Tag Archives: graphic novel

You Died: An Anthology of the Afterlife

Anthology of comics about death and what comes afterwards

Content warning: death

I have read and supported a few books by Iron Circus (previously called IronSpike), including some that are quite racy! However, I heard about this book because one of my favourite webcomic artists had a comic in it. If you have never come across SE Case’s “Rigsby WI” slice of life, early 2000s, small town comic, then I strongly encourage you to check it out immediately. Anyway, when I checked out the Kickstarter I saw it was by a publisher I had backed before so I decided to back this one as well. When it arrived, I put it on my shelf for a bit and was delighted when I realised after going to bed one night that it glows in the dark.

Image is of “You Died: An Anthology of the Afterlife” edited by Andrea Purcell and Kel McDonald. The image is a photograph of the paperback book with the lights turned out, and all you can see is the glow-in-the-dark (phosphorescent) detailing of moths and fungi.

“You Died: An Anthology of the Afterlife” edited by Andrew Purcell and Kel McDonald is a collection of short comics about the possibilities of what happens during and after death. The book has a foreword by Caitlin Doughty, an advocate of death acceptance and the creator of the “Ask a Mortician” YouTube channel. There are 24 comics that each deal with death and dying in ways that are meant to be poignant, reassuring and even beautiful.

Image is of the book with the lights turned on. The cover has the title in stylised central alignment, surrounded by the black outline of a coffin. The cover is decorated with the moths and fungi that glow in the dark as well as a skeleton hugging its knees in the background and red flowers in the foreground.

This is a diverse collection of interpretations on the theme, which is reflective of the contributors. The comics broach the topic of death from a range of cultural perspectives. Inanna’s Descent to the Underworld by Ahueonao is a tongue-in-cheek Mesopotomian story about goddess Inanna, siblings and and the cyclic nature of life and death which I really enjoyed. Danielle Chuatico’s story All Souls Day is a heart-warming depiction of a Filipino tradition of packing a picnic and visiting the cemetery to share memories about cherished family members. I Promise by A. Shinozaki and Cheryl Young gently considers the difficulty in upholding someone’s wishes and traditions around death when rituals such as kotsuage are not permitted in Western countries. Bone Ink by Rhiannon Rasmussen-Smith and Grace P Fong is a beautifully illustrated comic mixing illusions with Chinese traditional painting and exploring the meaning of legacy.

There were also plenty of diverse relationships and I especially liked the signature honesty and rawness of remember by SE Case and coming to terms not with what you’re facing but with what you’re leaving behind. Arkou by Isabelle Melancon & Megan Lavey-Heaton with a queer twist on the stories of Ankou in Breton, Welsh and Cornish folklore. I’m a big fan of animal stories of course so I also liked the biological education of What Eats Us by Letty Wilson and the heart-rending concept of Herd by Shae Beagle. The Last Wreath by Juliette GMM Lopez was kind of delightfully surreal and Peat, Bone, Oak by Laura Ketcham was a really enlightening comic about bog people.

While there were certainly some standouts in this collection, I felt that there was a range of quality and impact in the comics and some stories worked better than others. There were a few science fiction/fantasy interpretations that I felt took the theme too abstractly, and quite a few comics that unfortunately just weren’t that memorable. I know the anthology was about the afterlife, but I think I had expected something a little more along the lines of Caitlin Doughty’s YouTube channel: a bit more matter of fact and tied a little more to the natural world.

A creative and contemplative collection, with a number of really strong comics that unfortunately outshone the others.

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Animorphs The Graphic Novel: The Invasion

Graphic novel adaptation of middle grade sci-fi series Animorphs

As I have mentioned on this blog previously, I was a HUGE fan of this series when I was a kid. I’m still trying to complete my collection after cancelling my monthly Scholastic subscription, but when I saw that a graphic novel adaptation had recently been released I had to go out and buy it. I’ve been on a bit of a sci-fi graphic novel kick and I’m not even sorry.

Image is of “Animorphs The Graphic Novel: The Invasion” based on the novel by K. A. Applegate and Michael Grant, and adapted by Chris Grine. The paperback graphic novel is sitting in front of the “Animorphs” series arranged chronologically on a bookshelf. The cover has five kids standing on a slope watching pink lights in the sky in the bottom with the top quarter depicting a boy morphing into a lizard.

“Animorphs The Graphic Novel: The Invasion” adapted by Chris Grine is based on the science fiction middle grade novel of the same name: the first book in the “Animorphs” series by K. A. Applegate and Michael Grant. In this book, five kids who loosely know each other are forever bound together when they take a shortcut through a construction site coming home from the mall. While crossing through, they witness the landing of an spaceship and meet Elfangor, a dying alien from the Andalite species. Elfangor warns Jake, Cassie, Marco, Rachel and Tobias about an invasion that is already taking place on planet earth by a parasitic alien species called Yeerks and grants them the only weapon available: the ability to morph. Calling themselves the Animorphs, they must acquire the DNA of different animals and try to infiltrate a secret organisation recruiting humans as hosts and try to stop the Yeerks from enslaving the entire human race.

This is a great adaptation of the original book and Grine has done a great job staying true to the original story and dialogue while still bringing his own spin. Grine has kept the story set in the same time, the late 1990s, with that real mallrat flavour of walkmans, jumpers tied around waists and phones with cords. My initial response to the art style was that it felt a bit childish with thick, bold linework but then I remembered I’m not actually the target audience. With that in mind, I think it’s actually perfect for kids with a great balance between clarity and detail. I really liked the use of different shaped speech bubbles to distinguish between speech and thought-speak, and I also really liked that Grine allocated each character a different colour to help readers keep track of who was speaking in thought-speak. I also felt like some of the things that I had struggled to imagine like the Sharing and the Yeerk pool were illustrated really well, and I liked the take on the alien species, especially the Andalites.

I think probably the one part that I was a little disappointed with was the depiction of morphing. I completely see what Grine is doing, making it look a bit gross and unsettling which is certainly how it is described in the books. I also understand that with a graphic novel, you are just getting a snapshot, and each panel is highlighting a single moment in the uncomfortable, awkward morphing process. However, I think when I imagined morphing, it was a little less goofy and a little more awesome. A little more flipbook animation and a little less flailing.

This graphic novel had plenty of nostalgia but an original enough take that the story felt fresh and appealing to younger audiences. I can’t wait until more of the series is released.

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Sweet Tooth

Graphic novel series about genetic mutation

Content warning: pandemic, gore

Keeping in theme with my recent run of books that have been adapted into TV series or films, I saw recently that this graphic novel series that I had read some (but not all) of had been adapted into a Netflix series and the trailer looked pretty awesome. I checked my shelf and I had 5 of the 6 volumes. I remembered when I had last tried to complete my series the volumes in these editions were out of print, and although I’d managed to find some secondhand, I still had one missing. After it finally arrived from eBay, I was ready to tackle this series from the beginning.

Image is of “Sweet Tooth” by Jeff Lemire. The paperback graphic novel is stacked on top of 5 other books and is resting on a wooden table. Two antlers are emerging from behind the books. The cover is of a stylised boy in a flannelette shirt with the ears and antlers of a deer eating a chocolate bar.

“Sweet Tooth” by Jeff Lemire is a speculative fiction graphic novel series about a young boy called Gus who lives in the woods with his father. Gus learns from an early age that he is different: a deer hybrid. His father teaches him never to leave the woods and to hide away from humans who will do him harm. However, when his father dies of a mysterious illness, Gus is left to fend from himself. When a man called Jeppard saves him from two hunters, Gus agrees to leave the woods with him to make his way to a safe haven known as the Preserve. However, outside turns out to be far, far more dangerous than even Gus’ father could have imagined and Gus must decide who he can trust to survive.

This is an iconic story with a memorable artistic style. I really love stories with biopunk and genetic mutation themes and Lemire’s is a great idea. Although Gus is ostensibly the main character, the story is really about Jeppard, his past and the choices he makes moving forward. Gus spends a large proportion of the story static and in the same place, while we watch Jeppard grapple with his morals and decide whether he has anything left to live for. I think one of my favourite parts of the book was meeting the other hybrids and enjoying the diversity of animals and abilities they represented.

I think a really important thing to note about this book is how violent and gory it is, which at times does make it a bit difficult to read. Lemire doesn’t shy away from depicting physical violence and the effects of illness in acute graphic detail, and you should really bear this in mind prior to reading. The book could have gone one of two ways: science fiction or fantasy, and without giving too much away I was a bit disappointed that it ultimately wasn’t more of a science fiction story. I felt that would have been the stronger path and Lemire drew upon some particular cultures for inspiration, which has drawn some criticism (spoilers).

Even though this is ultimately a book review blog, I did want to note that since watching the Netflix adaptation, I think it is better than the graphic novels. Lemire has very few women in his story, the majority of whom are exploited sex workers or die from illness or childbirth, and there is not a lot of backstory for some of the characters such as the hybrid pig girl Wendy and the conflicted Dr Singh. I also felt that Gus himself received a lot more airtime and elements to his character hinted at in the story were really fleshed out in the show. By introducing some new characters and providing additional backstory, I felt that the TV series was a much more well-rounded story that showed more than one facet to life following a pandemic and, slightly disturbingly, incorporated elements of masks, isolation and santising that have become so commonplace for us now.

A thought-provoking series that, in my opinion, has been improved by the TV adaptation.

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(Adults Only) Whisper Grass

Short queer erotic graphic novel tie-in to roadtrip comic series

Content warning: sexual themes, drug use

After recently Marie Kondoing a significant amount of my house, and subsequently donating a LOT of books, I have had a bit more space to think about my remaining book collections including my graphic novels. I really enjoy graphic novels, and a lot of books in my collection are physical copies of a series that has become popular as a webcomic. I realised that I actually have some unfinished collections in some series, including a brilliant webcomic called “The Less than Epic Adventures of TJ and Amal“. I recently ordered the third volume in the print edition (the webcomic is free to read online), and I had a little niggle in my memory that there had been a limited edition mini-comic that the author had released. I remember not being able to get one of the limited print copies, but a quick search through my files showed that I had managed to buy an eBook copy from the publisher. It is now December, and the clock is ticking to hit my reading goal for the year, so I thought I’d finally read this little comic.

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“Whisper Grass” by E. K. Weaver is an erotic graphic novel about two young men, TJ and Amal, who are on an road trip together after meeting in a bar. Amal has to make it across the country to his sister’s graduation after coming out to his traditional family, and TJ has offered to cover costs if Amal does the driving. Amal is a med student while TJ lives a rather itinerant lifestyle, however despite their differences, the two bond during their journey together. One evening, the pair stay at a motel room and after attempts to buy some drinks are unsuccessful, share a smoke of weed together instead.

This is a fun and warm vignette where a casual evening of Amal and TJ hanging out together becomes something more intimate. Weaver is very keen on characterisation and mood, so while this is an erotic comic, the focus is still very heavily on the emotional connection between the two characters. In the author’s own words, “Sometimes people ask me why most of the sex scenes in TJ and Amal fade to black, get cut short, or are off-camera entirely. The answer is showing those encounters wouldn’t have moved the plot forward, explored the characters’ personalities, or added any substance to the story. In short, those sex scenes were unnecessary. Here’s something unnecessary.” I think that the decision to offer this as a standalone comic separate to the main series was a good decision. Although it is perhaps a little unnecessary, this comic is full of tenderness, humour and enthusiastic consent and complements the main series really well.

If you, like me, fell in love with TJ and Amal, this is a light-hearted and enjoyable edition to a fantastic webcomic series that only adds to our understanding of these two complex characters.

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She Ran Away From Love

Teddy bear picture book about finding yourself

I received a copy of this book courtesy of the author, whose other book I reviewed previously.

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“She Ran Away From Love” by Mawson is a picture book about a teddy bear called Frilly who isn’t sure she is being her authentic self. She consults her friend Mawson for advice, but ultimately decides that she needs to go on a journey to find the answers herself.

This is a sweet book that gently explores the idea of personal development and wanting more from yourself and from your life. Frilly is an interesting character who tries to reconcile being true to herself with personal growth, and I particularly liked the part where she is very assertive about the type of quest she is going on and declines Mawson’s offer of swords, shields and horses because they are neither quiet nor pink. I also like that the book examines different methods for finding happiness, concluding ultimately that you have to do what works for you. The scenery in the photographs is arranged using things around the house that a teddy bear may well use and the author has grown more confident using different editing techniques to bring more emotion to the photos.

A thoughtful, uplifting book suitable for all ages.

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(Adults Only) Letters for Lucardo

Queer erotic graphic novel about vampires

Content warning: sexual themes

I really enjoy webcomics, which is a bit of a double-edged sword. On the one hand, incredible artists can enjoy complete creative freedom and publish beautifully illustrated long-form stories that readers can often enjoy for free. Sometimes these stories get picked up by publishers and turn into award winning books that you can buy. However, the downside is that without anything but positive feedback from fans, maintaining enthusiasm for webcomics can be difficult, and many that I have followed over the years have been discontinued. One such webcomic was called “Judecca”, an eerie, compelling comic about a sharkman, his roommate (a talking rabbit) and a girl with facial scars. Unfortunately, the author discontinued the comic and although you can find bits and pieces scattered around online, there doesn’t appear to be any archive anywhere. However, the author has started publishing graphic novels and although it’s not “Judecca”, I have been keen to check them out. I ordered a copy via a Kickstarter, but this one has been sitting on my shelf for a while. After Marie Kondoing my books recently, I decided to finally read it.

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“Letters for Lucardo” by Otava Heikkilä (the name is different because the author has transitioned since publication) is a graphic novel about the immortal son of a vampire lord called Lucardo who falls in love with a 61 year old human scribe called Ed. Shy and conscientious, Ed is shocked when Lucardo confesses his feelings but they quickly develop an intimate relationship. However, unspoken between them is Ed’s mortality and although Lucardo seems unconcerned by the future, Lord von Gishaupt has his own agenda.

This is an interesting story that explores the idea of queer relationship between two men of significantly different ages. Lucardo is 33, and visibly much younger and stronger than his partner Ed and Heikkilä gently explores some of the insecurities Ed feels about his trim but aging body. Heikkilä also explores enthusiastic consent and clear communication during sex, as well as how sex can involve negotiation, creativity and flexibility. In the years since I read “Judecca”, Heikkilä’s art style has continued to improve and his depiction of male bodies is refreshingly realistic, gentle and true to his artistic style.

I do have to say that when I picked the book up and opened it for the first time, I was disappointed that the illustrations are all in black and white. I totally understand the reason for this – expense and effort – but when you are expecting colour, black and white can be a bit of a let down. The other thing was that I felt that while the overarching story did have tension, there wasn’t quite as much worldbuilding, context and depth to the story as I would have liked. While I am often very happy with a story that focuses on relationships, I like a bit more drama.

An engaging and very inclusive graphic novel with some great illustrations and messages which could have used a little more colouring in, literally and figuratively.

Image of Castor the Sloth, looking through a telescope. #StartOnYourShelfathon The Quiet Pond.

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Griffin & Sabine

Interactive graphic novel about love and letters

I picked this book up goodness only knows how long ago from the Lifeline Book Fair. It was clearly a graphic novel, but it has an enigmatic front cover. I actually assumed that it was about a bird called Griffin (it is not). Given how dire things were getting for my 2019 Goodreads Reading Challenge, I decided that this book had sat on my shelf long enough.

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“Griffin & Sabine” by Nick Bantock is a graphic epistolary novel about an artist called Griffin who begins receiving mysterious postcards from a tropical island far away, written by someone called Sabine. From the outset, Sabine appears to have intimate knowledge about Griffin and his artwork, and as their correspondence becomes more and more involved, Griffin begins to wonder who she really is.

This is a stunning piece of fiction, expertly executed with illustrations, writing and even fold-out letters. Bantock is clearly a creative genius who is able to manifest two distinct voices and bring them to life with striking and original designs. Looking at the cover of this book, I had absolutely no idea what I was in for and I enjoyed every second. I was also thrilled that even though I bought it secondhand, all of the pieces were still intact and I was able to enjoy the tactile experience of lifting the longer letters out of their envelopes.

A shining example of the graphic novel genre, and a story that left me equal parts delighted and disturbed.

 

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Jim Henson’s The Storyteller: Dragons

Graphic novel of dragon stories inspired by Jim Henson’s The Storyteller

I really enjoy graphic novels, and knowing this, my partner bought me this book quite a while ago. I’m going to be honest with you right though, there was a very particular reason why I picked up this book to read towards the end of last year. It was December, I had one month left to reach my 2019 Goodreads Reading Challenge goal of 80 books, and I was in big trouble. Whenever I find myself in this situation, there is really only one option: to read the shortest books on my to-read pile.

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I took this at The Copper Dragon, a fantasy-themed bar in Tuggeranong, ACT. Unfortunately it wasn’t open, but I really want to visit! 

“Jim Henson’s The Storyteller: Dragons” is a graphic novel with stories and art by Daniel Bayliss, Nathan Pride, Hannah Christenson and Jorge Corona with some script and colours by Fabian Rangel Jr., Cassie Kelly and Jen Hickman. There are four stories told in the style of the television series: Son of the Serpent, The Worm of LambtonAlbina and Samurai’s Sacrifice. Each explores the well-known theme of dragon and hero in different cultural and gender contexts.

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Also speak of dragons, my city currently has a fire right next to it and I took this immediately after taking the photo above

I think my favourite of the stories is the first, Son of the Serpent. Daniel Bayliss, a graphic novelist and artist from Mexico, draws on mythology and graphic art from native cultures of North America, and his bold, colourful designs are breathtaking.

Probably one thing that made this book a little hard for me was that I actually had never watched Jim Henson’s The Storyteller. Each of the stories is clearly inspired by the format of the television show, with the dog interjecting while the Storyteller tells a tale, and it felt like there were quite a few in-jokes that went over my head. The art on the front cover is gorgeous, but unfortunately it didn’t reflect any of the stories within, and I wasn’t as captivated by the other three as I was the first.

A fun graphic novel for nostalgic fans of the TV show (or of dragons) but might miss the mark for graphic novel aficionados.

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And the Ocean Was Our Sky

Surreal illustrated retelling of “Moby Dick”

I forgot to mention in my previous review that another major reason for me finally reading “Moby Dick” is that a friend of mine had lent me a copy of this book. I’ve read several of Patrick Ness‘ books before and I was very much looking forward to this one, but it didn’t seem right to try to read it before reading the story it is inspired by. Luckily for me, this one is much shorter.

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“And the Ocean Was Our Sky” by Patrick Ness and illustrated by Rovina Cai is an illustrated young adult novel that reimagines the classic novel “Moby Dick” by Herman Melville as told from the perspective of a whale. Narrated by a whale who styles herself as Bathsheba, the reader is set adrift in an alternative underwater world where whales have developed technology, have reclaimed the depths of the sea and have themselves become hunters. Third Apprentice in a female-only pod under the command of Captain Alexandra, Bathsheba joins the hunt for the terrifying and monstrous Toby Wick. However, when they find a human man abandoned by his crew and Bathsheba is charged with torturing him for information, her perspective on humans and the ethics of the hunt is forever changed.

This book has haunted me since I read it late last year. Ness is a beautiful writer, and he has created a strange and unsettling world for his whales to live in that are realised with Cai’s sublime illustrations. The whales live in exile, only breaching on the rarest occasions and instead relying on breather bubbles that allow them to swim almost forever underwater. Except, to the whales, they are no longer ‘under’. To them, the ocean is their sky and the air below where the men and their ships live is the Abyss. However, the whales’ world is not an easy one to live in. The pods drag around sunken ships, and their cities are built on precipices. They see themselves as hunters but really they are banished, calling themselves hunters but in reality they are just as hunted.

Toby Wick was probably the element that disturbed me the most. Ness never quite gives enough information to the reader about what exactly Toby Wick is. Going much further than Melville’s white whale, the horror of Toby Wick is in the unknown. Is he a monstrous man, is he a machine, is he some awful hybrid of both? We are never truly certain. Throughout the book, hands are a prominent motif representing the ingenuity and dexterity of, and the terror inspired by, humans.

This is a dark and at times unnerving book that does not provide the reader with many answers, but leaves them instead with a lot of questions. A very original take on a classic story.

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Body Music

Collection of short graphic stories about love and intimacy

Content warning: sexual themes

I picked this book up from Canty’s Bookshop recently. They have been getting in some great graphic novel stock, and this one caught my eye because the author is the same author behind “Blue is the Warmest Colour” that famously was made into an incredible film.

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“Body Music” by Julie Maroh is a collection of short graphic stories set in the city of Montreal, Canada. Each story explores issues around love between two (or more) people, transcending gender, race and age. Some of the characters feature in more than one vignette, but each story is, for the most part, a standalone story.

Maroh is an exceptional artist with an honest illustrative style that highlights the beauty, the grotesque and the humanity that can be found in everyday life. Maroh has a natural flair for storytelling with each panel a quiet revelation of hope, pain, loneliness, and love. I really loved chapter 14, The Ghost of Illness, chapter 16, In the Heat of the Club. Sait Catherine Street East, and Charlene’s perspective in chapter 6, Fantasies of the Hypothetical. Maroh did an exceptional job depicting her characters with disabilities (which included a wheelchair user, a person who develops blindness and two men who use sign language), and presents sex as something awkward, humorous and tender. I also really enjoyed the diversity of bodies: slim, curvy, freckled, hairy.

While I felt that this was a beautiful book, I felt that there was something missing to tie all the stories together. Maroh is very committed to diversity, in theme as well as in her characters, but I think a side effect of this was that there wasn’t really a strong common thread to unite each vignette. Perhaps if she had intertwined the stories even more, and had more overlap between the characters and their experiences of living and loving Montreal, I may have gotten a stronger sense of the city itself.

A poignant and thought-provoking book full of excellent examples of the storytelling strength of the graphic novel genre.

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