Military space opera science fiction
Content warning: war
I was very excited when this book came out recently, because I enjoyed the author’s debut novel so much. These past couple of months have hit the publishing industry hard, with book tours and events being cancelled en masse across the country. So, in a small effort to support local bookstores, I went and bought this and a few others from Harry Hartog Woden who were running a book takeaway service. The cover design is so striking. I was hoping to get this review up in time for ANZAC Day, but alas, it was not to be.
“The Old Lie” by Claire G. Coleman is a science fiction novel with several point of view characters. Corporal Shane Daniels volunteered for the war and fights the enemy planetside through mud while dreaming of the family left behind. Jimmy is on the run with no documentation or support, trying to find his way back home one station at a time. William is trapped in a cell in a medical facility, with no way of knowing if he can ever leave. The only thing more impressive than Romany “Romeo” Zetz’s flying skills is Romeo’s reputation with women. Weakened by a terrible sickness, Walker is trying to make his way home to his grandfather’s country.
Coleman has constructed a clever novel using multiple perspectives to examine the human impact of war. Although the intergalactic setting may seem far fetched, this is a well-researched novel and the things that happen in this book are all based on things that have happened historically. Even the title, drawn from Wilfred Owen’s poem Dulce et Decorum est, is well-considered. Coleman paints layer upon layer of complexity and the individual stories, particularly Jimmy’s, are engrossing. While the experiences of the main characters seem worlds apart at the beginning, with Shane and Romeo more than willing to risk their lives for the war, as the book progresses, the true nature of the Federation and their positions in it becomes clear. This book is at heart a political commentary on the way Aboriginal people were treated following military service in the World Wars, and it is excellently executed.
However, this is not an easy book to read. War novels aren’t exactly my cup of tea, so the first half of the book, which is all no guts, no glory, was a bit hard going for me, someone who would prefer no war altogether in fiction and real life. This book, like the reality of war, is incredibly violent and that violence, physical or otherwise, is extremely confronting in Coleman’s hyper-realistic style. Coleman uses a lot of tools to hit her point home, but after a while I was a little overwhelmed by the “hammering of small-arms fire”, “stomach contents” and “the screams [that] would not stop”.
A well-written and well-researched novel that science fiction buffs and war history aficionados will enjoy equally.