Collection of Short Stories from Kill Your Darlings
One of the best things about being a member of Kill Your Darlings is receiving an annual copy of this short story collection. When I received my 2021 issue, I realised two things:
- I hadn’t read the 2020 issue yet, and
- these would be ideal for my December Short Stack Reading Challenge.
I like the consistency in the cover design, with variations on an optical illusion theme.
“New Australian Fiction 2020” and “New Australian Fiction 2021” are collections of short stories by Australian authors. As with my previous review of “Going Down Swinging No. 30“, I won’t go through all the stories but I’ll highlight some of my favourites. I will say though that while there were some stories I liked much better than others, I did think that the overall curation of both issues was very strong. The editors put a lot of thought into arranging these stories and they had a really nice thematic flow.
New Australian Fiction 2020
So Many Ways by Mirandi Riwoe was a slice-of-life story about diaspora, job insecurity and unlikely friendships. It wasn’t exactly enjoyable, but Madeline Watts’ story Floodwaters was an uncomfortable and all-too-relatable consideration of being stuck in a relationship and how much of a disaster it takes to leave. After the Stampede by Jack Vening was another challenging story, one of those ones where you go over it again and again because the pieces don’t quite fit until you realise that there is something very wrong with the narrator. I really liked Self-Portrait After Panic by Laura McPhee-Browne, an intimate story about art, friendship and anxiety. I also really liked the vibrancy and sex positivity of Maame Blue’s Howl. Holy Water by Jack Kirne was delightfully dark and ambiguous. Long Road: Becoming by Mykaela Saunders was a excellent story about ritual and family and trying to make a new life following incarceration.
New Australian Fiction 2021
I really liked Flash and Glow by Ben Walter, a dark intersection between tourism and pollution with subheadings of metal contaminants. The semi-autobiographical Tunnels by Bryant Apolonio was a compelling story about the legacies our parents leave us. Resource Management, another one by Mykaela Saunders, used original and creative form to show how cultural misunderstanding has played out in Aboriginal communities in the past as well as in the present. James Noonan’s story Morningside hit very close to home about living overseas while bushfires rage back in Australia. I was disturbed by yet hooked on Flaring Out by Scott Limbrick, a conceptual story about a peculiar and inexplicable phenomenon wiping out humanity one by one. I absolutely loved Takatāpui by Daley Rangi, a beautifully written, real-life, first person narrative about queer and Māori identity and everyday violence. Georgia White’s story Ceasefire brought to life the reality of when a family member does the unthinkable.
There were plenty of cutting edge, relevant pieces in this collection and I look forward to seeing the results of this upcoming year.