot air balloons on the covers. I knew that I had to pick this for my Short Stack Reading Challenge back in December.

Image is of “Going Down Swinging No. 30”. The paperback book is resting on a wooden table with a pair of vintage binoculars and a pocket watch. The cover is of a duck with a dark green head wearing a period-style lime green three piece suit, riding in a hot air balloon. Things are hanging over the side like an anchor, dried onions and a teapot. The balloon is dark green with an intricate design. The duck is floating past a city of light grey buildings with domes and spires.

“Going Down Swinging No. 30” is a special 30th anniversary anthology of short fiction, poetry, comic art, graphic novellas and two spoken word CDs. Although there is an extensive contents page at the beginning, this was a surprisingly quick read. It has a really immersive feel with a very high quality selection of works. Given the number of pieces it is going to be impossible for me to review each or even most, so I will try to highlight some of my favourites.

The Clockwork Children by Felicity Bloomfield was an absolutely chilling horror short story about wanting to fit in with other children that reminded me a bit of “Slade House” or perhaps “Coraline” by Neil Gaiman. Procession by Paddy O’Reilly was a disturbing exploration of what a society with dogs who gained some sentience might be like and the humans who decide to worship them. Rhianna Boyle’s little comic Dirty Joke was a pure and humorous story about making the most of a difficult situation and reconnecting with family. Salvatore Ciliento’s ink illustrations were a beautiful and calming interlude among the written pieces. Shit Brooches by Oslo Davis was a hilarious, punchy little comic that really resonated with me given how popular brooches seem to be over the last couple of years. I thought that Retro Ryder by Robert Caporale was a really interesting take on the trauma of losing a friend when young with a bit of ambiguity thrown in to keep it edgy. I also really liked the realism of Gutted, for Carl Solomon by Luke Johnson which had a intoxicatingly urban setting and examined the ethics of thinking about violence as compared to acting on it. Midlife by Andy Murdoch was an excellent look at intimacy, queer identity and turning 30.

It was a bit hard for me to separate each piece of spoken word on the CDs (let alone find something in my house that would play them!) but the effect of voice over music and ambient noise was very compelling and they definitely added to the overall experience of this book.

A really enjoyable collection and I am keen to get my hands on some more issues of Going Down Swinging.

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Filed under Graphic Novels, Poetry, Short Stories, Uncategorized

All She Wrote

I received a copy of this book courtesy of the author. I don’t know much about poetry, apart from being able to recite a bit of Banjo Patterson, so I was interested to try reading something a bit different.

all-she-wrote

“All She Wrote” by Charmaine L. Glass is a collection of free-verse poetry. Loosely divided into themes, Glass’ poems cover a variety of topics with a heavy focus on the ups and downs of love.

Most of Glass’ poetry is written in the second person which gives it a really personal, intimate flavour, as though she’s talking to you, or you’re overhearing her talking to someone else. The sad, suburban setting of someone who not only lives for love, but is willing to give up everything for love, seeps through the words. Reading her poems, I got a real sense that Glass’ poetry is meant to be heard aloud. Although perhaps some of her strongest pieces like No Christmas TonightHeart Burn and Plant involve much more vivid imagery than her other, more soliloquy-type poems, the others aren’t to be dismissed entirely. I think some of the repetitive phrases and rhyming couplets would really shine if you could hear them spoken with their true, intended rhythm. I also really enjoyed I Must Be CrazyGrown Girl’s Lullaby and Time Upstate and more generally the Longing and Still She Wrote collections.

A heartfelt collection that would best be read aloud to a group.

 

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