Tag Archives: Children’s Books

Hollowpox: The Hunt for Morrigan Crow

Third book in children’s fantasy series “Nevermoor”

Content warning: pandemic

If you haven’t yet read the first two books in this series, I would skip this review and go to the beginning.

Image is of a paperback copy of “Hollowpox: The Hunt of Morrigan Crow” placed next to a black and white Koolie dog with a red and purple face mask and a small bottle of hand sanitiser

“Hollowpox: The Hunt for Morrigan Crow” by Jessica Townsend is the third book in the children’s fantasy series “Nevermoor”. In her second year as a scholar at the exclusive Wundrous Society, Morrigan is finally permitted to study the so-called Wretched Arts of the Accomplished Wundersmith. She eagerly jumps into her lessons, keen to master her new abilities. However, only able to watch records and without the guidance of a teacher, Morrigan’s progress is frustratingly slow. Meanwhile, a mysterious illness has struck Nevermoor throwing the city in chaos. Worse, it only seems to affect Wunimals, taking away their ability to reason and leaving only their most basic animal instincts. Morrigan is suddenly under even more pressure to master her abilities to save Nevermoor and her Wunimal friends.

This is a series that is getting better and better as it progresses. Townsend explores a plethora of social issues in this book from stigma and discrimination to diplomatic relations. Where I found the magic a bit chaotic and confusing in the first book, Townsend has settled into the story and created a great structure for Morrigan to progress through her education mastering different skills. I’m really enjoying the dynamics of her friends in Unit 919, and some of the personalities are really starting to develop in interesting and amusing ways. There were also some really lovely new characters like Sofia. However, the highlight of this book was without a doubt the visit to the Gobleian Library. Without spoiling anything about it, it was a wild couple of chapters that really captured the spirit of Nevermoor. Unlike some authors, Townsend has also introduced with little fanfare a same-sex relationship which was a nice addition.

I think my only warning is that if you’re a bit exhausted hearing about public health issues, then a book about a disease that races through a city sending society into panic might not be the book for you right now. I think from a kid’s perspective, this would be a good lens to consider some of the human rights issues that arise as a result of trying to protect individuals from the unknown, but in that respect it may be a bit heavy and too close to home for some.

A cracking read that has really hit its stride, I am looking forward to the next book in the series.

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A Series of Unfortunate Events: The Miserable Mill

Children’s book series about three hapless orphans

I was getting towards the end of 2020 and my reading goals, I thought I might tackle some of the books on my to-read pile. I have been reading this series for some time, and have been very much enjoying reading the book and then immediately watching the corresponding episode in the TV adaptation. If you haven’t read this series before, you should probably start with the first book.

Image is of the book “The Miserable Mill” by Lemony Snicket. The hardcover book is balanced on a wooden pallet next to some reflective wooden rainbow sunglasses

“The Miserable Mill” by Lemony Snicket is the fourth book of 13 in the “A Series of Unfortunate Events” collection. After the events of the previous book, the three Baudelaire children Violet, Klaus and Sunny appear to have run out of distant relatives and are this time sent to live at a place called Lucky Smells Lumbermill and, it soon turns out, to work there as well. The work and living conditions are enough to contend with by themselves, however when Klaus’ glasses are broken and he has to go to the sinister optometrist nearby, Violet and Sunny must work together to help their brother back to his usual self.

I do think that this series is improving with time, and I enjoyed seeing the children break out of their usual roles of inventor, reader and chewer to solve the problems they are faced with. Unlike the previous books, this book tackles some broader social issues like workplace conditions, minimum wage and exploitation.

However, the TV series continues to draw out much more sophisticated themes without fundamentally changing the story and the episodes that adapt this particular book was excellent. The TV series has introduced significantly more overarching elements to the plot and in these episodes lead the viewer to draw a particular conclusion that was shattered in a spectacular and heart-wrenching way . Without significantly changing the plot, the TV adaptation also reframed business partners Charles and Sir as a couple and explored an unequal distribution of labour in their relationship.

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Family

Children’s picture book about family and First Nation cultural philosophies

I won a copy of this book from the publisher, Magabala Books.

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The artwork on the postcard that the book came with is by Johnny Warrkatja Malibirr

“Family” by Aunty Fay Muir and Sue Lawson, and illustrated by Jasmine Seymour, is a children’s picture book about the different shapes families come in, the different roles family members play, and the things you can do with your family.

This is a beautiful, warm book that is a strong collaboration between Muir and Lawson. The powerful text draws on Muir’s culture and knowledge as a Boonwurrung Elder and is a great starting point for young readers who are beginning to learn about nouns, proper nouns, verbs and adjectives. The positive messages in the text about family and Country are reinforced by Seymour’s beautiful illustrations. Seymour uses layers of hand-drawn figures, native plants, prints and textures to create rich scenery highlighting different cultural practices and landscapes. I really enjoyed the diversity of the families in this book, and the important role each family member plays in teaching, learning, sharing and participating.

A lovely book that would make a great gift for a young reader.

 

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Black Beauty

Classic novel about horses and animal welfare

Content warning: animal cruelty

Recently, I was thrilled to be involved in reading an extract from a book for Read Tasmania’s Lockdown Reading Group. Enjoying the experience so much, I was inspired to do a reading on the Tinted Edges Facebook page. I chose this book because it is a very beloved favourite, but also because it is relatively short, out of copyright, and I really wanted to enjoy this edition which came as part of a collection of children’s classics. This one has powder blue tinted edges, and is just lovely. If you want to watch all the readings, you can check them out here.

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“Black Beauty” by Anna Sewell is a novel about a young black colt who grows up free and happy with his mother on a farm in rural England. A good-natured horse, he is very gently broken in and then sold to a Squire’s estate called Birtwick Park. There, Beauty befriends some other horses, and begins to learn a little about the wider world. As the book progresses, circumstances outside his control mean that Beauty is sold, and sold again. Although brought up with kindness, Beauty experiences all sides of humanity and through his eyes the reader learns the true impact of our actions on horses.

When I was young, I had three favourite books: “White Fang“, “Watership Down” and this one. Sometimes when you grow up, you find that your favourite books haven’t necessarily withstood the passage of time. However, this one is as relevant as ever and it was an absolute delight to revisit. In fact, considering this was Sewell’s only published novel, it is incredible how good it is and how well it has held up today. It was also the first English novel to be told from an animal’s perspective, and has been though to have inspired the genre of pony fiction.

Rereading it as an adult, I can see how this is really an extended fable, designed to teach the readers about the folly and cruelty of the many different ways in which horses were (and, to be honest, often still are) treated. Sewell expertly connects these moral lessons with Black Beauty’s own story, sometimes having him experience them first hand and sometimes having him witness them or hear about them from his friends. Seeing the way horses are treated with whips, spurs, violence and equipment such as bearing reins is absolutely heartrending, and it is little wonder that this book had such a strong social impact.

This is a very emotional story, and it was amazing how much the characters such as Merrylegs, Ginger and Jerry had stayed with me over the years and how much you connect with them while reading. I had forgotten how much action was in this book, and how Sewell keeps the reader on their toes with dramatic near misses as well as tragedies. Another thing I realised reading this as an adult was that I think Sewell perhaps wrote herself into the story as a benevolent lady who intervenes on Beauty’s behalf towards the end of the story, which I thoroughly support.

I enjoyed rereading this book immensely, and if you haven’t read it yet, you won’t be disappointed.

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A Series of Unfortunate Events: The Wide Window

Children’s book series about three hapless orphans

After a very long time between reading book 1 and book 2 of this series, I thought I might not wait so long for the third. Plus, I’m really enjoying the Netflix adaptation (especially Patrick Warburton and Neil Patrick Harris), and I have to read the books before I watch each episode. I picked this book up recently, and in the bookplate inside it adorably has the name of the owner written, in pink cursive, as “Everyone”. I also really love these hardback editions with the deckle edges.

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“The Wide Window” by Lemony Snicket is the third book of 13 in the “A Series of Unfortunate Events” collection. After the disaster that befell their previous guardian, the Baudelaire children Violet, Kraus and Sunny find themselves placed with a new guardian: Aunt Josephine. Nice enough, she lives in a precarious house atop a cliff looking over an ominous lake. However, the children soon discover that Aunt Josephine is wracked with fear and unable to do the most simple tasks such as answer a telephone for fear that she’ll be electrocuted. When Aunt Josephine befriends a suspicious looking boat captain, the children’s efforts to warn her go, unfortunately, unheeded.

The tone of this book is decidedly more grim than the previous one, and the children barely have the opportunity to get to know their new guardian before things go horribly wrong. I think I’m warming up to the series quite a lot, and I’m enjoying that the orphans are starting to waste a little less time reasoning with the litany of unreasonable adults they are faced with and are taking things into their own hands.

However, I feel that by book 3, there should probably be a slightly stronger overarching plot linking the books together. I feel that the TV adaptation has filled this gap and has provided a lot more hints and snippets of things that, as yet, remain undiscovered in the book.

Image of Castor the Sloth, looking through a telescope. #StartOnYourShelfathon The Quiet Pond.

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A Series of Unfortunate Events: The Reptile Room

Children’s book series about three hapless orphans

I was reading my review of the first book in this series, and I actually cannot believe it has been almost three years since I wrote that review. As is often the case, I was scrounging around for short books to read at the end of last year to meet my reading goal, and I thought I’d pick the series back up. The hardcover editions of the series are really lovely with deckle edges and eerie illustrations.

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“The Reptile Room” by Lemony Snicket is the second book of the 13 that make up “A Series of Unfortunate Events”. After things end rather badly with Count Olaf, the Baudelaire children are sent to live instead with Dr Montgomery Montgomery, a world renowned herpetologist who lives in a wonderful large house housing countless species of reptile. The children warm to him immediately, and prepare to accompany him on his next expedition to Peru. However, when Uncle Monty hires Stephano, the new assistant is strangely familiar to the children.

I enjoyed this book a lot more than the first. Uncle Monty is a lovable character who is as oblivious as he is brilliant, and I thought his profession and the way the reptiles are woven into the story made it for a much more interesting read.

The adults are still pretty useless in this book, and I will stress that this is a book for a particular age group.

I’ve been finding it interesting actually watching the Netflix television series, episode by episode after reading the books. The series has drawn very heavily from the books, but has given the audience a little more of the over-arching story. It is a bit of a different experience, but if you’re keen to get your kids reading, getting them into both the books and the TV show might not be a bad idea.

 

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Peter Pan

Classic children’s novel where children don’t grow up

This book hardly needs an introduction. “Peter Pan” has been adapted so many times into so many mediums, but most particularly film. There has been films that are animated and live action, a sequel to and a prequel to the book. Even though I had never read the book before, I had seen so many adaptations of the story that I was very familiar with the plot and themes. I can’t recall where I found this beautiful edition, but I’m not surprised that I bought it. Part of the Puffin Chalk collection, the book has a beautiful chalk-inspired design on the front and back cover and has deckle edges.

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I must have spent about an hour looking for the chalk I knew I had somewhere in the house to draw a hopscotch “court”. On the plus side, while looking for it I found a lost set of keys. 

“Peter Pan” by J. M. Barrie is a classic children’s novel about three children called Wendy, John and Michael Darling who meet a boy called Peter Pan who teaches them to fly. Peter takes them to Neverland, an island only able to be accessed by air. The Darling children join Peter and the Lost Boys in fighting pirates, play-fighting with the Native American tribe, listening to mermaids, watching fairies and hunting the many beasts that live in Neverland. Peter and Wendy play at being mother and father to the young boys, but before long, Wendy realises that they are forgetting their own parents. However, before she can make for home, she is kidnapped by the nefarious Captain Hook who is seeking revenge for Peter cutting off his hand and feeding it to a crocodile.

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It was a really interesting experience finally reading this book that has inspired so many films and concepts. I think every adaptation I’ve seen has drawn quite faithfully on elements from the story, and the themes of Peter Pan have filtered so completely into pop culture, so when I did read it, almost every phrase and every event was familiar to me. The book is jammed full of ideas of love, adulthood and motherhood and what you potentially lose by gaining immortality.

Barrie has quite a primal way of writing, depicting children as almost feral creatures who are often selfish and ruled by instinct. When the children first fly to Neverland, they fly for days, stealing fish from birds and unphased by the unknown. In fact, Barrie’s style reminded me a lot of Joan Lindsay’s “Picnic at Hanging Rock“; dark, with quite a lot of allusions to death and violence, and bodies being things that are malleable and even disposable. The result is a book that while magical, often evokes a sense of unease rather than a sense of wonder. Peter himself is irreverent and unsentimental, with no qualms about using violence including (Barrie hints) against his own Lost Boys. The contradiction between Peter’s rejection of his own mother, playing father to Wendy as mother but yet refusing to grow up is the heart of this novel.

Originally a play, the novelisation was published in 1911 so it is unsurprising that there are elements of this story that have not aged well. If I were reading this book to a child, there would be a lot of points upon which I would have stop and discuss – not least of which Barrie’s depiction of the people indigenous to Neverland. This book deals directly and indirectly with death, which is also hardly surprising given the character of Peter Pan was inspired by Barrie’s own brother who died in childhood. The book also has quite entrenched gender roles, with Wendy moving straight from her nursery into becoming the mother for the lost boys, later returning to Neverland to do Peter’s spring cleaning.

I think this book will remain a classic because growing up is a timeless and universal theme for all children. However, it is a book that I think needs to be read with a critical eye and with an understanding of the context in which it was written.

 

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The Magic Pudding: The Adventures of Bunyip Bluegum

Classic Australian illustrated children’s book

Last year was the 100 year anniversary of this book, and although I was fond of a lot of Australian classics as a child, this one was admittedly one that I had never read. I have quite a few beautiful hardcover editions of these classics with beautiful slipcovers and I was hoping to find a matching edition of this book. I couldn’t find one in exactly the same style, but I did have this copy on my shelf, so I figured it would do for now.

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My home-made take on the Old English Apple Hat pudding

“The Magic Pudding: The Adventures of Bunyip Bluegum” written and illustrated by Norman Lindsay is a classic Australian children’s book. The story is about a koala called Bunyip Bluegum who, after getting annoyed by his uncle’s personal grooming habits, decides to venture out into the world on his own. He soon makes the acquaintance of a sailor called Bill Barnacle and a penguin called Sam Sawnoff who are in possession of a magical, infinite and talking pudding known as Albert. Bunyip, Bill and Sam become fast friends however when Albert is stolen, they must use their wits and their fists to get them back.

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I love funny animal stories, and my absolute favourite part of this book is without a doubt the illustrations. The black and white pencil illustrations at first glance seem very simple, but they are actually unbelievably expressive and effective. Lindsay’s experience as a cartoonist clearly served him well and his characters are all so cheeky and memorable. The characters really make this story and I loved turning the page and not knowing what or who to expect next. The character designs were second to none, be it a rooster, an echidna, a parrot, some policemen, a dog. I also enjoyed how Lindsay divided his book into four ‘slices’ and how the main characters had a song or a ditty for every occasion.

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Unfortunately, there were a lot of things about this story that had not aged well. The three women mentioned in this entire book did not actually say any words themselves. One had no lines at all (she was instead hanging out washing while her husband chatted to passers by), one was quoted by the penguin and another was kissed (whether she wanted it or not) by a bosun. Then there is the racism. The book is peppered with disparaging remarks about African people, Arabic people and Jewish people. Even though it is primarily set in the bush and was written in 1918, there is absolutely no mention of Aboriginal people whatsoever.

I won’t go into the legal issues with this story (despite how some of them grated against my law background) because I appreciate that it is meant to be entertaining. I also appreciate that the men in this story are quite diverse, and Bunyip in particular solves problems through his wits and his eloquence. However, I did feel that Bill took larrikinism a little too far, and there was quite a lot of hypocritical violence and double-standards in this book which frustrated me a lot.

One of the downfalls of classic literature is that it frequently contains things that no longer gel with social standards of today. I haven’t quite made up my mind yet about the trend of editing out ‘problematic’ things from older stories, but I do think it is important to acknowledge that things that people used to write aren’t OK anymore. I think that you can appreciate the art of a book, but critique the messages. I think that this is a beautifully illustrated, fun book that nevertheless has its fair share of cringeworthy moments.

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Wundersmith: The Calling of Morrigan Crow

Second book in children’s fantasy series “Nevermore”

If you haven’t read the first book, skip this review because there will be spoilers.

I read the first book in this series some time ago, and although I felt that it wasn’t so unique as to be mindblowing, it was nevertheless an enjoyable read. When the second book came out recently, I thought I’d give it a go.

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“Wundersmith: The Calling of Morrigan Crow” by Jessica Townsend is a children’s fantasy novel and the second book in the “Nevermoor” series. The story picks up shortly after Morrigan has been accepted into the Wundrous Society after completing a number of trials. One of nine new members in unit 919, each is bound to keep Morrigan’s secret: that she is a wundersmith. A powerful wielder of magic feared by the citizens of Nevermoor. Unfortunately, as a result, Morrigan is excluded from all classes except for the history of catastrophes caused by other wundersmiths before her. Soon, with citizens of Nevermoor disappearing, Morrigan becoming more and more isolated and letters threatening to expose unit 919’s secret unless each member participates in a nigh impossible tasks, it is seeming less and less likely that Morrigan will every truly be a member of the Wundrous Society.

I actually enjoyed this book quite a bit more than the first one. I felt like Townsend has hit her stride and plot-wise, this book was interesting and cohesive. I enjoyed how she kept several mysteries going at once, and wove in what Morrigan was learning about the city of Nevermoor seamlessly into the solutions. I also felt that the worldbuilding was stronger in this book, and I felt that I was starting to get much more of a sense of Nevermore and how the world works. As miffed as Morrigan was about the history lessons, it was an ingenious way to round out some of the context of why the people of Nevermore are so frightened of Wundersmiths. I also enjoyed the trisky lanes and learning a bit about the geography of Nevermoor. Finally, I thought that Townsend’s exploration of good and evil was much stronger in this book with as many twists and turns as the tricksy lanes themselves.

Although I did think that this book was stronger than the previous, I did occasionally feel that sometimes this book was quirky for the sake of being quirky. I also felt that, although it wasn’t as the first book, this book does still borrow a lot of themes from other young fantasy books I have read. There were still quite a few tropes, but I do feelt that this series is starting to come into its own.

An engaging book that picks up where the first left off and lifts the story to a new level.

buy the book from The Book Depository, free delivery

Wundersmith: The Calling of Morrigan Crow: Nevermoor 2

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The Fed-Up Cow

Illustrated children’s book about a cow’s quest for identity

I received a copy of this book courtesy of the author.

Image result for peta lemon the fed up cow

“The Fed-Up Cow” by Peta Lemon and illustrated by Maria Dasic Todoric is a children’s book about a very quirky cow called Hilda who decides that she’s tired of being a cow. With no fear of self-expression and a flair for ingenious costuming, Hilda experiments with living as a range of other farm animals with outrageous results.

This is a fun book that gently explores the idea of identity while introducing kids to the different characteristics of typical farm animals. With fun rhymes and Hilda’s funny facial expressions, this is an enjoyable story. The illustrations, while a little inconsistent, are very engaging and Hilda is brought to life as a lovable goofball. It’s always nice to see female characters being able to experiment and be silly.

It’s interesting looking at a book about a farm from the perspective of an adult Australian. Firstly, farms don’t look like that here, partly because this is a dry country full of drought and partly because farms don’t really operate on such small scales any more. With more and more kids growing up in the city, but more and more environmental (and ethical) issues affecting farms, I wonder if we’re going to see a change in flavour of farm books in future.

A fun children’s book with a refreshing twist on the classic farmyard story.

buy the book from The Book Depository, free delivery

 

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