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Saga Volume 9

Epic fantasy and science fiction graphic novel series

I’ve been following this series pretty much as soon as it first came out. Even though I am certainly hooked, I have had some concerns for a while that the series has been getting a little stale. I chatted on my podcast some time ago that the author recently announced that the series would be going on hiatus for a year, and so I decided I’d stuck with it this long, I might as well read this last volume. Now, if you’re not up to date, I’d stop right here because this will be full of spoilers.

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“Saga Volume 9” by Brian K. Vaughan and illustrated by Fiona Staples begins some time after the end of Volume 8. Hazel, her parents Marko and Alana, Sir Robot IV, his son Squire, the two journalists Upsher and Doff, Petrichor and Ghüs have left Ghüs’ tiny world with Ianthe with the The Will (now known as Billy) forcibly in tow hot on their heels. When Upsher and Doff offer Marko and Alana a chance at a completely new life, the offer is very tempting to others in the group. However, before long Ianthe and Billy have caught up with them and nothing is certain anymore.

“Saga” has been, well, a saga and there is no shortage of drama in this volume. Staples’ art is as mesmerising as ever, and the story continues to shock at every turn. However, I have to say that Hazel’s extremely melodramatic narration has really started to grind on me. There were some parts where I felt it matched the story and art really well, but generally I find it a bit ham-fisted. Vaughan is certainly fearless when it comes to nixing his characters, but in a similar way to the George R. R. Martin, there does get a point where too many of your favourite characters are gone and you just aren’t that invested in the ones left.

I really do think that a hiatus is a good idea. This book ends on a big twist and I’m just not sure where they are going to go from there. A break will hopefully let Vaughan recharge and come back with some fresh ideas to wrap up the series.

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Saga Volume 9

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Saga Volume 8

I’ve been reading the “Saga” series for some time now, and have been reviewing them as they come out on this blog. If you’re not up to date, you might want to go back a step or two so you aren’t dealing with spoilers.

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“Saga Volume 8” by Brian K. Vaughan and illustrated by Fiona Staples picks up where the previous volume of the graphic novel series left off. Hazel’s mother Alana, who is pregnant with a second forbidden mixed-race baby that has died in utero, visits a town on a remote planet called Abortion Town with Prince Robot IV pretending that the child is theirs. When they are refused entry, Alana and Marko have to put their faith in the “doctor” in the Badlands who may be able to help.

I’ve said in previous reviews that I’ve been enjoying these comics a bit less, and I think part of the problem is that each one has a lot of hard-hitting social issues that are tackled but there isn’t a lot of overarching narrative. I felt like this one tackled the tricky issues of abortion and transgender identity in an interesting way. As always, the animal side-kicks are on point. However, it’s really hard to see where this is going. Are we just going to be following Hazel’s entire childhood, or are we going to actually get to Hazel as an adult? Is this a comment on the broader socio-political issues of Alana and Marko’s respective planets?

Am I enjoying this as much as I did at the beginning? No, honestly, I’m not. Will I keep reading them? Definitely yes.

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Saga Volume 7

I’ve been following this graphic novel series (by Brian K. Vaughn and illustrated by Fiona Staples) for a while, so if you want to see what I’ve written about earlier volumes you can check them out here, here and here.

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In my last review, I said that I liked Volume 6 a bit less than the other volumes. I’m very sad to say that I think despite starting out all guns blazing, Saga is on a downward trend. If you’re going to kill off main characters, you need to replace them with something of equal or greater value. Unfortunately, I’m just not loving the replacements. It’s such an action-intensive series that, especially with these volumes only coming out every 9 months or so, it’s a bit hard to keep tabs on everything that’s going on. I think maybe it’s also crossed the line from being wild and irreverent to actually quite maudlin.

Anyway, look, I’ll probably keep reading these, but I’ve definitely lost a bit of my enthusiasm after the last couple of volumes. It’s still hard-hitting, but maybe not as fun.

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