Collection of Australian speculative fiction short stories
Last year I attended my first ever Conflux, the annual Canberra speculative fiction conference. I was thrilled to present on three panels: From Paper to Screen, Sentient Flora and Fauna and Write What You Know. It was a great event and I got to see some incredible speakers including Shelley Parker-Chan. There was also a market which included a lot of secondhand books available, and this is one I picked up. I was looking for my next book in my Short Stack Reading Challenge and this was it.
Photo is of “Encounters: an Anthology of Australian Speculative Fiction” edited by Maxine McArthur and Donna Maree Hanson. The paperback book is resting on top of a program that says “Conflux 16: Natcon 60: Visions of…” and a blue lanyard with “Conflux 2022: Visions of Time, Angharad”. The cover is of the faces of two people and a simian figure, with stars, a moon and cosmic dust in the background.
“Encounters: an Anthology of Australian Speculative Fiction” edited by Maxine McArthur and Donna Maree Hanson is a collection of 22 short stories ranging across science fiction, fantasy, horror and everything in between.
While overall the stories were pretty good, there were some standouts. Although I don’t often go for vampire stories, there was something about The Flatmate from Hell by Dirk Flintheart that was very enjoyable. Una, the One by Frankie Seymour was an interesting take on the question about whether or not it is ever possible to have environmental harmony with humans. Sleeping With Monsters by Michael Barry had quickfire twist after quickfire twist, challenging our assumptions at every turn. I also really liked Guarding the Mound by Kaaron Warren, which dealt with questions of legacy and the connection between past and future. Finally, I really liked Happy Faces for Happy Families by Gillian Polack which used time travel to unpack complex issues about childhood illness.
While there were quite a few stories I enjoyed, like any anthology, there are often going to be some that don’t resonate. I think that perhaps a clear theme might have made the anthology feel a bit more united. Also, there were a few moments where I had to remember that the book published in 2004, because some of the language, including around race, is a bit out of date.
An interesting and diverse collection of short stories.
Illustrated fantasy book about a society with sentient dinosaurs
I absolutely love graphic novels and illustrated stories, but somehow I missed this book which came out when I was a young kid. I picked up a copy from the Lifeline Bookfair quite some time ago, and everyone I have mentioned it to has been full of happy nostalgia. When I was picking out books for last year’s Short Stack Reading Challenge, I added this one to the list and was thrilled to finally get a chance to read it.
Photo is of “Dinotopia: A Land Apart from Time” by James Gurney. The hardcover book is in front of the rear right foot of a large triceratops statue that is bigger than the frame. The cover has illustrations of people riding dinosaurs on it.
“Dinotopia: A Land Apart from Time” by James Gurney is an illustrated fantasy story about an explorer and biologist called Arthur Denison and his son William. Told as though Gurney has discovered a forgotten sketchbook, the story follows Arthur and William after they are washed ashore on a strange land when their ship sank at sea. They soon discover that the land is inhabited by both people and dinosaurs who coexist peacefully. Over time, Arthur and Will explore the new land and its inhabitants and adjust to their new life in Dinotopia.
This is a beautifully illustrated, whimsical book that was a delight from beginning to end. Arthur’s perspective as a naturalist was an inspired way to tell the story as the reader uncovers new facets of Dinotopia at the same time Arthur does. The story is told in the style of a journal with the text accompanied by exquisite paintings of Gurney’s imagined society. The detail is sublime with all kinds of imagined elements for how such a cooperative society might operate such as botany, technology, culture, sports, transport, architecture, written language, clothing and more. The human inhabitants of the world are descendants of castaways or recent castaways themselves, resulting in a very pluralistic and tolerant community.
Some may critique the lack of conflict in this book, which flows in an even pace along what I have previously described as a “where we went and what we did there” trajectory but honestly the writing was so lovely, the illustrations so quaint and the worldbuilding so novel that I was willing to forgive just about anything and enjoy the peaceful ride.
An absolutely lovely book full of wonder and beauty and I’m looking forward to reading more in the series.
Prequel to Tamora Pierce’s fantasy series “Immortals”
Content warning: slavery
I was an avid reader of this author’s books when I was young, especially the “Song of the Lioness” and “The Immortals“. A few years ago I was interested to see that a new prequel series for “The Immortals”, but I hadn’t gotten around to reading it. My fantasy book club is full of Tamora Pierce fans (in fact, one of our questions to join our group is about Tamora Pierce!) so I decided to nominate this book for our next meeting.
Image is of “Tempests and Slaughter” by Tamora Pierce. The eBook cover is dark grey with a blue feather dipped in gold coloured liquid that is dripping. The title is in matching gold dripping text.
“Tempests and Slaughter” by Tamora Pierce is a young adult fantasy novel and the first in the “The Numair Chronicles”, a prequel series to “The Immortals”. The story is about a young boy called Arram Draper, the son of a merchant, who is accepted as the youngest student at the Imperial University of Carthak. Ambitious and talented, Arram struggles to control his immense power and when he is accelerated through his studies, he struggles even more to navigate the politics of the older students and the mages who teach them. When he makes friends with Ozorne, the “leftover prince”, and the underestimated Varice, the merchant’s son is set on a path to becoming the most powerful mage in the kingdom and enmeshed in political intrigue.
This is gently paced book that explores the magic and worldbuilding of the Tortall world in even greater depth. Pierce has always been an inclusive writer, and this book is even more so. The story follows the typical magic school format, however the school is novel in that classes are individualised and students progress at their own pace. I really enjoyed how Pierce links the skills and self-restraint Arram learns connect with elements of the plot, and I especially enjoyed the chapters where he was working with animals. Pierce revisits locations throughout the city as Arram ages and matures, and together with Arram the reader begins to view the city and the kingdom with a more critical eye.
It has been a long time since I read “The Immortals”, so it did feel like I was re-entering the world with fresh eyes. One thing I struggled with a bit with this book was to identify who the intended audience was: older fans of Pierce’s works, or readers of young adult fiction today. Pierce wove in a lot of elements into this story: magic, murder mystery, political intrigue, and social issues (including class and slavery), and sometimes the complexity meant that the focus felt a little blurred.
An enjoyable story that steadily unfurls and lays the foundations for “The Immortals”.
Cozy queer fantasy romance about coffee and building community
I came across this book via NetGalley, and although I wasn’t accepted to review it, I liked the premise so much that when it came up as a recommendation when I was searching for my next running book, I decided to download it. It was Mardi Gras in Sydney over the weekend, so this is an ideal book to wind down the festivities with.
Image is of “Legends & Lattes” by Travis Baldree. The audiobook cover is designed like a café blackboard with the book’s title, a sword and curlicues designed as though they are written in chalk.
“Legends & Lattes” written and narrated by Travis Baldree is a cozy fantasy romance novel about an Orc called Viv who has quit her life as a mercenary and is opening up something the town of Thune has ever seen before: a coffee shop. With enough capital to get things started, Viv buys a suitable premises and starts ordering in supplies and equipment. Although initially the citizens of Thune are unsure about coffee, Viv slowly builds a community of customers and colleagues including Cal the hob, Thimble the ratkin and Tandri the succubus. However, as the coffee shop grows in popularity, so too does interest from the Madrigal, the local protection racket, and people from Viv’s past. Is Viv’s new life strong enough to withstand disaster?
This was an absolute delight to listen to. I went into this book with no expectations whatsoever and I was utterly charmed. Baldree narrated the book himself and he has an incredible talent for narration. All the character’s voices were unique, consistent and expressive and it was so easy to settle in and let the story wash over me. I’m not sure if it is the relentlessness of living through a pandemic, but the uncomplicated dream of opening up a little café and taking steps to implement that dream was so soothing, I couldn’t get enough. I found myself looking for extra opportunities to listen to the book: going for runs, gardening, folding washing; any excuse.
This story is all about building trust, respectful communication and slow burn romance. It is a character-driven story and Baldree has an aptitude for sensitively and kindly navigating relationships. Some of the characters were just adorable as well, and I couldn’t get enough of Thimble and his baking creations. I also really enjoyed the simple pleasure of Viv working out how best to deliver the drinks and snacks her customers wanted, and the joy of their shared satisfaction. While there wasn’t a huge amount of fantasy in the book, the generic medieval fantasy setting was a perfect blank slate for Baldree’s characters to shine against.
A warm and relaxing story ideal for anyone who likes fantasy, romance and happy endings.
Historical fantasy retelling of the fairytale “The Twelve Dancing Princesses“
Content warning: sexual harassment, controlling behaviour
After a very heavy audiobook and a bit of a hard time, I was in the market for a book that I knew would be heartfelt, enjoyable and have a (hopefully) happy ending and Juliet Marillier never disappoints.
Photo is of “Wildwood Dancing” by Juliet Marillier. The paperback book is resting in a bush of purple flowers between two purple and red shoes at night time. The cover is of a young woman in an elaborate satin dress and gloves, in a nightscape of tiny creatures, flowers and woodland.
“Wildwood Dancing” by Juliet Marillier is a historical fantasy novel and a retelling of the fairy tale “The Twelve Dancing Princesses“. The story is about Jena, the second of five sisters who live an idyllic life in Transylvania and secretly visit another realm every full moon and dance all night with members of the magical court there. When their father goes away to recover from an illness, the older sisters are left in charge of the household and the family business under the supervision of their father’s cousin. Initially, things go well and level-headed Jena has things under control, even if people occasionally look at her a little askance with her pet frog Gogu. However, after tragedy hits, Jena finds that things are not going so well and finds it harder and hard to resist her second cousin Cezar’s attempts to take control of the situation. In her efforts to try to get things back on track, things get even worse and soon her eldest sister, the Other Kingdom and even Gogu are at risk.
This was a sweet, enjoyable book that took the famous setting of “Dracula” and reimagined it as a beautiful, magical forest setting. I really enjoyed the visits to the Other Kingdom and the warmth of the characters the sisters meet there. Jena was a very relatable character, eager to take on adult responsibilities but struggling to let go of the naiveté of her childhood. The onslaught of Cezar’s controlling behaviour was done really well, and Marillier captured the nuance of how small transgressions can soon turn into abusive behaviour. The prejudice expressed against the Night People provided an interesting overlay to the story.
Although this book was very enjoyable and was similar in style to many of Marillier’s other lovely stories, I felt that it was coded slightly younger than some of her other books I have read. There were some reveals that didn’t feel as surprising to me as in previous books, and I wasn’t sure if that was because the audience was intended to be a bit younger or not.
A sweet story full of heart that brought a traditional fairytale to life.
I received a copy of this eBook courtesy of the publisher.
Image is of “The First Binding” by R. R. Virdi. The eBook cover is of a person with dark skin, long hair and a ragged red cloak facing mountains and a city in the distance.
“The First Binding” by R. R. Virdi is an epic fantasy novel about a storyteller called Ari. After arriving at a tavern and providing a memorable performance, Ari meets a mysterious young woman with whom he forms an instant connection. As they navigate politics and danger in a foreign land, Ari shares the most personal story of all: how he overcame adversity to become a legend and The Storyteller.
This story has all the elements required for epic fantasy: orphan child, early mentor, street urchins, selective magic school and a journey to prove oneself. The book is set against a stunning South Asian backdrop and weaving in captivating mythologies and cultural elements to create rich, unique worldbuilding. I think my favourite part of the book was actually the interlude chapters set in the nation of Etaynia where Ari must navigate dangerous political games, though I did enjoy the competitive kite flying chapters as well.
However, this was not an easy book to read. It is over 800 pages long and it had a very slow start. Virdi has an overly descriptive style and I wish I was exaggerating but the book spent 30 pages describing a bench in a tavern. There were pages and pages of unnecessary descriptions of banal items: candles, cutlery and benchtops. The story really only felt like it began to get moving at page 375, well over a third of the way through. I actually feel like the editors did this book a bit of a disservice by not paring it back much, much more.
Ari is supposed to be an expert storyteller but I didn’t feel like the excellence of his storytelling was self-evident. Instead, there was a lot of reliance on audience reaction rather than having the stories shine in their own right. I also found the magic quite laborious. I understand that mastering the idea of folds took years and was very difficult, but the magic system took a long time to explain for something that did not inherently appear to be particularly complex. I also understand that Ari had gone through some things that perhaps made the magic much more difficult to execute in the earlier chapters however again, it seemed like there was a lot of time spent describing and not really that much magic to show for it which, as a reader, I found very frustrating. I also found the love interest quite cliched with a lot of batting eyelashes and a lot of male gaze. I think I could have forgiven quite a lot of these issues had the premise (rather than the setting) been more original.
There was some lovely worldbuilding in this book but you could have cut it in half without sacrificing the key parts of the story.
It is starting to get rather late in the year, and it occurred to me that I really haven’t been making much of a dent in any of the reading challenges I started at the beginning of the year. So I’m trying to at least tackle the StoryGraph‘s onboarding reading challenge. This book was from the “Popular this Week” when I was adding my books from the challenge, and happily I already had a copy that I had picked up from the Lifeline Bookfair some time ago. The cover is very eye catching, with embossed text, black and white silhouettes and a dash of colour with a red scarf.
Photo is of “The Night Circus” by Erin Morgenstern. The paperback book is standing on black, brown and silver striped fabric next to a book with pages of light, a roughly folded origami tiger and a ticket that says wonderland on it. The cover is black and white with silhouettes of a man, a woman and a circus tent in Victorian clothing. The woman is wearing a floating red scarf.
“The Night Circus” by Erin Morgenstern is a historical fantasy novel set in Victorian England. The book is about a travelling circus known as Le Cirque desRêves that arrives in towns around the world with no warning. It opens at nightfall, it closes at dawn, and the tents inside contain wonders that its visitors have never seen the like before. However, there is much more to the circus than meets the eye. At its heart is a contest, and the players nominated are Celia, the daughter of an enchanter, and Marco, chosen by a mysterious sorcerer as an apprentice. However, the masters did not reckon on the desires of their players, and the players did not reckon on the community that would grow around the circus.
This is a sweet, intricate novel that leans into the romance, whimsy and transience of circuses. Morgenstern creates layers and layers of magical spaces, exploring the limits of magic and imagination. As the circus grows more and more intricate, we begin to see the toll on Celia and Marco, and those around them. I think my favourite part of the book was Bailey’s story, a young boy who falls in love with the circus, and I felt that Morgenstern handled his arc so delicately and so satisfyingly.
While I liked the writing and I enjoyed the premise, I think I found the overarching plot less compelling. The romance seemed to rely on predestination rather than real chemistry. There were things that I wanted to know more about, like the nature of the man in the grey suit, and there were things that I probably could have taken less of, like the listing of the various experiences in the circus which, while creative and beautifully described, did not necessarily contribute much to the plot.
A captivating book with an appealing premise that was a little light on with story.
Fantasy novel about straddling cultures and collecting powers
This was the next set book for my fantasy book club, which I had to dial into because I caught COVID-19 at the end of June, and then almost as soon as I recovered, I caught a cold.
Image is of “The Hand of the Sun King” by J.T. Greathouse. The eBook cover is of a hand covered in intricate designs. In the background is a mountain, river and bamboo leaves in blue and a partially obscured yellow sun.
“The Hand of the Sun King” by J.T. Greathouse is the first novel in the fantasy series “Pact and Pattern” about a young man who grows up in two cultures. In his father’s household, he is Wen Alder, studying for the Imperial Examinations to obtain a prestigious position serving the Emperor. However, in the dead of night, under the tutelage of his maternal grandmother, he is Foolish Cur studying the old ways. Trying to balance both identities, and unable to keep his own ambition in check, he finds himself propelled into a life of politics and intrigue, of rebellion and conflicted loyalties.
This was a really interesting novel with a complex and well thought out magic system. Greathouse is consistent and detailed with the use of magic and fans of epic fantasy will not be disappointed reading about Foolish Cur’s efforts to master various powers. The novel is paced in a way that the reader gradually learns more about reaches of the Sienese Empire and the effects of colonialism at the same rate that Foolish Cur does, creating a sense of connection with him and an investment in his story. I have mentioned a couple of times on here that I have been enjoying books where the primary motivation is ambition, and this was no exception.
However, I did find the book takes a while to get started. While I appreciate the earlier chapters lay a lot of essential groundwork for the overall premise of the book, it was initially slow to gain momentum.
An enjoyable book (once it got going) with unique and well-considered magic, few boring fantasy tropes and plenty of complexity.
As I have mentioned several times on this blog, I have been a fan of this author for a long time. I adored the “Chocolat” series and have really enjoyed most of her original folklore and fairy tales. I also realy liked her psychological thrillers. However, this book has been on my shelf for years and years and I have not managed to read it. I really enjoy runes, and I really enjoy fantasy, but for some reason every time I have tried to start this book I just haven’t been able to get into it. It probably isn’t helped by this cover design which, despite the embossing and gold foil, remains, tragically, quite ugly. The illustrator has actually designed some pretty iconic book covers so I am not sure what happened here. Anyway, I am trying really hard to get through my to-read pile as part of the Mount TBR Reading Challenge and when I actually made my own set of runestones recently, I figured it was finally time to tackle this book once and for all.
Image is of “Runemarks” by Joanne Harris. The paperback book is placed next to a hessian drawstring bag with runestones spilling out; each a smooth grey pebble with a white symbol painted on.
“Runemarks” by Joanne Harris is a fantasy novel about a teenage girl called Maddy Smith who has always been an outcast in her small village Malbry. Maddy has a strange birthmark on her hand, a dark orange ruinmark in the shape of a rune. With the mark comes something else: an ability to wield magic. While the townsfolk discourage anything that requires any amount of imagination, when Maddy was small she met a travelling man called One-Eye. Every season, near a large hill with a red horse carved into it, One-Eye teaches her more about runes, lore, and cantrips from old times. When he is away, Maddy practises her magic in small ways such as chasing away goblins. However, when One-Eye finally returns, he has a special request: to open a way beneath Red Horse Hill and retrieve something that will change the world.
This book draws heavily on Norse mythology, especially the gods and realms that make up the Nine Worlds. While drawing on similar motifs and themes to many of her other stories, in this one, Harris explores a different style of writing. This book is action-packed with a focus on battles for overt power and the fate of the world rather than the subtler themes often touched on in her other work. I think my favourite parts of the book were actually the Examiners, their distorted morality and struggles for control over themselves and each other. Harris explores how fanaticism can breed intolerance and hate, echoing similar messages in some of her other work. Of all the characters in the book, I think perhaps my favourite was Ethelberta who underwent the most character development and was perhaps the most relatable character in the book.
However, in finally finishing this book I was reminded why I had so much trouble with it the other times I have read it. I’m not sure if I am just not very inspired by Norse mythology or if there just wasn’t the same kind of balance between the wonder of magic and horror or danger that you find in some other fantasy novels. Maddie’s time in the oppressive, stale tunnels of Red Horse Hill just felt relentless, and each setting after the next was more and more grim. I appreciate it is a dark story, but there was no respite; no Rivendell-equivalent where we could catch our breath, get to know the characters and understand what was to come next. I think ultimately Maddie’s world didn’t really seem like one that deserved to be saved. Her town was awful, the tunnels were awful, the Examiners and whatever was in the Outlands was awful, the realms they visited were awful and all the people and gods: also pretty awful. I didn’t come away from this book feeling inspired by humanity, I came away feeling like Maddie left a bad place for several that were arguably worse.
While the use of runes to cast spells was a fun way to conceive magic, so much time was spent explaining how the magic was limited that when it came down to it, it did seem quite implausible that the Good Guys (difficult at any time to ascertain due to constantly shifting alliances and morally grey and ambivalent gods) would even be strong enough to fight the final battle. I get that the gods are meant to be fickle and fallible, but I just wasn’t cheering for any of them.
Ultimately not my style of fantasy and I think perhaps Norse mythology is not for me.
Fictional podcast about a death at a mysterious girl’s school
Content warning: bullying, suicide
The time had come to choose my next running audiobook. I was flicking through the options and came across this: a fictional podcast. I really enjoy fictional podcasts and I’ve listened to more over the years than I have reviewed on this blog because I’m never quite sure if they count as books. I actually find fictional podcasts (or radio plays) easier to listen to than audiobooks: I think the extra sound editing and production makes the story more immersive, and the voice actors make the characters more distinct. Anyway, maybe I should review more fictional podcasts but in the meantime, let’s start with this one.
Image is of the “The Orchard” by Mike Jones and Mike Cowap. The audiobook cover has the text ‘Starring Eric Bana’ with a photograph of Eric Bana in a collared shirt with silhouetted images of girls running behind trees in blue light in the background.
“The Orchard” by Mike Jones and Mike Cowap is a fictional podcast about a detective and single dad called Adam Durwood who is about to resign from the force. His last case is to investigate the unusual death of a teenage boy by the orchard of an exclusive all girls’ school. His superiors are eager to write it off as a suicide but Detective Durwood is not convinced. He questions students and staff but their responses are confounding; hinting at the school’s secret history. As impartial as Detective Durwood thinks he is, something about the case is pulling him in and while he is distracted, something is pulling his daughter away from him.
This was a really eerie, well-scripted story with exceptional voice acting. There was a surprisingly stellar cast of characters, with Eric Bana as Adam Durwood, Magda Szubanski as Barbara and Gary Sweet as DI Simes. Bana in particular was a standout and captured the nuance of dogged detective and struggling dad perfectly. Each episode was only about 20 minutes or so, which was a pretty ideal length for a short run. There was quite a sinister vibe and I found this podcast really quite creepy to listen to when I was running by myself at night after work. The story covered a range of issues, and I thought one of the most compelling elements was the impact something like a catastrophic car crash can have on a family, the way we process grief and what you would do to get your family back.
As enjoyable as the podcast was, the closer I got to the ending the less convinced I was with the plot direction. I thought that there had been some really strong groundwork around the school, secret societies and the way alumni connections can be used to propel students towards success. However, the final reveal in the story took a completely different path that I found less interesting and much less convincing.
An enjoyable story with a great cast that didn’t quite land the ending.
Tinted Edges 