Queer urban fantasy romance
This was the set book for my most recent fantasy book club. Although I hadn’t heard of this author prior to reading the book, the author has had a number of books published recently and is generating quite a bit of hype for his novels.

“The House in the Cerulean Sea” by TJ Klune is a queer romantic urban fantasy novel about a public servant called Linus who works as a case worker for the Department in Charge of Magical Youth. Linus spends his days in a toxic workplace writing reports about the compliance of special orphanages with child welfare standards and his evenings alone listening to records with a cat who doesn’t particularly like him. Linus’ life is lonely but predictable, and he is always careful to maintain clear boundaries between work and home. However, when he is called to attend a meeting with Extremely Upper Management, Linus soon finds himself auditing an institution so secret even he has never heard of it. He travels to Marsyas Island Orphanage and meets the enigmatic Arthur Parnassus and the peculiar children he is responsible for. As Linus gets to know them, it becomes harder and harder to remain objective.
The book club member who picked this book also picked “The Rook“, and it has been really interesting reading another example of a subgenre that I’m going to call bureaucratic fantasy. Most fantasy novels focus on war and overcoming evil, and it is kind of a nice change to read about the less exciting practicalities of how magic might be regulated in a more real world setting. It was also really refreshing to read a romance novel that gently unfolds without anything especially bad happening. This is a sweet novel with a strong message of belonging. Klune manages to maintain a sense of tension without ever causing the characters too much discomfort, which is honestly kind of a relief during these times. The kids were really fun and I particularly enjoyed Chauncey and his big dreams of becoming a bellhop.
There were only two things that jarred with me a little. One was that Linus’ world didn’t really have a clear, consistent internal logic. There are a mishmash of magical beings that seem to derive from different mythologies and belief systems without any of those belief systems actually being incorporated into the story. It’s not often that I would be calling for more exposition, but I did feel that the magic was more of a nod to the canon rather than well thought out itself. The other was that while I appreciated the sweetness of the story, there were a number of scenes that were just too saccharine for my liking.
A light-hearted story that is not particularly challenging but is satisfying nonetheless.