Aboriginal family comedy-drama about love, land and luck
A new book club has started up at my work so of course I’m in the thick of it. We put together a list of critically-acclaimed and diverse books and encouraged people to choose whichever books piqued their interest from the list. Although this author’s work has been published extensively, I hadn’t heard of her before. I have been making a real effort to read more Aboriginal and Torres Strait Islander authors, so I thought I would start with this one.
“Too Much Lip” by Melissa Lucashenko is a family drama about a woman called Kerry, on the run from police, who drops in to see her dying grandfather before fleeing across the border. When she arrives, her brother Ken is on edge, her mother Pretty Mary is a mess, and her nephew Donny won’t speak to anyone. Her girlfriend is in jail and she’s just met a dugai man who is very keen on her. The family’s beloved river is in danger, her backpack is missing and to top it off Kerry can’t keep her bloody mouth shut.
This is a necessary book that brings to life a dysfunctional but completely relatable family. Lucashenko has a real talent for realism and the small town of Durrongo and the Salter family are effortless to imagine. Piece by piece, she unpacks the family’s dynamics to uncover not only past traumas but to uncover a way forward. Kerry is a great point of view character through which Lucashenko explores the themes of power, racism and morality. Morally ambiguous herself, Kerry dances a fine line in almost every action she takes, seemingly pulled in several directions by respect for family, culture, money and doing what’s right. I thought Lucashenko did a really brilliant job of building empathy for the family while still being critical of their less-than-savoury actions.
Although I really enjoyed Lucashenko’s writing, characterisation and exploration of themes, I think the one thing I struggled with a bit was the plot. I completely get that part of the comedy was the outrageous actions and coincidences and everything being a bit extra, but there were a couple of parts in the story, particularly towards the end, that I would have liked a little more subtlety. I felt that Lucashenko already engaged the reader enough with the way she tackled real-life issues and wrote her characters, and some of the mayhem at the end of the book felt a bit superfluous.
Whichever way you look at it, this book is definitely a reality check. If you’re looking for an Aussie family drama about the kind of family that doesn’t get written about so often, this is a great book to try.