Tag Archives: André Aciman

Queer literary romance about identity and growing up

Content warning: sexual themes, reference to abuse

While looking for audiobooks that fit my strict criteria (9 hours or less), I came across this one. I had heard many, many things about this book because it was adapted into a film starring Timothée Chalamet who everyone is constantly talking about for some reason. I was really keen to see the film, but I decided to listen to the book first.

“Call Me By Your Name” by André Aciman and narrated by Armie Hammer is a Bildungsroman about Elio, a 17 year old Jewish Italian-American boy whose parents have a house in Italy. Every summer, Elio must give up his room to a university student invited by his academic father to stay for 6 weeks. This particular summer, in the mid-1980s, the student invited is Oliver. Eminently cool in his seeming indifference, Elio is surprised to find himself extremely attracted to older Oliver. As Elio fantasises more and more vividly about Oliver, he begins to question what this means for his own sexuality and whether the erotic tension between them is truly unrequited.

This is an exquisitely written novel that is as much a love letter to the male form as it is an exploration of a young man’s transition into adulthood. Aciman’s prose is some of the most beautiful and compelling I have come across in a long time. He captures perfectly that teenage obsessiveness, where you get sucked into the vortex of every single detail of every single interaction. Where the time spent thinking about experiences that have or could happen is almost more intoxicating than the reality. The film was a great adaption, but it is a challenge to put on screen prose that takes place largely in the protagonist’s mind – especially when that prose is so captivating in its apparent raw honesty. This book is full of layers and layers of depth, and I found myself wondering whether the names Elio and Oliver were intentionally chosen because of how many letters they shared.

I think this story, in both book and film format, has become iconic. It inspired Lil Nas X’s song “Montero (Call Me By Your Name)” and Sufjan Steven wrote a song specifically for the film that is just magical. The European summer setting is of itself so enticing, where intellectualism and hedonism intertwine in a sublime way. There are some iconic scenes in this book, and one of my favourites is where Elio’s father speaks to him about his friendship with Oliver. That conversation is such a fantastic template for a parent supporting their child’s sexuality, though I found myself wondering if part of the reason Elio’s father had such great empathy was the suggestion that he himself had experienced something similar.

I also have to say something about the narration, which was done by Hammer who actually played Oliver in the film adaptation. He did a phenomenal job narrating this book; and although the book is told from Elio’s perspective, Hammer’s familiarity with the subject matter brings a noticeable intimacy to an already very intimate book. He has a clipped, deep American voice that was very easy to listen to. However, I cannot laude his performance without mentioning the abuse allegations that have been made about him over the past year. I didn’t know about this at the time I listened to the audiobook or watched the film, and in fact it was only in reading more about the actors that I read about the allegations.

While the accusations levelled against the narrator may dissuade you from listening to the audiobook, I cannot recommend Aciman’s novel enough. I understand that he has written a follow up novel called “Find Me” and I am definitely going to read it.