Category Archives: Tinted Edges

These are my posts about the blog’s namesake: books with tinted page edges!

The Knife of Never Letting Go

Dystopian young adult science fiction with a gender twist

I have been reading this author for a while, and I was so excited to meet him in person at the Sydney Writers’ Festival last year. I think that he really is the cutting edge of young adult fiction right now, and when he told me last year that he had a character in one of his series with the same name as me, I knew I was going to have to give it a go. To celebrate 10 years of publication, the series was recently released in these very striking editions with black-edged pages and I absolutely had to have them. It has been a while since I’ve reviewed a book with tinted edges, and there is also a film adaptation currently in production, so I thought I’d better get moving.

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“The Knife of Never Letting Go” by Patrick Ness is a dystopian young adult science fiction novel about a boy called Todd Hewitt who lives in a place called Prentisstown. In a town inhabited solely by men, where everyone can hear everyone else’s unfiltered thoughts at all times, Todd is the youngest. Spending most of his time alone with his dog Manchee, Todd is waiting for his 13th birthday, the day he will become a man, which is just a month away. However, when Todd stumbles across an impossible silence, everything he thought he knew about his town is thrown upside down.

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Sorry, my dog was just being too cute not to include this one

When I picked up this book, what I was expecting the satire of “The Rest of Us Just Live Here” or the poignancy of “Release“. However, this is a very different story. One thing I love about Ness’ writing is that he is not afraid to commit completely to exploring a difficult, nuanced issue. In this story, Ness creates a world where there truly is a difference between men and women. He uses what he knows about gender in society and throughout history to take this difference to its horrifying extreme. When I read “The Power“, this was the book I was hoping for and finally I got it. I also really liked that Ness constantly placed Todd in difficult moral situations and did not always let him choose the right way. Todd struggles with feelings of guilt and conflicting interests, and is by no means the perfect protagonist. Ness is also an incredibly versatile writer and there are a lot of subtleties in the language he uses in this book.

As much as I was hooked by this story, I can’t give it a perfect review. There were some things that happened in the narrative that I wasn’t quite sure about. Also, because we learn about the world as Todd learns about the world, there are some big knowledge gaps that we as the readers can identify but where Todd (somewhat maddeningly) doesn’t know what he doesn’t know. I do appreciate that this is a trilogy, so there is still a lot yet to happen, but it is a very ambitious story and I wasn’t always completely on board with the way the story was unfolding.

Nevertheless, Ness is an excellent and relevant storyteller and if I had teenagers, I would be giving them his books.

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The Knife of Never Letting Go (Chaos Walking Book 1)

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Filed under Book Reviews, Pretty Books, Science Fiction, Tinted Edges, Young Adult

The Little Prince (Le Petit Prince)

French children’s classic about life and love

Although a classic, this book has recently been generating a lot of discussion after being adapted into a film. It is a book have never read, and I came across this beautiful edition with gold tinted edges. Shockingly, despite the name of this blog, it has been over a year since I’ve reviewed a book with tinted edges – something that I shall have to remedy, because I certainly haven’t stopped reading them.

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“The Little Prince” by Antoine de Saint-Exupéry and adapted from the French by Rosemary Gray (more on that later) is a children’s book about a pilot stranded in a desert. He wakes up to find a little prince requesting him to do a drawing. The pilot, although an adult, appears to have retained a child’s way of thinking and is able to connect with the little prince while he awaits rescue in the desert. Although not very forthcoming in answering questions, as the unlikely pair run out of water, the pilot slowly learns about where the little prince has come from and what he is really looking for. The little prince recounts his adventures leaving behind his beloved flower on his own planet, and meeting strange adults on various tiny planets and learning from their exaggerated behaviours, before he finally arrives on Earth.

This is a whimsical and bittersweet story that uses innocence and childlike logic to tackle personal and social issues. On his adventures, the little prince learns about vanity, greed, pointlessness, the value of experience and, finally, love. The reader is left wondering whether the little prince was in fact real, or whether he was something that the imaginative pilot conjured up to help get himself through a time of great hardship. This book lingers particularly on the importance of intangible things, like human connection, and the impermanence of physical things.

Sometimes, when you read a book, you can easily see the value in it it, but it doesn’t necessarily mean that you like it. This is one of those books. I cannot with complete certainty say whether it was the story itself that grated on me, or whether it was the translation. I have bakery-level French, so reading the original is beyond me at this stage, but I understand that this book has been subject to many translations and some preferred over others. I decided to have a bit of a look at the original English translation by Katherine Woods and immediately I liked it better. It is far more lyrical and much more in keeping with the style of the time. I think sometimes people are tempted to try to oversimplify language for children’s books, but there has been criticism of publishers “dumbing down” children’s books recently. If kids aren’t exposed to new words, how will they learn them?

Anyway, translation issues aside, I think that this story is definitely a bit of a “where we went and what we did there“, though I did feel that there was quite a lot of gentle exploring of social and personal issues like I said before. It is a short book, and though some of the life lessons seem a bit disjointed from one another, it’s an easy enough story to read.

While perhaps not my favourite of children’s books, certainly worth a read and definitely worth doing your research when it comes to translations (unless, of course, you can read French).

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Filed under Book Reviews, Classics, Pretty Books, Tinted Edges

The Wind-Up Bird Chronicle

People have been recommending this author to me for a long time. One of my reading goals in 2017 was to try to read authors of more diverse backgrounds, including books published in languages other than English, and this one has been on my list for a while. The edition I have is actually part of the Vintage 21 Rainbow set with tinted edges, however because this one is white, strictly speaking the page edges aren’t coloured. Either way, it looks good on my shelf and it was high time I read it.

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“The Wind-Up Bird Chronicle” by Haruki Murakami is a magic realism novel set in Japan in the 1980s. The story is told from the perspective of Toru Okada, a man who has recently quit his job as a law clerk and who stays at home keeping the house while his wife Kumiko works. When Kumiko asks him to search for their missing cat, named after Kumiko’s brother Naburo Wataya, Okada begins to have strange encounters and telephone calls with some very unusual people. Okada begins to realise that the missing cat is the least of his problems.

There is so much going on in this book and it’s quite lengthy, so I won’t go into too much more detail about the plot. It is also a translated novel, with the English by Jay Rubin, so events aside, my review will necessarily have to be based on Rubin’s interpretation. Anyway, first of all, this is a fascinating book. Okada is quite a subversive protagonist whose passive and domestic ways are almost a rebellion against the expectation of both the reader and those around him. Despite the criticism he receives from others in the novel, I found him to be a refreshing character. Like a kind of magnet, people are drawn to him and compelled to tell him their life stories and in listening, he begins to draw out themes and parallels that apply to his own problems.

This is a story that is very rich in motifs and imagery. There is quite a large cast of characters who each take turns telling bits and pieces of their own stories, and it is a very complex novel. It becomes increasingly complex towards the end as the supernatural elements begin to become more prominent although Murakami manages to maintain a reasonable level of coherence throughout. I found that this book had quite a Roald Dahl-esque tone about it, no doubt due to the translator’s own style, with lots “terrific” thrown about that ultimately I felt suited the story.

Writing this review is tricky because while it is a complex, compelling story – is that enough for it to be a good book? There were quite a few times where I felt like there was a little too much crammed into this book, and some of the delicacy and subtlety of the earlier chapters was lost towards the middle – especially Lieutenant Mamiya’s recollections of his involvement in the Japanese occupation of Manchukuo in World War II. It is quite a long book, and there a lot of strands of story to keep abreast of as it progresses – some of which, like Creta Kano’s, seem to fizzle out without resolution.

An incredibly intricate story with a myriad of characters, it was at times a difficult read but has definitely left me wanting to read more of Murakami’s work.

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Filed under Book Reviews, General Fiction, Pretty Books, Tinted Edges, Vintage 21 Rainbow

Picnic at Hanging Rock

I bought a copy of this book ages ago in the Penguin Australian Classics edition which of course have gorgeous tinted edges and are in beautiful hardcover. This one is particularly whimsical. I’ve always meant to read this book because it is such a well-known Australian story, but I never managed to get around to it until I was invited to an event at the National Library of Australia celebrating 50 years since its publication. Finally, I decided to give this book a go.

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“Picnic at Hanging Rock” by Joan Lindsay is a novel that’s part historical, part mystery and part Gothic. The story is about a fictional boarding school for girls called Appleyard College in the Mount Macedon region of central Victoria. On Valentines Day in the year 1900, a group of girls go on a picnic to the famous Hanging Rock formation. After a lazy afternoon, four of the girls decide to go for a walk just before it is time to go home. However, when only one of the girls returns in hysterics and it is then discovered that one of the teachers is also missing, a search for the four missing women begins. The incident and the ensuing mystery has a ripple effect on the school, the town and ultimately the reader.

This story is definitely one that has ingrained itself in the Australian psyche and without a doubt has become a cultural phenomenon over the last 50 years. Lindsay has a real gift for capturing the unique beauty of the Australian bush and for maintaining and uncomfortable but irresistible sense of tension throughout the book. It has been 50 years and people are still talking about what happened to those girls. There is a “secret” final chapter that was axed from the book and I truly, truly advise that you avoid it. It adds absolutely nothing to the story.

In my write up of the National Library event, I talk a bit about arguably the biggest flaw in this book which is the complete absence of any kind of Aboriginal recognition. This book was written in the 1960s, 5 years after Aboriginal people were given the right to vote and in the same year as the 1967 Referendum. However, similarly to “The Nargun and the Stars“, it alludes to an ancient historical connectedness with the land without directly acknowledging the Taungurung, Wurundjeri and Dja Dja Wurrrung people who lived in the region for tens of thousands of years before being dispossessed of their land.  Perhaps at odds with the subject-matter of a story so concerned with femininity, Hanging Rock was in fact originally a sacred site for male initiation.

Ultimately though, this is a fascinating book that covers a wide range of themes including female sexuality, schooling, class, time and the harsh Australian landscape. It is an engrossing read that 50 years on shines a light on the Missing White Woman Syndrome and plays on the public’s sordid fascination with unsolved crimes.

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Filed under Australian Books, Book Reviews, Historical Fiction, Mystery/Thriller, Penguin Australian Classics, Pretty Books, Tinted Edges

Harry Potter and the Philosopher’s Stone

If you spend any time on the internet at all, you might have noticed that 26 June 2017 was the 20 year anniversary of the publication of one of the most famous books of our time. I don’t reread many books these days, but I thought I would make an exception for this one. I also want to talk about some of the beautiful new editions.

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“Harry Potter and the Philosopher’s Stone” by J K Rowling is the first in a children’s book series that took the world by storm. The story follows Harry Potter, an orphan boy who discovers he is actually a wizard, as he learns about his identity, the secret wizarding world and the magical boarding school of Hogwarts. Harry navigates schoolwork, friendship and his newfound fame as the Boy Who Lived with his new friends Hermione and Ron. Together, the three uncover a plot that could spell disaster for not only themselves and their school, but all the wizarding world.

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I couldn’t tell you how many times I’ve read this story, but it has been a while since the last time. I recently bought the Bloomsbury 20th Anniversary Edition (pictured at the top) which was available both in paperback and hardback in each of the four Hogwarts house colours. I have come to terms with the fact that I am a Hufflepuff so I bought the Hufflepuff hardcover edition with the yellow and black tinted edges. This edition is simply gorgeous and has plenty of great new content about the house, the common room, famous Hufflepuffs and Hogwarts as a whole.

Last year I also bought the illustrated edition (pictured above) so after having a flick through the bonus content in the anniversary edition, I decided that I’d reread the story together with Jim Kay’s beautiful watercolour artworks. They are absolutely stunning, but there weren’t quite as many as I had expected. There are lots of character studies and sweeping scenery (the Hogwarts Express and Hagrid’s Hut really stand out), but I had expected a little bit more magic.

Then, as a reward for completing something really long and boring last year, I bought this great Harry Potter set where the spines all line up together to make a picture of Hogwarts (pictured below). It matches a similar set I have of the Narnia series where the spines make an image of Cair Paravel. Unfortunately, there’s no bonus illustrations or information in this edition but gosh it looks wonderful on my bookshelf.

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Anyway, enough about editions – the story. It’s been 20 years since this book was published, and I really think that J K Rowling has written something timeless. Apart from the fact that she’s still releasing new books and the “Fantastic Beasts and Where to Find Them” movie franchise is going gangbusters, there is a whole new generation of kids who are starting to read these books. At the heart of this story is the classic fantasy premise of:

  • orphan boy discovers magical powers
  • orphan boy goes on an adventure to learn how to use them
  • orphan boy recovers magical object
  • orphan boy save the world from evil

You know, the fantasy story that everyone knows and loves. However, by setting her story with one foot in a magical world (heavily inspired by European mythology) and the other in 1990s England (with all its accompanying cultural references), this book has a modern relevance that no ordinary high fantasy novel can achieve.

I first read this book when I was about nine years old after a friend of mine recommended it to me. Even though I was skeptical of a book called “Harry Potter” (my own nickname being Harry), I was absolutely blown away by what I read. I was also completely swept up in the Harry Potter hype which culminated in the release of the seventh and final book in the series in 2007, and which had a small revival last year. Rereading this book as an adult, I have a more critical eye, but I think this is still an ideal book for children. Scattered with equal parts wonder, humour and social commentary, it’s little wonder children devoured, and continue to devour, this book. The rest of the series grows darker and more mature, and this really is a story that grows up with a child as the child reads it.

Reading it now, it’s not perfect but it’s pretty close. Rowling cleverly drops little hints throughout the first book that have relevance not only to the ending of that book, but to the series as a whole. It’s an ideal book for an 11 year old – the same age as Harry himself – to immerse themselves in and picture themselves getting their Hogwarts letter (I’m still waiting for mine), learning that they are special and going to exciting classes to learn spells. Some of the writing is admittedly a bit simplistic – even for a children’s book. However, that simplicity is also what makes some of it incredibly funny, even all these years after I first read it. There are also a couple of inconsistencies which become a bit more apparent as time goes on. One of these is the rule that underage (or expelled) witches and wizards aren’t allowed to do magic at home, a rule that Hermione, Lily Potter and even Hagrid all break at some stage in this book. Harry has to buy a pointed hat for his school uniform, something which I don’t think we ever see him or his peers wear. The number of witches and wizards in Hogwarts (and in the wider wizarding community) is also not really clear. You’re never really sure if there are 140 or 1400 in Hogwarts, or how many live in the UK as a whole.

“Harry Potter and the Philosopher’s Stone” is a much shorter story that the rest of the books in the series, and you do at times feel like some of the detail of how magic works is glossed over a bit. For example, if transfiguration is turning one thing into another, how exactly is bringing chess pieces to life transfiguration? Wouldn’t that be charms? I feel like Rowling takes her time with this aspect of the story more in the later books as magic and spells are more relevant to the plot. However they are nevertheless a bit relevant to this plot and I think she could have fleshed her concepts out a bit further.

Ultimately though, I only have to ask myself a few questions to determine how I feel about this book. Did I enjoy it? Yes. Would I read it to my children? Yes. Will I keep on engaging with new content like the “Fantastic Beasts” film franchise and the Pottermore website? Yes. Yes. Unashamedly yes. 20 years on this book is just as popular as ever. It’s now published in nearly 70 languages including Latin and Welsh. It is a literary phenomenon that spoke to a generation and is already speaking to the next.

There will always be Harry Potter books on my bookshelf.

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Filed under Book Reviews, Children's Books, Fantasy, Pretty Books, Tinted Edges, Young Adult

Looking For Alaska

I recently came across an article about the top 10 most challenged books in USA schools, and this book was ranked number 6. I bought a copy some time ago after I read my first John Green book. Obviously I couldn’t walk past it: it’s a stunning 10 year anniversary edition with a gold dust jacket and black tinted edges. It’s also got some commentary from the author and some deleted scenes as well. However, after sitting on my shelf for a while, I was finally inspired to give it a go.

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“Looking for Alaska” by John Green is a young adult novel about a teenager called Miles who moves to Alabama for boarding school. Leaving his beige and bullied existence behind, he is quickly taken under the wing of his roommate Chip, known as the Colonel. Chip immediately gives him the ironic nickname of Pudge, and Pudge meets the others in the group, Japanese-American boy Takumi and the beautiful and wild Alaska. Obsessed with people’s final words and finding meaning in life, Pudge left his home in search for a Great Perhaps, and starts to wonder if he just might find it in Alaska.

Although I am completely against book censorship, I can see why this book is so often challenged (though, personally, I think that “The Rest of Us Just Live Here” pushes more boundaries). Green writes candidly about sex, drinking and smoking and his characters are paradoxical in their dedication to schoolwork but opposition to authority. I think that for the most part, none of it was too problematic (though I did feel as though Green romanticises smoking in a way that doesn’t gel with 2017 values). I found the boarding school setting quite interesting. Having gone to a boarding school as a day student and seen what boarding schools are like, I did feel like the degree of free reign students had was a bit unrealistic. Apparently Green based it on his own boarding school experiences though, so I might well be wrong. Pudge is an interesting narrator who, like Charlie in “The Perks of Being a Wallflower“, is much more a follower than he is a leader. Happy to tag along at the heels of the charismatic Colonel and Alaska, Pudge is easily influenced by his new friends. However, his lack of either passion or much of a sense of righteousness, especially after he is the victim of a particularly intense hazing incident, ultimately set him apart.

This book was Green’s debut novel, and I think on balance it was a heartfelt and compelling bildungsroman. I did feel like maybe Pudge could have had a bit more character development than he did, rather than have an experience, but it’s hard to say how reliable a narrator he ultimately is – including about himself. I also felt like Alaska was a classic manic pixie dream girl, and it looks like I’m not alone. Green himself responded to criticisms about the way she was depicted, and while I think part of the point of the book is how much Pudge idealises her, I did feel a bit like her character wasn’t quite as three dimensional as she needed to be.

This is a quick and gripping read that while probably not the best in the genre, I think certainly would have been groundbreaking in its honesty about teenage life when it was first published. A book that at its heart is about what it means to be a good friend, I think it will stick with me for quite a while.

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Filed under Book Reviews, Tinted Edges, Young Adult

A Series of Unfortunate Events: The Bad Beginning

Somehow, I never read this book when I was a kid. I’m not quite sure how this happened. It was first released when I was 11 years old, around the time the Harry Potter books were gaining traction, and I was a big reader. I think I had heard of them, but maybe I thought they sounded a bit childish, or maybe they sounded needlessly grim. Either way, I missed the boat. Now, you may remember that some years ago a film adaptation was made starring Jim Carrey. I remember watching it and being quite underwhelmed, and the film was not memorable at all. However, recently a new TV adaptation has been made starring Neil Patrick Harris. It’s available on Netflix, it’s gotten really good reviews, so I figured the time was nigh for me to give this book series a go before I watch the show. Canty’s had plenty of copies in stock, and the hardcover editions have really cool roughly cut page edges that add to the ambiance. Also, if you watch the show before reading the book – be warned: there are spoilers in the first episode that aren’t in the corresponding book.

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“The Bad Beginning” by Lemony Snicket, is the first book of 13 in the “A Series of Unfortunate Events” series. The story introduces the three Baudelaire children. 14 year old inventing genius Violet, 12 year old bibliophile Klaus and baby Sunny who is good at biting stuff. When the children receive the terrible news that their parents have died from the executor of the will, Mr Poe, they are sent to live with their distant relative Count Olaf. It’s not long before the children cotton on to Count Olaf’s nefarious plans to steal their inheritance.

I think the first thing to say about this book is that it is definitely a book for children. I’m pretty certain that if I had read this book as a child, I probably would have gotten a lot more out of it. Snicket has a that glib style of writing that I remember finding very funny as a kid. He uses lots of “big” words but explains their meaning in a careful way without being condescending. He also gives plenty of examples of the children being independent and being able to capably solve problems, do chores and cook. I think this is a quirky, educational book that would probably be a good gateway book to get reluctant readers reading. However, as an adult (especially an adult that studied law), it’s a bit hard to suspend disbelief enough to really immerse yourself into the story. A big piece of the plot hinges on a “law of our community” that itself is completely implausible in both it’s text and application. I also found the sheer incompetence of the adults (particularly the judge and the banker) to be really annoying. I know this is a bit of a trope in children’s book, but their collective ineptitude was just a bit much.

A solid children’s book that would be perfect to help kids improve their reading, but probably a bit of an eye-roller for parents.

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